Blog

  • Kingdom of Giants release “10 Cent Martyr” video from upcoming album ‘Usurper’

    Ahead of a North American tour with Deadlands, Holy Wars and Night Rider

    Source

  • Ando San Shares Boisterous New Track ‘March For Me’

    Ando San has taken us further into his unique and unmatchable world of sound via his new creation ‘March For Me’.

    A blend of funk-riddle chords, tribal beats and proud and powerful beats, Ando showcases the way his mind work, both musically and personally. The result is sensationally catchy, wonderfully bold and unlike anything that anyone else is doing right now.

    It further demonstrates how there are no true lines that exist between genres, it is all about the attitude that you put out into the world.

    Ando explains further:

    “March For Me is a reclamation song for me. It’s about me rising to where I need to be, and my destiny as an artist to grow and be truthfully and authentically myself. I was really inspired by Tyler, The Creator album ‘Chromakopia’; the whole album has this militant feel to it, and I wanted to embrace that feeling of power and authority.”


    It follows on from the boundless double drop he delivered last month in the form of ‘Hype Man’ and ‘Triggas’, which sound like this:

    The post Ando San Shares Boisterous New Track ‘March For Me’ appeared first on Rock Sound.

  • Nightwish and Floor Jansen Part Ways

    The Announcement:After careful consideration, we have, in mutual agreement, decided to part ways. This decision is necessary and important to us and our future ambitions. Thus, we will now pursue … Continue reading Nightwish and Floor Jansen Part Ways →
  • OLA ENGLUND RELEASES THE NEVERENDING STORY 2026, FEATURING GUEST SOLO FROM JEFF LOOMIS – @thebeast

    FOR IMMEDIATE RELEASE
    OLA ENGLUND RELEASES THE NEVERENDING STORY 2026, FEATURING GUEST SOLO FROM JEFF LOOMIS
    The Haunted and Feared Guitarist Unveils His Latest Solo Album Following Three Singles and Extensive Coverage From Major Metal Media

    OCTOBER 15, 2026 | Swedish guitarist, songwriter, and gear specialist Ola Englund officially releases The Neverending Story 2026 , a 10-track solo album featuring his signature guitar work, a fantasy and retro-gaming-inspired concept, and a guest guitar solo from Jeff Loomis on “World Rift.”
    Known for his work with The Haunted and Feared, as well as his popular guitar-focused YouTube channel and Solar Guitars brand, Englund brings together an accomplished lineup of musicians for his latest solo release.
    The album follows three previously released singles: “The Ember Saga,” “Dogma Progma,” and “Means to an End.” The lead single, “The Ember Saga,” arrived on May 27, 2026, introducing listeners to the record’s theatrical approach, riff-driven songwriting, and fantasy-inspired atmosphere. The subsequent release of “Dogma Progma,” accompanied by a music video, offered another preview of the album’s musical direction, combining technical precision, melodic passages, and heavy grooves.
    The singles have helped generate attention from established metal publications, including Metal Injection, Lambgoat, BraveWords, Melodic Net, Eternal Terror, Metal Noise, Chaoszine, and other outlets. Coverage has included interviews, album announcements, single premieres, and features exploring Englund’s latest musical undertaking alongside his work as a content creator and guitar entrepreneur.
    With the full album now available, listeners can experience all 10 tracks, including “Game Over,” “The Astral Gate,” “The Guillotine,” “World Rift,” “The First of Its Kind,” “Artax Reborn,” and “Sun & The Moon Part 2.”
    One of the album’s notable highlights is “World Rift,” which features a guest guitar solo from Jeff Loomis, widely recognized for his work with Nevermore and Arch Enemy. His contribution joins Englund’s own guitar performances in a release that places musicianship and guitar-driven composition at the forefront.
    Englund performs all guitars, with Johan Niemann on bass and Jon Skäre of Delta Empire on drums. Jocke Skog handled mixing and mastering, while Sylvain Lucchina created the album artwork.
    Limited vinyl and other media formats are available through Englund’s official website.
    ORDER THE NEVERENDING STORY 2026 :
    http://www.olaenglund.com
    Full Album Streaming Now:

    THREE SINGLES SET THE STAGE

    Ahead of the album’s release, Englund introduced the record through three singles:
    “The Ember Saga”
    Released May 27, 2026, the lead single established the album’s theatrical, riff-heavy character and fantasy-inspired concept. The release received attention from outlets including Metal Injection, Lambgoat, and BraveWords.

