Blog
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Win a Heaven and Hell ‘Breaking Out of Heaven’ Box Set
Ultimate Classic Rock Nights has your chance to snag this new collection, which features the final era of recordings by Ronnie James Dio and his former Black Sabbath bandmates. Continue reading… -
Kurdt Vanderhoof on Metal Church’s New Album, Dead to Rights – You Can Hear the Band Playing Their Asses Off!
Metal Church is back with their 14th studio album, Dead to Rights, which will be released on April 10th via Rat Pak Records. This release […]
The post Kurdt Vanderhoof on Metal Church’s New Album, Dead to Rights – You Can Hear the Band Playing Their Asses Off! appeared first on Metal-Rules.com.
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UADA: Interwoven
Out April 10, 2026 Via Eisenwald Records Words by: Courtney Stark Haunted. A fitting translation of the Latin word “Uada,” and the feeling that is evoked when listening to the Portland-based quartet, whose presence looms large within the congregation of American black metal. Their sound lingers like palo santo smoke drifting through a crowded room […] -
One Last Time Devil in the Detail Review
One Last Time Devil in the Detail Review
One Last Time’s “Devil in the Detail ” hooks you right away with a cool and solid rhythm. Once the verse kicks in, an anthemic energy envelops the space. The groove thickens, transforming the atmosphere into something almost dystopian.

The chorus shifts the energy dramatically, inviting the crowd to sing along. There’s a catchiness that urges even the most reluctant to join in. The melody clings to your mind, lingering like a ghost long after the music fades. You can almost see the silhouettes of an enthralled audience, hands raised in unison. The interplay of lyrics and melody forms a bond.
Vocally, the piece stands proud. The lead singer’s voice moves like a silver bullet: precise and piercing. He delivers lines with such rhythm that it feels nearly hypnotic. Each word swings effortlessly on the razor’s edge of timing. This showcases the artistry laid across every beat. Harmonies and layers rise and fall, enriching the tapestry’s deeper layers.
Devil in the Detail by One Last Time – Sound and Atmosphere
Production weaves its own magic, solidifying the track’s gripping essence. Instrumentation shines through with a nostalgic tinge, particularly with a nod to the 80s. The pads in the background conjure images of neon lights. Every element, from drums to synths, stands polished and intentional. This single offers a stimulating balance between mainstream energy and a darker aesthetic.
“Devil in the Detail” lingers in the air like an unlit cigarette, leaving a lasting impression. One Last Time shows how to craft a single with gritty elegance. This track invites listeners to step into its atmospheric world and not look back. Dive into this compelling mix of art and edge; the night is still young, and the details matter.
Anthemic!
If you love music like this:
Discover More Bands Here
For fans of:
Imagine Dragons • Coldplay
https://open.spotify.com/playlist/4s3RqjowgmuheL3Uqfc66D
The post One Last Time Devil in the Detail Review appeared first on Edgar Allan Poets – Noir Rock Band.
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Sons of Kiss’ Stanley and Simmons Announce First-Ever Live Shows
The duo have released two singles since teaming up a little over a year ago. Continue reading… -
Britney Freud Feelings For Violence Review
Britney Freud Feelings For Violence Review
Britney Freud’s “Feelings For Violence” pulls you into a space where emotions collide. The groove of “Feelings For Violence” pulls listeners into its depths. The beat hits with precision, setting a seductive pace.

Freud’s vocal style presents an intense allure. His voice rests in a deep, rich timbre, pouring emotion into every note. He channels raw energy while challenging preconceived notions of masculinity. Lyrics surface as a stark probe into gender roles, revealing layers beneath the surface. Each phrase sharpens his exploration, leaving listeners reflective yet intrigued.
Dynamic shifts punctuate the track, flipping expectation on its head. The song remains firmly on its rails, yet moments of silence interrupt the flow. These breaks jolt the listener, forcing a moment of stillness. Each pause functions as a breath in the storm of sound, amplifying its hypnotic nature. This careful orchestration reveals Freud’s insightful approach to songwriting.
Feelings For Violence by Britney Freud – Sound and Atmosphere
Freud does not attempt to shy away from uncomfortable truths. This song draws you deeper into the discussion of masculinity. It urges you to confront your own biases, fostering introspection. The track stands as an embodiment of darkness and clarity in a tumultuous world.
Britney Freud emerges not just as a musician but as a provocateur. “Feelings For Violence” marks a bold assertion of his identity. The track oscillates between irony and sincerity, challenging listeners to engage. With each spin, new revelations unravel from this rich sonic drama. It’s a definitive moment in a career poised for greater heights.
A nostalgic aurea settles around the final chord, leaving you yearning for more. Freud’s artistry beckons, signaling that his story has only just begun.
