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  • Ben Poole releases “Time Has No Mercy”

    British blues rock guitarist and singer-songwriter Ben Poole will release his new single, “Time Has No Mercy,” on August 28 via Gypsy Soul Records.

    The song is the third single from Poole’s upcoming studio album, Post-Midnight Behaviour, which arrives September 25. The album marks his first studio release of entirely new material in eight years, following 2018’s Anytime You Need Me.

    “Time Has No Mercy” takes a more upbeat direction than some of the darker material Poole and his collaborators had been developing for the new record.

    “’Time Has No Mercy’ was one of the last songs that we wrote for the album,” says Poole. “The idea was to react against what we had written to this point. We had been working up a few emotionally darker, heavier tracks and the idea with ‘Time Has No Mercy’ was to write something lighter and more upbeat.”

    “It’s an empowering song, rather than a brooding or melancholic thing which we had just drowned ourselves in for the previous few weeks’ worth of writing. The whole idea came from the riff which is at the very end of the song now. It’s funny how that happens sometimes. The spark for the whole song came from a tiny outro section.”

    The song also finds Poole incorporating a more direct punk rock influence into his guitar work, particularly during the choruses. Despite initially wondering whether the approach strayed too far from his established sound, Poole ultimately found ways to bring the song back into the musical world of the album.

    “It’s a little more of a punk rock approach than I would normally take, with a lot of down strummed power chords in the choruses. I was slightly worried about drifting too far away from my style. In the end, once all was said and done, I added some lead guitar, some intertwining rhythm guitar parts and my vocals. I think the result is it still feels familiar enough to sit on the album. It’s a breath of fresh air and a light departure that follows on from the previous singles ‘No Second Chances’ and ‘Empty’.”

    Post-Midnight Behaviour expands beyond Poole’s blues rock foundation, incorporating elements of rock, soul, country and alternative rock. The guitarist says the album reflects the development that has come from years of extensive touring and performing.

    “I wanted this album to capture just how far I’ve come as a guitarist, singer, and songwriter,” says Poole. “After years of playing more than 150 shows annually across over 20 countries, everything has grown — my guitar style, my technique, my voice, and the way I hear music. ‘Post-Midnight Behaviour’ is the sound of all those experiences coming together. It moves through Blues, Rock, Soul, Country, and Alternative Rock, but with a darker, late-night energy running through it. I still get to unleash the guitar, but this time it sits inside something more atmospheric, more reflective, and more emotionally charged. That after-hours mood is what inspired the album title.”

    Poole has released several live albums in the years since Anytime You Need Me, but the extended gap between studio records gave him an opportunity to spend more time developing the songs, arrangements and performances for Post-Midnight Behaviour.

    “In recent years I’ve released a few live albums, which are great snapshots of a specific moment in time,” adds Poole. “With this new studio album, I wanted to go much further. I took my time to make sure every detail was fully realized — the songs, the sounds, the arrangements, the performances, everything. My writing team and I pushed ourselves harder than ever, digging deep to make the song writing as strong, sharp, and emotionally powerful as it could be. I honestly believe fans are going to feel that energy the moment they hear it. It has been well worth the wait.”

    “Time Has No Mercy” will be available across streaming platforms on August 28, accompanied by an official lyric video. Post-Midnight Behaviour will be released September 25 via Gypsy Soul Records on CD, vinyl and digital formats.

    The post Ben Poole releases “Time Has No Mercy” appeared first on Blues Rock Review.

  • Ghøstkid – New Song Streaming

    Germans Ghøstkid have unveiled a brand new track, “I Destroyed You”, that will appear on their upcoming full-length offering Follow The White Rabbit.
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  • Love Is Noise Announce New EP ‘The space between happiness and heartache.’

    Love Is Noise have announced the details of a new EP titled ‘The space between happiness and heartache’, following up their 2025 debut album ‘To live in a different way’.

    The EP will be released on October 09 via Bloodblast, and is set to be a concept piece about an unnamed character crafting an artificial world as a means of escaping their real feelings.

    Vocalist Cam Humphrey explains:

    “The more we wrote this record, the more we realised it wasn’t really about one person’s story — it’s about how people create versions of themselves just to get through modern life. We wanted to make something that felt real. Not polished to the point where it loses its humanity, but honest about the things that people don’t always want to talk about.

    “The character has built this entire world to escape how they actually feel, but we never tell you exactly why. That’s really important to us. We don’t want to give the listener a beginning, middle, and end and tell them what it means. We want people to find themselves somewhere inside it.”

