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The post Deluxe 20th Anniversary Edition Of Motörhead’s “Kiss Of Death” Album Set For July Release appeared first on Theprp.com.

Today, Purity ThroughFire announces June 5th as the international release date for a brand-new mini-album from Tårfödd, Skyfall, on CD format. Since their formation in 2022, Sweden’s Tårfödd have become a prolific force in the DSBM scene. With six full-lengths to date as well as nine singles, two EPs, and a couple collaborative records, mainman Simon Lindgren is a man possessed: supreme melancholy, […]

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The London rapper and producer fakemink recently emerged as a weird, energetic new force with a lot of hype and energy behind him. On record, fakemink is an oblique lo-fi weirdo who radiates confidence even when he’s transforming his voice into an inhuman squeak. In person, he’s something else. When fakemink played Coachella last month, plenty of critics noted his sloppy, listless performance. (Hunter Biden, for one, was into it.) On Saturday, fakemink played Orlando’s Rolling Loud fest, and it seems like things didn’t go much better.

The post fakemink Forgives Critics Of His Rolling Loud Set: “I Am One Of The Most Important Artists Alive” appeared first on Stereogum.

Glenn Hughes had a plan for 2026: do absolutely nothing. It got interrupted exactly once.

In a new interview with Metal Kaoz, Hughes discussed his one-off appearance with The Dead Daisies on May 30 at the Arcada Theatre in St. Charles, Ill. The show brings together Hughes, guitarist Doug Aldrich, drummer Tommy Clufetos, and guitarist/band founder David Lowy for a 50/50 split set — ten Dead Daisies tracks followed by ten Deep Purple classics. That’s the full itinerary.

“Specifically, when David Lowy asked me to do this show, I don’t know what they have planned, if they have anything planned. I know I’m taking some time off. I’m looking forward to that,” Hughes said (transcribed by Blabbermouth). “But we really haven’t talked about anything other than the Arcada Theater. Really, it’s just a one-show celebration of Deep Purple and Dead Daisies.”

“For me, I was gonna take 2026 off. I’ve been working like a crazy man for 30 years, and I haven’t really had any time to take a break,” Hughes explained. “So this year, for me, was going to be a no-show, no-album year. So all I know is I’m doing one show with my friends, and the rest is up to God.”

On what his next creative chapter might look like — following the 2025 solo album Chosen — Hughes had no interest in staying in a lane: “I’ve been making rock music for 50 years, more than that, and as an ever-changing artist, I have to listen to my soul. I’m not saying I won’t make rock music, but it’s not gonna be straight-down-the-middle classic rock. It’s gonna be a little bit different. I can’t stay in a formula. I’ve been changing every time I make an album. It’s got the rock feel, but there’s groove and there’s R&B, a little jazz. That’s the way I operate. I can’t make ‘Burn Part 2’ or ‘Addiction Part 2.’ I can’t do that.”

“For me, I sing all the time, whether I’m on stage or off stage. I’ve been given a tremendous gift with this voice,” Hughes said. “In my peer group, there’s four or five of my friends, and you know who they are, at my age that are still out there doing this. And we’re all very, very grateful. But while I have this ability to sing and feel the way I do, I think it’s important to feel good about giving it to people. I’ve had a lot of support with my voice all these years. There’s no one more grateful than I am for the people that have really come to see me sing. I’m a live singer. I’m very much a live singer.”

Hughes departed The Dead Daisies in May 2023 after four years with the band, replaced by a returning John Corabi. His career runs from early ‘70s success with Trapeze, through the Mark III Deep Purple lineup alongside David Coverdale — the Burn, Stormbringer, and Come Taste the Band era — to a prolific solo run and collaborations including Black Country Communion (with Joe Bonamassa and Jason Bonham) and a guest turn on Robbie Williams’ 2025 single “Rocket,” which also featured Tony Iommi of Black Sabbath.

The post GLENN HUGHES on 2026 Plans: “This Year, For Me, Was Going to Be a No-Show, No-Album Year” appeared first on Sonic Perspectives.

