In the five years since Daft Punk announced their breakup, Thomas Bangalter has kept himself busy by scoring films, soundtracking contemporary dance performances, teaming up with young artists like Lil Nas X and Fred again.., and composing music for ballets. His first solo album, in fact, was 2023’s Mythologies, an orchestral work for Angelin Preljocaj’s eponymous ballet that didn’t sound very much like Daft Punk at all. Today Bangalter has announced his next ballet endeavor, Mirage, which is billed as “a vast and atmospheric piece of electronic minimalism.” That doesn’t sound much like Daft Punk either, but it’s closer!
When a tour featuring Lamb Of God, Kublai Khan TX, Sanguisugabogg, and Fit For An Autopsy announced late last night, I gotta admit — it sounded almost too good to be true. Surely there’s no way that many bands on such a tear lately could share the stage at the same time, I thought. Thankfully, I was dead wrong and the North American tour kicked off and it’s been going on since mid-March.
Of course, we couldn’t let the whole thing play out without getting a photographer out to snap some shots for us. Hence why we sent photog Mike White out to the Coca-Cola Roxy Theatre in Atlanta for the April 15 show. As a result, we’ve got the galleries of all four bands that you see on the rest of the page.
Whether you’d like to see what all the fuss was about but in the form of still photography, or you were there and you want to relive that night, you can do so by checking out the photos below.
American heavy metal icons, Armored Saint, are pleased to present their new single, "Hit A Moonshot." The track comes off the band‘s upcoming new full-length, "Emotion Factory Reset," set for release on May 22nd through Metal Blade Records.
"Hit A Moonshot" is a band favorite. A “moonshot” is a baseball term referencing a homerun that‘s hit at a… Read More/Discuss on Metal Underground.com
The thing I am most afraid of is losing my mind. The progressive destruction dementia wreaks upon a brain is upsetting enough to endure from the outside, but the horror of that brain potentially being mine is a thought that keeps me up at night. While not explicitly about dementia, To Become the Endless Static follows the disintegration of a person’s mind as “[a]ll pathways, dreams and connections to what once formed their identity spiral down, merging into the great nothing, the endless static.” It’s a frightening, abstract concept that naturally suits Aversio Humanitatis’ brand of freeform dissonant black metal, which here takes a turn for the still more intense and unsettling. The group have garnered a reputation for long rumination between releases, and though not everyone might agree, 2020’s Behold the Silent Dwellers demonstrated the fruitfulness of this approach with its nine-year-awaited greatness. Six years on, with the sophomore but a shadow in the nebulous past, the apparition of Endless Static portended greatness once more, in addition to a genuinely scary theme. I was only too happy to indulge my masochism.
Much like the march of time and an incurable disease, Endless Static does not wait until you’re ready before attacking. “Long Stretch the Shadows” threatens whiplash as it erupts off the start line with relentless percussion and tremolos bending at uncomfortable angles. It epitomises the shift in Aversio Humanitatis’ already extreme and dissonant style towards a still more complex, confrontational, and often faster version of itself, which dominates across the album. Rhythms shift more frequently, and the distortion wrought by the layering of agonised roars and churning riffs is more clamorous; even the slower aspects are more haunting. Endless Static sees a leaning into a chaotic splendour akin to a sped-up Patristic, a more acerbic Schammasch, rendered in a deceptively melodic, deeply atmospheric way that at turns also recalls Aeviterne and Selbst. But Aversio Humanitatis prefer to create their mournfulness and urgency by disguising it as dissonance in a way distinct from any of the above. Endless Static is a masterful distillation of this practice: a soundscape whose violently aversive face admits more honesty and beauty the more you allow it.
Endless Static doesn’t just embody its concept generally; it lives it viscerally. The lurching of discordant scales (title track, “Blackened Mold Marrow”), and repeated strip-back and surge in of percussion (“Long Stretch…,” “Collapsing into the Resonance”) is upsetting yet mesmerising. And its transformation into a stumbling sway (“Strange Angles,” “The White Noise is Calling”) elevates unease with doubt. Shuddering, multitracked screams, cymbals panting like laboured breaths, and disorienting rhythm and riff patterns (“Strange Angles,” “Blackened Mold Marrow”) express the nightmare of incurable confusion. The soft creep of a melancholic tremolo behind the recurrent tumbles of percussion, and the bleeding of their melody into the pervasive atmosphere (title track, “Collapsing…”) communicate the grief of loss and the fear of the future. These patterns develop with the runtime too: the tightness with which harmony is sealed into overtly cold guitar lines slowly loosens and vocals slip more frequently into a desperate, anguished wail, culminating in the stirring lead melodies and devastating resistance of closing duo “The White Noise…” and “Collapsing…” All the while, the terror-amplifying resonance of the vocals and sinister edge to the riffs never ceases to feel frightening. But Aversio Humanitatis’ ability to shape these dissonant waves of assault into something beautiful without compromising on this affecting frightfulness makes Endless Static greatly more compelling than it otherwise might have been.