    The artwork looks like this:


    And the tracklisting like this:

    1. smile.
    2. the rain that follows me.
    3. crying in the dark.
    4. fury.

    You can check out opening track ‘smile.’ right now, a beatiful track bristling with post-hardcore intensity and caustic atmosphere. It’s everything that the band have built so far, forced through a technically thrilling and gorgeously affecting mesh, a spine-tingling way to kick off a new chapter.

    It also features guest vocals from Casper Frisk of PALESKIN.

    Cam had this to add about it:

    “ Smile is a pursuit of happiness. An anthem for the lovers. A celebration of those who put others first. This song is a light in the dark when you forget who you are. You are worthy to someone out there, and don’t ever forget it.”

    The post Love Is Noise Announce New EP ‘The space between happiness and heartache.’ appeared first on Rock Sound.

  • Leadfeather Release new single ‘The Answer’

    Leadfeather release new single ‘The Answer‘,out now, new EP ‘Catch The Silvertrain‘ is out 23rd October. The band also release their exclusive Vinyl release ‘Super Deluxe‘ on 5th December, featuring both EPs ‘Roll The Dice‘ and ‘Catch The Silvertrain‘. “‘The Answer‘ is a sonic trip in the 70s heavy rock, spanning from acoustic guitars and sore […]

    The post Leadfeather Release new single ‘The Answer’ appeared first on ROCKPOSER DOT COM.

  • Carnifex release ‘More Than Misery’ video

    The title track from their forthcoming album

    Source

  • Exumer – Death Mask Messiah: German Thrash Veterans Deliver The Goods Again

    Exumer return with Death Mask Messiah

    I recall reviewing Exumer’s two previous releases, 2016’s Raging Tides and 2019’s Hostile Defiance and finding both high-quality Thrash Metal. Well, seven years later, the Germans have delivered the goods once more with their latest release, Death Mask Messiah, hitting every mark I would expect from an unsung outfit from the German Thrash movement.

    Exumer – Death Mask Messiah

    Release Date: 28 August 2026

    Words: Paul Hutchings

    Born in the 1980s movement that saw the emergence of titans Kreator, Sodom, Destruction and Tankard, Exumer’s 1986 debut Possessed By Fire is rightly rated as a Thrash classic. After several stops and restarts, the band has been active since 2008, with original members Mem Von Stein and Ray Mensh still behind the wheel. 

    I have struggled with much Thrash Metal that has been released in recent years. A couple of the big boys have released average albums this year, with all eyes and ears focused on the soon-to-be-released Anthrax release.

    Yet below the surface, bands such as Exumer have managed to retain a cutting edge that is absent in so many releases. 

    Exumer return with Death Mask Messiah - A contemporary sound to a traditionally '80s Thrash approach.
    Exumer return with Death Mask Messiah – A contemporary sound to a traditionally ’80s Thrash approach.

    Death Mark Messiah really does not reinvent the wheel. What it does is bring a contemporary sound to a traditionally ’80s Thrash approach. The production is crisp without being over-polished, allowing the rawness to be retained. The songs here are visceral, sharp, and to the point. 42 minutes of locked-in Thrash Metal with a muscular edge works in my book. 

    There are hooks aplenty. Stein’s vocals have plenty of rasp and rage, catchy enough to get inside the ear and linger long enough to become earworms. It has an organic yet old-school feel that starts with the blistering title track and is relentless until the final bars of closing song Unchained Angel.

    Two new members make their debut here. Bassist Alex Voss and drummer Jerome Reil hit the ground running, the engine room of the band solidly anchoring the riffs of Mensh and co-guitarist Marc Bräutigam.

    It is an album that feels real. Yes, old-school with plenty of classic-style gang chants and formulaic patterns. But beneath it all, tracks such as Sin Bleeder, Eradication and Allocated Savagery do everything you need.

    “When everything is done, and you hear the end result, you feel proud, because this is real music, done by real people,” Stein says. “No AI bullshit, no file sharing. It’s still real stuff.”

    He is spot on. This is real music by real musicians. 

    Thematically, a deeper listen reveals that Exumer and lyricist Stein focus on the chaos of modern US politics and the 1993 Waco siege at the Branch Davidian compound in Texas, where 76 people, including 28 children, died.