GOLD SPIRE’s second full-length album Steps into Shadow will be released on June 19, 2026 via Awakening Records. The album will be available on CD and digital formats. Formed in 2019 in Uppsala, Sweden, GOLD SPIRE was created by brothers Erik Sundström and Påhl Sundström following the end of Usurpress. What began as an outlet for ideas developed during the recording sessions for Usurpress’ final album Interregnum gradually […]

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Lorn are an Italian black metal band and this is their fourth album. Following on from 2017’s Arrayed Claws, Lorn have now returned with the 41-minute Searing Blood. It’s not the same Lorn as previously encountered though. However, when you listen to Searing Blood, it’s hard to complain. This is a shockingly good record. Searing Blood features … Continue reading “Lorn – Searing Blood (Review)”

Sir Roger Daltrey, voice of The Who, has announced a 20-city U.S. solo tour dubbed “A Great Night Out.” The run opens August 23 at the Mesa Arts Center in Mesa, Arizona, and closes September 29 at the Chevalier Theatre in Medford, Massachusetts, with a stop at New York City’s The Town Hall on September 27. General on-sale begins May 15 at 10 a.m. local time; presale opens May 13 with password “GREATNIGHT.”

The tour follows The Who‘s acclaimed farewell run and Daltrey‘s widely praised 2024 semi-acoustic solo outing. His nine-piece backing ensemble is the same from those dates: Simon Townshend on guitar, Billy Nicholls on mandolin, Jody Linscott on percussion, Doug Boyle on guitar, John Hogg on bass, Katie Jacoby on violin, Steve Weston on harmonica, Geraint Watkins on keyboards/accordion, and Scott Devours on drums.

Expect a setlist drawing from Daltrey‘s solo catalog, reimagined covers, and Who rarities that rarely get aired. The 2024 run earned glowing notices for its candid banter and acoustic intimacy; Forbes called Daltrey “witty, charming, and engaging. An absolute masterclass.”

“Well, it’s one more for the road,” Daltrey said. “After finishing The Who‘s final tour of the U.S., it’s time for me as a solo artist to possibly do the same. After touring solo with different bands of musicians for the last 17 years, a less grueling life becomes more attractive, I’ll see. With my present lineup of nine musicians, I have this opportunity to see your beautiful country and enjoy the hospitality you have shown me over so many years. I’ll be off the backing tracks and always searching for different soundscapes to present the songs. It’s a lot of fun and gives me the chance to have A Great Night Out.”

Daltrey was knighted last December by the Prince of Wales at Windsor Castle for his service to music and charity, including over 25 years of curating Teenage Cancer Trust concerts at the Royal Albert Hall. He’s a Rock and Roll Hall of Fame inductee (1990) and Grammy Lifetime Achievement recipient. Planet Rock listeners voted him the fifth-greatest rock voice of all time. His 2018 autobiography Thanks A Lot Mr. Kibblewhite earned strong reviews.

Tour dates:

• 08/23 – Mesa, AZ @ Mesa Arts Center *
• 08/24 – Highland, CA @ Yaamava’ Theater
• 08/26 – Las Vegas, NV @ Encore Theater
• 08/28 – Las Vegas, NV @ Encore Theater
• 08/29 – Las Vegas, NV @ Encore Theater
• 09/01 – Santa Barbara, CA @ Lobero Theatre ^
• 09/02 – Saratoga, CA @ The Mountain Winery
• 09/04 – Santa Rosa, CA @ Luther Burbank Center for the Arts ^
• 09/05 – Reno, NV @ Grand Theatre at The Grand Sierra Resort
• 09/09 – Nashville, TN @ Ryman Auditorium
• 09/11 – New Buffalo, MI @ Four Winds Casino
• 09/12 – New Lenox, IL @ New Lenox Performing Arts Pavilion
• 09/15 – Milwaukee, WI @ The Riverside Theater
• 09/17 – Lewiston, NY @ Artpark
• 09/20 – Springfield, MA @ The Big E (outdoor)
• 09/22 – Port Chester, NY @ The Capitol Theatre
• 09/24 – Washington, DC @ The Theater at MGM National Harbor
• 09/25 – Bensalem, PA @ Parx Xcite Center
• 09/27 – New York, NY @ The Town Hall
• 09/29 – Medford, MA @ Chevalier Theatre

* already on sale / ^ on sale at a later date

The post THE WHO’s ROGER DALTREY Will Bring His Solo Tour Back To The U.S. This Summer With “A Great Night Out” appeared first on Sonic Perspectives.

