Blog

  • MARC BROUSSARD Announces “Chance Worth Taking”, An All-Original Blues Soul Album, Out April 17

    Photo: Jeff Fasano

    Powerhouse soul singer Marc Broussard goes all in on Chance Worth Taking, his first full album of original blues songs marking a definitive creative pivot for the acclaimed Louisiana singer-songwriter, out April 17th via Joe Bonamassa’s KTBA Records.

    Produced by Joe Bonamassa and Josh Smith alongside Calvin Turner, the stunning 14-track collection reunites Broussard with Bonamassa, who takes the helm to contribute master fretwork and mesmerizing guitar solos on 10 tracks, including three songs co-written with Broussard. This stellar creative circle is rounded out by Josh Smith, who features on and co-wrote four tracks, and Calvin Turner, who joined forces with Broussard to co-write 10 of the album’s original songs and contributes to the album’s lush string and horn arrangements.

    Today, Broussard offers the first taste of the album with two lead singles – “No More” a sweeping cinematic blues ballad framing Broussard’s yearning vocal with stately strings and Bonamassa’s soaring guitar. “Fever” delivers a slinky, modern roadhouse groove, driven by funky rhythm guitars, punchy horns, Smith’s stinging leads, and an insistent beat. These tracks serve as a powerful introduction to the album’s range, blending blistering guitar work with Broussard’s signature vocal grit.

    Though Chance Worth Taking marks a stylistic pivot, it remains unmistakably Broussard. His signature “bayou soul” vocal, equal parts grit and grace, anchors the album, tying together brawny shuffles, pleading soul-blues, horn-driven blues-rock, and Mardi Gras–infused funk.

    The album’s origin began when Turner proposed an album of original blues material and sent Broussard a folder of 15 instrumentals. Broussard then wrote lyrics as if possessed. “I would wake up at 6:00 a.m. and write until 11:00 p.m. I’d be in the studio sweating like a madman,” he recalls. The songs were finished in three manic days and refined in the studio with Bonamassa.

    “I’m still more versed in soul music than in blues, but I’m getting an education in the genre and its history from Joe and Josh,” Broussard explains. “When we got into the studio, Joe wasn’t fully convinced we had a blues album, so he added to the songs we already had, and we wrote three others together. In the end, we got to the promised land.”

    There is a sense of free-spirited discovery on Chance Worth Taking, with Broussard exploring a wide emotion and stylistic palette – from big-band, B.B. King-style arrangements on the jaunty, swinging “Let Me Take You Out Tonight” and the horn-riff-driven “Blame,” which boasts tasty, masterful improvisational interplay among Bonamassa, Smith, and Rock and Roll Hall of Famer Reese Wynans and the ‘80s-inspired ballad, “These Walls” with Bonamassa in rare form, soloing with a fire that’s both cinematic and pyrotechnic.

    Fans of classic Broussard will rejoice in the soul ballads “Chance Worth Taking,” with its gospel-tinged chorus, and “Sweet Love,” a timeless ballad complete with sumptuous harmonies and sweeping strings. The album concludes on a New Orleans send-off with the brassy, booty-shaking “Laissez Les Bons Temps Rouler,” a song co-written by Trombone Shorty and Broussard.

    Broussard is ready to unveil Chance Worth Taking, introducing fans to both the new album and a fresh era of inspired creativity. “Man, I’m so excited about it all. It’s time for me to move into my bluesman phase. At this stage of my life, I’m all about it.”

    2026 TOUR DATES

    Mar 3 – Strom – Munich, DE*
    Mar 4 – Papiersaal-  Zürich, CH*
    Mar 6 – Muhle H- Manchestergen, CH* + Sold Out
    Mar 7 – Colos-Saal – Aschaffenburg, Ee*
    Mar 8 – Musicktheater-Rex – Bensheim, Ee*
    Mar 10 – Harmonie – Bonn, DE*
    Mar 11 – Scala – Leverkusen, DE*
    Mar 12 – Musikzentrum – Hanover, DE*
    Mar 13 – Fabrik – Hamburg, DE
    Mar 14 – Lido – Berlin, DE*
    Mar 16 – Werk 2 (Halle D) – Leipzig, DE*
    Mar 17 – Ebertbad – Oberhausen, DE*
    Mar 19 – Maassilo – Rotterdam, NL*
    Mar 20 – Paradiso – Amsterdam, NL*
    Mar 21 – Hedon –  Zwolle, NL*
    Mar 22 – Doornroosje – Nijmegen, NL*
    Mar 24 – Muziekgieterij – Maastricht, NL*
    Mar 25 – La Maroquinerie – Paris, FR*
    Mar 26 – The Blues Kitchen Manchester –  Manchester, UK*+ Sold Out
    Mar 27 – Islington Assembly Hall – London, UK*
    *With Brian Mackey Support

