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Denver, CO progressive metal band Entropist are sharing their new single “Intense Warmth,” as the follow‑up to their debut single “Creation.” Both tracks appear on the band’s upcoming first full‑length album, The Vision, arriving June 26. 

​​Entropist’s origins trace back to 2013 in Greeley, Colorado, where Solomon, Jeremy, Parker, and drummer Matt lived as roommates and neighbors. As Parker recalls:
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​“We all bonded quickly over our love for prog metal and djent … Solomon had written a few songs at the time … and we ended up setting Matt’s drum set up in our living room so we could learn them together.”​
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After moving away, the music paused until the COVID era rekindled the project:
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​“Lots of long nights chatting in Discord, lots of sharing of guitar pro files, bouncing ideas back and forth. This was the start of Entropist,” adds Solomon.
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The addition of guitarist Will Vinson pushed the project into its fully realized form, which is now The Vision, a dual‑layered concept record intertwining a fantastical narrative of demons, celestial beings, and the void with a grounded exploration of mental struggle, nihilism, and the search for meaning.

“As a band, we see The Vision as a powerful and forward‑thinking progressive metal odyssey, one that explores a huge spectrum of soundscapes and metal influences to tell its intertwined stories. Our goal from the very beginning was to create something that truly feels like a journey, something listeners can step into and escape with for a while. Working with Jamie King was a milestone for us. Some of our favorite albums ever were mixed by him, so having him produce, mix, and master this record was surreal. He elevated everything far beyond what we imagined, and the final product exceeded all expectations,” say the band.

The album’s artwork comes from a hand‑painted canvas by guitarist Solomon’s wife, Shannon Bortfeldt, an impressionist depiction of the story’s opening moments and the emotional weight of its darker themes.

Of this single, Smith says, 

“One of my favorites because it just keeps building … The moment the listener hears the walls of vocals come in, it’s clear they’re listening to something different.”

Preorder the album here.

The post Lyric Video Premiere: Entropist – “Intense Warmth” appeared first on Decibel Magazine.

Drummer and vocalist Gil Moore offers details regarding the cofounding bassist's ongoing absence from their current reunion tour. Continue reading…

(written by Islander) Angest is a new name within the freezing and fiery realms of black metal, but its multi-national lineup quickly attracts attention. It includes two members of Détresse, two members of Humanitas Error Est, and the drummer for Cult of Erinyes and LVTHN. At one time three of them performed with Lebenssucht, and […]

The post AN NCS PREMIERE: ANGEST — “THICK, BLACK TAR” appeared first on NO CLEAN SINGING.

Taking place in Syracuse this August.

The post GWAR & X-Cops Added To 2026 ‘Endless Fires’ Festival appeared first on Theprp.com.

When last we visited the Iron Kingdom, the frigid temps forced Holdeneye to don his special Arctic Wolf Fur Armor (providing +50% cold resistance). With the changing seasons, the climate has transformed into a desert under a scorching hot sun. These Canucks have been putting out classic-style heavy metal since 2011, though founders Chris Osterman and Leighton Holmes originally started the band under the moniker Twisted in 2004. Despite all that history, Shadows and Dust, their sixth album, will be just the second time they’ve graced these halls, following Holdeneye’s review of 2019’s On the Hunt. As prepared as Holdeneye was for the frigid setting of On the Hunt, his Arctic armor unfortunately could not handle the sudden increase in temperature. So I have come in his stead, donning my Hooded Cloak of the Dragon (+50% heat resistance) to travel the Iron Kingdom and report my findings.

On Shadows and Dust, Iron Kingdom remain defenders of the NWOTHM brand. With their instruments and voices, Iron Kingdom summon classic Judas Priest, Iron Maiden, and Helloween. Much of what they offer is mid-tempo bruisers featuring energetic riffs and kit work. Opener “Defenders” proves to be the standard bearer for the mid-tempo stuff, with solid instrumentation and the catchiest chorus on the record. Iron Kingdom occasionally reach for Painkiller levels of thrash as well. The high-energy “Eternal Emperor” features some killer riffs and is so much fun it competes with the best in the genre. Only two songs fall below the four-minute mark (“Line of Fire,” “Dark Demands”), and these prove lean, mean thrash machines that inject the album with energy and momentum. Not that I frown upon the longer tracks. Iron Kingdom employs plenty of tricks to keep the music engaging, particularly energetic dueling solos from Osterman and Megan Merrick that are simply a blast.