That AversioHumanitatis can communicate all this so compellingly in a mere 35 minutes makes it that much more impactful. The speed at which “Long Stretch…”‘s confrontational unease becomes the ardour-filled protest “Collapsing…” is upsetting—another metaphor perhaps. This brings me to my only real complaint about Endless Static, which is how short it is; though I suppose it’s better to have brilliance and be left hungry than have a flawed abundance. I must, more importantly, draw attention to the drumming—courtesy of J.H—that rivals last year’s Patristic in its tenacity, dynamism, and unhinged precision whilst being so ridiculously fast and expressive (“Blackened Mold Marrow” has my jaw on the floor). Its speed and violence play no small part in Endless Static’s horror. I am also sometimes drawn to wonder if vocalist A.M is actually undergoing some phantasmagorical transformation, so wild and terrifying are his howls.
Dissonant black metal bands and degenerative diseases operate in the shadows, but Aversio Humanitatis now, if never before, deserves all the light we can cast on them. But more likely that this hypnotically horrifying work will yank you violently into its darkness. Harrowingly inexorable even in its brevity, one can’t escape the draw To Become the Endless Static.
Los Angeles extreme metal collective Ashen Horde continues their march toward the release of their fifth full-length album, "The Harvest," arriving May 1st, 2026. Following the crushing momentum of the first two singles, “Entropy And Ecstasy" and "Voids In The Ash," the band now reveals their third offering, the blistering and atmospheric "Appariti… Read More/Discuss on Metal Underground.com
Norwegian extreme metal titans Dimmu Borgir have officially announced their long-awaited new studio album, Grand Serpent Rising, set for release on May 22 via Nuclear Blast Records.
Returning to the studio in Gothenburg, the band once again joined forces with acclaimed producer Fredrik Nordström, the mastermind behind some of Dimmu Borgir’s most revered works, including Puritanical Euphoric Misanthropia and Death Cult Armageddon. The result is a record that captures the band’s signature blend of symphonic grandeur and unrelenting aggression, while pushing their sound into darker, more commanding territory.
Today, Dimmu Borgir unveil the second single from the album: “Ascent”. Striking like lightning across a frozen northern sky, the song is a ferocious statement of intent—aggressive, vicious, and twistedly beautiful. “Ascent” delivers a chilling reminder that Dimmu Borgir remain at the height of their powers, embodying the intensity, menace, and authenticity that have defined their legacy.
The track arrives alongside a visually arresting, “in your face” music video that amplifies the song’s raw energy and atmospheric darkness.
Shagrath comments on the track: “Musically, “Ascent” is more ferocious and direct than the first single, “Ulvgjeld & Blodsødel”. Together, the two tracks showcase the musical scope of the album in a great way. From the outset, we’ve said that Grand Serpent Rising stands as one of our most diverse records to date, and these songs underline exactly that.”
Silenoz adds: “”Ascent” is about the grand serpent rising through your spinal cord. It is not a pretty experience but it is a necessary one – in order to reach higher consciousness and levels of understanding. It’s a voyage of transformation and surrender.
“Only he who knows fear but overcomes it can be fearless; he who sees the abyss with pride. He who sees the abyss with eagle eyes; he who grasps the abyss with eagle claws; he is courageous”.- Nietzsche”
The album comes in following formats:
CD Jewelcase
2LP + 1CD, 24-Page Mediabook, Transparent Green with Black + White Marble Vinyl
2LP Gatefold Black Vinyl
2LP Gatefold Dark Green Vinyl
2LP Gatefold Gold Vinyl (Norway Exclusive)
2LP Gatefold Crystal Clear Vinyl (Sweden Rock Exclusive)
2LP Gatefold Pearl Flip Waterfall Vinyl
2LP Gatefold Gold with Black Marble Vinyl (Revolver Exclusive)
The Grand Serpent Rising North America 2026 tour marks the legendary return of Dimmu Borgir to North American soil for their first headlining trek since 2018, featuring special guests Hypocrisy, Suffocation, and Hulder.
The thing I am most afraid of is losing my mind. The progressive destruction dementia wreaks upon a brain is upsetting enough to endure from the outside, but the horror of that brain potentially being mine is a thought that keeps me up at night. While not explicitly about dementia, To Become the Endless Static follows the disintegration of a person’s mind as “[a]ll pathways, dreams and connections to what once formed their identity spiral down, merging into the great nothing, the endless static.” It’s a frightening, abstract concept that naturally suits Aversio Humanitatis’ brand of freeform dissonant black metal, which here takes a turn for the still more intense and unsettling. The group have garnered a reputation for long rumination between releases, and 
