Blog

  • Silaera – An Aberration of the Void Review

    Written By: Aleken’s Gunstrosity

    Every year has one magical moment that I look forward to with great anticipation: the first metal release that wows me enough to think it’ll be my AotY. It’s an electric sensation, and it just so happens that Alekhines Gun brought first lightning to my world this year, in the form of atmospheric post-black metal band Silaera’s debut record, An Aberration of the Void. The Chicagoan triplet, established in 2019 as a one-man project, rounded out their lineup with a bassist and a second guitarist last year as they recorded their striking debut. Complete with a stunning Burke piece adorning its cover, An Aberration of the Void left Gun and I with our jaws on the floor, so much so that we had no choice but to write this review together. Two different voices, one unified piece.

    An Aberration of the Void is an apt moniker for Silaera’s first outing, as the band masterfully wields all of black metal’s forms as if they were intrinsic properties of their very being. At once gorgeous, frightening, triumphant, and evil, An Aberration of the Void recalls the sweeping flares of Mare Cognitum (“A Celestial Grave”), the gentle caress of Noltem (the first quarter of “Fall into Cosmic Sleep”), the fervent dissonance of Vimur (“From Entropic Dust”), and the devastating heft of the altogether more vicious Keres (“Abhorring the Lifting of Eyes, the middle third of “Fall into Cosmic Sleep”). Yet, Silaera’s talent for transitions and assembly manage to craft a vision like visiting an alien planet; you’ve seen planets before, but none like this, and trying to classify its place in the cosmos in relation to other stars is a waste of time. This planet simply is. An Aberration’s production conjures specters of the celestial in similar fashion, transversely aligning full, rich chords, cavernous reverb, and a deep low end against crystalline shimmers and bright midranges. The result is a magical composition of unknown and unknowable beauty churning with the destructive energy of a collapsing star.

    If you need a quick peak into the nebula awaiting, point your telescopes to “Abhorring the Lifting of Eyes,” a masterstroke of composition, creativity, and unpredictability. Launching with a sparkling1 trem-heavy intro, it glides into a long-form riff of cosmic mysticism before variating into a brutally heavy crush, which then spontaneously combusts into a jagged groove attack liable to snap your neck like a toothpick. Tellingly, vocals take a dumbfounding length of time to kick in, but aren’t noticed in their absence until they make their presence known—this serves only to enhance their impact. Moments of contrast like this abound on An Aberration, giving new meaning to the term “beauty and the beast,” but few hit harder than “From Entropic Dust” and epic closer “Fall into Cosmic Sleep” when they offset their impeccable atmospheric allure with deadly swings and terrifying dissonance. Imagine if Cosmic Putrification wrote an album about their feelings and had it produced by Blackbraid, and you’ll almost get it. Silaera takes their songwriting chiaroscuro even further, morphing and mutating phrases with each repetition so radically as to redefine, but never estrange, the tones and textures of the next measure.

    That songwriting makes An Aberration of the Void engaging and stimulating from start to finish in spite of its uniformly long-form construction. You’d expect a record where no song falls below six minutes to feature some bloat, but not here. Not a moment wasted, An Aberration arranges compelling choices and elevating decorations around every corner, on both the songwriting and production front. The snare positively crackles and pops when devolving into ferocious blasts, but sibilates and snaps instead during gentler phrases to emphasize mood and atmosphere to great effect (“A Celestial Gaze”). A throaty rasp informs the more intense sections while guttural roars evoke a lurking monstrosity when the moment calls for something more ominous (“Fall into Cosmic Sleep”). Riffs pummel and pound with the terrible force of black holes, but delicate melodies ascend beyond the heavens in tandem to uplift the listener as the event horizon guarantees their final destination (“Abhorring the Lifting of Eyes,” “Fall into Cosmic Sleep”). This interplay of contrast and complement, paired with meticulous detailing, is the unfathomable core of An Aberration of the Void, and the main reason why it universally captivates my attention.

