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Featuring a remix done by the late dark synthwave artist GosT and more.

The post HEALTH Release “R-TYPE IV” Remix EP appeared first on Theprp.com.

Carla J. Easton’s Really, Really, Really, Really Sad turns its tongue-in-cheek title into a disarmingly sincere indie pop gem, balancing bittersweet emotion with a bright, guitar-driven immediacy. There’s a charming looseness in the arrangement, capturing that live, in-the-room energy while letting her vocals carry both vulnerability and quiet wit. Beneath its catchy surface lies a tender reflection on connection, loss, and the fragile threads that tie people together.

It’s heartfelt without ever feeling heavy, managing to be melancholic and uplifting at once, like smiling through tears you’ve already made peace with.

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You can decide for yourself whether that’s good or bad news.

The post Nickelback’s Eleventh Studio Album Is “Almost Done” appeared first on Theprp.com.

Comfort’s A Coffin by Bayline hits with explosive urgency, turning introspection into a full-on release of energy. Driven by punchy guitars and a tight, high-impact rhythm section, the track captures that moment of snapping out of stagnation and pushing back against comfort. There’s a raw, almost desperate edge in both the vocals and instrumentation, balancing melody with grit. It feels immediate and cathartic, like breaking through something that’s been holding you down for too long.

Loud, direct, and emotionally charged, it thrives on that sense of liberation through noise.

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A music video for it will arrive next week.

The post Fire From The Gods’ New Single “Unknown” Is Now Streaming appeared first on Theprp.com.

No Havana by Devlin And The Harm carries a heavy emotional weight, blending personal grief with a wider sense of cultural unease. The track moves with a steady, almost cinematic groove, where rich instrumentation and subtle orchestral touches give it depth without losing its raw core. Vocals feel worn but resilient, delivering lines that balance cynicism with a quiet search for meaning. There’s a sense of holding on through collapse—personal and collective—without ever fully giving in.

A deeply human, reflective piece that turns loss into something quietly powerful.

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Teary Eyes by Animals in the Attic carries that intimate, bedroom-crafted warmth, where everything begins with a simple acoustic core and gradually blossoms into something fuller. There’s a gentle, almost vulnerable quality to it, with soft psychedelic touches subtly coloring the edges without overwhelming the song’s emotional center. The vocals feel sincere and close, guiding the track through its calm, reflective mood. It’s understated but heartfelt—a carefully built piece that keeps its focus on melody and feeling, letting both unfold naturally.

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The band will also be playing some shows in May.

The post Haste The Day Release “Adrift” As The Final Advance Single From “Dissenter” appeared first on Theprp.com.

In Spring by Leisure-B & Julian Winter blends electronic textures with a spoken-sung interplay that feels both modern and slightly unconventional. The contrast between rap passages and melodic vocal lines creates a dynamic push and pull, giving the track a layered, almost dialogic character. There’s a thoughtful, introspective core beneath its fluid structure, as if ideas are unfolding in real time rather than being strictly composed.

It’s a piece that leans into experimentation while remaining accessible, balancing concept and emotion in a quietly engaging way.

Castle Rat embark on a North American tour with Amon Amarth and Dethklok next week