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ARTIST: Spell
ALBUM: Wretched Heart
RELEASE DATE: 05/01/2026

01. Dark Inertia
02. Lilac
03. Take My Life
04. Unquiet Graves
05. Oubliette
06. Iron Teeth
07. Exquisite Corpse
08. Savage Scourge
09. In Duress
10. Wretched Heart

Australia’s music scene has always punched far above its weight. This is especially true for its vibrant and often confrontational punk rock history. The story of Australian punk bands is one of raw energy, DIY spirit, and a defiant attitude that echoed from Sydney’s beaches to Melbourne’s laneways. While the world looked to London and New York in the late 1970s, a revolution was brewing Down Under. These bands crafted a uniquely Antipodean sound, often blending surf rock, sharp social commentary, and pure, unadulterated fury.

Furthermore, the legacy of these foundational groups paved the way for successive waves of artists. These new acts carried the torch onto the international stage. From the pioneering saints of the 70s to the global icons of the 90s and the vital voices of today, this list celebrates the essential Australian punk bands you need in your life. Therefore, prepare to discover a rich musical tradition built on three chords, a strong opinion, and an undeniable passion. This journey will showcase the relentless spirit that defines Australian punk.

1. The Saints

When discussing the origins of punk rock, most histories focus on the CBGBs and The Sex Pistols. However, halfway across the world, The Saints were brewing a revolution of their own in Brisbane. Incredibly, they independently released their classic single “(I’m) Stranded” in 1976. This was before the iconic British punk bands had even released their first records. The song’s frantic pace, snarling vocals, and raw production quality made it an instant classic. Consequently, the band earned a reputation as one of the planet’s first punk acts.

Their 1977 debut album, also titled (I’m) Stranded, is a landmark release. It captured a ferocious energy that was entirely their own. Tracks like “Erotic Neurotic” and the title track are pure, unrefined punk anthems. Unlike some of their contemporaries, The Saints blended this intensity with the rock and roll swagger of bands like The Rolling Stones. This unique combination set them apart from the very beginning. They proved that Australian punk bands could not only compete with international acts but could also lead the charge.

2. Radio Birdman

Formed in Sydney in 1974, Radio Birdman was another foundational pillar of the Australian punk scene. Their sound was a unique and powerful fusion of high-energy Detroit rock (think MC5 and The Stooges) and surf guitar licks. This created a distinctive, fuel-injected style that was entirely their own. They were instrumental in creating a dedicated community, even establishing their own venue, the Oxford Funhouse. This space became the epicenter for Sydney’s burgeoning punk and alternative scene.

The band’s seminal album, Radios Appear, is an essential listen. Tracks like “Aloha Steve & Danno” and “Descent into the Maelstrom” are relentless, driving, and technically proficient. Radio Birdman’s influence cannot be overstated. They inspired countless musicians with their intense live performances and uncompromising vision. Alongside The Saints, they demonstrated the diversity and power of the early Australian punk bands movement. Their legacy continues to resonate with fans of high-energy rock and roll worldwide.

3. The Hard-Ons

Emerging from the western suburbs of Sydney in the early 1980s, The Hard-Ons became legendary for their chaotic live shows and infectious blend of punk music, pop, and metal. As a multicultural band with members of Croatian and Korean heritage, they broke barriers in a predominantly white scene. They are arguably one of Australia’s most successful independent bands ever. They achieved massive chart success entirely on their own terms, without major label support.

Their sound is a joyous, raucous explosion. Hits like “Girl In the Sweater” and “Where Did She Come From?” feature buzzsaw guitars, catchy melodies, and an undeniable sense of fun. The band’s prolific output and DIY ethos, releasing records through their own label, made them icons. The Hard-Ons proved that Australian punk bands could achieve widespread popularity while maintaining complete creative control and their underground credibility.

4. Cosmic Psychos

If there is one band that embodies the sheer, unpretentious, beer-swilling spirit of a certain strand of Australian culture, it is the Cosmic Psychos. Hailing from Melbourne’s outer suburbs, this trio has been delivering their signature “bogan punk” since the mid-80s. Their music is simple, loud, and brutally effective. It is built on a foundation of fuzzed-out bass lines, pounding drums, and lyrics about trucks, beer, and frustration.

The band’s influence is immense. American grunge icons like Mudhoney have cited them as a major inspiration. Albums like Blokes You Can Trust and Self Totalled are masterclasses in minimalist rock and roll. Anthems like “Dead in a Ditch” and “Nice Day to Go to the Pub” are timeless classics. The Cosmic Psychos represent a uniquely Australian, blue-collar approach to punk. They are a crucial and beloved part of the Australian punk bands tapestry.

5. Frenzal Rhomb

For over three decades, Frenzal Rhomb have been the undisputed masters of fast, technically proficient, and hilariously witty punk rock. Known for their blistering speed and clever, often satirical lyrics, they are a national treasure. Songs like “You Can’t Move Into My House” and “Punch in the Face” showcase their ability to tackle absurd topics with incredible musical skill. Their live shows are legendary for their energy and between-song banter.

Despite numerous line-up changes, the band has maintained a consistently high standard. Albums like A Man’s Not a Camel and Smoko at the Pet Food Factory are packed with catchy, intelligent punk anthems. Frenzal Rhomb successfully bridged the gap between underground punk and mainstream recognition. They appeared on national television and radio without ever diluting their sound or message. They remain a vital force in the world of Australian punk bands.