    “David Koresh was a false prophet and wore a death mask, manipulating and leading his followers to certain death,” Stein says. “However, the misinformation that the federal government used in the ’90s is the same playbook that is being used today and is the common denominator between leadership in the past and present.”

    It is a sobering reflection of the world today and reinforces the fact that this genre is often more politically versed and astute than any other.

    Exumer is one clever band. With slicing riffs and powerful songs that drive forward with real energy and venom, there is something reassuring to know that amidst the bullshit going on around us, at least one German band is still making a stand and doing it with a quality that is pleasing to all who truly love their Thrash.

    Exumer release Death Mask Messiah on 28 August 2026. For more details, visit metalblade.com/exumer.

    The post Exumer – Death Mask Messiah: German Thrash Veterans Deliver The Goods Again first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • Turnstile have somehow managed to unite Elton John, Hayley Williams, Slayyyter and Dying Fetus and actually make it work. Never Enough: Versions is one of 2026’s boldest and most entertaining releases

    In 2021, Metallica brought together a head-spinningly diverse selection of artists to record reimagined cuts from the metal titans’ seminal, self-titled 1991 LP, AKA The Black Album. Titled The Metallica Blacklist, it saw everyone from Miley Cyrus and Elton John to Ghost, Rina Sawayama, Chase & Status and Kamasi Washington get involved. It wasn’t just seen as a celebration of 30 years of The Black Album itself, but a mark of how just widely respected and appreciated metal’s biggest band had become.

    Now, just four albums in and two fewer decades into their career, Turnstile have managed to pull off the same trick. Last year’s Never Enough was widely regarded as an instant classic, a companion album to 2021’s Glow On that added yet more shades to the Baltimore crew’s versatile, increasingly pop-infused brand of arena punk. So far had they outgrown the US hardcore scene by the time of its release that even Charli XCX referenced them at the end of her Coachella headline set a couple of months prior.

    Perhaps, then, we shouldn’t be too surprised that the five-piece’s seemingly boundless ambition has led them to this: Never Enough: Versions, a project that unites Turnstile’s peers, heroes and pals from across the music spectrum for a series of refurbished versions of the songs from that record.

    The guestlist here is quite remarkable: where else would you find Hayley Williams, Slayyyter and Four Tet rubbing shoulders with Elton John (him again!), Julien Baker and Dying Fetus? And, most importantly of all, it makes for a fascinating record full of genuinely brilliant moments.

    Slayyyter’s rambunctious reimagining of Birds borrows many of the motifs that made her outstanding latest album Worst Girl In America such a hit to produce a simmering electroclash banger; Dying Fetus, meanwhile, choose to trade the song’s buzzing hardcore riffs for scything death metal, to wonderfully brutal effect.

    Floating Points mashes Sole into pulsating hard house, while Baltimore hardcore mob Angel Du$t take their version of Sunshower on a delirious journey that stops off at scuzzy punk, eerie ambient electro and doom metal. It’s a far cry from Four Tet’s funky edm redub of Look Out For Me or Blood Orange’s beautifully wistful, flute-powered Light Design, but no less enjoyable for it.

    Other highlights? Elton John’s twinkly piano and echoey vocals lend Seein’ Stars a surprisingly surreal bent; Dan Deacon’s take on Dreaming swaps out the mariachi hardcore of the original and replaces it with flittering, euphoric drum ‘n’ bass, while Brandon Woody’s version opts for smooth jazz and woozy saxophone. A.G. Cook grinds Dull through a gritty industrial filter; Hayley Williams brings some gorgeous, slow-burn soul to Ceiling.

    Not everything works. Porches’ strained croons and damp acoustic dabblings on Never Enough open the album on a bit of a bum note, Chanel Beads’ pondering take on Dull embraces its namesake and you can’t help but feel the closing Time Is Happening would have been better if Julien Baker had just left Mustafa to it. But these are mere nitpicks on what is undoubtedly one of the boldest and most interesting musical projects of 2026. This is Turnstile’s world now; we’re just living in it.

  • FLOOR JANSEN – tour in 2027

    Following the release of her solo debut album Paragon and her latest single “RUN,” Floor Jansen is kicking off this new phase of her career with tremendous international momentum. As one of the most versatile and charismatic voices in modern rock and metal, Jansen has recently further solidified her presence as a solo artist with… Continue Reading →
  • Frontierer release new song and video “Wool Glasses”

    The second track released from their forthcoming album, ‘Ultraviolet Parasite’

    Source