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  • Gregg Allman documentary gets theatrical release

    A new documentary chronicling the life and legacy of Gregg Allman is set for a theatrical release this summer.

    Subtext, in association with Rolling Stone Films, has announced that Gregg Allman: The Music of My Soul will arrive in U.S. theaters on June 17. The release will include one-week engagements in Los Angeles and New York, along with one-night screenings across the country.

    Directed by GRAMMY and Golden Globe Award-winning filmmaker James Keach, the feature-length documentary explores the life and career of Allman, the influential voice behind the The Allman Brothers Band and a central figure in the development of Southern rock.

    Ahead of the nationwide release, two premiere events are scheduled. The first will take place June 9 at New York City’s Gramercy Theatre and will feature a special acoustic performance by Devon Allman and Duane Betts. The second event will be held June 11 at the Grand Opera House in Macon, Georgia, and will include a special appearance by Chuck Leavell. Both events will include a screening of the film and a Q&A with members of the filmmaking team.

    Gregg Allman: The Music of My Soul traces Allman’s journey through personal tragedy, addiction, and artistic triumph, incorporating archival footage, interviews, and live performances. The film examines key moments in his life, including the death of his brother and bandmate Duane Allman, and explores how those experiences shaped his music and legacy.

    The documentary also looks at the broader cultural impact of Allman and the Allman Brothers Band, highlighting their role in breaking racial barriers in the American South and their deep connection to Black musical traditions.

    The film marks the first release from Subtext, a production and distribution company launched in 2026 by Danielle DiGiacomo, Brian Levy, and Teddy Liouliakis, with a focus on music-driven storytelling.

    “Gregg’s story totally resonated with me,” says James Keach, “especially his relationship with his brother, Duane. I have a very close relationship with my brother, Stacy. We worked together for years on a lot of great projects – The Long Riders was formative for us as well as for the Carradine and Quaid brothers – and the thought of losing my brother at such a young age really got me.

    “Not everyone works this way, but I believe that understanding trauma from the formative years of a person’s life is central when telling their story in a documentary. A lot of incredible artists have these shattering experiences in their past that inform every aspect of their lives and talent. Gregg had those demons inside his amazingly creative brain. He dove deep into his addiction when Duane died, but later in life, when he was sober, he faced his own mortality with dignity and acceptance. It’s personally important to me to carry Gregg’s message of trying to change the trajectory of people consumed by addiction. You can hear the ache in his voice in his brilliant music.”

    “I was Gregg’s friend,” says Michael Lehman. “This movie is personal to me because I want the world to know the Gregg behind the music.

    “Gregg was impacted by, among other things, his profoundly close relationship and the tragic loss of his brother Duane. His music reflects the joy and the pain of his life experiences. I chose James Keach to direct this film because James is both an incredibly talented director and has a close relationship with his own brother, Stacy. I knew from the start that he would bring to life Gregg’s story, including the relationship with Duane and with his band, The Allman Brothers Band, and that James would be able to create both an enjoyable and deeply memorable film.”

    “Gregg Allman’s music is woven into the fabric of American culture, and this film captures both the artistry and the humanity behind the legend,” said Brian Levy of Subtext. “We’re proud to bring the film to American audiences, offering devoted fans rare insight and archival material while introducing Gregg’s legacy to a new generation.”

    The post Gregg Allman documentary gets theatrical release appeared first on Blues Rock Review.

  • Classic Cover: Postmodern Jukebox – “Thank You For The Music” (original by ABBA) and tour starts soon!

    The time-travelling musical collective known as Postmodern Jukebox has just kicked off its fifth season, and they’ve brought a fresh face along for the ride. The group, famous for taking modern pop hits and giving them a vintage makeover, has just released a brand-new cover of the ABBA classic “Thank You For The Music”. The … Continue reading Classic Cover: Postmodern Jukebox – “Thank You For The Music” (original by ABBA) and tour starts soon!
  • Mad Lion Records signs Polish Death Metal Act ASPERATUS!

    We’re pleased to announce that Mad Lion Records’ catalog will soon be increased by another extraordinary release – the debut album by Asperatus! The Krakow-based crew expertly crafts technical, aggressive death metal inspired by classic signifies the Florida scenes! Asperatus’ music it’s a fusion of ruthless aggression from the sign of Suffocation, Hate Eternal‘s technical rigor and merciless, dark climate of Morbid Angel and Cannibal […]

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  • The Finnish band MALUMMEH released a new symphonic metal single and music video ‘Gone Too Far’ – New EP out in May!

