(written by Islander) “Formed in late 2023 on Chicago’s northside, VOW draw from the melodic and emotional intensity of European death metal greats such as Eucharist, Gates of Ishtar, and Dawn, merging those influences with the urgency of hardcore and the metallic edge of the NWOAHM.” That’s part of the introduction provided by press materials […]
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With Duff on vocals.
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U.K. thrash veterans Acid Reign are set to return with a new record, Daze Of The Week, arriving May 15 through Back On Black. It marks their first full-length release since 2019’s The Age Of Entitlement and continues the band’s second chapter after their long hiatus.
The first taste of the album comes in the form of the single “Fantastic Passion”, which is now available to stream.
Frontman Howard “H” Smith, the only remaining original member, spoke openly about the process behind the new material: “In all my 41 years in this band — yes 41! — I have never been more excited by the prospect of anything than releasing ‘Daze Of The Week’ on the unsuspecting thrash metal public. It’s been two years in the making and at times I thought it might never even see the light of day. Every note of every performance in every song has been lovingly captured by our sixth member producer Jayce Lewis and we couldn’t be happier with the results.”
He continued: “This one is for every single thrasher around the world who thought that albums like this couldn’t be made anymore. They can, we have, you’re welcome.”
Formed in 1985, Acid Reign built their name as part of the U.K. thrash scene’s so-called “Big Four,” alongside Onslaught, Sabbat, and Xentrix. Their early run included releases like The Fear, Obnoxious, and the debut mini-album Moshkinstein, before closing that era with The Worst Of Acid Reign.
Back in the late ’80s and early ’90s, the band shared stages with acts such as Nuclear Assault, Dark Angel, Exodus, Flotsam And Jetsam, Death Angel, and Candlemass. Their initial run came to an end in 1991 after a final show at the London Marquee, as the U.K. thrash scene slowed down.
After re-emerging from a 24-year break, Acid Reign wasted no time getting active again. Tracks like “Plan Of The Damned” and “The Man Who Became Himself” helped reintroduce them, while constant touring across the U.K. and Europe rebuilt their reputation. Their performance at Bloodstock 2016, headlining the Sophie Stage, became a standout moment, reinforcing their status as a high-energy live act known for chaotic pits and constant stage diving.
Lineup changes have reshaped the band since The Age Of Entitlement. Guitarists Paul Chanter and Cooky, along with drummer Marc Jackson, have all exited. The current version of the band features lead guitarist Matt Smith, drummer Johnny Grimley (formerly of Shrapnel), and rhythm guitarist Darren Mcgillivray, a longtime fan who previously supported the band with Wrath Of Man. Alongside H and bassist Pete Dee, this lineup forms what the band refers to as Acid Reign 3.0.
Producer Jayce Lewis returned once again, traveling from New York to work on the album. He described the sessions as “a chance to work with a band that sounded reborn.”
That sense of renewal wasn’t guaranteed. H addressed the uncertainty surrounding the lineup shakeups: “There were times, specifically when Marc and Cooky left at the same time, I really did wonder if it was time to call it quits. That was quickly followed by, ‘No way. No way am I letting circumstance dictate when this band’s career ends. We will decide.’”
With Daze Of The Week, Acid Reign push forward with a refreshed lineup and a clear intent: deliver thrash that feels current without losing its roots.
The post ACID REIGN Drops “Fantastic Passion” From Upcoming “Daze Of The Week” Album appeared first on Sonic Perspectives.
Grace Bennett and Jade Alcantara made friends online before buying guitars, learning to play them, and becoming the Brooklyn-based fuzz-pop duo Sub*t. They recorded their 2021 debut EP So Green with Bully’s Alicia Bognanno and their 2024 follow-up Spring Skin with Momma’s Aron Kobayashi Ritch, and now they’re getting ready to drop their full-length debut…
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Review by JP Photos by extra special guest Jager Nightingale of Distorted Visions Productions It was another last-minute and spontaneous decision to review this show […]
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The album begins with the voice of a child, creating an unusual atmosphere. This is soon accompanied by haunting guitar work. The tension rises further as distorted guitars enter, leading us into the world of this band with the track “Flat Earth.” From the first song, you can feel vibes reminiscent of Beastie Boys, blended with Bad Religion and Naked City.
Next is “Girlfriend You’ve Changed,” which starts with a sound reminiscent of deep space. A powerful guitar riff quickly grabs attention, intensifying the song’s energy. What I appreciate about this band is its infusion of 90s sound mixed with dystopian elements.
One of my favorite tracks is “Towers Open Fire.” It opens in a direct and acidic manner with fuzzy, intense guitars that envelop the listener. The music transports you to a wild atmosphere, showcasing the band’s instinctual approach, free from any superficiality.
Equally intriguing is “Pliancy,” which reveals another side of the band. This song is more of an alternative ballad with a distinct, rhythmic pulse. For a minute, it takes listeners into a parallel dimension filled with atmospheric richness. Then, it transforms into something almost ritualistic, with chords that build tension and create an epic moment. Eventually, the song returns to a state of magical limbo.
“John Doe’s Blues” follows with a contagious groove that makes you want to stomp your feet to the beat. This track is ideal for a garage party, where the scents of sweat and beer dominate the air.
Another standout is the visionary track “Picaro.” It opens with a jingle that humorously resembles a truck delivering candy. As expected, the song quickly shifts to evoke the familiar vibes of the band. They do not seek compromise; their music remains chaotic and intense, ignoring commercial rules.
The album concludes with “Lazarus Pharma,” which showcases the band’s experimental inclinations. This track offers a truly unique sonic experience, displaying a willingness to break boundaries.
Overall, this band presents an impressive collection of tracks that reflect their fierce dedication to innovation and authenticity in their music. Each song is distinct, yet contributes to a cohesive artistic vision that is both refreshing and original. The album is not just a listening experience but a journey through various moods and atmospheres. It boldly embraces its influences while simultaneously forging a path of its own.
Wild
If you love this music: Discover MoreFor fans of:
Bad Religion • Naked City • Bestie Boys
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