6. Bodyjar

Originally formed as Helmet in the early 90s, Bodyjar became the premier name in Australian pop-punk. Their sound is characterized by soaring melodies, crisp production, and an undeniable connection to skate culture. They were the soundtrack for a generation of Australian teens. Their breakthrough album, No Touch Red, and its follow-up, How It Works, are packed with infectious, high-energy anthems.

Tracks like “Not the Same” and “Fall to the Ground” achieved significant airplay. They even had their music featured in the Tony Hawk’s Pro Skater video game series. This introduced them to a global audience. Bodyjar demonstrated that Australian punk bands could craft perfect, radio-friendly punk songs without sacrificing their integrity or edge. They continue to be a beloved and influential act in the genre.

7. The Living End

The Living End exploded onto the scene in the late 1990s with a unique and explosive sound. They fused punk rock energy with 1950s rockabilly and psychobilly influences. Their signature instrument was the upright double bass, played with a punk rock ferocity by Scott Owen. This, combined with Chris Cheney’s virtuosic guitar work, created a style that was instantly recognizable. Their 1998 self-titled debut album is one of the highest-selling Australian rock debuts of all time.

It features the iconic double A-side single “Prisoner of Society” / “Second Solution.” This song became a national anthem for disaffected youth. The band’s success proved that Australian punk bands could innovate and achieve massive commercial success by blending genres. Over their long career, they have continued to evolve while always retaining the powerful energy that first made them stars.

8. Amyl and The Sniffers

In recent years, no band has revitalized the Australian punk scene quite like Amyl and The Sniffers. Their arrival felt like a lightning bolt. They delivered a raw, raucous, and unapologetic take on pub rock and 70s-style punk. Frontwoman Amy Taylor is a force of nature, a captivating and explosive performer who commands every stage. Their self-titled 2019 album, Amyl and The Sniffers, won the ARIA Award for Best Rock Album. It brought them international acclaim.

Songs like “Hertz” and “Some Mutts (Can’t Be Muzzled)” are pure, adrenaline-fueled anthems. The band’s success has shone a global spotlight on the contemporary wave of Australian punk bands. They have inspired a new generation of musicians. Amyl and The Sniffers embody the same rebellious, DIY spirit that fueled the pioneers of the 1970s. They are the undeniable modern champions of the scene.

More Essential Australian Punk Bands

The depth of talent in the Australian punk scene is incredible. Beyond the bands already featured, several other acts are absolutely essential listening.

• X: Formed in 1977, X is one of Australia’s most critically acclaimed punk bands. Their poetic lyrics and innovative sound, blending punk with rock and blues, make albums like X-Aspirations timeless classics.
• The Chats: Hailing from the Sunshine Coast, The Chats burst onto the scene with their viral hit “Smoko.” They embody a new wave of DIY, oi-influenced punk. Their music is a hilarious and gritty portrayal of Australian life.
• C.O.F.F.I.N.: Standing for Children Of Finland Fighting In Norway, this Sydney band delivers a blistering mix of punk, hard rock, and pure chaos. Their live shows are renowned for their intensity and wild energy.

The Bottom Line

The legacy of Australian punk bands is a powerful and enduring one. It is a story of innovation born from isolation and global influence achieved through sheer determination. From the groundbreaking sounds of The Saints and Radio Birdman to the global success of The Living End and the modern fury of Amyl and The Sniffers, these artists have consistently delivered music with passion, intelligence, and raw power. They have created a unique sonic identity that resonates with audiences worldwide.

Exploring these 8 bands provides only a glimpse into a incredibly rich and diverse ecosystem. The scene continues to thrive today with countless new artists pushing the boundaries of the genre. Therefore, this list is not an endpoint but a starting point for a deeper musical discovery. Dive into the albums, feel the energy of the live recordings, and support the ongoing journey of these incredible artists.

The post 8 Must-Listen Australian Punk Bands You Should Know appeared first on Rock Informer.

– September 25th, 2025 –

New Gods, New Masters Album Premiere / Live Chat Today!

Watch REVOCATION’s “Dystopian Vermin” video HERE

REVOCATION is pleased to unleash a video for “Dystopian Vermin,” the latest single from their savage new full-length New Gods, New Masters. The video comes on the day of the record’s official release, Friday, September 26th via Metal Blade Records.

On New Gods, New Masters, REVOCATION conjures nine potent and portentous songs of brutal lyrical and musical significance. Elaborates founding vocalist/guitarist Dave Davidson on “Dystopian Vermin.” “This one’s for the headbangers. It’s got a lot of driving momentum that morphs into some of the heaviest parts on the whole album. The video for this track was once again filmed by the MyGoodEye team who did an excellent job as always. I think they really captured the energy of this song and the location/set that they came up with perfectly fit the mood. I can’t wait to play this song live on our upcoming tour, I think it’s sure to get the circle pit churning.”

Photo by Alex Morgan

Watch REVOCATION‘s “Dystopian Vermin” video HERE.

Watch the band’s previously released video for “Cronenberged” HERE and their lyric video for “Sarcophagi Of The Soul” HERE.

Additionally, the band will host a special live stream of New Gods, New Masters on YouTube TODAY at 4:00pm ET / 1:00pm PT where fans can chat live with Dave Davidson. Don’t miss it! Visit the Metal Blade Youtube channel HERE.

