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Legendary independent New York-based rock label Equal Vision Records is excited to announce the signing of veteran Los Angeles-based alt-rock band Slothrust for 2026 and beyond. Joining a roster of recent signees such as Quicksand, Sparta, I AM THE AVALANCHE, The Flatliners and LOWREV (Joshua Fiedler of The Juliana Theory), Slothrust have offered its first […]

Both of which will take place later this month.

The post Silent Planet Added To 2026 ‘Upheaval’ Festival & ‘Rock Fest’ appeared first on Theprp.com.

On social media, he said the Village People’s lead singer, Victor Willis, was with him “right from the beginning.” But the president has a more complicated history with the group.

Bristol’s nu-gaze shapeshifters Split Chain, who recently returned with the heavy-hitting scatterbrain, taken from their forthcoming motionblur [DELUXE] album out September 11, have released two new reimagined songs, featuring upcoming touring partners. Headway [DLX] features Las Vegas hardcore outfit Roman Candle, while SPIT [DLX] features London hardcore quartet False Reality. Speaking of the collaborations, the […]

Today, legendary Melbourne punk rock band Bodyjar drop a video for their new single Sound Of The Stereo. Sound Of The Stereo is another catchy, punk rock anthem from one of the best to ever do it. The video is classic Bodyjar, perfectly capturing the band’s trademark sense of humour with the same irreverent charm […]

Todd .

The post Todd LaTorre reveals what the ‘West’ portion of the band name ‘Rising West’ stood for first appeared on Sleaze Roxx.

In July 1994, Ian McNabb, leader of Liverpudlian alt.rockers the Icicle Works, released his second solo album, Head Like a Rock. Recorded in Los Angeles with serial Neil Young collaborators Crazy Horse, the album was well-received and was nominated for that year’s Mercury Prize.

To mark the album’s release, McNabb and Crazy Horse played at that year’s Glastonbury Festival, with a pair of warm-up shows scheduled at Manchester Academy and at King’s College London Student Union.

At the latter show, Noel Gallagher joined the band onstage, riding a wave of critical acclaim as Oasis geared up for the release of the debut album, Definitely Maybe, the following month.

“We played Pushin’ Too Hard by the Seeds, which has two chords (Am and G),” says McNabb, posting on Facebook. “He struggled to fit into this basic pattern, and when I told him to take a solo, he royalled [messed up] his Callards [‘trousers’ in Cockney rhyming slang].

“The show was recorded. When he learned I was releasing it, he demanded he be allowed to redo his performance. When I said it was a live album, and that’s what was going out, he ordered his name be taken off the credits as I was ‘cashing in.’ Formidable songwriter, entry-level strummer (still). Bit of a dick.”

McNabb’s story appears to have been inspired by footage from an old interview with Gallagher, which has recently gone viral. In the interview, filmed in Tokyo on Oasis’s Standing on the Shoulder of Giants tour in 2000, Gallagher describes Eric Clapton as “fucking awful.”

“Eric Clapton is not ‘fucking awful’, advises McNabb. “He’s nowhere near the rapture afforded him, but his work with John Mayall’s Bluesbreakers, Cream, The Beatles, Plastic Ono Band, Blind Faith and Roger Waters was sterling. After Blind Faith, he changed beyond recognition, seduced by the minimalism of The Band, J.J. Cale and Jamaican music.”

The version of Pushin’ Too Hard recorded with the uncredited Gallagher was eventually released on Ian McNabb’s Merseybeast album in 1996. McNabb’s latest solo album, 65, was released in April.

Rush postponed two Texas shows on its “Fifty Something” tour after Geddy Lee was diagnosed with laryngitis and bronchitis.

The post Rush Postpones Two Texas Shows After Geddy Lee is Diagnosed With Laryngitis and Bronchitis appeared first on Audio Ink Radio.

Ukraine’s Small Depo return from their long break with Pryhody, and the album comes in like a van with bad brakes, a cracked windshield, and somebody in the back still arguing with God. The Kyiv post-punk band, founded in 2014, has always known its way around 80s tension, but here the old machinery gets dented, kicked, and made to run on nerve. Think Midnight Oil’s open-road charge getting dragged through Ministry’s metal shop, with the fumes of loss, love, fear, and bad decisions coming up through the floorboards.

The title means “Adventures,” which sounds cheerful until the record starts throwing elbows. These are adventures in the adult sense: years that take your face in both hands and make you look directly at what changed. Pryhody carries the marks of distance, exhaustion, friendship, fear, and the slow, unglamorous business of accepting what cannot be fixed by volume alone. Small Depo do not prettify any of it. They bang it into shape.

