The Los Angeles Lakers have some good things going for them in Game 6 against the Rockets but need to play smart.
The post Lakers Get Good News Before Game 6 vs. Rockets appeared first on Audio Ink Radio.
The Los Angeles Lakers have some good things going for them in Game 6 against the Rockets but need to play smart.
The post Lakers Get Good News Before Game 6 vs. Rockets appeared first on Audio Ink Radio.
Equal Vision Records, Civilians and Sparta are pleased to present Everything You Say, the latest track to be lifted from the Friday, May 29 release of Cut A Silhouette, the forthcoming album from the celebrated El Paso, TX-based alt-rock band. “The music for this was brought in by Matt [Miller] to the earliest writing sessions […]Warren Haynes has released a live version of “Banks of the Deep End,” the first preview of his upcoming symphonic album Dreams & Songs, which will be available in the U.S. through Evil Teen Records.
Originally appearing on The Deep End, Volume 1 in 2001, “Banks of the Deep End” has become a staple for Gov’t Mule fans. The new orchestral arrangement was recorded in 2019 at Thomas Wolfe Auditorium in Haynes’ hometown of Asheville. The performance marked the debut of his Dreams & Songs symphonic show alongside the Asheville Symphony Orchestra and a backing lineup featuring Oteil Burbridge on bass, John Medeski on organ and keys, Jeff Sipe on drums, and Greg Osby on saxophone.
“‘Banks of the Deep End’ is one of the songs that we probably play more than any other,” said Warren Haynes. “Although it doesn’t vary as much on a nightly basis as some of the other tunes, it somehow takes on its own personality just based on the song itself and the lyric and uniqueness of the chord structure and the melody. Playing it with a symphony emphasizes all the dramatic and dynamic changes that song presents, and it’s wonderful hearing it in that light.”
On April 30, the Warren Haynes Band will perform its Dreams & Songs Symphonic Experience with the Louisiana Philharmonic Orchestra at The Orpheum Theater. The show explores music from Haynes’ catalog, including material from Gov’t Mule, The Allman Brothers Band, Grateful Dead, Jerry Garcia, and his solo work.
The following night, Gov’t Mule will headline the venue for the final date of its spring headlining tour. After a short break, the band will return to the road in July and August for a summer run featuring headlining shows, co-headlining dates with Joe Bonamassa, and festival appearances.
More details on Dreams & Songs are expected soon.
The post Warren Haynes reveals first sneak peek at symphonic album appeared first on Blues Rock Review.
This song opens with intriguing pads complemented by powerful guitar riffs. These elements transport listeners to a dystopian and epic sound world. As the vocals enter, they showcase remarkable expressiveness. Occasionally, the lead vocals are supported by background harmonies. This band aims to communicate profound messages through their music.

“What Lives In Me” delves into the internal struggles of individuals. It addresses topics that are often difficult to discuss comfortably, such as identity. The song captures the complex emotions one feels within but struggles to express. Its essence is about finding the courage to embrace one’s true self. The powerful sound reinforces this theme, echoing a desire for liberation from invisible chains that bind us.
The dynamics in the song are noteworthy. It maintains high intensity throughout, combined with excellent variations. Around the two-minute mark, a suspended moment arises, leading to a bridge that transports listeners into a parallel realm. This change in mood is skillfully executed. Following this shift, the female voice enters briefly, creating an interesting diversion.
To appreciate the depth of this track, it is essential to recognize its layered structure. Each component contributes to the overall narrative. The use of guitar and pads establishes a psychological atmosphere that resonates with many listeners. The instrumentation feels deliberate, guiding emotions effectively without being overbearing.
In a world where emotional expression is often stifled, this song encourages honesty and bravery. The lyrics evoke a sense of vulnerability that many can relate to, making it a universal anthem for self-acceptance.
The contrasting segments of the song keep audiences engaged. Moments of intensity alternate with softer passages, allowing for emotional release. This balance is crucial in presenting the myriad feelings associated with personal struggles.
