Blog
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Quicksand Premiere Two New Tracks – Announce Fifth Album “Bring On The Psychics”
NYC post-hardcore pioneers Quicksand have announced “Bring On The Psychics” as their first new album in five years. The record is set for a July 17th release via Equal Vision and was produced and mixed by Jon Markson (Drug Church, DRAIN). Its title draws inspiration from a quote by the late scientist Carl Sagan. Speaking on what … Read More/Discuss on Metal Underground.com -
10 Years of Last Day Deaf — A New Era Begins
For a decade, Last Day Deaf has stood as a trusted voice in independent music, uncovering hidden gems and amplifying emerging artists across genres. What began as a passion project has evolved into a respected platform with a global reach, always guided by curiosity, authenticity, and a love for discovery.
Now, as it celebrates its 10-year milestone, Last Day Deaf turns the page toward an exciting new chapter. A brand new site—Version 2—is on the horizon, promising a refreshed experience, enhanced features, and a sharper focus on connecting artists, curators, and listeners.
The new logo reflects this evolution: bold, modern, and immersive—just like the music it represents. With this transformation, Last Day Deaf isn’t just looking back at its journey; it’s stepping forward, ready to redefine how independent music is experienced in the years to come.
“Sound Overwhelming Everything”
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Listening Now : Body – There You Are, In Fantasyland
Body deliver a psychedelic rock trip with There You Are, In Fantasyland, a track that feels delightfully off-kilter and untethered from reality. Warped textures, loose structures, and a slightly chaotic flow give it that “out of this planet” energy, where nothing quite settles but everything clicks in its own strange way. There’s a gritty undercurrent beneath the playful weirdness, balancing mirth with something darker and more unhinged. It’s unpredictable, hazy, and oddly compelling—like stepping into a distorted dream that refuses to follow any rules.
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“I said to Phil on the side of the stage: ‘What are we going to do? I can’t distinguish between the songs!’” Brian Robertson played with Thin Lizzy, Motörhead and Wild Horses: Now he finally reveals all
Brian Robertson lived it live and dangerous in Thin Lizzy, lived it loud in Motörhead, rode his own band Wild Horses, and has an impressive list of credits as both session musician and producer -
Listening Now : We Were Young – Second Wind
We Were Young tap into nostalgic, synth-driven indie pop with Second Wind, channeling a sense of release and renewal through bright textures and uplifting momentum. Built around warm analog tones and pulsing rhythms, the track carries a reflective yet forward-looking energy, as if shaking off weight and moving into something lighter. The vocals feel earnest and unfiltered, reinforcing its theme of letting go and pushing past internal barriers. With its retro-leaning sound and emotional clarity, it captures that familiar rush of starting over and finding your footing again.
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Frankenbok Announce New Album and Single
Melbourne metal legends Frankenbok are getting back in the ring with a brand new single and album release.
The tireless campaigners reunited with original vocalist Adam “Hutch” Glynn in late 2024 and then toured with Drowning Pool and appeared at Necrosonic. Now they have a new track about the dangers of online dating apps, F.O.F.A., the first new offering from the forthcoming album.
The Arriba War Honkle will be released on May 29.
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Listening Now : Indie Indie – Shifting sands
Indie Indie deliver a warm, emotionally driven indie pop/rock moment with Shifting sands, blending melodic sensitivity with a gently uplifting atmosphere. The track flows with a natural ease, carried by expressive vocals and clean, shimmering instrumentation that gradually builds without overwhelming its core feeling. There’s a sense of reflection throughout, as the lyrics explore change and uncertainty with a hopeful undertone. Balancing accessibility and depth, it leans into familiar indie aesthetics while maintaining a sincere, heartfelt presence that resonates beyond its smooth, polished surface.
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At The Gates – The Ghost Of A Future Dead (Review)
Bands: At The Gates Release: The Ghost Of A Future Dead Genre: Melodic Death Metal Country: Sweden Release Date: 24th of April, 2026 Released via Century Media Records The king is dead. Long live the king. While the old phrase might sound cliché, in this instance it undoubtedly rings true. Given the tragic circumstances of Tompa (GO!) Lindberg’s death—who recorded his vocals just hours before undergoing cancer treatment surgery that ultimately led to his untimely passing—The Ghost Of A Future Dead is as aptly titled as it is bittersweet. And At The Gates wouldn’t be At The Gates if they didn’t choose to celebrate their legendary career with a final (?) swansong to honor their fallen brother and iconic frontman.