Rozkazhy (Tell Me), the lead single, works through choice, responsibility, and the ending that waits for everybody with a cigarette behind its ear. The song moves with a hard, clipped urgency, as if the band has no patience left for decorative despair. The vocals sound cornered but lucid, the rhythm section keeps pushing, and the guitars scrape at the edges with enough bite to keep the room awake.

Previously released singles Elektromerezhi (“Power Grid”) and Limb slot into the album like old bruises you forgot to explain. Limb, especially, has a tense physical charge, all motion and damage, and its video, made with the music label of the Third Army Corps and director Sofiko, extends the album’s sense of uncertainty, transformation, and inner search without turning the whole affair into art-school fog.

The record’s real engine sits inside frontman Maksym Ishchenko’s account of how it came together. “A year of crisis and profound changes in life,” he muses. Thousands of kilometers traveled. Six months of consistent work in the studio and on myself. Standing shoulder to shoulder with people who believed in me and continue to inspire me. All of this has poured into our new material.”

The band came back because the songs had weight, and because staying quiet would have meant letting the pressure win. A collaborative track with Скажи щось погане adds another voice to the wreckage and keeps the album’s momentum from becoming too sealed inside its own skull.

Small Depo’s music already has a strange second life through Chernobyl Radio in S.T.A.L.K.E.R. 2: Heart of Chornobyl and the documentary Episodes: Shadow of Chornobyl. Pryhody should push them further out. It is loud with memory, rough with change, and alive in the way a busted amp is alive when somebody still has the nerve to plug it in.

Listen to Pryhody below and order the album here.

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The post Ukrainian Post-Punk Trio Small Depo Explores Love, Loss, and Fear With “Pryhody” (Adventures) appeared first on Post-Punk.com.

Brit Floyd — described by Rolling Stone as “widely recognized as the world’s premiere Pink Floyd experience” — has announced that legendary Pink Floyd vocalist Machan “Margaret” Taylor will join the band as a special guest for select dates on their ongoing “The Moon, The Wall and Beyond” 2026 North American tour, beginning July 10 at the Greek Theatre in Los Angeles. The group will also welcome saxophone sensation Scott Page — known for his work with Pink Floyd, Toto, and Supertramp — for two shows: July 10 in Los Angeles and July 11 in San Diego.

Nearly four decades after performing with Pink Floyd on the A Momentary Lapse of Reason and Delicate Sound of Thunder tours, Machan Taylor — credited as Margret Taylor during her time with the band — is rejoining Brit Floyd to reprise some of her most celebrated performances. She is also the author of the new memoir Naked Out Loud, which traces her journey from her childhood in Japan and New Jersey to singing alongside Pink Floyd on two of the band’s landmark world tours.

“We are incredibly honored to welcome Machan Taylor back to the Brit Floyd tour this summer,” said Andy Robbins, CEO of Palladium Entertainment and producer of Brit Floyd’s world tours. “Her voice helped define some of Pink Floyd’s greatest live moments and having her share the stage with us is a real privilege. We know fans will be thrilled to experience the magic she brings to these songs.”

The “The Moon, The Wall and Beyond” tour, produced by Palladium Entertainment, celebrates 15 years of Brit Floyd — founded in 2011 — and stands as the group’s most ambitious production to date. The concept spotlights two of Pink Floyd’s most iconic and best-selling albums: The Dark Side of the Moon and The Wall. Setlists feature “Time,” “Money,” “Comfortably Numb,” and “Another Brick in the Wall, Part 2,” alongside selections from Wish You Were Here, Animals, and other fan favorites. On select nights, fully dedicated thematic performances for each album will create two distinct concert experiences within the same tour.

The run is part of a larger 123-date North American tour. Brit Floyd will also team up with Get the Led Out — a tribute to Led Zeppelin — for two special collaborative engagements: Aug. 1 at the Broadview Stage at SPAC in Saratoga Springs, N.Y., and Aug. 8 at Hartford HealthCare Amphitheater in Bridgeport, Conn.

Founded in 2011, Brit Floyd has performed more than 1,600 shows worldwide. Over the years, the group has shared the stage with several alumni of Pink Floyd and Roger Waters’ touring ensembles, including Guy Pratt, Scott Page, Durga McBroom, Roberta Freeman, Machan Taylor, Harry Waters, and Graham Broad. In 2025, Brit Floyd collaborated with legendary producer and engineer Alan Parsons for a run of shows across California and Nevada, drawing nearly 20,000 fans.