    US SPRING DATES
    Apr 9 – Soundwave Beach Weekend – Miramar Bch, FL + Sold Out
    Apr 23 – The Dixie Carter Performing Arts Ctr – Huntington, TN*
    Apr 24 – The Walker Theatre – Chattanooga, TN*
    Apr 25 – Variety Playhouse – Atlanta, GA*
    Apr 26 – Neighborhood Theatre – Charlotte, NC*
    Apr 28 – Manchester Music Hall – Lexington, KY**
    Apr 29 – Bijou Theatre – Knoxville, TN**
    May 1 – New Orleans Jazz & Heritage Fest – New Orleans, LA
    May 3 – Dosey Doe – The Woodlands, TX+
    May 5 – Delmar Hall – St Louis, MO**
    May 7 – Fitzgerald Theater – St Paul, MN*
    May 8 – Space – Evanston, IL**
    May 9 – Space – Evanston, IL**
    May 10 – Hi-Fi Annex (Hi-Fi Indy) – Indianapolis, IN**
    May 12 – Thunderbird Cafe – Pittsburgh, PA **
    May 13 – The Birchmere – Alexandria, VA **
    May 14 – Ardmore Music Hall – Ardmore, PA**
    May 15 – Brooklyn Bowl – Brooklyn, NY**
    May 16 – Narrows Center For The Arts – Fall River, MA**
    May 30 – Bear Shadow Festival – Highlands, NC
    *With Seth Walker Support
    ** With Sway Wild Support
    + With Kristen Kelly Support

    MARC BROUSSARD
    WEBSITE | FACEBOOK | X | INSTAGRAM | YOUTUBE | SPOTIFY
    TIKTOK | APPLE MUSIC

    The post MARC BROUSSARD Announces “Chance Worth Taking”, An All-Original Blues Soul Album, Out April 17 appeared first on The Rockpit.

  • Judge Smith Brings Back His First Musical From Brink Of Oblivion

    Judge Smith Brings Back His First Musical From Brink Of Oblivion

    ‘s oeuvre may not be exactly labyrinthine, but there are fairly famous works in his discography, such as 2000’s “Curly’s Airships” which featured a lot of luminaries, and rather obscure opuses too, including the brilliant from 2023. And then, there … Continue reading

    The post Judge Smith Brings Back His First Musical From Brink Of Oblivion appeared first on DMME.net.

  • SISKA with TIM “RIPPER” OWENS Release New Album “Broken Dreams” | Single & Video “Lonely Tomb”

    SISKA present “Lonely Tomb”, the new single taken from the album BROKEN DREAMS, released on January 16th, 2026. The song is accompanied by its official music video, now available online.

    The album BROKEN DREAMS consists of 11 tracks and has been entirely performed vocally by Tim “Ripper” Owens, who accompanies the band throughout the entire conceptual journey of the record.

    The album was fully mixed and mastered by Max Norman, producer and sound engineer who played a key role in shaping the history of heavy metal, notably through his work on landmark albums by: Ozzy Osbourne (Blizzard of Ozz · Diary of a Madman · Speak of the Devil · Bark at the Moon · Tribute), Megadeth (Countdown to Extinction, Youthanasia).

    The band discussed the video: “The music video for “Lonely Tomb” is inspired by the story of Luisa Ferida, a renowned Italian film actress of the 1940s, innocent and executed without trial on April 30th, 1945, during one of the most tragic and chaotic periods in Italian history.

