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  • Verdun – New Song Online

    In anticipation of their next full-length release Abyssal Womb, due on June 26th via Transcending Obscurity Records, sludge metal ensemble Verdun have debuted another new song in preview titled “La Lame Et La Chair”.
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  • Burden Of Grief – Split With Bassist, Introduce Replacement

    German long-standing melodic death metal crew Burden Of Grief revealed that they have part ways with bassist Florian Bauer. At the same time, the are pleased to welcome back former guitarist Johannes Rudolph on bass player position.
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  • Impure Wilhelmina – Le Sanglot (Review)

    This is the eighth album from Impure Wilhelmina, a Swiss post-metal band. 2021’s Antidote was a very strong record, so it’s great to see follow up Le Sanglot appear. It’s a 50-minute case study in portraying emotion and depth of songcraft. Impure Wilhelmina once again show just why they are held in such high regard … Continue reading “Impure Wilhelmina – Le Sanglot (Review)”
  • The details of SORROW SPHERE’s “The Wizard Of Doom”

    Ernesto “Doomlord” Menga, mastermind of SORROW SPHERE, and Giuseppe “Buzz” Nicolò of MEMORIES OF A LOST SOUL, present the details of the new release “The Wizard Of Doom” which will be released digitally on Club Inferno Ent. on June 12th. Let’s start with the cover art created by the talented Gianfranco Logiudice and the following tracklist: 1. The Awakening […]

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  • Behemoth partner with Massacre Records for worldwide physical release of ‘I, Scvlptor’

    Polish extreme metal titans Behemoth have joined forces with Massacre Records for the worldwide physical distribution of their upcoming exclusive release, I, Scvlptor. Scheduled for a simultaneous global street date on 4th September 2026, the unique body of work will be made available across CD, vinyl, cassette, and limited-edition box set configurations. Comprising 40 minutes … Continue reading Behemoth partner with Massacre Records for worldwide physical release of ‘I, Scvlptor’
  • Germany’s WITCHING HOUR stream new DYING VICTIMS album at “Decibel” magazine’s website

    Today, German ancient metallers Witching Hourstream the entirety of their highly anticipated fourth album, Descending… Where Time Has Ceased to Exist, at Decibel magazine’s website. Set for international release on May 22nd via Dying Victims Productions, hear Witching Hour‘s Descending… Where Time Has Ceased to Exist in its entirety exclusively HERE.   It’s been a long, strange trip for Witching Hour. Formed in 2006 in the southwest of Germany, the […]

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  • MY DARK FATE, NOCTURNAL CEREMONY, HELLRAZOR, KUF, SUGAR VIRUS, EVERYPERSON, MACHINE CULT RITUAL & SELIAS FEATURED IN NEW ISSUE OF ROCK HARD MAGAZINE – @thebeast

    METAL DEVASTATION PR CLIENTS DOMINATE NEW ISSUE OF ROCK HARD MAGAZINE

    Metal Devastation PR is proud to announce that several of our clients have been featured, interviewed, and reviewed in the latest issue of legendary European publication Rock Hard Magazine, with journalist Michele Martini shining a spotlight on a wide range of underground heavy music from groove metal and death metal to industrial darkness and horror punk madness.
    This latest wave of coverage showcases the strength and diversity of the Metal Devastation PR roster, proving once again that underground metal is alive, evolving, and louder than ever.
    MY DARK FATE FEATURED IN “SYMPHONY IN BLACK”

    Austrian groove metal force My Dark Fate opened up about rebuilding after tragedy, lineup changes, and finding renewed artistic freedom following the loss of their studio and rehearsal space in a devastating fire.
    “2024 was a tough year. Our studio and rehearsal space were lost in a fire, and some long-time members left for personal reasons,” said Andreas. “Christian and I restarted the project with Stefan and Marina, focusing on rebuilding My Dark Fate.”
    Discussing their recent cover of the Rolling Stones classic Paint It, Black, Andreas explained:
    “We wanted to reinterpret the song while keeping its essence intact, adding modern elements and our own dark, groovy touch.”
    The band also discussed themes behind recent singles Frightened to the Core and Whiteout, tackling media-driven fear, isolation, and emotional numbness while pushing into new sonic territory without abandoning their groove-metal roots.
    NOCTURNAL CEREMONY RETURN FROM THE SHADOWS