Brit Floyd 2026 Tour Dates:

• July 10 – Greek Theatre – Los Angeles, Calif.
• July 11 – Cal Coast Credit Union Open Air Theatre – San Diego, Calif.
• July 12 – Arizona Financial Theatre – Phoenix, Ariz.
• July 14 – Wagner Noel Auditorium – Midland, Texas
• July 16 – ACL Live at The Moody Theater – Austin, Texas
• July 17 – Bayou Music Center – Houston, Texas
• July 18 – Texas Trust CU Theatre – Grand Prairie, Texas
• July 19 – Raising Cane’s River Center Theatre – Baton Rouge, La.
• July 21 – Mark C. Smith Concert Hall – Huntsville, Ala.
• July 23 – PNC Pavilion – Cincinnati, Ohio
• July 24 – Rose Music Center – Huber Heights, Ohio
• July 26 – Jacobs Pavilion – Cleveland, Ohio
• July 27 – Kresge Auditorium – Interlochen, Mich.
• July 29 – Everwise Amphitheater – Indianapolis, Ind.
• July 30 – Capital Theatre – Wheeling, W.Va.
• July 31 – Kirby Center – Wilkes-Barre, Pa.
• Aug. 1 – Broadview Stage at SPAC – Saratoga Springs, N.Y. * w/ Get the Led Out
• Aug. 4 – Casino Ballroom – Hampton Beach, N.H.
• Aug. 5 – Casino Ballroom – Hampton Beach, N.H.
• Aug. 8 – Hartford HealthCare Amphitheater – Bridgeport, Conn. * w/ Get the Led Out
• Aug. 9 – Santander Performing Arts Center – Reading, Pa.
• Aug. 11 – Ovens Auditorium – Charlotte, N.C.
• Aug. 13 – Wilson Center – Wilmington, N.C.
• Aug. 14 – Wilson Center – Wilmington, N.C.
• Aug. 15 – Steven Tanger Center for the Performing Arts – Greensboro, N.C.
• Aug. 16 – Township Auditorium – Columbia, S.C.
• Aug. 19 – Kemba Live! – Columbus, Ohio
• Sept. 18 – Hanover Theatre – Worcester, Mass.
• Sept. 19 – Community Arts Center – Williamsport, Pa.
• Sept. 20 – Luhrs Performing Arts Center – Shippensburg, Pa.
• Sept. 22 – Dow Event Center Theater – Saginaw, Mich.
• Sept. 24 – Genesee Theatre – Waukegan, Ill.
• Sept. 25 – Genesee Theatre – Waukegan, Ill.
• Sept. 26 – Gatton Park – Lexington, Ky.
• Sept. 27 – Tennessee Theatre – Knoxville, Tenn.
• Sept. 29 – Saenger Theatre – Mobile, Ala.
• Sept. 30 – First Security Amphitheater – Little Rock, Ark.
• Oct. 1 – Tulsa Theater – Tulsa, Okla.
• Oct. 2 – Heartland Credit Union Arena – Park City, Kan.
• Oct. 5 – Revel – Albuquerque, N.M.
• Oct. 6 – The Linda Ronstadt Music Hall – Tucson, Ariz.
• Oct. 7 – Findlay Toyota Center – Prescott, Ariz.
• Oct. 9 – Agua Caliente – Rancho Mirage, Calif.
• Oct. 10 – Orleans Arena at Orleans Casino – Las Vegas, Nev.
• Oct. 11 – Saroyan Theatre – Fresno, Calif.
• Oct. 13 – Dignity Health Theater – Bakersfield, Calif.
• Oct. 14 – Fox Theater – Oakland, Calif.
• Oct. 15 – Vina Robles Amphitheatre – Paso Robles, Calif.
• Oct. 16 – Hard Rock Casino & Hotel Sacramento – Wheatland, Calif.
• Oct. 18 – Ilani Casino – Ridgefield, Wash.
• Oct. 20 – Toyota Center – Kennewick, Wash.
• Oct. 22 – Rogers Forum – Abbotsford, B.C.
• Oct. 23 – South Okanagan Events Centre – Penticton, B.C.
• Oct. 24 – Grey Eagle Event Center – Calgary, Alta.

Visit here for the most up-to-date information on “The Moon, The Wall and Beyond” world tour.

The post BRIT FLOYD Welcomes MACHAN “MARGARET” TAYLOR & SCOTT PAGE As Special Guests For Their Ongoing “The Moon, The Wall and Beyond” North American Tour appeared first on Sonic Perspectives.