“‘Cronenberged’ mashes out swanky, slappy bass rhythms, virulent velocity, and wrist-grinding triplet chugging, while vocalist-guitarist Dave Davidson also injects some seriously shreddy guitar moments.” — Revolver on “Cronenberged“

“This feels a little less technical than its predecessors and more concentrated on the power of writing a good riff and a great groove. Longtime REVOCATION fans are sure to find something to love here, but new fans are certainly going to find a solid entry point into the band’s extensive discography here as well.” — Metal Injection

“…the most energetic and fun the band has sounded since 2014′s Deathless… Davidson resembles a Chuck Schuldiner of the Pro Tools era: a charismatic shredder and keen observer of the world around him with a strong point of view…” — Decibel Magazine

“…a truly epic treat for all progressive aficionados who appreciate it heavy and challenging…World class!” — Rock Hard

“…an album that challenges, rewards, and leaves a lasting impact…” — Metal Hammer

“REVOCATION once again prove themselves to be exemplary students, setting standards in tech death metal.” — Fuze

“…a sonically devastating statement that both continues and amplifies some of the nihilistic themes explored on Netherheaven, offering a prescient commentary on technology and humanity.” — The Moshville Times

“…a sublime performance that engrosses the listener wholly and leaves no moment for hope, salvation, nor mercy as we traverse this unforgivingly dark world.” — Headbanger Reviews

New Gods, New Masters was produced by Davidson and mixed and mastered by Jens Bogren (The Haunted, Spiritbox) with artwork by Paolo Girardi (Bell Witch, Mother Of Graves, Black Breath, Cryptopsy). The record includes guest appearances by Jonny Davy of Job For A Cowboy, Travis Ryan of Cattle Decapitation, Luc Lemay of Gorguts, and jazz guitarist Gilad Hekselman.

New Gods, New Masters can be found on vinyl, CD, and digitally here: metalblade.com/revocation

Following the release of New Gods, New Masters, REVOCATION will kick off a month-long North American headlining tour. The journey begins on October 16th in Leesburg, Virginia and runs through November 15th in Raleigh, North Carolina. Support will be provided by Judiciary, Inferi, and Vomit Forth (on select dates).

Tickets are on sale now at: revocationband.com/tour. See all confirmed dates below.

REVOCATION w/ Judiciary, Inferi, Vomit Forth:
10/16/2025 Tally Ho – Leesburg, VA
10/17/2025 Brooklyn Monarch – New York, NY
10/18/2025 Brighton Music Hall – Boston, MA
10/19/2025 Foufones – Montreal, QC
10/20/2025 Lee’s Palace – Toronto, ON
10/21/2025 Sanctuary – Detroit, MI
10/22/2025 Reggies – Chicago, IL *
10/24/2025 HQ – Denver, CO
10/25/2025 Ace’s High – Salt Lake City, UT
10/26/2025 The Shredder – Boise, ID
10/27/2025 El Corazon – Seattle, WA
10/28/2025 Rickshaw – Vancouver, BC
10/29/2025 Dante’s – Portland, OR
10/31/2025 Neck Of The Woods – San Francisco, CA
11/01/2025 Echoplex – Los Angeles, CA
11/02/2025 Brick By Brick – San Diego, CA
11/04/2025 Rosetta Room – Mesa, AZ
11/05/2025 Launchpad – Albuquerque, NM *
11/07/2025 RBC – Dallas, TX *
11/08/2025 Come And Take It Live – Austin, TX
11/09/2025 Scout Bar – Houston, TX *
11/11/2025 Orpheum – Tampa, FL
11/12/2025 Respectable Street – West Palm Beach, FL
11/13/2025 Conduit – Orlando FL
11/14/2025 The Radio Room – Greenville, SC
11/15/2025 Chapel Of Bones – Raleigh, NC
*No Vomit Forth

More on REVOCATION:
REVOCATION debuted with 2008′s Empire Of The Obscene and subsequently released seven critically acclaimed albums and toured over 25 countries, bringing their technically charged, high-energy extreme metal to North America, Europe, and Asia-Pacific. New Gods, New Masters follows up 2022′s critically-adored Netherheaven, where Davidson’s lyrics took hard looks at Catholicism, hypocrisy, politics, the occult and demonic symbolism.

That album set a high bar, but an even sharper musical and lyrical focus was achieved on New Gods, New Masters. The Boston-bred Davidson credits newest members Harry Lannon (rhythm guitar and backing vocals since 2023) and bassist Alex Weber with renewed energy and intensity both in the studio and onstage.

Titling the album New Gods, New Masters reflects Davidson’s belief about humans’ need to worship various gods. “It seems as if that desire is encoded in our DNA. As science and our understanding of nature and the universe as a whole increases, the religions of the old gods start to become obsolete,” he says. “However, I believe we’ve replaced our old gods with new ones, worshipping technology and creating a cult-like idolatry of innovators. I’ve been very fascinated with the development of Artificial Intelligence, and I’m deeply concerned where this could lead humanity whether it’s the slow march towards a technological dystopia or the all-out annihilation of our species.”

“I’ve been very fascinated with the development of Artificial Intelligence, and I’m deeply concerned where this could lead humanity,” he continues, “whether it’s the slow march towards a technological dystopia or the all-out annihilation of our species.”

The theme is deftly captured in the album artwork by Paolo Girardi. “He did an incredible job of bringing the lyrical themes of a bleak techno-nightmare to life,” Davidson says. “The ‘New God’ being birthed from the abyss of teeth and wires was even better than what I envisioned. I absolutely love the color palette he used. He even included some easter eggs from our first demo and first full-length album cover, which adds even more depth and meaning to the artwork for me.”