Intense!
If you love music like this:
Discover More Bands Here
For fans of:
Nick Cave • Depeche Mode • Bowie
https://open.spotify.com/playlist/4s3RqjowgmuheL3Uqfc66D
The post Britney Freud Feelings For Violence Review appeared first on Edgar Allan Poets – Noir Rock Band.
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Andrea Pizzo and The Purple Mice Come Out Lazarus 2 – Ineffability Review
A Journey Between Two Worlds – Review
A distant pulse emerges from the dark—this track opens a portal into a suspended space where time feels uncertain and reality begins to blur.
The song begins with a keyboard tone that instantly brings to mind the cinematic tension of 80s soundtracks, echoing the eerie atmosphere associated with John Carpenter. The mood turns nocturnal and enigmatic, setting the stage for something deeper.
When the voice enters, it carries a ritualistic quality. There is something ancient in its delivery, almost as if it belongs to a ceremony rather than a conventional song. This choice gives the track a distinctive identity, pulling the listener into a space that feels both intimate and distant.
Around the one-minute mark, the composition shifts. A syncopated groove takes control, hypnotic and steady. The arpeggiators weave through the rhythm, enhancing the sensation of slow motion, as if everything is unfolding in a dreamlike state. This section is where the track truly reveals its immersive nature.
The female vocal performance stands out for its balance. It carries an ethereal tone, yet remains grounded enough to guide the listener through the song’s emotional core. There is nostalgia in the melody, but also a subtle futuristic edge that keeps it from feeling anchored in the past.
The use of pads expands the sonic landscape, opening wide spaces that feel almost infinite. You find yourself surrounded by a slightly dystopian atmosphere that never fully resolves. Instead, it lingers, creating a sense of quiet tension that persists until the final seconds.
A Fragile Passage Between Life and Death
The concept behind the track adds another layer of depth. Told from the perspective of someone experiencing a near-death moment during a heart transplant, the narrative explores that elusive threshold between existence and absence. It suggests a dimension where perception shifts and reality becomes fluid.
This idea transforms the listening experience. The music feels delicate, almost like a mirage, as if another version of reality exists just beyond reach. You are not simply hearing a song—you are stepping into a liminal space where life and death seem to coexist.
In the end, the track leaves a subtle but lasting impression. It does not seek resolution. Instead, it invites reflection, allowing the listener to drift in that uncertain territory where everything feels both distant and deeply personal.
Intense!
If you love dark music like this:
Discover More Bands Here
For fans of:
Nick Cave • Depeche Mode • Carpenter
The post Andrea Pizzo and The Purple Mice Come Out Lazarus 2 – Ineffability Review appeared first on Edgar Allan Poets – Noir Rock Band.
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DS Album Review: One Reason To Rise – “Lost and Found”
There’s no mystery what One Reason to Rise are going for on Lost & Found. This is straight up 90s-style melodic skate punk, and the band wears those influences proudly. If you grew up on Fat Wreck Chords bands like No Use for a Name, Lagwagon, and Pulley, there’s a lot here that’s going to feel familiar in a good way.
To the band’s credit, this doesn’t come off like a lazy copy job. The songs have energy, the guitars are tight, and the vocals have the right mix of melody and grit. It’s clear One Reason to Rise know this style well and actually care about doing it right. There’s enough heart here to keep the album from sounding overly polished or forced, which is usually where records like this start to fall apart.
The strongest parts of Lost & Found are the ones that lean into what made that era of punk work so well in the first place: fast tempos, catchy hooks, and just enough emotional weight underneath it all. The band keeps things moving, and even when the songs stay in a pretty familiar lane, they do it with conviction.
That said, the album doesn’t always separate itself from its influences. A few tracks run together, and there are moments where a bigger chorus or a more distinct twist would have helped. That doesn’t make it a weak record, just one that plays it a little safer than it probably needs to.
Still, Lost & Found is a solid listen. One Reason to Rise clearly know their audience, and they deliver a record that should land well with anyone still into that classic Fat-style melodic punk sound. It may not reinvent anything, but it doesn’t need to. It’s catchy, honest, and well played, and sometimes that’s enough.
Overall score: 7.5/10
Lost & Found is out now on Punk Rock Radar and Sound Speed Records.
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Philly Duo KEWL HAZE Shepherd Psych-Pop and Madchester Groove Into “Suburban Sherpa” LP
Party favours, private jokes, panic, and a pile of battered studio gear: that is the perfume hanging over Suburban Sherpa, the outstanding debut LP from Philly duo Kewl Haze…and it smells pretty great. This record arrives with the loose-limbed confidence of two lifers who have already done their apprenticeships elsewhere, already learned where the fences are, and then decided to hop them with a grin. Dan Scott Forreal and Derek Sheehan make music by finishing each other’s bad ideas and, through a little creative alchemy, improving them in the process.