    Norwegian death metal act Nocturnal Ceremony were featured in a deep interview surrounding their return album Obsidian after decades of silence.
    Thomas Madsen reflected on the band’s resurrection:
    “We started writing new music in 2022, rebuilding from scratch, logo, graphics, and songs, as if beginning anew.”
    On the evolution of the songwriting process, Madsen revealed:
    “Now we compose with a clear purpose, structuring tracks almost like complete pieces. We aim for music that leaves a lasting impression.”
    Their lyrical themes now focus less on fantasy horror and more on real psychological darkness:
    “Back then we wrote about imaginary demons and devils. Now we write about real ones, the darkness and shadows that dwell in everyone’s mind.”
    HELLRAZOR DISCUSS THEATRICS, TRANSFORMATION, AND WINGS OF DELIVERANCE

    Canadian heavy metal duo Hellrazor discussed the philosophical concepts and cinematic inspiration behind their latest album Wings of Deliverance.
    Kasey Haze explained the band’s masked identity:
    “The masks help us focus attention on the music and message rather than our faces.”
    The album itself was inspired by disturbing real-world events:
    “I was watching a documentary about Jim Jones and wrote the album inspired by that tragedy. It’s about manipulation and loss of identity.”
    Darrin Evil added:
    “We’ve always mixed theatrical elements with metal. Our live shows are immersive, and we draw inspiration from cinema and literature.”
    KUF RETURN WITH CHAPTER I

    American hard rock and doom-influenced band KUF discussed their rebirth and creative evolution surrounding the release of Chapter I.
    Todd Leclaire reflected on the band’s return:
    “At one point, external pressures made us lose control of the project. I moved to Virginia and rediscovered a sense of freedom.”
    Discussing vocalist Twilly’s role in the band’s rebirth, Todd added:
    “Her voice was perfect from the start. She brought emotional intensity and a theatrical dimension that fit our sound naturally.”
    Twilly summarized the emotional mission of the band perfectly:
    “The goal is to create a space where listeners can connect deeply, not just with melodies but with the feelings behind them.”
    ROCK HARD REVIEWS AND SCORES

    Sugar Virus – Kill the Messenger

    Score: 7.5/10
    Rock Hard praised Sugar Virus for delivering a powerful blend of horror punk, doom influence, and dark cinematic atmosphere.
    “The result is effective, coherent, and exaggerated, a work rooted in a glorious tradition yet still modern and relevant.”
    The review highlighted the band’s “thunderous, twilight-toned sonorities” and compared the spirit of the record to classic Misfits-inspired horror punk infused with heavier doom textures.
    Everyperson – Fathoms

    Score: 7.5/10
    The mysterious solo project Everyperson earned praise for originality and emotional depth.
    “Fathoms consists of eight varied tracks blending melodic modern metal tension with rougher, groove-driven elements and a distinct electronic edge.”
    Rock Hard called the album “a solid, imaginative work that distinguishes itself from the crowd.”
    Machine Cult Ritual – Occult Mechanics

    Score: 7/10
    Industrial doom project Machine Cult Ritual received recognition for crafting a uniquely oppressive and immersive debut album.
    “The album’s layered structure feels original, defining a unique artistic vision.”
    The magazine praised the record’s industrial textures, doom rhythms, death metal vocals, and avant-garde atmosphere that “draw the listener into a strange yet captivating sonic universe.”
    Selias – Headshot

    Score: 5/10
    While the review for Selias was more critical, Rock Hard acknowledged the band’s ambition in blending death metal and groove influences, though the publication felt the songwriting needed stronger structure and direction moving forward.
    THE UNDERGROUND CONTINUES TO RISE

    From Austrian groove metal to Norwegian death metal, industrial experimentation, theatrical heavy metal, doom rock, and horror punk, this month’s Rock Hard coverage proves that independent metal artists continue pushing boundaries worldwide.
    Metal Devastation PR congratulates all featured artists for their hard work, dedication, and relentless commitment to underground heavy music.
    Stay tuned. More chaos is coming.
    #MetalDevastationPR #RockHardMagazine #MyDarkFate #NocturnalCeremony #Hellrazor #KUF #SugarVirus #Everyperson #MachineCultRitual #Selias #HeavyMetal #DeathMetal #GrooveMetal #IndustrialMetal #HorrorPunk #UndergroundMetal #MetalNews #MetalCommunity