Horror Pain Gore Death Productions are set to release the new album from Sacramento California’s Hardcore Crossover Thrashers Eyes Out. Satiate The Blade is up now for pre-order and will be released June 12th on CD and Digital formats along with merch. Horror Pain Gore Death Productions welcome Eyes Out to the roster with the new album Satiate The Blade! […]

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There is certainly no shortage of guests on their forthcoming new album.

The post Stitched Up Heart Debut “MEET ME AFTER LIFE” Featuring Daria Zaritskaya Of NOAPOLOGY appeared first on Theprp.com.

FOR IMMEDIATE RELEASE
EAST OV EDEN UNLEASH DEBUT FULL LENGTH “BOUNDLESS” OUT NOW
A crushing yet cinematic fusion of deathcore, death metal, and orchestral intensity
Memphis, Tennessee heavyweights East Ov Eden have officially released their debut album BOUNDLESS , available now across all major streaming platforms. The record marks a bold and unrestrained first full length statement from a band rapidly carving out its own lane in the modern extreme metal landscape.
Blending deathcore brutality with death metal precision, cinematic orchestration, soaring choruses, and unpredictable technical shifts, BOUNDLESS lives up to its name in every sense. The album moves between blistering speed, groove-heavy punishment, and atmospheric melody, all while refusing to sit still long enough to be boxed in.
For fans of All Shall Perish , Signs of the Swarm , and Cattle Decapitation , East Ov Eden delivers a familiar level of intensity while pushing into more cinematic and experimental territory.
A DEBUT BUILT FROM CHAOS, REFINEMENT, AND EVOLUTION

Originally forming in late 2022 with roots in brutal technical death metal, East Ov Eden underwent rapid lineup shifts and a creative redirection that ultimately shaped their current identity. Rather than force a narrow approach, the band leaned into what felt most natural, resulting in a debut that is both aggressive and expansive.
Their 2023 single “MEPHISTOPHELES” laid the groundwork for what would become the sonic blueprint of BOUNDLESS , recorded, mixed, and mastered by Seger Rauls at Phoenix Studios in Nashville, Tennessee, with additional engineering by Hans Hasenwinkel.
A WIDE RANGE OF SOUND AND INFLUENCE

From orchestral swells and atmospheric synth layers to relentless riffing and breakdown-driven chaos, BOUNDLESS showcases the band’s full range. Tracks such as “…TO A MOONLIT GARDEN” and “PERPETUAL HORROR” highlight the album’s diversity, while deeper cuts like “SOULWEAVER” and “IT ENDS IN FEAR” lean heavily into the band’s deathcore and metalcore roots.
The result is a debut that doesn’t just introduce East Ov Eden, it announces them.
LIVE MOMENTUM AND SCENE PRESENCE

Throughout 2024 and 2025, East Ov Eden built serious momentum in the underground and regional metal circuit, sharing stages with Larcenia Roe, Filth, Vended, Frayle, Inferi, Hunt the Dinosaur, Æther Realm, Ov Ruin, In Gloom , and more. The band also appeared at major events including ShuttleMania and the 2025 Tennessee Metal Devastation Music Festival.
QUOTE FROM THE BAND

“ BOUNDLESS is exactly what it sounds like. We didn’t want limits on pace, style, or emotion. It’s heavy, it’s cinematic, it’s chaotic, and it’s honest. Every track hits a different nerve, but it all comes from the same place.”
ALBUM CREDITS

Recorded, Mixed, and Mastered by Seger Rauls at Phoenix Studios
Additional Engineering by Hans Hasenwinkel
Management: N/A
Label: N/A
BOUNDLESS is out now and available on all major streaming platforms.


LISTEN / STREAM / FOLLOW
https://www.liinks.co/east.ov.eden
CONTACT
East Ov Eden
Email: EastOvEdenOfficial@gmail.com