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  • HAWXX Announce New Album ‘The World Splits Open’

    HAWXX have revealed everything you need to know about their upcoming second album, the follow-up to 2023’s ‘Earth, Spit, Blood and Bones’.


    Titled ‘The World Splits Open’, it will be released on June 26.

    Vocalist/guitarist Annouli Papadimitriou had this to say about what the record represents for them:

    “This album is the rawest thing we’ve ever made. We spent three weeks living at Middlefarm Studios in Devon with our producer Pete Miles. Every song was recorded in a room all together, a process that brings out the fire of our stage performance, where we can absorb each other’s energy and capture real magic.”

    The artwork looks a lot like this:


    Whilst the tracklisting is a bit more like this:

    1. Resistance Is Justified
    2. Macho Bullshit
    3. Feral Mother
    4. ⁠We Are Nature
    5. ⁠Arm The Animals
    6. ⁠Bind
    7. ⁠Sacred Water
    8. ⁠Shrie
    9. ⁠Me Her And The Birds
    10. ⁠Be That Whore

    As well as featuring previously released tracks ‘Resistance Is Justified’ and ‘Macho Bullshit’, the band have now released the third piece of their onslaught, and it’s a heavy one.

    It’s ‘Feral Mother’, and at times it feels like the end of all things in musical form. A cacophony of blistering guitars and tribal calls, it’s a spiralling, savage, sensational, bold piece of metal storytelling, delivered with a passion and power that is as emotionally rousing as it is spiritually rallying.

    Annouli had this to say, stating, “Feral Mother’ is our song of grief and loss. It’s about allowing the natural world to hold that raw, feral process;  the deep ache of loss, the rage, the hollow, the ritual, the release. Grieving is a part of loving deeply. It can feel like the whole world has turned against you, like you are completely alone in your pain. The trees, the songbirds, the rivers, the things that once gave you a sense of home have turned away from you. Until one day you feel a little more able to breathe, a little more space around your heart. A quiet voice reminds you of your place in this world and whispers that it’s time to let go.”

    The post HAWXX Announce New Album ‘The World Splits Open’ appeared first on Rock Sound.

  • UP THE IRONS: Iron Maiden to Snub Rock & Roll Hall of Fame Induction Ceremony Because ‘Fans Come First’

    iron-maiden-2025-doc

    In a move that surprises absolutely no one familiar with their “fans first” ethos, Iron Maiden has officially confirmed they will not attend their induction into the Rock & Roll Hall of Fame this year. Despite finally being welcomed into the Class of 2026 after decades of eligibility, the British heavy metal legends are choosing the stage over the trophy, proving that a “mausoleum in Cleveland” is no match for a live audience.

    Why is Iron Maiden skipping the Rock & Roll Hall of Fame?

    The conflict comes down to a direct scheduling clash with the band’s 50th-anniversary world tour. The 2026 induction ceremony is set for November 14 at the Peacock Theater in Los Angeles. At that exact moment, Iron Maiden will be in Australia. With a massive performance in Melbourne on November 13 and a follow-up in Sydney on November 15, the logistics of attending the ceremony were physically impossible without canceling dates.

    “As the most observant have already noticed, the band will be on tour in Australia,” manager Rod Smallwood told Billboard. “In accepting, Iron Maiden made it very clear to the Rock And Roll Hall Of Fame that the fans always come first and that the shows will, of course, go on.”

    We Also Recommend – Iron Maiden Albums Ranked From Worst to Best: The Definitive 17-Album Verdict

    iron-maiden-2026

    Bruce Dickinson on the “Mausoleum in Cleveland”

    Iron Maiden’s relationship with the Hall has been famously frosty. Frontman Bruce Dickinson previously made headlines by calling the institution an “utter and complete load of bollocks,” famously stating that “Rock and roll music does not belong in a museum. It’s a living, breathing thing, and if you put it in a museum, then it’s dead.”

    Despite the friction, the 2026 Class represents a major milestone for heavy music. Maiden is being inducted alongside a diverse group of legends, including:

    • Ozzy Osbourne (Solo)
    • Megadeth (Who happen to be supporting Maiden on the Australian tour)
    • Phil Collins
    • Oasis
    • Billy Idol

    Check This Out – Iron Maiden’s Bruce Dickinson: 13 Essential Facts About the Man Who Saved the Beast

    Iron Maiden 2026 ‘Run For Your Lives’ Australian Dates

    The tour dates remain unchanged, serving as the penultimate stop for the band’s massive 50th-anniversary celebrations.

    • 11/07 & 11/08: Auckland, NZ – Spark Arena
    • 11/11: Adelaide, AUS – Entertainment Centre
    • 11/13: Melbourne, AUS – AAMI Park
    • 11/15: Sydney, AUS – Allianz Stadium
    • 11/18 & 11/19: Brisbane, AUS – Entertainment Centre

    Get Your 2026 Iron Maiden tickets at this location.