Production quality plays a vital role in the overall impact of “What Lives In Me.” Every instrument is distinctly present. The meticulous arrangement ensures that no element overshadows the other. The mix effectively highlights the band’s intent to share meaningful messages.
“What Lives In Me” invites listeners on a journey through internal conflicts and the quest for authenticity. The song’s dynamics reflect the intensity of the message and the desire for liberation from societal constraints. Brightstar has crafted an important piece that resonates with many.
Listeners looking for a song that genuinely captures the essence of personal struggle will find satisfaction in this track. It is a commendable effort that emphasizes the importance of self-expression and courage. Therefore, this song comes highly recommended to everyone searching for a heartfelt musical experience.
Epic
If you love this music: Discover MoreThe post Brightstar What Lives In Me Review appeared first on Edgar Allan Poets – Noir Rock Band.
Chris and Julia Bentley, known collectively as Pumpkin Skull, enchant listeners with their single “Black Velvet Horror.” From the first sound of the guitar, a foggy, nocturnal atmosphere envelops the audience. Embracing elements of darkwave and gothic alternative rock, the song offers sinister yet hypnotic vibes. It resonates with echoes of bands like Type O Negative, Nick Cave, and Depeche Mode.
The vocal performances are remarkable. The duo alternates and harmonizes, creating an ancient quality that draws listeners in. This interplay evokes imagery of a rainy night, where the asphalt glistens and neon lights reflect off the pavement. It transports the listener to a world of shadow and intrigue.
The chorus delivers a melody that strikes with nostalgia and intensity. It is more than a mere song; it feels ceremonial, almost ritualistic. The production quality and artistic vision are robust. Pumpkin Skull demonstrates a clear understanding of the musical product they wish to create. Their world is dark, yet it has a hint of romance that adds depth.
The track features atmospheric pads and distorted guitars, crafting a nearly dystopian auditory landscape. These elements come together seamlessly, showcasing their ability to build a rich auditory experience. The arrangement enriches the song, as it flows effortlessly through haunting verses into a powerful chorus.
“Black Velvet Horror” is a beautiful discovery in the alternative music scene. It offers a refreshing take on the genre while maintaining ties to the classics. The song stands out for its emotional resonance, making it not only enjoyable to listen to but also memorable. It invites listeners to immerse themselves in its haunting beauty.
From the moody instrumentation to the haunting vocals, the track maintains a consistent theme. Pumpkin Skull wishes to explore the darker side of human emotions. Yet, there is an undeniable romanticism woven throughout. It’s a duality that many listeners will find relatable and engaging.
This single is likely to attract fans of various genres, as it blends aspects of rock, darkwave, and even electronic music. The overall atmosphere is thick, layered with rich tones and textures that reveal new nuances with each listen. It is exciting to see how this duo will evolve and what they will offer next.
“Black Velvet Horror” is an experience. The combination of mesmerizing melodies and thoughtful lyrics speaks to the heart. Pumpkin Skull has crafted a piece that resonates deeply.
Nocturnal
If you love this music: Discover MoreFor fans of:
Type O Negative • Nick Cave • Depeche Mode
The post Pumpkin Skull Black Velvet Horror Review appeared first on Edgar Allan Poets – Noir Rock Band.
Madonna has been ramping up to Confessions II, the sequel to her Stuart Price-produced 2005 club classic Confessions On The Dancefloor. She dropped lead single “I Feel So Free” two weeks back, just before making a surprise guest appearance with Sabrina Carpenter at Coachella weekend 2. Onstage in Indio, they debuted a new collab called…
The post Madonna – “Bring Your Love” (Feat. Sabrina Carpenter) appeared first on Stereogum.
Earlier this month, Netflix released the fourth season of Love On The Spectrum, the reality television show about adults with autism looking for love. Last night, the Kid Laroi brought out Connor Tomlinson during his show in Atlanta, where the show is filmed.
