***

Sex Mex – Down in the Dump Trucks

EP, Candy-O Records, 2 January 2026

[garagepop]

In one sentence: Rarely has a year started so well as with an EP that automates garage pop in this way.

***

Shallowater – God’s Gonna Give You A Million Dollars

LP, 5 September 2025

[alt rock]

In one sentence: In the great tradition of Jets to Brazil and other melancholic bands of the 1990s, Shallowater invites us back to a moment of introspection.

***

Death Party – Haunted

LP, Alien Snatch! Records, 31 October 2025

[garage pop]

In one sentence: How about a little garage pop to kick off 2026?

***

T.Y. – Hot Wheel City

Single, Under The Gun Records, 5 December 2025

[garage pop]

In one sentence: This band is starting to string together strong releases; a real hope for 2026.

The post Delusions of January 2026 – Part 1 appeared first on Still in Rock.

HORROR SCENE is back—and they’re coming straight for the pulse. The band unleashes their latest single, “Yeah You,” is a relentless, high energy track that blends aggression, attitude, and hooks that hit like a gut punch. Fueled by dark intensity and raw emotion, the song captures that moment when you stop explaining yourself and let the music do the damage. Produced by Dan Malsch, “Yeah You” delivers crushing power, sharp precision, and a sound that refuses to be ignored.”

“Yeah You’ is a middle finger wrapped in melody loud, unapologetic, and aimed straight at anyone who ever doubted us.” – HORROR SCENE

Fueled by driving riffs, pounding rhythms, and a vocal delivery that balances menace with undeniable charisma, “Yeah You” is confrontational in the best way possible. It’s a song that doesn’t hide in metaphor—it locks eyes with the listener and calls them out. Loud. Direct. Unfiltered.

Lyrically, “Yeah You” thrives on confrontation and confidence, capturing that moment where frustration turns into fire and silence turns into action. HORROR SCENE channels that raw, electric tension into an anthem built for packed clubs, midnight drives, and anyone who’s ever felt underestimated or overlooked.

Sonically, the band sharpens their edge, blending gritty industrial textures with infectious modern rock energy. The result is a track that feels both dangerous and accessible—dark enough to haunt, catchy enough to stay stuck in your head long after the final chorus fades.

With “Yeah You,” HORROR SCENE proves they’re not here to play it safe. They’re here to make noise, shake rooms, and leave a mark. This single signals a band fully locked into their identity—confident, confrontational, and unafraid to push forward at full volume.

This is HORROR SCENE at their most focused and ferocious.

“Yeah You” is available now on all major streaming platforms.

Turn it up. Let it hit. And don’t look away—HORROR SCENE talking to you.

LISTEN ON:

APPLE MUSIC

SPOTIFY

The post HORROR SCENE Ignites A New Era With The Explosive Single “YEAH YOU” appeared first on Antihero Magazine.

Written by Anselm Anderson

Photo Credit: Chuck Brueckmann

SISTER KILL CYCLE is back—and this time, they’re staring straight into the storm as they take the iconic Creedence Clearwater Revival classic song and is reborn as a crushing anthem for uncertain times.

The industrial rock provocateurs have released a ferocious new cover of “Bad Moon Rising,” transforming the legendary CCR anthem into a menacing, modern-day prophecy drenched in distortion, grit, and raw intensity. Where the original warned of trouble on the horizon, SISTER KILL CYCLE turns that warning into a full-scale sonic uprising.

From the first pulse to the final note, “Bad Moon Rising” is reimagined through the band’s signature blend of industrial aggression, dark atmospheres, and unrelenting rhythm.

Grinding guitars collide with pounding electronics, while the vocals deliver the song’s ominous message with a snarling urgency that feels eerily relevant in today’s fractured world.

SISTER KILL CYCLE has long been known for pushing boundaries and refusing to play it safe, and this release is no exception. By taking a timeless rock classic and injecting it with industrial firepower, the band bridges generations—connecting the paranoia and unrest of the past with the volatile energy of now.

