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  • Divlje Jagode – Former Bassist Died

    Bosnian rockers Divlje Jagode shared news that their former bassist and founding member Nihad Jusufhodžić recently passed away. He was part of the group in early years, between 1977 and 1979.
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  • Lago – New Song Streaming

    In wake of their oncoming studio release Vigil, due out on May 8th, death metal bringers Lago offer in listening another new song in preview titled “In A House Of Ill Repute”.
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  • Listening Now : Black Rain – Inside

    Black Rain carve out a fierce identity on Inside, a dark, driving post-punk cut that lives exactly in the space they describe—too goth to be punk, too punk to be goth. Built on sharp-edged guitars, relentless rhythms, and a brooding atmosphere, the track pulses with urgency and raw intent. There’s a visceral, DIY energy running throughout, capturing both tension and defiance without compromise. Inside feels stark yet immersive, channeling industrial grit and shadowy moods into something immediate and uncompromising—proof that Black Rain are shaping their own lane within the darker corners of the alternative scene.

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  • CHEZ KANE – Reckless (Album Review)

      For me, it is a case of diminishing returns for Chez Kane. Loved the debut, thought the follow-up was still pretty strong but suffered from a poor choice of song sequencing (never open with a ballad), now we have the third album ā€˜Reckless’ to dive into.   As with the other two records, this is a project driven by Danny Rexon from Crazy Lixx – written, produced , mixed and played by Danny with Chez getting writing credit on a couple of songs.   I’m not sure I’d want to put my name to these lyrics though – they border on utterly ridiculous and something perhaps Spinal Tap might even say no to. I mean, I’m all for an 80s revival, most of my life has been spent living in that decade, but I’d be happy to see the ā€˜I wanna lick you, thump you, pump you, bonk you, do you…’ lyrics left behind.   And the less said about the cover art the better.   Atrociously cringe worthy and cheesy lyrics aside the music is right out of 1988, and the hooks and melodies are there to reel you in. Chez can sing like an angel, she has a really strong voice that to be honest, if wasn’t featured here, the rest of the album would fall apart. The selling point here is big catchy cheesy songs delivered with sure conviction. I prefer the second half of the record for song strength.   I think the reviews are going to be mixed here. Can’t fault the catchiness of it all and the great retro feel, but the image and the lyrics almost capsize the ship. And I really miss a big ballad in amongst the mix. Chez sang a few brilliant ballads across the first two albums. 10 all up-tempo tracks don’t allow much room for the listener to catch their breath.   Three albums in, I reckon it’s time for Chez to pivot on the next record. Each album has been increasingly ā€˜over the top’ and the mid boggles at where #4 could go given the trajectory so far.
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  • Listening Now : Raye & Marlowe – FREE

    Raye & Marlowe deliver timeless elegance on FREE, a warm, mid-tempo soul duet steeped in ’70s Philadelphia tradition. Built around rich Rhodes keys, subtle brass, and gospel-tinged call-and-response, the track unfolds with effortless grace, allowing its emotional core to shine. The chemistry between the two vocalists is undeniable, weaving layered harmonies and intimate exchanges into a sound that feels both classic and refreshingly modern. With a chorus that lingers long after it ends, FREE captures the essence of love, identity, and liberation with sincerity, finesse, and a beautifully understated sense of soul.

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  • Listening Now : Forever Factory – Never Boring

    Forever Factory blur the lines between isolation and stimulation on Never Boring, a hypnotic indie electronic cut that turns staying in into a charged, almost cinematic experience. Driven by pulsing drum machines, swirling synths, and subtly off-kilter vocals, the track thrives on repetition and internal tension, capturing the restless loop of thought that builds behind closed doors. There’s a dark wit running through its self-aware narrative, balancing control and temptation with precision. More psychological than physical, Never Boring is a sleek, modern groove that finds movement not on the dancefloor, but deep within the mind.

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  • Until Solace Premiere New Single & Music Video “Haze & The Sunken Place”

    Michigan deathcore duo Until Solace premiere a new single and music video by the name of "Haze & The Sunken Place", streaming via YouTube and Spotify for you now below. Read More/Discuss on Metal Underground.com
  • Portrayal Of Guilt Premiere New Single “Total Black”

    Portrayal Of Guilt have premiered their new track ā€œTotal Blackā€ ahead of the release of their fifth studio album, ā€œā€¦Beginning Of The End,ā€ which is set to arrive this Friday, April 24th. Fans won’t have to wait long to hear the new material live either, as the blackened post-hardcore outfit will kick off a tour next month. The run wi… Read More/Discuss on Metal Underground.com
  • HARDLINE – Shout (Album Review)

      Hardline have quite the catalogue since realigning themselves as a European line-up with Johnny Gioeli fronting as the only original member. Their sound changed instantly, but I’ve always had a liking for the material and JG is a masterful vocalist. He turns up on other projects, but I think it’s here that he always sound most at home and the best version of himself.   The change to a new label seems to have given the band a fresh lease on life. This is a supremely energetic hard rock record with melodies and hooks galore. Johnny is singing for his life and the production is also a step up again. It’s a tight record with guitars and vocals fully in control. Keyboards line the tracks throughout, but not as dominantly as previous albums.   The opening trio is tunes run hot, with ā€˜It Owns You’ definitely giving off classic Hardline vibes.   The monster ballad ā€˜When You Came Into My Life’ is a cover of the Scorpions track, but Johnny makes it his own with an earth shattering vocal.   ā€˜Mother Love’ and ā€˜Welcome To The Thunder’ (check out the intro!) again hold the true style of the original Hardline debut, which will surely impress long-time fans, but elsewhere there’s no letup in quality – just smash and grab melodic hard rock with chorus hooks and those killer vocals.   The closing piano ballad is another piece of brilliance.   Probably the band’s best album since the debut – itself a genre classic that will never ever be topped (how could they, it’s a completely different line-up and time). Don’t let any preconceptions keep you from enjoying this kick ass album.
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