    “Dogma Progma”
    Released in August 2026 alongside an official music video, the second single showcased a combination of technical guitar work, soaring melodies, and heavy grooves. The release was covered by BraveWords and Melodic Net.

    “Means to an End”
    The third single offered another preview of the 10-track collection ahead of the album’s full release.


    THE NEVERENDING STORY 2026 TRACKLIST



    The Ember Saga
    Game Over
    The Astral Gate
    Dogma Progma
    The Guillotine
    Means to an End
    World Rift
    The First of Its Kind
    Artax Reborn
    Sun & The Moon Part 2

    ALBUM CREDITS

    All Music: Ola Englund
    Guitars: Ola Englund
    Bass Guitar: Johan Niemann
    Drums: Jon Skäre / Delta Empire
    Guest Guitar Solo on “World Rift”: Jeff Loomis
    Mixing and Mastering: Jocke Skog
    Artwork: Sylvain Lucchina
    ESCAPE THE INTERNET PART 2 TOUR

    Englund will also take his Escape the Internet Part 2 Tour across Europe in February and March 2027, with dates scheduled throughout Central and Northern Europe, the United Kingdom, and Scandinavia.
    VIP upgrades include a meet-and-greet with photos, exclusive merchandise, early entry, and a dedicated hangout experience.
    TICKETS AND VIP UPGRADES:
    https://linktr.ee/escapetheinternet
    TOUR DATES

    October 16 – Mallorca, Full Metal Holiday
    November 12 – Stockholm, Marshall HQ
    FEBRUARY 2027
    February 5 – Warsaw, Poland – Proxima
    February 6 – Prague, Czech Republic – Meet Factory
    February 7 – Nuremberg, Germany – Hirsch
    February 9 – Antwerp, Belgium – Zappa
    February 11 – Glasgow, UK – Slay
    February 12 – London, UK – O2 Academy Islington
    February 13 – Manchester, UK – Academy 3
    February 14 – Bristol, UK – Fleece
    February 16 – Paris, France – La Maroquinerie
    February 18 – Copenhagen, Denmark – Pumpehuset
    February 19 – Stockholm, Sweden – Debaser Strand
    February 20 – Gothenburg, Sweden – Pustervik
    February 21 – Oslo, Norway – John Dee
    February 23 – Berlin, Germany – Columbia Theater
    February 24 – Frankfurt, Germany – Batschkapp
    February 26 – Cologne, Germany – Kantine
    February 27 – Hamburg, Germany – Gruenspan
    February 28 – Utrecht, Netherlands – Tivoli Vredenburg (Ronda)
    MARCH 2027
    March 2 – Stuttgart, Germany – Im Wizemann Club
    March 3 – Esch-sur-Alzette, Luxembourg – Rockhal
    March 4 – Solothurn, Switzerland – Kulturfabrik Kofmehl
    March 5 – Munich, Germany – Technikum
    March 6 – Vienna, Austria – Arena
    ABOUT OLA ENGLUND

    Ola Englund is a Swedish guitarist, songwriter, and entrepreneur known for his work with the metal bands The Haunted and Feared. Beyond his work as a recording artist, Englund has built a substantial presence in the guitar community through his YouTube channel, which focuses on guitar-related gear and equipment with an emphasis on metal. He is also the founder of Solar Guitars, a guitar company dedicated to instruments for modern players.
    His work spans recording, live performance, gear demonstrations, and instrument design, establishing him as a recognizable figure in the international metal and guitar communities.