The album took four years to pull together, and you can hear that span: detours, accidents, half-serious experiments; the psychic debris of living. “We would have a couple of beers before studio sessions, talk about life, and that led to an openness in the studio,” says Forreal, which tells you plenty about the record’s atmosphere: loose enough to breathe, sharp enough to sting.
“A lot of life happened in the span of making the record, some hectic and difficult situations, but we laughed our asses off,” Sheehan reflects. “We took a lighthearted outlook on everything we wrote about.” That spirit runs through the album: even when it brushes up against burnout, excess, or plain old grown-up damage, it keeps a crooked grin on its face.
Throughout Suburban Sherpa, Kewl Haze lets styles collide without turning the album into a museum of borrowed moves. You can catch the paisley sprawl of the late ’60s, the loose-hipped groove of the ’70s, the baggy ecstasy of Madchester, and the bright smirk of 90s Britpop moving through these songs.
“A hip-hop drum break, an 1980s analogue synth, a country guitar thing, a CSNY vocal harmony, an acoustic guitar with a swampy electric beneath – that taken all together sounds like us,” Forreal explains. It sounds like a dare, and they pull it off.
Deep Breathing opens with a woozy uplift that brings Kula Shaker and the Dandy Warhols to mind. Stereo Junkie is the album’s peacock cut, a sugar rush of classic rock riffage, dance beats, fuzzed guitars, and high-flying harmonies that feels beamed out of the Hacienda in its baggy glory, then dragged through a modern beat-freak basement. Vehicular Cuck lands with the sideways sleaze and smirking funk of Midnite Vultures-era Beck, while Surfin’ On That Paradigm summons hazy college memories of Eels. Used To Have It All carries a psychedelic pop glow that recalls MGMT, though Kewl Haze gives it a more lived-in grooviness.
Listen to Suburban Sherpa below:
Kewl Haze’s Derek Sheehan comes from the critically acclaimed dream-pop outfit Weekender; Dan Scott Forreal previously led Colorado psych-funk crew Miscomunicado and later spent time drumming for Mod Sun. You can hear all those roads converging. Add sessions with Matt Barrick of The Walkmen and Jonathan Fire Eater, plus the Silent Partner connection through Quentis Stolzfus and Paul Banks, and you have an album made by people who know how records breathe.
Kewl Haze was created by two guys who know that a little recklessness can save a song from good taste. Suburban Sherpa, the perfect Spring Break escape, jumps behind the wheel and zips us all off to god knows where. Let’s go!
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The post Philly Duo KEWL HAZE Shepherd Psych-Pop and Madchester Groove Into “Suburban Sherpa” LP appeared first on Post-Punk.com.
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Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands?? 04/06/26 – 04/10/26 – @thebeast
🔥 Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands? 🔥
And who will dominate next month as Band of the Month on Metal Devastation Radio?
Last month’s winners, ETHEREAL DARKNESS, crushed the competition with a staggering 339,768 VOTES , claiming the title of Band of the Month on Metal Devastation Radio! You can check them out HERE !
This is the weekly championship edition of the Band Of The Month – Battle Of The Bands that we host every month on MDR!
How does it work?
Every Monday, we launch a new poll featuring bands that submit music each week on metaldevastationradio.com. Voting runs until Friday at 9PM EST .
Each Friday night , at the start of The Zach Moonshine Show , I’ll be spinning the Top Six weekly winners , and announcing the #1 band of the week live on air — getting thousands of listens on Mixcloud !
At the end of the month , all weekly votes are added up, and the band with the highest total votes becomes our Band of the Month !
Winning Band of the Month gets:
A featured post on our Facebook page, reaching thousands of fans
A front-page spotlight on metaldevastationradio.com , which pulls in hundreds of thousands of views every month
A free PR email blast from Metal Devastation PR, hitting 40,000+ contacts including labels, zines, stations, and more
Airplay every hour during general rotation
Tons of social media shares and exposure across our network
If you want the world to know who your band is, this is the easiest way to make it happen!
💥 Want in on the next battle?
Comment below with your band name and we’ll add you to next week’s poll — or email me at zach@metaldevastationradio.com with “Battle Submission” in the subject line.
Bands can compete as many times as they want , and if you enter multiple weeks in the same month, your votes combine toward the Band of the Month title!
👇 Click on the bands below to vote as many times as you like, or add your own! Poll closes Friday, April 10th at 9PM EST!
Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands?? 04/06/26 – 04/10/26
