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Over 100 previously unheard Prince songs have been released since his 2016 death. Here's the cream of the crop. Continue reading…

Mari Kawaguchi remembers hearing his best-ever performance of Tarkus in a Japanese dive bar, where the critics couldn’t hurt him

Black metal is its own religion: Darwinism + naturalism + consequentialism + transcendence. You will recognize this as the formula that most ancient societies used because it worked for tens of thousands of years.

And yet we moderns, so savvy, have embraced consumerism, nepotism, diversity, Keynesianism, Big Pharma, antidepressants, casual sex, Christianity, equality, glyphosate, and seed oils.

Experience a detour into an alternate vision of life where we seek destiny and transcendence instead of predictability and safety. Open yourself to life before The System and the Christ. Eternity awaits.

Tracklist:

1. Graveland – Enlightened by the Wisdom of Runes (Hour of Ragnarok)
2. Amorphophallus Titanum – Fascinus in Extremis
3. Cianide – Scourging at the Pillar (Live at Reggies Chicago July 21, 2017)
4. Kaeck – De Nachtelingen Van Het Nieuwe Duister (Gruwelijk Onthaal)
5. Condemner – Frenzied Destruction of the Carnal (Burning the Decadent)
6. Deathsiege – Poisonous Worlds (Throne of Heresy)
7. Desecresy – Shroud of Mist (Deserted Realms)
8. Diabolus – Angel of Darkness (Diabolical Procession)
9. Consecration – Descent into Derangement (Exanimis)
10. Doomraiser – The Great Void (Cold Grave Marble)
11. Infamous – Tempesta II (Tempesta)
12. Drawn and Quartered – Carnage Atrocity (Congregation Pestilence)
13. Subversion Trigger – Up for the Downfall (Subversion Trigger)
14. Grandeur – Cathedra (Aurea Aetas)
15. Sammath – Godless (Godless Arrogance)
16. Remains – Where They Live (Chaos & Light)
17. Solitvdo – Hegemonikon II (Hegemonikon)

Metal Cosmos (#6) (download, 91mb)

In 1994 Aerosmith did something no other major band had ever done, and gave the world a glimpse of what was to come

For Zakk Wylde, this isn’t some distant tribute drafted from the cheap seats. He spent years shoulder to shoulder with Ozzy.

The post Zakk Wylde Describes Having Ozzy Flashbacks While Writing ‘Ozzy’s Song’ appeared first on Audio Ink Radio.

Gus G. is busy with two outfits. Firstly, there is Firewind, which is led by the Greek guitarist. As well as this musical mothership, Gus G. also releases solo albums, with “Steel Burner” being the newest addition to the list. Unlike with Firewind, the solo albums focus on instrumentals as well as songs featuring various… Continue Reading →

Brazilian death metal squad Crypta has announced that American guitarist Victoria Villarreal, formerly of Syrebris and Bow Before None, has officially joined their ranks as a full time member. Villarreal has already gained some experience with the band, appearing as a live guitarist following the departure of previous member Jéssica Falchi, who has… Read More/Discuss on Metal Underground.com

It never feels good when an artist re-records their classic album from scratch, as such an approach speaks volumes of creative stagnation at play, yet this rule doesn’t apply when the blues come calling. Kenny Wayne Shepherd‘s first platter “Ledbetter … Continue reading →

The post Kenny Wayne Shepherd Revisits, Not Reissues, His Debut Album appeared first on DMME.net.

The .

The post The Skid Row model — The Gems seeking audition videos to find female drummer and bassist first appeared on Sleaze Roxx.

There are gigs that feel like events, and then there are gigs that feel like the roof might actually lift off the building. When Massive Wagons juggernaut rolls into town,  you don’t just get a gig, you get a full-throttle, sweat-soaked event. And on April 19th at the legendary Holmfirth Picturedrome, that’s exactly what unfolded. Holmfirth Picturedrome was sold out, sweating, and buzzing  long before the headliners even appeared. But the night’s ignition came courtesy of Scarlet Rebels, a band who’ve quietly become one of the most reliable live forces in British rock.

Scarlet Rebels walked onstage to a crowd that already knew the words, thanks to the chart topping album Where The Colours Meet. What followed was a set that didn’t just translate well live it thrived. Secret Drug hit like a jolt of electricity, and from there the band barely paused for breath.

Take You Home and Streets of Fire turned the Picturedrome into a communal choir, while Grace and Declining brought a depth and emotional weight that only amplified the energy in the room. It was the kind of support slot that feels less like a warm‑up and more like a band staking their claim.

Scarlet Rebels Gallery

But Before the chaos of Massive Wagons it was touching that Andy’s Man Club were allowed the Mic to address the crowd about the great work they do,  a moment of sincerity that grounded the night in something bigger than rock ’n’ roll.

Then the house lights dipped. The Sex Pistols’ Pretty Vacant snarled through the PA, and the atmosphere shifted from excited to explosive. Every voice in the room joined in. Every foot stomped. The Picturedrome was primed for detonation.

Massive Wagons didn’t walk onstage  they erupted onto it. From the first blast of Everywhere We Go, the band were a blur of motion and noise, a runaway freight train of riffs and adrenaline. At the centre of it all was Baz Mills, a frontman who performs like he’s powered by a cocktail of caffeine, chaos, and pure joy. He sprinted, he leapt, he howled, he laughed and somehow never missed a beat. Watching him is like watching a man trying to outrun his own songs, and somehow winning.

Fuck the Haters became a cathartic roar shared by every throat in the room. Hero made a rare and welcome appearance, sounding as fresh as ever. Night Skies brought a moment of reflection as it was dedicated to Sarah, recently lost but clearly present in the hearts of many. And when Bangin’ in Your Stereo hit, the Picturedrome turned into a full‑blown party.

The encore of Back to the Stack  felt less like a final act and more like a victory lap. But when the dinghy came out for In It Together they were far from cruising. Holmfirth is one of the few venues in the UK that still lets Baz crowd‑surf in an inflatable boat, and the crowd treated it like a sacred ritual. Up he went, sailing across a sea of raised hands, grinning like a man who knows he’s living his best possible life.

 

A charming moment came when Baz acknowledged his parents in the audience with a tongue-in-cheek “see, I haven’t wasted my life… well, maybe some of it.” That mix of humour, humility, and connection sums up Massive Wagons perfectly. There’s a simplicity to what they do but don’t mistake that for lack of craft. This is big-hearted, high-energy rock done right, carrying a spirit not unlike Status Quo at their most infectious. No frills, no pretence—just songs built to be played loud and shared with a crowd.

It was a perfect Wagons moment, chaotic, heartfelt, and hilarious. By the time the lights came up, the room was a mess of sweat, smiles, and people who looked like they’d just survived a joyous natural disaster.

Massive Wagons don’t complicate rock ’n’ roll. They don’t dress it up or intellectualise it. They deliver it the way it’s meant to be delivered: loud, honest, sweaty, and full of heart. They’re the spiritual heirs to Status Quo  not because they sound the same, but because they understand the same truth: Good songs. Good times. No nonsense.

It may have been a Sunday night, but inside the Picturedrome it felt like the wildest Friday night imaginable. Massive Wagons don’t just play shows they send you home grinning, ears ringing, and already counting down to the next one.

With special thanks to Claire at Central Press for the media access.

GALLERY by David Pickles

The post LIVE REVIEW: MASSIVE WAGONS with special guests Scarlet Rebels appeared first on The Rockpit.