    CONNECT WITH OLA ENGLUND

    Official Website and Album Orders: http://www.olaenglund.com
    Solar Guitars: https://www.solar-guitars.com
    Tour Tickets and VIP: https://linktr.ee/escapetheinternet
    SELECTED PRESS COVERAGE

    Metal Injection: Interview and Q&A
    https://metalinjection.net/interviews/ola-englund-interview-qa-august-2026
    Lambgoat: Album Announcement and “The Ember Saga”
    https://lambgoat.com/news/53256/ola-englund-the-hauntedfeared-to-release-solo-album-this-fall-share-new-single-the-ember-saga/
    BraveWords: “Dogma Progma” Single and Video
    https://bravewords.com/news/ola-englund-unleashes-new-single-and-video-dogma-progma-ahead-of-the-neverending-story-album/
    Melodic Net: “Dogma Progma” Single and Video
    http://www.melodic.net/news/ola-englund-unleashes-new-single-and-video-dogma-progma-ahead-of-the-neverending-story
    Eternal Terror: New Video and Single Coverage
    https://eternal-terror.com/2026/05/31/ola-englund-new-video-and-single-out/
    Metal Noise: The Neverending Story Feature
    https://metalnoise.net/2026/05/news-ola-englund-tells-the-neverending-story
    Chaoszine: Third Solo Album Announcement
    https://chaoszine.net/ola-englund-reveals-his-third-solo-album-the-neverending-story/
    MEDIA CONTACT
    Metal Devastation PR
    zach@metaldevastationradio.com
  • Extinction A.D. release Alice Cooper “Feed My Frankenstein” cover

    Marking their ninth single of 2026 alongside a new lyric video

    Source

  • Pink Floyd share newly restored Hi-Res footage of Echoes from 1973 cult-classic surf film Crystal Voyager

    Pink Floyd have shared a newly restored high-resolution footage of George Greenough’s iconic short film of their classic Echoes, from 1973 cult-classic surf film Crystal Voyager.

    It lands as Pink Floyd get ready to release a new San Tropez Orange Marble vinyl edition of their landmark 1971 album Meddle, for this year’s National Album Day, through Sony Music on October 17.

    The footage of Echoes is taken from cult-classic 1973 Australian surf film Crystal Voyager, a 1973 documentary directed by David Elfick. Searching for an appropriate soundtrack for footage which allowed the audience to see footage from inside a wave for the first time ever, surfer, photographer and filmmaker George Greenough, who wrote and narrated the film, stumbled across a record his mother had bought for him. Upon hearing the closing track, Echoes, he noted its perfectly matched 23-minute running time.

    “We watched it for the first time when we were on tour in Australia and we were all blown away by it,” says Nick Mason. “It was absolutely sensational. Nowadays everyone’s got a GoPro fixed to their wetsuit, but at the time it was mind-blowing to see the guy with the camera strapped to his chest, going through the water tunnel.

    “It did feel experimental at the time because basically we were left to our own devices, and we didn’t have a producer as such. We sort of made the album ourselves, and of course that meant that the engineering staff in Abbey Road were very happy to come along and see what they could do. The great thing with Meddle is that it’s the band playing for the enjoyment of it. It probably is one of the freest albums of all in terms of how we played it. It was one of those things that we really looked forward to playing.”

    Greenough sought the band’s permission, despite not having enough money to pay them for use of the song. An agreement was proposed, whereby Elfick and Greenough could use the song if Floyd could use the footage as background visuals for their live shows. With both parties happy, the deal was struck.

    Pre-order San Tropez Orange Marble Vinyl version of Meddle.

  • Bernard Allison: Following a Legacy, Blazing a Trail

    For Chicago blues royalty Bernard Allison, art doesn’t imitate life. They are the same. To him, both his music and his life rely on his relationships to family and friends; they can’t be separated.

    His new album, Loving You, drops on October 16 and it’s filled with guest musicians from both groups. Besides Allison and his band, the album features Victor Wainwright on piano and vocals, Larry McCray and Matthew Mwangi on guitar, Matthew Curry on guitar and vocals, Devon Allman on guitar, his nephew Jasper Allison and niece Lindsey Allison on backing vocals, and Heather Hardy on violin.