REVOCATION creates extreme music for extreme times.

REVOCATION:
Dave Davidson – vocals, guitar
Ash Pearson – drums
Harry Lannon – rhythm guitar
Alex Weber – bass

https://www.revocationband.com
https://www.facebook.com/Revocation
https://x.com/revocation
https://www.youtube.com/officialrevocation

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– September 24th, 2025 –

European Tour With Paradise Lost To Begin Next Month

Watch MESSA’s video for “Reveal” HERE

Italian doom metal outfit MESSA are pleased to unveil their new video for “Reveal.” The track comes off the band’s critically-adored new full-length, The Spin, released in April via Metal Blade Records.

Based in the band’s eclectic, self-defined “scarlet doom” sound, The Spin rises, falls, broods, bites, comforts, and destroys, all the while resounding with both instinctive magic and obsessive, concerted hard work. After lighting up the underground with a triptych of increasingly distinctive and wondrous records – 2016′s Belfry, 2018′s Feast For Water, and 2022′s Close – with The Spin, MESSA is audibly equipped for the proverbial big leagues.

Photo by Nicola Pianalto

Decibel Magazine championed, “… a sweeping statement that draws equally from doom and goth rock, with hefty doses of classic heavy metal and jazz thrown in.” Deaf Forever concurred, lauding the band’s, “…strongest album to date,” that, “definitively establishes MESSA as one of the most exciting and creative bands of the modern era.” Gushed New Noise Magazine, “…though all of their output makes for easy recommendations, it’s The Spin that finally shoulders MESSA out of the niche, best-kept-secret parameters they’ve been snagged in and onwards towards the oh, so elite, ‘many are called but few are chosen’ province of unequivocal, rock n’ roll preeminence. This is analogous to Soundgarden’s flight path from Badmotorfinger to Superunknown.” Added Metal Hammer Germany, “Anyone who appreciates the free-spirited combination of an exceptional voice with plenty of quiet moments and some blaring riffs will find MESSA to be the perfect band.”

Comments the band on their “Reveal” video, “The main riff in ‘Reveal’ manifested itself spontaneously. Our guitar player Alberto dreamed of it one night. He suddenly woke up at 4:00am and recorded it with his phone so he wouldn’t forget it. It was the most immediate song to write out of all those we wrote for The Spin and it features two key elements: the typical, ‘blues’ use of slide guitar and the ‘metal’ element of the blastbeats.

This video was entirely shot with analog equipment in a tire warehouse in our hometown. We chose the lo-fi aesthetic on purpose, using the dynamism of strobe and neon lights. We tried to make it as spontaneous as the songwriting process for the track.”

Watch MESSA‘s video for “Reveal” HERE.

Watch MESSA‘s previously released video for “At Races” HERE, “The Dress” HERE, and “Fire On The Roof” HERE.

The Spin was partly recorded, produced, mixed, and mastered by Maurizio “Icio” Baggio and includes synth work by Andrea Mantione (Nuovo Testamento) on “Fire On The Roof” and cover art by Nico Vascellari (Uroboro, 2023. Nero Portoro marble, tire. 57 x 57 x 10 cm).

The record is available now on CD, vinyl, and digital formats at: metalblade.com/messa

Next month, MESSA will serve as direct support to Paradise Lost on a month-long European trek. The Ascension Of Europe Tour 2025 begins on October 9th in Manchester, United Kingdom and runs through November 6th in Antwerp, Belgium. Additional support will be provided by Lacrimas Profundere and High Parasite on select shows. See all confirmed dates below.

MESSA w/ Paradise Lost, High Parasite:
10/09/2025 New Century Hall – Manchester, UK
10/10/2025 KK’s Steel Mill – Wolverhampton, UK
10/11/2025 University – Newcastle, UK
10/12/2025 Garage – Glasgow, UK
10/14/2025 Rescue Rooms – Nottingham, UK
10/15/2025 SWX – Bristol, UK
10/16/2025 The 1865 – Southampton, UK
10/17/2025 Islington Assembly Hall – London, UK
10/19/2025 Tyrant Fest – Lille, FR **
w/ Paradise Lost, Lacrimas Profundere:
10/20/2025 Elysée Montmartre – Paris, FR
10/21/2025 La Rayonne – Lyon, FR
10/23/2025 Live Music Hall – Cologne, DE
10/24/2025 Rockhal – Luxembourg, LU **
10/25/2025 Conrad Sohm – Dornbirn, AT
10/26/2025 Hall – Padova, IT **
10/28/2025 Backstage Werk – Munich, DE
10/29/2025 Palac Akropolis – Prague, CZ
10/30/2025 Boogaloo – Zagreb, HR
10/31/2025 SiMM City – Vienna, AT
11/01/2025 Durer Kert – Budapest, HU
11/03/2025 PTR/L’Usine – Geneva, CH **
11/04/2025 Z-Bau – Nürnberg, DE
11/05/2025 Pandora – Utrecht, NL
11/06/2025 Trix Hall – Antwerp, BE
** Paradise Lost, MESSA only

More on MESSA:
MESSA‘s signature sound absorbs influences from jazz and blues, punk and prog, and black metal and dark ambient, but their restless experimentalism has extraordinarily smooth and assured results. The Spin incorporates another new element, interpolating an ’80s goth rock vibe in typically full-blooded fashion. “We don’t like to repeat ourselves and we constantly try to find a new language to express while keeping our identity,” stresses the band. “This time we delved into the decade of the 1980s. We are not part of the ‘dark scene’ in any way. The influence for this record looks back to the early goth rock/dark wave rather than the later emanations of the genre.” In addition to Sisters Of Mercy and Virgin Prunes, the band cites records by Killing Joke, Mercyful Fate, Jimmy Page, Journey, The Sound, Boy Harsher, and Vangelis as impacting significantly upon the creation of The Spin.