The crew comprising this Kingdom prove themselves more than capable musicians. Osterman takes the traditional part of NWOTHM literally with a lively performance that mixes Bruce Dickinson and Michael Kiske. He hits the high notes, but has a light gruffness to keep songs from growing treacly sweet. Holmes provides occasional backup duty on some call-and-response portions. When he shouts “Fight or die!” in response to Osterman on “Line of Fire,” it’s just pure fun. Holmes also excels at the bass. This chosen weapon proves omnipresent thanks to the strong mixing, adding meat and groove to the underlying riffs. His terrific bass part on “Blood and Steel” turns that into a track highlight. Merrick and Osterman show off their stuff on the guitars, injecting the standard rhythm sections with some acrobatic fretwork that’s reminiscent of last year’s Helms Deep. Max Friesen handles kit duties with aplomb. His mid-tempo work keeps up a constant near-thrash level of energy to prime listeners for when songs do go to the next level.

Shadows and Dust shows a pretty significant creep in length compared to Iron Kingdom’s prior few albums. I believe this is the result of some slightly better song compositions, but also a little bloat. For the most part, these tunes don’t feel their length, but a few less memorable cuts do cause the record to sag. “Deadhouse Gates” threatens to kill the momentum mid-record as it becomes too repetitive in its final minute. Fortunately, “Line of Fire” comes to the rescue with a crucial momentum boost. Finale “Sacred Fire,” an epic in the vein of classic Maiden, also runs a touch too long, but manages to entertain for most of its seven-minute runtime. While Iron Kingdom don’t tread any new ground, Shadows and Dust nonetheless offers plenty of fun without any major missteps.

The Iron Kingdom has proved to be a worthy and fun place to visit. It’s far less expensive than the budget-breaking Magic Kingdom and far less brutal than the Steel Kingdom.¹ Sure you can go back and spin classics like Keeper of the Seven Keys a whole bunch, but it’s also fun to hear some fresh songs in the genre from newer bands who know how to write a good lick or two. While the summer is so far shaping up to be another hot one, Shadows and Dust provides the perfect soundtrack to beat the heat. It’s that cool.

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Rating: 3.5/5.0
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Self-Released (NA) / Steel Shark Records (EU)
Websites: Bandcamp | Facebook | Official Site
Releases Worldwide: June 5th, 2026

The post Iron Kingdom – Shadows and Dust Review appeared first on Angry Metal Guy.

Metal's biggest band was remarkably cool to their openers. Continue reading…

Skinless vocalist Sherwood Webber had been filling in prior.

The post Internal Bleeding Welcome New Vocalist Theo Vlahos (Vomit Forth/Weeping) appeared first on Theprp.com.

Next week, the New York underground rap fixture Wiki will release his new album Ancient History. I have heard it, and it’s great. For now, you’ll mostly have to take my word for it, since Wiki’s not exactly inundating us with advance singles. Up until today, the only one he shared was “Park,” his warm…

The post Wiki – “Right Away” appeared first on Stereogum.

Baby, this Netflix sci-fi drama was born to run and run

Pixies were a vastly influential band who didn’t stick around for too long or release too much music in their first incarnation, which means people have been mining their discography for decades. Somehow, though, someone has found a handful of Pixies tracks that have never seen the light of day. Later this year, Pixies will include those tracks on new reissues of their third and fourth albums, 1990’s Bossanova and 1991’s Trompe Le Monde.

The post Pixies Announce <em>Bossanova</em> & <em>Trompe Le Monde</em> Reissues With Previously Unreleased Tracks appeared first on Stereogum.