    Loaded Radio: Tune In & Subscribe

    Hear the full breakdown of the 2026 Rock Hall Class on today’s Loaded Radio broadcast. Stream live right now for non-stop metal and exclusive artist interviews from the booth.

    Subscribe to the Loaded Radio Podcast on Apple Podcasts or Spotify to hear our deep-dive into why Iron Maiden is the ultimate “outlaw” band of the 2020s.

    TL;DR

    Iron Maiden will officially skip the 2026 Rock & Roll Hall of Fame induction ceremony on November 14. The band will be in the middle of their 50th-anniversary ‘Run For Your Lives’ tour in Australia. Manager Rod Smallwood confirmed that the band is prioritizing their fans and stadium dates over the industry event in Los Angeles.

    paul-dianno-iron-maiden-reunion

    The post UP THE IRONS: Iron Maiden to Snub Rock & Roll Hall of Fame Induction Ceremony Because ‘Fans Come First’ appeared first on Loaded Radio.

  • 15 Times Bands Named Themselves in Songs

    Here are 15 times bands shouted themselves out in songs or referenced their moniker in another way. Some of the bands did it in more than one song. Continue reading…
  • VOÏVOD Announces New Live Album “Symphonique” Featuring Quebec Symphony Orchestra, Share Visualizer Video For First Single

    After more than 40 eventful years of existence, Canada’s progressive sci-fi metal innovators Voïvod return with Symphonique, a special live release together with the Quebec Symphony Orchestra, set for release on June 5, 2026, worldwide via Century Media Records.

    Symphonique, which functions like an epic piece of cinema, showcases Voïvod’s pioneering futuristic metal with the strains of a symphony orchestra, and features a carefully curated Voïvod best-of setlist composed of 12 songs across 73 minutes, recorded live on June 4th, 2025, at the Grand Théâtre in Québec City, Canada.

    Offering a first taste of Simphonique,’ the band has shared the first single, “Forgotten In Space (Symphonique),” alongside an official visualizer curated by Cloud Motion Design.

    Pre-order the album here.

    Voïvod’s drummer and founding member Michel “Away” Langevin comments: “This live album with the Quebec Symphony Orchestra is a longtime dream turned reality. Thankfully, we will experience it again in 2027 with the Orchestre Symphonique du Saguenay-Lac-St-Jean, right in the region where Voïvod formed back in 1983. We wish to take this show across the globe with local orchestras one day, but in the meantime, I hope you will enjoy this epic release. It’s the closest we’ve ever come to sounding like a dystopian sci-fi movie soundtrack, another dream of ours!”

    About the first single “Forgotten in Space (Symphonique),” bassist Dominic “Rocky” Laroche adds: “Taken from the album Killing Technology, ‘Forgotten in Space’ transports us to a Mad Max-esque science-fiction universe. Denis “Piggy” D’Amour was even inspired by it when composing parts of the original version. This incredible symphonic masterpiece, orchestrated by Hugo Begin, offers a powerful orchestral introduction that takes us on a musical journey where the fusion of metal and classical music invites us to imagine, for 6 minutes and 27 seconds, that humanity itself may have been forgotten in space…”

    The post VOÏVOD Announces New Live Album “Symphonique” Featuring Quebec Symphony Orchestra, Share Visualizer Video For First Single appeared first on Sonic Perspectives.

  • Former Yamantaka // Sonic Titan Guitarist Details Demoralizing Effort To Find An Audience

    The curtain between music fans and the music industry is falling. At SXSW last month, Billboard hosted a podcast Q&A with the founders Chaotic Good Projects, a marketing agency that utilizes digital astroturfing to help artists go viral. A few weeks later, singer-songwriter Eliza McLamb drew attention to the company in a Substack post. Wired followed…

    The post Former Yamantaka // Sonic Titan Guitarist Details Demoralizing Effort To Find An Audience appeared first on Stereogum.

  • Slayyyter – “Broke Bitch Free$tyle”

    Last month, the St. Louis artist Slayyter, who our own Chris DeVille once described as “normcore hyperpop,” released her album Wor$t Girl In America. I played it once or twice, liked it, and then found myself coming back to it again and again. It’s a frenzied, over-the-top take on mall-pop, like what might’ve happened if…

    The post Slayyyter – “Broke Bitch Free$tyle” appeared first on Stereogum.

  • Frozen Soul – Deliver New Single

    “Deathweaver”, the third advance single from Frozen Soul‘s oncoming studio record No Place Of Warmth, has debuted online in the form of an official music video directed by Brendan McGowan.
    Read more…
  • Zornheym – Third Long Player Coming In October

    Zornheym have disclosed details and first single in regards of their new album announcement. Entitled Descending Into Madness, it has been set for official release on October 2nd 2026 through Noble Demon. The 10-piece outing was recorded, mixed and mastered at Wing Studios in Stockholm, Sweden.
    Read more…
  • Thrown – ‘Split’ Song Debuts

    The Swedes Thrown have unveiled premiered a brand new single/video, “Split”. The song was produced and mixed by Buster Odeholm. Mastered by Seth Munson.
    Read more…