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Orange Doors’ Infection channels the band’s curious “tuba grunge” aesthetic into a hazy, psychedelic indie rock ride. Anchored by a darker, low-tuned guitar tone and a loose, hypnotic groove, the track carries a reflective mood beneath its fuzzy textures. Lyrically, the song explores the subtle shifts that come with aging and the relationships that fade or evolve along the way. Despite the introspective theme, Infection maintains a playful, slightly surreal atmosphere, balancing nostalgia with experimentation. The result is a distinctive piece of indie psychedelia that feels both thoughtful and sonically adventurous.

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The post Delusions of March 2026 – Part 2 appeared first on Still in Rock.

This week’s “Dark Wave,” hosted by Matt Sebastian, featured music by The Creatures, The Cure, Einstürzende Neubauten, Psychic TV, Martin Dupont and more.

With the intriguingly titled Love is a skill like painting or taxidermy, Two-Man Giant Squid reveal a more vulnerable and reflective side of their Brooklyn post-punk sound. Driven by lush synth textures and thoughtful lyricism, the track balances wit with genuine emotional depth. Written by frontman Mitchell Vinkour for his wife and bandmate Sam, the song explores love not as a fleeting feeling but as something that must be learned, practiced and nurtured.

Blending dreamy atmospheres with sharp songwriting, the result is a poignant and surprisingly tender moment within the band’s angular, synth-tinged universe.

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Cut-Rate Druggist’s Cut Off The Head is a fierce, hook-heavy blast of raw rock energy that channels frustration into pure sonic rebellion. Driven by gritty guitars, pounding drums and an unrelenting attitude, the track feels both confrontational and cathartic. Beneath the explosive sound lies a theme of defiance—standing up when power structures leave you feeling voiceless. The band delivers the message with unapologetic intensity, turning anger into a rallying cry.

Cut Off The Head is loud, direct and unapologetically rebellious, capturing the spirit of rock as a weapon against complacency.

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Since the release of “Kraft” in 2004, Vreid has established themselves as a major player in the world of blackened metal from Norway. The band from Sognal has released albums regularly, and now it is “The Skies Turn Black” that will hit the shelves. Five years after releasing “Wild North West,” the Norwegians are presenting… Continue Reading →

Stefan J. Selbert’s Almost Eden carries a quiet, reflective charm that feels shaped by long winters and literary wanderings. Rooted in warm, earthy songwriting, the track blends rustic Americana tones with thoughtful lyricism that hints at nature, solitude, and slow contemplation. Selbert’s delivery feels unpretentious and grounded, allowing the song’s imagery and gentle melodies to unfold naturally. There’s a subtle sense of longing throughout, as if searching for a place just out of reach. Almost Eden captures that delicate space between reality and idealism with a calm, introspective grace.

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Wayne Regretzky’s I Swear delivers sleek synthpop with a glossy, late-night emotional pulse. Built on shimmering synth lines and a steady electronic groove, the track balances modern pop sensibility with a nostalgic new-wave touch. Wayne Regretzky’s songwriting leans into melodic clarity and atmospheric production, creating a sound that feels both intimate and cinematic. Beneath the polished surface, I Swear carries a subtle emotional tension, capturing the fragile promises and uncertainties that often sit at the heart of relationships.

The result is a piece of synth-driven pop that feels smooth, reflective, and effortlessly catchy.

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Yoshiki Tagashira’s Jofuku is a delicate and contemplative piano piece inspired by the quiet mysticism of the Kumano Kodo trail and the legend surrounding Jofuku Shrine. With gentle, flowing melodies and spacious phrasing, the composition evokes the stillness of nature and the sense of history embedded in the landscape. Each note unfolds with patience and clarity, inviting the listener into a reflective sonic environment where time seems to slow down. Jofuku captures the peaceful dialogue between nature, memory and music, transforming a remote sacred place into a serene musical meditation.

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Angel’s .

The post Angel’s album ‘Helluva Band’ getting reissued for its 50th Year Anniversary first appeared on Sleaze Roxx.