    Her death was not only a physical murder, but a symbolic act:
    the murder of beauty, art, and the freedom to love.

    “Lonely Tomb” is not a political song. It is an act of remembrance, a reflection on injustice and the darkest sides of human nature, and a call to the truest role of art: to tell the truth, even when it is uncomfortable.”

    Regarding the album: “‘Broken Dreams’ is not simply an album — it is a journey. A concept album that unfolds like a cinematic narrative and, through eleven tracks, delves deeply into the fractures of time, memory, and resistance. It is an album about standing firm while the world collapses, about preserving an inner flame amid silence and darkness, about returning even when time itself seems to deny it.

    A cry that crosses eras.
    An invitation not to forget.

    The post SISKA with TIM “RIPPER” OWENS Release New Album “Broken Dreams” | Single & Video “Lonely Tomb” appeared first on The Rockpit.

  • Alysa Liu Skates To Her Admirer PinkPantheress’ Song At Olympic Gala

    Olympic figure skater Alysa Liu has been making history. On Thursday (Feb. 19) the 20-year-old won America’s first gold medal in the Winter Olympics’ women’s free skating event since 2002. In interviews, she’s been expressing her love for PinkPantheress, and today she skated to the Zara Larsson remix of “Stateside” at the Olympic figure skating exhibition gala at the Milano Ice Skating Arena.

    The post Alysa Liu Skates To Her Admirer PinkPantheress’ Song At Olympic Gala appeared first on Stereogum.

  • The Genetics – self titled


    Well, I’ve certainly heard of recording an album and then not releasing it for a year or two for various reasons. But how about having an album in the can for nearly three decades? That’s something! The debut album from Moscow, Idaho’s The Genetics was released yesterday — 27 years to the day after it was recorded. Even if this record stunk, it would be an essential piece of Pacific Northwest punk rock history. Active from 1988-99, The Genetics were the band Joel Jett fronted after Jetpack and before The Flip-Tops, The Minds, and Girl Drink Drunks (who are still the best American punk band you might not know about). The group also included Lucas Jones (The Pills, The Electric Eye), Sarah Epstein (The Hunches, Jimmy Flame & The Sexxy Boys), and Dan Mohr (VIC-20, The Bismark). All these individuals were young and still learning how to play, but this record shows how undeniable their raw talents were. Even if this a record had been made by four people you never heard of, it would still be a prime artifact of late ’90s garage punk. It’s everything that made the budget punk of that era great: trashy, lo-fi, primitive, and exploding with attitude. I’m pretty astounded that it took this long for these recordings to see the light of day. This is an excellent album that would have been warmly received on the eve of Y2K. Now you can own it on vinyl (limited to 100 copies). Original songs like “It’s a Fright” and “Psycho Love” absolutely foreshadow the greatness of The Flip-Tops, and covers of Supercharger and Teenage Head are an absolute blast. If you’re a fan of Joel Jett or later ’90s garage punk, you will want to move fast on this purchase!


  • The Genetics – self titled


    Well, I’ve certainly heard of recording an album and then not releasing it for a year or two for various reasons. But how about having an album in the can for nearly three decades? That’s something! The debut album from Moscow, Idaho’s The Genetics was released yesterday — 27 years to the day after it was recorded. Even if this record stunk, it would be an essential piece of Pacific Northwest punk rock history. Active from 1988-99, The Genetics were the band Joel Jett fronted after Jetpack and before The Flip-Tops, The Minds, and Girl Drink Drunks (who are still the best American punk band you might not know about). The group also included Lucas Jones (The Pills, The Electric Eye), Sarah Epstein (The Hunches, Jimmy Flame & The Sexxy Boys), and Dan Mohr (VIC-20, The Bismark). All these individuals were young and still learning how to play, but this record shows how undeniable their raw talents were. Even if this a record had been made by four people you never heard of, it would still be a prime artifact of late ’90s garage punk. It’s everything that made the budget punk of that era great: trashy, lo-fi, primitive, and exploding with attitude. I’m pretty astounded that it took this long for these recordings to see the light of day. This is an excellent album that would have been warmly received on the eve of Y2K. Now you can own it on vinyl (limited to 100 copies). Original songs like “It’s a Fright” and “Psycho Love” absolutely foreshadow the greatness of The Flip-Tops, and covers of Supercharger and Teenage Head are an absolute blast. If you’re a fan of Joel Jett or later ’90s garage punk, you will want to move fast on this purchase!