    Finnish metal band Malummeh, founded in 2004, have released their second single, ‘Gone Too Far’, accompanied by a music video. The track is taken from their eponymous EP, due for release on 28 May 2026 via Inverse Records.  LISTEN to Gone Too Far on streaming services: https://push.fm/fl/malummeh-gone-too-far The band comments:“If you follow the news, Gone Too […]

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  • Live report JOE BONAMASSA, Barclays Arena, Hamburg – April 22nd, 2026

    It’s been a while since I last saw Joe Bonamassa perform live. If I remember correctly, the iconic guitarist played five shows at the Carré Theatre in Amsterdam in March 2015, and it was a great experience. While tonight’s venue, Barclays Arena in Hamburg, certainly can’t compete with a location like the Royal Theatre Carre,… Continue Reading →
  • Hannah Frances – “Beholden To The Birds Murmuring Above” (Feat. Mary Lattimore)

    The Chicago-reared, Vermont-based folk singer-songwriter Hannah Frances released her stunning album Nested In Tangles last fall. Today she’s back with the deluxe edition, headlined by a new collaboration with harpist Mary Lattimore, who adds layers of beauty to the meditative instrumental “Beholden To The Birds Murmuring Above.” Also in the bonus tracks: an acoustic version…

    The post Hannah Frances – “Beholden To The Birds Murmuring Above” (Feat. Mary Lattimore) appeared first on Stereogum.

  • HEATHEN Release Reworked Version of Early ’90s PSYCHOSIS Track “Twist Of Faith”

    San Francisco Bay Area thrash veterans Heathen are continuing their run of deep cuts and archival rediscoveries with a new release tied to their recent signing with Napalm Records. The latest single, “Twist Of Faith”, reaches back to an earlier project and brings it into the band’s current sound.

    Originally released in 1992 by Psychosis on the album Lifeforce, the track featured Heathen members Kragen Lum and Jason Mirza. In its updated form, it has been reworked and “HEATHEN-ized,” turning a lesser-known cut from the early ’90s into something aimed at both longtime followers and modern thrash listeners.

    Heathen commented on the release: “Let’s keep things rolling with new music for 2026! “Twist Of Faith” is another early 1990s-era song that we gave the Heathen treatment. Demo collectors may have heard the original Psychosis recording of the song (with Kragen Lum on guitar and Jason Mirza on bass), but we’ve added some new elements and taken it to the next level!

    “We have another 15 songs in various stages of production right now so enjoy the “Never A God” 12″ maxi single with “Twist Of Faith” and get ready for the new album (and more).”

    The band has also released an official video for “Twist Of Faith”, continuing their recent push of revisiting and reshaping material from different points in their history.

    Formed in 1984, Heathen came out of the same San Francisco scene that helped define Bay Area thrash. Early records like Breaking The Silence (1987) and Victims Of Deception (1991) remain key releases in West Coast metal. After a period of inactivity, the band returned in 2001 and has continued to evolve since.

    Earlier this year, Heathen marked their deal with Napalm Records by releasing another deep-cut reinterpretation, “Never A God”, originally tied to Laughing Dead, a project featuring vocalist David White in the early 1990s.

    Alongside bands like Exodus, Testament, Forbidden, Death Angel, and Vio-Lence, Heathen are often recognized as part of the core wave of Bay Area thrash. Despite lineup changes over the decades, the current foundation remains David White on vocals and Kragen Lum on guitar, with Lum also stepping in for Gary Holt in Exodus during periods when Holt has toured with Slayer.

    The post HEATHEN Release Reworked Version of Early ’90s PSYCHOSIS Track “Twist Of Faith” appeared first on Sonic Perspectives.

  • Finnish Dark Metal band HORIZON OF AEONS released the last single ‘Aedis Tenebrae’ from their forthcoming debut album!

    The Finnish dark metal band Horizon of Aeons are set to release their debut album,  Timeless Forms of Desolation, on 29 May 2026 via Inverse Records. The third and last single ‘Aedis Tenebrae’, is unleashed today and it’s available on all essential streaming services: https://push.fm/fl/horizon-of-aeons-aedis The band comments: “This song embraces the brightness of darkness. Evil spirits of our […]

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