Perfect for fans of hard-hitting industrial rock, dark alternative, and fearless reinterpretations, “Bad Moon Rising” stands as both a tribute and a warning: the moon is rising, the tension is building, and SISTER KILL CYCLE is here to soundtrack the fallout.

APPLE MUSIC

YOUTUBE

The post SISTER KILL CYCLE Unleashes A Dark, Industrial Reckoning of CCR’s Classic “BAD MOON RISING” appeared first on Antihero Magazine.

Gabrielle Ornate steps confidently into pop rock’s philosophical lane with her latest release, “Metaphysical”. A high-energy track that blends big hooks with even bigger ideas.

Built around the concept of life’s origins, the song reminds us that we’re all formed from the same matter a unifying message delivered with urgency and style.Driven by crisp guitar work and polished pop-rock production, “Metaphysical” strikes a balance between introspection and momentum. The track never feels heavy, even as it tackles cosmic themes.

Ornate’s vocals shine with clarity and conviction, guiding listeners through lyrics that feel both scientific and spiritual without losing their emotional punch, coming to life in the chorus is instantly memorable, designed for repeat listens with its big time energy shining through in a real way.

Gabrielle Ornate proves that pop rock can be smart, uplifting, and radio-ready all at once on this fresh reminder that meaningful music doesn’t have to sacrifice energy to make its point.

Check out Gabrielle Ornate “Metaphysical” below and follow her on Instagram. Stay Global my Friends!

The post Gabrielle Ornate – Metaphysical appeared first on .

“There is no one else can take your place”

By 1973 Free had reached the end of the road. The departure of bassist/songwriter Andy Fraser and a diminished contribution from troubled guitarist Paul Kossoff was too much for a band that made a virtue of its magical musical chemistry. But their last album Heartbreaker proved the UK rockers could still get it together with the help of bassist Tetsu Yamauchi and keyboardist John ‘Rabbit’ Bundrick. The album’s second track Come Together In The Morning is a great example of Free at their best, with their soulful feel and mastery of heavy emotion still intact. The lyrics are a touch trite but the verses have a wintery melancholy that contrasts wonderfully with the more uplifting, Beatlesque chorus. My favourite part of the song comes at the tail of the chorus where Paul Rodgers sings “see the world the same as me”. Rodgers’ sublime delivery and the aching harmonies makes for a blissful hook that pops into my head regularly and necessitates giving the album another visit. Come Together In The Morning is the sound of a band channelling the sadness of its final days into a beautiful, bittersweet classic.

HMO salutes Tetsu Yamauchi who recently passed away, aged 79.

Good Day Noir Family,
Listening to Duo Peningo Riders and their single Duck That Jeep is like stepping into a cultural snapshot that is playful and strangely observant.

Duck That Jeep is Peningo Riders’ Single Out Now

The song takes a distinctly American movement—the habit of leaving a small toy duck on another Jeep—and turns it into something closer to an anthem.

That choice alone signals intent. This isn’t novelty for novelty’s sake, but commentary delivered with a grin.

At its core, Duck That Jeep thrives on energy and attitude. The track pulls from blues and classic rock traditions. Instead, the guitar lines feel loose but precise, while the rhythm section keeps everything buoyant and forward-moving. The song lands with immediacy. You don’t analyze it first; you react to it. Then, gradually, the layers begin to show.

The chorus is the undeniable center of gravity. It’s designed to be sung loudly, preferably with others, and it succeeds without forcing the moment. The melodic hook feels natural rather than calculated. While the lyrics stay humorous on the surface, there’s a subtle sharpness underneath. At times, the song seems to wink at contemporary American culture, poking fun without drifting into parody. That balance is difficult, yet Duo Peningo Riders manage it with ease.

Production plays a crucial role here. Everything sounds deliberate, clean, and confident, but never over-polished. The grit remains intact, which helps the song breathe. Even so, the modern edge is undeniable, especially in how the mix supports the vocals and keeps the groove tight.

