The rolling series of enhanced UFO back catalogue reissues is set to continue with The Wild, the Willing and the Innocent to be released on 1 May 2026 together with a previously unreleased live performance from Hammersmith Odeon in 1981. I still have the tour programme……! For me, TWTWATI is UFO’s finest and most consistent […]
The post UFO The Wild the Willing and the Innocent Reissue Plus Live Set Scheduled for 1 May 2026 Release first appeared on New Wave of British Heavy Metal.Blog
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DREEM WEAPONS Drop New Single ‘Angels Of Rain’
Dreem Weapons have released their third single, Angels Of Rain, ahead of their 4 date run of dates in March 2026. A lyrically personal track, this song exudes emotion, and takes the listener deeper into the world Dreem Weapons are creating. Following their sold out debut performance at The Louisiana, Bristol, and a surprise performance […] -
“We beat Britney Spears!” The song that turned a group of Dutch goths living with their parents into one of Europe’s biggest bands
With Ice Queen, Within Temptation helped to crystallise the scene we know today as symphonic metal -
All Of The Rock Moments To Look Out For At The BRIT Awards 2026
The BRIT Awards are taking place in Manchester this weekend (February 28), and there are plenty of things for rock fans to be excited about throughout the ceremony.
First up, it has been announced that Ozzy Osbourne will be receiving the Lifetime Achievement Award, in recognition of not just his impact and influence on the worlds of rock and metal but on music as a whole, both in the UK and worldwide.
The posthumous honour will be bolstered by an all-star performance of his 1991 track ‘No More Tears’, delivered by Robbie Williams, Adam Wakeman, Robert Trujillo, Tommy Clufetos and Zakk Wylde.
Stacey Tang, Chair of the 2026 BRIT Awards Committee and Co-President of RCA Records at Sony Music UK, had this to say about the award, stating, “Ozzy Osbourne has been a mighty force in modern music. Possessing an unmistakable voice and unique presence, he reshaped the sound and spirit of rock, inspiring generations of artists who followed. This Lifetime Achievement Award recognises a remarkable legacy built on originality and enduring influence, that continues to connect with fans worldwide.”
Additionally, Wolf Alice will be performing at the ceremony. The band are up for three awards throughout the night. There is Album Of The Year for ‘The Clearing’ along with Dave’s ‘The Boy Who Played The Harp’, Lily Allen’s ‘West End Girl’, Olivia Dean’s ‘The Art of Loving’ and Sam Fender’s ‘People Watching’.They are also up for Best Rock/Alternative Act with Blood Orange, Lola Young, Sam Fender and Wet Leg, and Group Of The Year, facing off against Sleep Token, The Last Dinner Party, Pulp and Wet Leg.
As mentioned, Sleep Token are representing rock and metal in Group Of The Year, as are Turnstile in International Group Of The Year. They are up against Geese, Haim, Huntr/x, Ejae / Audrey Nuna/ Rei Ami and Tame Impala.
The BRIT Awards are taking place at Manchester Co-op Live and will be shown on ITV1, ITVX and STV (in Scotland) from 8:15pm.The post All Of The Rock Moments To Look Out For At The BRIT Awards 2026 appeared first on Rock Sound.
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“Perched on the Edge” — Armchair Experts in Synth Groove NOVABLOOD Reign in Video for “Fake It”
Well I’m living in sin
Perched on the edge
Between right and wrong
Never giving in
There is something perversely satisfying about watching a band set up shop in a crumbling house like they’ve just inherited it from a disgraced aristocrat who left behind only dust and a decent armchair. NOVABLOOD’s video for Fake It plants the Carlisle, UK crew squarely in that kind of ruin, director Dominic Barnes letting the plaster peel and the light slant while the band claims the space with the calm authority of people who know the roof might cave in but still have rehearsal at 6:00 PM.
The song itself moves like it was caught mid-stride and told to keep on truckin’. Built from a single synth line that kicks the whole thing into motion, it carries that locked-in, don’t-overthink-it immediacy. “It was literally completed within 24 hours and one of many tracks which pinpoint the essence of the album,” says the band. “Raw, stripped, big attitude, and Paul’s guitar just brings it all together.” You can hear that 24-hour clock ticking in the track’s bones, the rhythm section holding steady while guitar and synth circle each other like wary dance partners who’ve decided tension is more interesting.