After the return of guitarist Anders Björler, fans were excited to hear if the successor to 2021’s more experimental The Nightmare Of Being would live up to the marketed return to their core sound, cemented by the legendary cult classic Slaughter Of The Soul and reincarnated on the 2014 comeback record At War With Reality. Fans, rejoice! Because on their eighth record, At The Gates are in absolute peak form.
These 12 new songs are filled with vigor, focus, and urgency, while still offering the band’s signature melodies and setting an unmistakably bleak tone. Considering the album’s creation process, the sadness and anger can be felt in every note that is played, making The Ghost Of A Future Dead the ultimate statement and a landmark record that not only feels big—it is big. Opener “The Fever Mask” kicks right in with trademark razor-sharp Gothenburg riffs, leaving not an inch of doubt about who’s at the helm here. “The Dissonant Void” keeps up the energy, albeit with a much more melancholic atmosphere, displayed by the bookmarking lead harmonies.
This trademark is also emphasized on the post-punky “In Dark Distortion” marking another more experimental album highlight. “Det Oerhörda” serves as the band’s first song completely sung in Swedish and pummels you with an irresistible groove before “A Ritual Of Waste” picks up speed again. After such a long career, it is remarkable how At The Gates manage to make every song sound unique and creative while staying true to their core sound.
Tompa Lindberg sounds as commanding and iconic as ever, which is a testament not only to the musician but also to the person he was. The lead and riff work is astoundingly catchy and forceful, while the rhythm section makes you bang your head in no time. It feels like they’ve really distilled their complete DNA into these 12 tracks. Every fan of the band—or melodic death metal in general—will cry tears of joy listening to the punishing “Tomb Of Heaven”, the black metal–influenced closer “Black Hole Emission” or the midway lead section woven into “Of Interstellar Death”.
And as if they were aware of the influence their ’95 outing had on the development of Metalcore, there are even rather classic breakdown sections thrown in for good measure. Namely, “Parasitical Hive” and “The Unfathomable” are a nice wink of acknowledgement. But make no mistake here: this is no metalcore record. The elder statesmen of melo-death probably just wanted to show their countless imitators how it’s done and Jens Bogren’s mix offers the perfect blend of clarity and punch to make every instrument, as well as the vocals, sound magnificent. So nothing to complain about on this side either.
What makes The Ghost Of A Future Dead stand out is that it perfectly captures At The Gates at their core. This is a record as essential as Slaughter Of The Soul. Not a second is wasted, and every note hits with impact and purpose. And what elevates it even more is the bittersweet aura all songs carry beneath their surface, making this a more than worthy swansong to the legend that was Tompa Lindberg. The Ghost Of A Future Dead serves as a mournful yet hopeful everlasting testament. This record is as inevitable as death itself.
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Listening Now : Heaven G – DO ME SUM
Heaven G brings bold attitude and undeniable energy on DO ME SUM, a confident, punchy track driven by sharp delivery and a catchy, no-nonsense hook. Her flow feels direct and unapologetic, riding the beat with ease while letting personality take center stage. There’s a playful edge beneath the grit, balancing sass and control without losing momentum. The production keeps things tight and effective, allowing her voice to lead the track’s impact. It’s a self-assured, high-energy cut that leans into charisma and replay value without overcomplicating its intent.
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Listening Now : 38 Skies Above – A Thousand Times Before
38 Skies Above deliver a catchy indie pop gem with A Thousand Times Before, blending airy textures with a warm, melodic flow that lingers long after it ends. The track balances intimacy and openness, with smooth, emotive vocals gliding over shimmering instrumentation and a gently infectious rhythm. There’s a sense of nostalgia woven throughout, as repeating hooks create a comforting familiarity without losing emotional depth. Subtle yet engaging, the song builds a dreamy atmosphere that feels both reflective and uplifting, making it an easy and rewarding listen that invites repeat plays without ever feeling overdone.
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