Something that seems to get both easier and harder at the same time are Sara’s remarkable vocals. With greater experience of stage and studio, her beguiling pipes continue getting stronger and more versatile; so the singing here is more assertive and confident, but the singer’s concerted push to new heights comes somewhat at the expense of a healthy mental equilibrium. “For this record I gave up parts of my own sanity,” reveals Sara. “I wore myself in so many different ways… You can’t lie when you’re singing. My aim was to record my parts in the most honest way possible. Mix-wise, the vocals are more on the spotlight, in true ’80s fashion. The lyrics touch on multiple topics throughout the record; destroying one’s ego, impossible cursed love, giving up on yourself, others’ expectations, self-sabotage, resurrection. While we were touring the US I reread some books by Cormac McCarthy. It was crucial to pave the way I wanted to express myself. I think the lyrics this time are more ‘straight in your face.’ I used metaphors like I always did, but I wanted to get more verbally naked and raw. I never spoke so clearly in our previous records about insecurity, misery, uneasiness, anguish and distress.”

MESSA:
Sara – vocals
Marco – guitars/bass
Alberto – guitars
Rocco – drums

https://www.facebook.com/MESSAproject
https://www.instagram.com/messa_band
https://messa.bandcamp.com
https://www.youtube.com/channel/UCnSGTv_yAuP0cO2_D8rVqPg

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Glancing out my window as I write this, I am blinded by an ocean of orange and red hues that catapult my brain into a time when these colors first made their impression on me long ago. As far back as my tortured brain can recall, Autumn has always been my most favored season. It has a beauty and charm all its own, and such sights, scents, and serenity can never be matched by any other time of the year. I can almost reach out the window with my soul and grasp the very aura that lingers amongst the haunted charm in the air, and use its very essence as therapy for whatever should pain me. This is a feeling rooted in awe, but humbled by tranquility. It’s a vibe just as much as it is a physical sensation, with the cold air breaking through your very clothing, bathing your skin in a frigid yet warm embrace. I don’t care to understand the hows and whys of this transcendent experience, but I often look back with reflection on the memories that built up over the years to construct such a massive wave of comfort whenever this time comes around.

One of those very memories that often takes center stage is the feeling of walking through the streets with leaves crushing beneath my feet. Often a walk home from the bus stop after a long day at school, or even a visit to my friend’s house up the road. Whatever the reason, those leaves were always there to guide my steps like an excited pet eager to chomp at my shoes wherever I walked. Throughout this walk I would pass massive trees surrounding the neighborhood, filled with all the color you’d expect this time of year. Yellow would often stand out amongst the rust, as if it was showing off to all its companions for how vibrant it became above all else. Even the pond nearby would glisten like glass with reflections of the earth I came to love. A mirror to extend this ethereal radiance far into the landscapes beyond my eye’s reach.

Halloween, of course, was another gift from the season, with a chance to express my undying love for all things horror related in a way that any other day of the year would offend. This was a day where everyone embraced their own inner monster, which made me feel more at peace. Having loved horror movies so much, it was nice to feel that extension of creepy camaraderie everywhere I went. Whether it was a simple trip to the store where cobwebs would carry across the entryway, or even my dentist’s office, where the receptionist would be decked out from head to toe in some elaborate costume. All these little details added to the greater experience of the day, which would eventually turn to night, and the real magic would begin.

My parents would go into their signature creative mode once it came time to express their spooky side, decorating the house from head to toe in everything from giant wooden witches hanging off the roof, to dead trees and fog machines lining the pathway to the front door. All in an effort to give people the best experience they could fathom at this time in this moment. A time when our family, friends, neighbors, and strangers all rejoiced in all that is spooky. Could it have gotten any better being a kid during this unfathomable time? Well, capping it off with candy certainly helped. Traversing the area from house to house, witnessing all the sights and sounds this night had to offer. It was all just an abundance of extraordinary magic that was the closest I’d ever come to experiencing anything truly supernatural.

Years go by, and unlike most memories that tend to fade, these memories only grow stronger. For it is not my body that craves it much like it craves food or water, it’s the very fiber of my being that pines for these memories. Strip away the body, the blood, the bones, and we are all but unique entities tied together via a string of inexplicable occurrences. We spend our days getting happy, sad, angry, energetic, tired, and bored. All that fuels us is our experiences throughout our time here, and those experiences are only as good as the memories that give them strength. Our best ability is the one that allows us to choose our own path, and choose what memories we give strength to. Not the ones that bring us pain and sadness, but the ones that bring us joy and peace.

That’s precisely why whenever this time of year comes, I light incense, I decorate the house, and I glance out the window while sharing these thoughts. It not only brings me peace, but it strengthens my resilience to resist the doom that tries to plague all of our shadowed reflections on life. It’s reminded me year after year that sometimes the biggest problems can often be solved by the smallest solutions. After all, what chance does a world of sorrow stand against even the ghost of a happy memory?

The post Why Autumn Holds So Close to My Haunted Heart appeared first on Autumns Eyes.