Visually, the abandoned house becomes a pressure chamber for all that internal moral wrestling. The lyrics chew on guilt and desire, on being perched between right and wrong, and the band play it with a straight face that borders on sly. Mark Zowie delivers the vocal cool and collected, stretched out over a bassline that struts with a wink. There’s a faint echo of Beck’s Midnite Vultures in that groove, the kind of sideways funk that smirks while keeping its collar buttoned.
Barnes frames them as monarchs of the mildly derelict, throned on an old armchair like it’s the last decent seat in the kingdom. Dust motes drift through the air, light cuts across bare walls, and nobody seems particularly interested in tidying up. The house looks like it has stories; the band look like they’ve decided to add one more. It’s a takeover without theatrics, confidence without cartoon villain gestures.
Fake It arrives ahead of You’re New To This Aren’t You?, out March 27 via Mint 400 Records, and the title alone carries a raised eyebrow. Zowie admits, “It’s difficult not to read that title without it coming over in a condescending manner, which I absolutely love about it.”
Watch Fake It below. Preorder You’re New To This Aren’t You? here.
Follow NOVABLOOD:
The post “Perched on the Edge” — Armchair Experts in Synth Groove NOVABLOOD Reign in Video for “Fake It” appeared first on Post-Punk.com.
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Why the Vienna Philharmonic Played Nat King Cole Hits
At a gala in New York, the orchestra recognized two of his daughters, who are underwriting a scholarship to its academy. -
‘Paul McCartney: Man on the Run’ Tells One Side of the Story
The Morgan Neville-directed film relies on new and archival interviews to cover familiar ground: the years after the Beatles broke up. -
Into The Pit with DJ Elric Interview with Charles Lord from LOST HUMAN – @elricnewby
I interviewed Charles Lord for a second time. This time in the band LOST HUMAN.
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Labiahead, All-Woman Radiohead Cover Band, Is More Than a Side Hustle for Its Members
For Lena Hall, a musical actress, and Charlene Kaye, a “musician comedian,” Labiahead is more than a side hustle. It offers a space for female rockers to connect. -
Dying Scene Radio Presents: Four Records – Episode 14: Kyle Knight (Emotron, Horse Breakfast)
Welcome to Four Records! Each episode, we feature one guest as they go over four records at four different times in their life. This week, Forrest speaks with Kyle Knight. Regular listeners of the podcast will know him as the Emotron. Kyle has a new band called Horse Breakfast. They are playing some shows in
Fri 03/13 – The Spaze – Columbia, SC
Sat 03/14 – Melon Barn – Greer, SC
Sun 03/15 – Fleetwoods – Asheville, NC
Sun 03/22 – Scrap Collective – Roanoke, VA
Tue 03/24 – Chapel of Bones – Raleigh, NC
Wed 03/25 – Alley Cat Records – Greenville, NC
Thu 03/26 – The Byrd Nest – Salisbury, NC
Fri 03/27 – The Milestone – Charlotte, NC
Sat 03/28 – “What For Fest” Pilot Light – Knoxville, TN
Sun 03/29 – The Hideaway – Johnson City, TN
Tue 03/31 – Sly Grog – Asheville, NC
Wed 04/01 – Mean Mels – Cookeville, TN
Thu 04/02 – CXR Punkhouse – Murfreesboro, TN
Fri 04/03 – JJs Bohemia – Chattanooga, TN
Sat 04/04 – The Nick – Birmingham, AL
Sun 04/05 – Boggs – Atlanta, GA
Tue 04/07 – Pexcho’s – Augusta, GA
Wed 04/08 – Monstercade – Winston-Salem, NC
Thu 04/09 – Ground Zero – Spartanburg, SC
Fri 04/10 – The Spaze – Columbia, SC
Sat 04/11 – Brewer’s Kettle – Kernersville, NC
Sun 04/12 – Zeitgeist Gallery – Durham, NC
Kyle Knight’s Four Records:
0-10: Queen – Classic Queen
Teenage: Ween – Pure Guava
Twenties: The Moldy Peaches – S/T
Recent Record: Vic Chesnutt – West of Rome
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Email: fourrecordspodcast@gmail.com
Opening song: Rad Skulls – Loud as Shit
Closing song: Lucas Perea – Underneath Ashes