Stylistically, the track brings to mind bands like PUSA, particularly in its ability to be fun without feeling disposable. There’s a sense that the duo understands songwriting deeply and knows how to play with structure, tone, and expectation. Duck That Jeep comes across as real music inspired by real social behavior, not a joke stretched into three minutes.

The song is lighthearted but observant, catchy yet sly, familiar yet refreshed.

Duck That Jeep is Peningo Riders’ Single Out Now!

Sublime!

Duck That Jeep is Peningo Riders’ Single Out Now

Peningo Riders are an Indie Americana duo from New York founded by Eddie Pellon and Russ Davis. Blending Southern Rock, Blues, and classic Americana, their debut single “Duck That Jeep” channels a gritty, Stevie Ray Vaughan–style shuffle inspired by the global Jeep Ducking phenomenon. Already streaming in 47 countries, the band delivers road-ready songs built on freedom, storytelling, and raw rock ’n’ roll energy.

Find Peningo Riders Here:

Spotify
Instagram

Discover New Bands Click Here

The post Duck That Jeep is Peningo Riders’ Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

Good Day Noir Family,
A ritual-like force runs through Sulam, and Antsud Metal Project use that force to pull the listener into a world that feels ancient and strangely forward-looking at the same time.

Sulam is Antsud Metal Project’s Album Out Now

 Ethnic tones, metal muscle, and modern production come together, yet remain wild. Hingede öö opens the record with epic guitar figures and wide cinematic energy.

The riffs hit hard, and yet they leave space for atmosphere. Also, the track sets a mood that feels spiritual and fierce, which prepares you for the journey ahead.

Then Kaugel Sa arrives with an arpeggiator that sounds like it came from some distant future. Soon after, the female voice enters like a siren, guiding you into a darker and more fantasy-driven place. However, the song never drifts away. Instead, it holds your focus through melody and pulse. Külm raises the intensity even more. The opening vocal line feels like a spell, and the band’s Estonian roots shine through with pride. Because of that, the music carries the cold wind of the north in every note. It does not try to hide where it comes from, and that honesty gives the track its strength.

Püie moves with a steady, epic rhythm. At the same time, it keeps a melodic heart that lets the listener float. Yet, when the verses arrive, the band pulls back, which creates a striking sense of contrast. That play between fullness and space works across the album, and it keeps each track alive. The mix of keys, strings, and percussion adds a futuristic and ethnic layer that sometimes recalls Wardruna, although Antsud Metal Project keep their own identity clear.

Hundinahk stands out with a guitar riff that feels drawn from a fantasy tale. Still, the track never loses the metal edge that defines the group. After that, Vetevaim opens with a calm introduction and then breaks into a driving rhythm. The changes between heavy riffs and airy moments feel natural, which shows how well the band handle dynamics. Ei Enam closes the album with a more bucolic tone. The track is like a farewell, yet it also leaves a sense of quiet hope.

Singing in their own language adds another layer of depth. It pulls you deeper into their culture and makes the album feel more genuine than a standard English-language release. Sulam turns into a full experience that blends heritage, fantasy, and modern power into one strong statement.

Sulam is Antsud Metal Project’s Album Out Now!

Ancestral!

Antsud Metal Project, or AMP for short, is an exciting collaboration between members of Antsud, Estonia’s celebrated folk band, and producer Emmanouil “Hermano” Tselepis. The project began as an experiment—reimagining Antsud’s original songs in a heavier, more dynamic style. The result? A powerful fusion of distorted guitars, thunderous drums, epic orchestral arrangements, and atmospheric synthesizers.
In 2024, the team dedicated themselves to crafting a full album that features both reimagined Antsud classics and brand-new compositions. This album, named “Sulam” which means alloy or amalgam, is out now.

Find Antsud Metal Project Here:

Spotify
Instagram

Discover New Bands Click Here

The post Sulam is Antsud Metal Project’s Album Out Now appeared first on Edgar Allan Poets – Noir Rock Band.