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– September 22nd, 2025 –

WATCH HERE – NEW ALBUM “AMEN” OUT NOW VIA METAL BLADE

French multi-instrumentalist and producer Gautier Serre has been operating under the name Igorrr for 20 years now, yet each new record still resounds with a startling freshness and radical vitality. Steadfastly unclassifiable fifth album AMEN maintains this impact, blindsiding the listener with a new set of exploratory curveballs and continuing to surprise and unnerve even the most attuned enthusiast.

AMEN is out now via Metal Blade. Get it HERE.

The record features guest appearances from by Scott Ian (Anthrax), Trey Spruance (Mr. Bungle), and Mike Leon (Soulfly).

Today, Igorrr drops the video for “DAEMONI.” Watch it HERE.

“The Earth has a demon inside it,” the artist states. “The bright side attempted to convert it but didn’t succeed, and the gong marked the end of all hope. You can hear the demon’s heart. You can hear the ceremony for it to wake up. You can hear the mud and the dirt. You can also hear, with such great strength, the bright side of life fighting before it was destroyed by evil.”

PHOTO CREDIT: Svarta Photography

ALBUM ARTWORK: Adrian Baxter

AMEN TRACK LISTING:
01. Daemoni
02. Headbutt
03. Limbo
04. Blastbeat Falafel
05. ADHD
06. 2020
07. Mustard Mucous
08. Infestis
09. Ancient Sun
10. Pure Disproportionate Black and White Nihilism
11. Étude n°120
12. Silence

AMEN is available in the following formats.

Box Set (2-LP sawblade shape picture vinyl, action figure, coloring book, slipmat, greeting card, ltd. 1000)
Digipak (EU) / Jewelcase CD (US)
Tan Smoke Vinyl (US)
Teal Marbled Vinyl (US)
Tan Marbled Vinyl (US)
180g Black Vinyl (EU)
Gold Metallic Vinyl (EU)
Transparent Beige Brown Marbled Vinyl (EU, ltd. 1000)
Neon Splatter Vinyl (MB Store EU, ltd. 500)
Clear w/ Gold Splatter Vinyl (Band excl, ltd. 300)
Zoetrope Picture Disc Vinyl (EU, ltd. 500)
Smoke Vinyl (Sound Pollution excl, ltd. 300)
Gold w/ Black Dust Vinyl (Season of Mist excl, ltd. 200)
White w/ Brown Splatter Vinyl (Frozen Records excl, ltd. 200)

IGORRR will tour Europe this fall with MASTER BOOT RECORD and Imperial Triumphant. The artist plans to return to the U.S. to play live in 2026. Stay tuned for more. European tour dates are in the graphic below.

ABOUT IGORRR:
Since signing to Metal Blade in 2017, the Igorrr name has expanded from one man’s pseudonym to become a full group identity, but Gautier remains the project’s guiding light and mastermind, so he’s the best man to ask to describe the indescribable. “This album is definitely darker than its predecessors, it has such a very weighty and solemn vibe that has never been reached before in Igorrr,” explains Gautier. “The fact that I recorded a real choir in a church helped this a lot, but above all there has been very long and meticulous work on the sound and the choice of instruments, and deep experimental research to create a unique sound design. Of course, because it’s an Igorrr album, there are some more colorful tracks, like ‘Blastbeat Falafel,’ ‘ADHD…’ They contrast very much with the ambient heaviness. I need tracks like these on an album, it helps to really get through it fully focused, like a shot of limoncello before the next meal.”

With an urge to continually take Igorrr‘s multifaceted and challenging sound further forward with each release, Gautier has spent a lot of time cultivating multiple new modes and methods of working since 2020′s breathtaking, critically acclaimed opus Spirituality And Distortion – which even reached No. 12 on the official German album chart. Gautier has always made clear that Igorrr is as much about the influence of Bach and Chopin as it is about Cannibal Corpse, Aphex Twin, and Meshuggah, but the source of specific stimuli gets harder to ascertain as the process is refined. “It’s always difficult for me to know from where the inspiration comes,” he muses. “Music is an expression of life, and I would say everything, even what seems the most insignificant thing, can be a source of inspiration. I would say there hasn’t been one event or one experience that has lead me on a creative process, it’s more like a cumulation of everything. I love making music, my brain processes music all the time. You cannot imagine the amount of albums and concertos I create during my sleep. The challenge is more how to sort these ideas to keep the ones with the best potential, the ones that I won’t get bored of, the ones that I really Love – with a big letter L.”

IGORRR ARE:
Gautier Serre – Machines
Jb Le Bail – Vocals
Marthe Alexandre – Vocals
Remi Serafino – Drums
Martyn Clément – Guitars

IGORRR ONLINE:
https://www.facebook.com/IgorrrBarrroque
https://www.instagram.com/igorrr
https://www.tiktok.com/@igorrr_official

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The stadium tour hits North America over the summer

Source

– September 18th, 2025 –

Metal Blade wields a mighty axe to grind the coffee world into dust with their new official private label!

Shipping For Sipping World-Wide Now

Order Here: conceptcafes.com

It only made sense for the iconic record label responsible for helping launch some of the world’s most mammoth metal artists and unleashing some of the heaviest riffs and blast beats in the universe, to collab with #metalcoffee disruptors Concept Cafes, who have already partnered with Metal Blade artists such as the legendary Cannibal Corpse to unleash their own beasts of brewdom.