    Criticisms are extremely difficult to commit to, not just for me, but also for Gun. Neither one of us felt any held water for longer than a few moments. We nonetheless noted that, for some, Silaera’s disparate references could feel disjointed in the moment,2 with cohesion only coming after focused spins. An Aberration of the Void also does not escape common genre trappings: maximum reverb, more runtime dedicated to slower paces than outright aggression, arpeggios everywhere. But in execution, these small points of contention feel like inseparable parts of the cosmos Silaera created, and what a wondrous cosmos it is.


    Rating Consensus: Great!!3
    DR: Lost to the Void | Format Reviewed: Bandcamp Stream
    Label: Self Released
    Websites: silaera.bandcamp.com | facebook.com/Silaera
    Releases Worldwide: April 10th, 2026

    The post Silaera – An Aberration of the Void Review appeared first on Angry Metal Guy.

  • Mick Jagger Was Always A ZLut

    Mick Jagger was always a ZLut. Is that a sentence you expected to read today? Well, it’s the truth. Earlier this week, the Rolling Stones legend appeared on the Today show and raved about Zara Larsson, whose fans are referred to as ZLuts, obviously.

    The post Mick Jagger Was Always A ZLut appeared first on Stereogum.

  • Howling Giant announce UK tour dates in support of ‘Crucible & Ruin’

    Nashville’s premier stoner metal outfit Howling Giant are set to cross the Atlantic this month for a European headliner tour. The run comes in support of their acclaimed third full-length, Crucible & Ruin, which has been picking up top marks across the globe since its release late last year. The tour marks the band’s first … Continue reading Howling Giant announce UK tour dates in support of ‘Crucible & Ruin’
  • Photos That Capture the Wonder of the ’70s

    Celebrities, life at home, and everything in between — the '70s, unfiltered and unforgettable. Continue reading…
  • Bastion Rose drop dystopian new single “Break The Machine”

    Bloomington’s cinematic hard rock outfit Bastion Rose have returned with their most explosive and sonically expansive work to date. Their latest single, “Break The Machine,” arrived on 8th May and serves as a dark, progressive anthem for a society on the edge. Following the momentum of their 2026 release schedule, this track marks the latest … Continue reading Bastion Rose drop dystopian new single “Break The Machine”
  • Charli XCX – “I Keep Thinking About You Every Single Day And Night”

    Yesterday, Charli XCX returned with the polarizing, ragebaity anthem “Rock Music.” The Brat star is getting ready for a new era, and she’s already sharing the b-side titled “I Keep Thinking About You Every Single Day And Night.” It’s only available on vinyl and her b-sides Instagram account. “‘i keep thinking about you every single…

    The post Charli XCX – “I Keep Thinking About You Every Single Day And Night” appeared first on Stereogum.

  • Classic Cover: Antirope – “Sunshine Of Your Love” (original by Cream)

    Munich’s alternative metal powerhouse Antirope has released a haunting new music video for their cover of Cream’s “Sunshine of Your Love.” Directed by guitarist Patrick Fleischer and filmed at Lass Mich Tanzen, the video swaps psychedelic flair for a suffocating, doom-influenced atmosphere. By slowing the tempo to a crawl, the band transforms the classic track … Continue reading Classic Cover: Antirope – “Sunshine Of Your Love” (original by Cream)
  • IOTUNN’s Cosmic Journey at Analog Music Hall

    Concert Report: Kinship European Tour 2026 in Budapest – Iotunn, In Vain, Nephylim April 18, 2026 – Budapest, Analog Music Hall When I first saw Iotunn live last October at Barba Negra, I decided that I would definitely be there for their next concert as well. Their show also made it onto my year-end top […]

    Source

  • THE WAIT IS OVER? Adam D. Confirms ‘Burn Eternal’ is Finished; Touring Plans Hinted for Howard Jones Reunion

    burn-eternal-band

    The most anticipated reunion in modern metalcore is officially “ready to go,” but Adam Dutkiewicz is just as frustrated as the fans are. After years of radio silence following the initial 2023 announcement, the Killswitch Engage mastermind has finally checked in on Burn Eternal, his new project with former KSE frontman Howard Jones. While the record has been polished and mastered for months, a “perfect storm” of industry red tape and management delays has kept the music locked in the vault.