  • Siska drop “Broken Dreams” video featuring Tim “Ripper” Owens

    Italian hard rockers Siska are keeping the momentum going following the January release of their second album, Broken Dreams. The band has just unveiled the official music video for the title track, and they’ve brought some serious heavy metal royalty along for the ride. None other than Tim “Ripper” Owens (KK’s Priest, ex-Judas Priest) features … Continue reading Siska drop “Broken Dreams” video featuring Tim “Ripper” Owens
  • DAN MARSALA From STORY OF THE YEAR Opens Up About ‘Disconnected’

    Story Of The Year are back bigger and better with A.R.S.O.N., marking the next evolution of the band’s signature sound and raw, personal lyricism – elements that have earned the band a dedicated global following. An acronym for All Rage, Still Only Numb, the album channels their trademark energy into a powerful exploration of anxiety, […]
  • MAT SINNER Describes PRIMAL FEAR’s New Song “One”: “A Massive Riff, True PRIMAL FEAR Melodies, A Driving Groove, & RALF’s Characteristic Vocals”

    Primal Fear are keeping the momentum from Domination firmly rolling. With the second leg of their European tour kicking off in London on 03/11, the German power metal outfit has dropped “One”, a previously unreleased track from the Domination recording sessions. The song is a straightforward anthem built around the idea of human solidarity — a call to stand together rather than turn on each other — and it slots naturally alongside the material on the parent album, combining hard-hitting riffs with the melodic sensibility the band has made their signature over nearly three decades.

    Bassist, vocalist, and producer Mat Sinner laid out what the track brings to the table. “‘One’ is a continuation of the Domination atmosphere,” he said. “A massive riff, true Primal Fear melodies, a driving groove, and Ralf‘s [Scheepers] characteristic vocals. It’s like a teaser for the second leg of our European tour as well as our upcoming South American run. Our cover artist Death.Milk.Designs has created a killer video clip with a collection of awesome scenes. Enjoy listening and watching the video. We’re incredibly excited for the next part of the tour!”

    Domination landed on 09/05/2025 through Reigning Phoenix Music and made an immediate impact. The album scored Primal Fear their fourth consecutive German Top 10 entry, with strong chart showings across Europe, the U.S., and Japan. The first leg of the Domination European tour — a 21-date run — backed that up on the road, with crowds singing back tracks like “Destroyer” and “I Am the Primal Fear” from night one. The run also marked the long-awaited live return of Sinner and culminated in the band’s first Spanish headline dates in seven years.

    The record was tracked at Dennis Ward‘s Kangaroo Studios — known for work with Helloween and Angra — in autumn 2024, with Sinner producing and Ralf Scheepers and Magnus Karlsson co-producing. Mixing and mastering were handled by Jacob Hansen — the man behind records by Amorphis and Volbeat — at his studios in Denmark.

    Domination followed 2023’s Code Red, which reached some of the highest chart positions of the band’s career. For the new album, Primal Fear welcomed guitarist Thalìa Bellazecca and returning drummer André Hilgers into the fold, with Karlsson also rejoining the live lineup after several years away. The result is a record that covers a lot of ground — from the hard-charging opener “The Hunter” and first single “Far Away” to the mid-tempo “Tears Of Fire”, the epic ballad “Eden” (featuring Ad Infinitum‘s Melissa Bonny as a guest), neck-breakers like “Scream” and “Crossfire”, and the string-and-piano-driven closer “A Tune I Won’t Forget.”

    The current Primal Fear lineup is Ralf Scheepers (vocals), Mat Sinner (bass, vocals), Magnus Karlsson (guitars), Thalìa Bellazecca (guitars), and André Hilgers (drums).

    The post MAT SINNER Describes PRIMAL FEAR’s New Song “One”: “A Massive Riff, True PRIMAL FEAR Melodies, A Driving Groove, & RALF’s Characteristic Vocals” appeared first on Sonic Perspectives.