This creatively unique concept itself follows the lineage of the blade, from its infancy in the early 80′s when heavy metal fantasy was a relatively unexplored dominion, all the way through to the present-day Jolly Roger sabers of this modern era of Metalcore & Deathcore. This first installment sips like an issue of Heavy Metal Magazine, as it draws inspiration from the early Metallica monster, a young prodigious Yngwie, D&D, Star Wars, & many others.

The coffee itself is as mythically prophetic as the immersive packaging art, that tastes just as ferociously fervent as the picture painted. You will expect nothing less from the masterful craftsmanship of the forging partner of Concepts: Coterie Coffee Co.

“When the grind of metal meets the grind of beans, you get a brew that’s as bold and unrelenting as the riffs that define us. Our collaboration with Concept Cafes isn’t just about coffee-it’s about forging a new kind of energy for the hardcore listener who needs the perfect blend of caffeine and chaos. Plus, we really, really love coffee in the office so our team couldn’t be happier to release Metal Blade’s first Official Private Label Coffee onto the metal realm with the help of our friends at Concept Cafes.” – The Metal Blade Team

“Actually, in a kinda organic roundabout way, I guess you could say we’ve evolved into kinda a coffee record company ourselves; so it would only make sense the eventuality that we’d collaborate with an actual record co., and whom not better to do so with than the almighty Metal Blade Records. Not only is it extremely important for us to humbly honor the MBR legacy, but it’s always at the forefront for us to help steward this legacy for the next generation(s) as well as bringing new fans to Metal. It’s a bold step for sure (pun intended), but we all agreed, a step in the right direction to broaden the reach of Metal, so enthusiasts can dive headfirst into the rich history and epic discography of this record label pioneer…the Blade is as sharp as ever (so don’t cut yourself…especially on that guillotine)!” – Concept Cafes

Roasted by Coterie Coffee Co. and brought to you by Concept Cafes

Watch this video by Elena Vasilaki for more details: youtube.com/shorts/hJHhY-jAmqQ

About Metal Blade Records:
Founded upon owner Brian Slagel‘s enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalog, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it celebrates its fourth decade.

Metal Blade Records launched Metallica, Slayer, Armored Saint, Fates Warning, GWAR, Cannibal Corpse, Amon Amarth, Whitechapel, The Black Dahlia Murder, Cattle Decapitation, and dozens more genre giants, shaping four decades and counting of hard rock, metal, and extreme music culture. Brian Slagel worked as a record store clerk when he founded Metal Blade in 1982, reserving a spot for a young Lars Ulrich on his Metal Massacre compilation series. Metal Blade grew from humble beginnings in Los Angeles to become an international powerhouse, selling millions of albums while remaining fiercely independent. In 2017, Slayer‘s Kerry King inducted the label into the Hall of Heavy Metal History. Slagel’s For the Sake of Heaviness: The History of Metal Blade Records arrived the same year.

In 2022 Metal Blade Records celebrated its 40th Anniversary by way of two live shows in Las Vegas – one featuring Killswitch Engage and another featuring Sacred Reich. In addition to these two packed live shows/parties, the label reissued its first release, the compilation album Metal Massacre, plus specially branded 40th Anniversary small batch vodka and rum, and a West Coast style IPA beer. Brian Slagel also saw the release of his second book, Swing of the Blade: More Stories from Metal Blade Records that was released on May 9th and was met with rave reviews from fans and press alike. One fan on Good Reads called the book “a sentimental journey through Brian’s metal origin-story recollections from his deep and wide perspective as founder of Metal Blade that I enjoyed very much” while MetalTalk.net wrote that “Swing Of The Blade is an endearing, honest, and enjoyable journey into the deeper world of Brian Slagel, the main man behind the legendary Metal Blade Records…this is very much Brian in his own words, recounting tales from the early days of Metal Blade through to a brief post-pandemic epilogue, where he expresses his regret that the book hasn’t coincided with the 40th anniversary of the label.” To round out the celebration, Brian Slagel opened up the label’s collection of heavy metal memorabilia to fans in Las Vegas, NV, marking the opening of the official Metal Blade Records Museum that is open every Saturday.

The celebration rolled over into 2023 and in October AXS TV picked up and premiered the Denise Korycki documentary of Metal Massacre: The Story Behind the Legendary Album. Packed with all-star interviews, rare photos, the film tells the story of the groundbreaking 1982 Metal Massacre vinyl compilation-a sonic celebration of the burgeoning Los Angeles Metal scene, which helped launch the careers of iconic acts Metallica and Ratt, and ultimately led to the birth of the legendary independent record label Metal Blade Records. The film boasts priceless commentary and anecdotes from Metal Blade founder Brian Slagel and his friend and collaborator John Kornarens, two metalheads with a dream who made Metal Massacre a reality; as well as Metallica members Lars Ulrich and James Hetfield; Ratt frontman Stephen Pearcy; and Black N’ Blue singer Jamie St. James, among many others.

In 2024, Metal Blade Records and Pantheon Media launched the “100 Songs That Define Heavy Metal” Podcast to the excitement of metalheads everywhere. The successful podcast, which is loved by fans, industry, and artists alike, is hosted by Brian Slagel, CEO of Metal Blade Records. Each episode of the series will spotlight one of the most defining songs in metal, blending artist interviews, expert analysis, and behind-the-scenes insights. Listeners are taken on a deep dive into the production, cultural impact, and legacy of each track, with insights from prominent voices like music historian Martin Popoff and producer Jay Ruston.