The post <em>Love On The Spectrum</em> Stars Are Breaking Into The Music World appeared first on Stereogum.
And that’s not all they have been working on.
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Wendy Dio, widow and longtime manager of the late Ronnie James Dio, confirmed during an April 29 appearance on SiriusXM‘s “Trunk Nation With Eddie Trunk” that Metal Blade has extended an offer to release the long-awaited reissue of Hear ‘N Aid — the 1985 metal all-star charity project spearheaded by Ronnie James Dio.
She said (transcribed by Blabbermouth): “We have been working on that. We’ve had a couple of little things that have happened. But Metal Blade has offered us a deal for this. And hopefully it could come out, yes, soon. And we’re working on a book as well, a Hear ‘N Aid book of photos, because we have so many photos from that time. So, yeah, there’s a lot of Hear ‘N Aid stuff in the works right now. As I said, we have an offer from Metal Blade, and we’ve been working on getting that together. It’s just a lot of stuff, red-tape stuff that has to be done before you can put something out.”
On plans to also record a new version of “Stars” with current artists, Wendy Dio said: “Not at the moment, but I would still like to do that. At the moment, we’re trying to get out the Hear ‘N Aid, the original one, on vinyl and on CD. So we’ve been trying to work with that at the moment, and that is what we will put out. In the future. I would like to do that. Yes, I definitely would.”
On what else the reissue package will contain, Wendy Dio said: “With the book that we’re working on, we are getting people to write, [some of the artists] that were [there], like [Judas Priest‘s] Rob Halford. And [prominent U.K. music writer, journalist, and industry executive] Dante Bonutto, who actually wrote the foreword for the original record, is going to write something for us. So, yeah, we’ve been working on that. It’s been a very long, hard road to get it out, but we will get it out. We never give up.”
On May 20 and 21, 1985, 40 artists from the metal community gathered at A&M Records Studios in Hollywood, California, to record “Stars” under the Hear ‘N Aid banner, raising money for famine relief in Africa and around the world. Participants included members of Mötley Crüe, Judas Priest, Iron Maiden, Quiet Riot, Twisted Sister, Blue Öyster Cult, and Spinal Tap. Contractual disputes with labels pushed the release to New Year’s Day, 1986 — on vinyl and cassette only, never on CD or digital.
Former Dio guitarist and current Def Leppard member Vivian Campbell told Guitar Interactive magazine in 2023 about the project’s origins. “When we did that, we were at Rumbo Recorders in L.A. recording the [Dio] Sacred Heart album,” Campbell said. “And it was a really dark time for Ronnie and for the band. I mean, nobody wanted to be around Ronnie.”
Campbell and late Dio bassist Jimmy Bain hatched the idea after doing a radio interview on KLOS in Los Angeles. “The DJ asked us, he said, ‘How come nobody from the hard rock world was invited to participate in that?’ And we thought, ‘You know, you’re absolutely right.’” Bain coined the name on the spot, and Campbell spent weeks cold-calling musicians — going through his publicist’s Rolodex, dialing up names like Jon Bon Jovi and Neal Schon — to assemble the roster.
Campbell recalled the day of the recording: “I remember the day we were doing it at A&M, with a film crew in there, and the guys from Spinal Tap even showed up. And that made it great because that brought a little much-needed humor to the whole situation. And all these great guitar players — we had Yngwie [Malmsteen] there and George Lynch and Neal Schon, guys who were blazing guitar [players]. And I just remember I was so busy making sure that everyone had a limo ride, had a flight, had a hotel room, had something to eat. And then, at the end of the day, it’s, like, ‘Okay, now you’ve gotta play guitar.’ It’s, like, ‘What?’”
The post WENDY DIO Confirms METAL BLADE Offer For HEAR ‘N AID Reissue: “We’ve Been Working On Getting That Together — We Will Get It Out” appeared first on Sonic Perspectives.