    TL;DR: The Key Takeaways

    • The Status: The debut Burn Eternal album is 100% mixed and mastered, including the vinyl edition.
    • The Hold-up: Adam D. blames a mix of management delays and the “drastic” shift in how modern record deals are structured in the streaming era.
    • The Artwork: The final step before release is sourcing the right artwork.
    • Touring Future: Both Adam and Howard are “very interested” in touring the project if the fan demand is high enough.

    “It’s Taking Too Long”: Adam D. Fires Back at Industry Delays

    For fans who have been waiting since mixing began in early 2024, the two-year silence has been grueling. Speaking with Metal Injection, Dutkiewicz didn’t hold back his own agitation. “I’m getting upset that it’s taking so long,” he admitted, citing a complex battle with record labels.

    The primary obstacle appears to be the evolving nature of the music business. Adam noted that revenue models have changed so drastically due to the lack of traditional album sales that finding the “right” deal has become a marathon of negotiations. Despite the business friction, the creative work is finished—right down to the vinyl mastering.

    Also: KILLSWITCH ENGAGE’s JESSE LEACH Reveals His Thoughts on ADAM D Working with HOWARD JONES in BURN ETERNAL (Exclusive Video)

    adamdhowardjones2024

    The Style and the Stage: Will Burn Eternal Hit the Road?

    Burn Eternal isn’t just a nostalgia trip; it’s a “long-gestating” labor of love between two of the genre’s most iconic architects. While the chemistry between Dutkiewicz and Jones is legendary, having defined the gold standard of melodic metalcore in the mid-2000s, the question remains: will they take it live?

    When asked about future performances, Adam’s answer was a resounding “yes”—with a few caveats. “Jones and I have talked about it… the demand has to be there, obviously,” he shared. Beyond the demand, the duo would still need to recruit a full touring lineup to bring the studio project to life.

    Ready to Launch: The Final Countdown

    With the music finalized and the duo simply waiting on artwork and the right distribution partner, the launch of Burn Eternal feels more “when” than “if.” For a project that has survived three years of development and industry shifts, the eventual release promises to be a massive moment for the global metal community.

    Also Check Out Our KILLSWITCH ENGAGE ALBUMS RANKED: The Definitive Guide from Worst to Best

    adam-dutkiewicz-howard-jones-2024

    FAQ: Burn Eternal 2026 Update

    Is the Burn Eternal album finished? Yes. Adam Dutkiewicz confirmed the album has been mixed and mastered for months, including the masters for vinyl release.

    Why hasn’t the album been released yet? The delay is caused by management issues and the difficulty of securing a modern record deal that accounts for the current landscape of music revenue.

    Will Burn Eternal tour? Adam D. and Howard Jones are both interested in touring, provided there is enough fan demand and they can assemble a full backing band.

    Band Bio: Burn Eternal

    Burn Eternal is the high-octane creative offshoot featuring Adam Dutkiewicz (Killswitch Engage) and his former bandmate Howard Jones (ex-Killswitch Engage, Light The Torch). Born out of a desire to collaborate outside the confines of their primary projects, the band represents a reunion of the duo responsible for some of the most successful eras in metalcore history. After years of development, the project stands as one of the most highly anticipated debut releases of 2026.

    STAY LOUD: Catch the full breakdown of today’s stories on the Loaded Radio Daily Podcast, or crank the hard rock and metal 24/7 on our digital stream at LoadedRadio.com.

    The post THE WAIT IS OVER? Adam D. Confirms ‘Burn Eternal’ is Finished; Touring Plans Hinted for Howard Jones Reunion appeared first on Loaded Radio.