The podcast features exclusive appearances from musicians who either influenced or were influenced by these legendary tracks, ensuring fans a unique, all-encompassing exploration of metal music. From Metallica and Slayer to Cannibal Corpse and Alice Cooper, “100 Songs That Define Heavy Metal” covers the songs that have defined generations, blending narrative storytelling with in-depth analyses. This podcast also serves as a tribute to the fans whose passion fuels the genre and keeps it alive for future generations.

“100 Songs That Define Heavy Metal” is now available on all major podcast platforms, including Spotify, Apple Podcasts, and Amazon Music.

Find Metal Blade Records at:
Official Website | Official Bandcamp | Facebook | Instagram | YouTube
Spotify | BlueSky | Twitter | Threads | TikTok | Museum

About Concept Cafes:
Everybody remembers that first opening riff, that mid-song breakdown, that blast beat crescendo that turned them on, and tuned them into Metal forever. With our artist partners like Cannibal Corpse, Max & Iggor Cavalera, and Ministry; we’re trying to recapture that moment of Metal possession for the fans by immersing them into a Metal coffee obsession like no other. As lifelong fans ourselves, we’re constantly seeking out the most epic Metal experiences; whether it’s records, live shows, merch, etc., so if we can maybe someday say we were a small part of that collective fan experience, then we’ve done our job. It’s also super important for us to illuminate the fact that these are the artists’ coffee stories, not our own, we’re just the chaotic-evil little elves that help them conjure their visions and forge them into reality for the fans.

We’re not here to snobbishly push conventional coffee culture upon Metalheads either, nor will we ever try to flip a quick gimmick on our Metal brothers & sisters to make a quick buck. We’re humbled literally everyday with this responsibility, and the opportunity to work with Metal legends. This is why we are constantly pushing the boundaries and possibilities, because foremost we believe there is no other comparison to the dedicated devotion metalheads have in keeping Metal music alive and stronger than ever! Metal deserves the absolute best when it comes to coffee!
Reality is coffee culture has become basic cookie-cutter over the past couple of decades; so safe and just a shell of itself which once fueled artists and their music across several generations. We want to revive that creative fire, and as far as playing it safe…it’s metal, motorcycles, & horror…what did you expect?!

Find Concept Cafes Coffee at:
https://www.conceptcafes.com
@conceptcafescoffee

– September 18th, 2025 –

Record To See Release On October 17th Through Metal Blade Records!

Photo by Dania Ramos

Watch / stream WRETCHED’s “Radiance” HERE

“Radiance” is the pummeling new single from Charlotte, North Carolina’s WRETCHED! The track appears on their long-awaited fifth full-length, Decay. A conceptual masterpiece that blends haunting melodies with progressive complexity, the record will see release on October 17th on Metal Blade Records.

Offers vocalist Billy Powers, “‘Radiance’ is a chapter in our story in which the possessed body and mind of our main character Malus is used by the ancient Necromancer to lure his sibling into his newfound lair within Terra Mortuorum; a ‘land of the dead.’ Within the veins of this mountainous lair in which his sister Fragoré has been conjured, the attack begins and the talisman she holds in place of a heart is extracted and fused with Malus’ own. To me,” he continues, “this track represents someone feeling weak and doing everything they can, good or bad, to prove to themselves that they ultimately could do whatever act is in question. Unfortunately, in this portion of the story it pertains to the ‘doing something bad’ aspect and in one’s mind, after the fact, they face the truth of what they’ve done and realize what such an action truly took away from them. What it took away from their soul if you will. In the end, the moral of the story is to accept yourself, keep your head, stay focused and do what you know to be right, not what is easy to let yourself do.”

Adds guitarist Steven Funderburk, “‘Radiance’ is a solid head-banging ripper of a song that has heavy groove riffing as well as a very mournful yet epic melody on the back half, which is something we’re known for doing.”

Stream WRETCHED‘s “Radiance” HERE.

Watch WRETCHED‘s previously released video for the record’s title track HERE.

Decay may be WRETCHED‘s most pristine-sounding recording, but it’s still raw with a live feeling in the performances. It sees the boundary-pushing lineup breaking past defined walls of their four previous releases. Lyrically, Decay delves deep into existential themes, D&D-inspired mythology, and personal loss. The title track contains the album’s main character, Malus. “In the song, ‘decay’ refers to Malus’ decaying existence,” notes Powers, “the feeling of loss, and helplessness/lack of control he has to influence anything outside of the darkness in which he has been cast.”

In broader terms, decay refers to many elements of the album’s story, “The decay of good intention, the loss of loved ones, the influence time and choices have upon our bodies and minds and the decay of the world around us due to the choices of those with ultimate power,” notes Wieczorek. “The music contributes to the story and helps paint an image, in the same way music and movies go together.“

Decay was self-produced with engineering by drummer Marshall Wieczorek, mixed by Johann Meyer, mastered by Alan Douches, and features artwork and layout by Travis Smith (Overkill, Nevermore, Opeth etc). The record will be released on CD and digital formats as well as vinyl in the following color variants:

Blackout (US)
Flesh And Blood (US)
The Void (EU – Ltd. 300)
The Truth (EU – Ltd. 200)

Find pre-orders at: metalblade.com/wretched

WRETCHED:
Billy Powers – vocals
Steven Funderburk – guitar
Andrew Grevey – bass
Marshall Wieczorek – drums

https://www.wretchedmusic.com
https://www.instagram.com/wretchednc
https://www.facebook.com/wretchednc
https://x.com/WretchedNC
https://www.youtube.com/wretchednc

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