    In an interview with Blues Rock Review, Allison, son of the legendary Luther Allison, explained that maintaining those bonds are the only way he approaches everything he does.

    Such collaborations have always been a part of his recordings and live shows. In past projects he’s worked with Tom Hambridge, Colin Linden, Colin James, Cedric Burnside, Chris Beard and many others.

    Burnside and Beard also come from musical families and, along with special connections Allison has made with Ronnie Baker Brooks and Devon Allman, they not only help musically but in dealing with the challenges of having famous fathers.

    When BRR asked if they specifically talk about growing up in famous families, he replied with an emphatic yes.

    “For me it’s like, let’s go hang out. Let’s go have dinner and share ideas and just what’s going on with you? What’s the upside? What’s the downside? Maybe I’ve been through it or vice versa, you know. They got my phone number. You call me. I’ll pick up,” he said of his close relationship with the others.

    “Well, Ronnie and myself, we basically grew up together and talk every other day,” he said. “So, yes, we would always talk about it and I always push to collaborate. I’d say, ‘let’s keep the vibe going’.”

    Allison says he reminds others about their past and how to move forward in their own careers. “We’re all still young enough, and we all have the same dedication for the music. We have to keep in the back of our mind to document as much of the (family) legacy as we can, because now we’re creating our own legacy on top of our parents’ legacy,” he explained.

    He acknowledged they also discuss the business side of things. “You’ve got to learn how to read. Those things are very important – reading contracts, reading the fine lines, knowing where you are, what’s the money exchange and things like that. If you have no knowledge of it, (the business) you can be robbing yourself,” he warned.

    Allison recently toured with Devon Allman, son of legendary Greg Allman, in a tour billed as ‘Devon Allman Project Featuring Bernard Allison.’ Promotion for the project said, “Devon Allman carries on the traditions of southern rock and the legacy of The Allman Brothers with his heart on his sleeve.”

    And that’s something to which Bernard Allison can relate. He and the younger Allman both understand the responsibility of carrying on their fathers’ legacies while building their own.

    Allison reflected on the project, saying, “It was awesome because, well, Devon and I have known each other for years, but it was just passing at a festival, taking a photo, giving a hug. And he finally called me to be a part of the European version of The Blues Summit, and I immediately jumped on board.”

    He continued, “So for me, it was great to play with him, but it was even more. I got more out of us just hanging and talking about how we grew up as the sons of legends, and just that conversation and how much we are so much alike in that area.”

    “For myself, and Devon, and Ronnie, you know, we’re all creators now, as well as basically keeping our parents’, our fathers’, music legacy alive.”

    Allison has recorded about 22 albums on his own but has constantly kept that heritage in mind by always including a couple of Luther Allison songs on each record. In 2024, he put out an entire tribute album, called ‘Luther Blues‘ and he said that was an important project to him.

    “The vinyl came out and they’re just flying off the shelf. It’s like, this thing is amazing. But a lot of those people hadn’t heard of me. It made them go back and research where I started from, from the first album until the last album. For them to hear, knowing my father’s songs and now know my version, they’re like, wow, this is great, – it’s not him, but it is him, you know what I’m saying? It was two different singers, two different guitar players. So I was very happy to share that with the fan base.”

    The new album is steeped in blues, funk, soul and R&B. He explained, “It’s rooted in just having family and friends get together to show the appreciation of different genres and throwing us together and kind of bringing each of us out of our own bag, you know? And I got the opportunity to do it this time, so I called them (the album guests) and said, hey, you want to be a part of this and everybody kind of jumped right on it. So the list could have actually been a lot longer, but I’m gonna save some for later, you know.”

    Of course, the younger Allison’s roots flourished while he was physically surrounded by blues giants. He grew up among legends, including Muddy Waters, Albert King, Johnny Winter, and Stevie Ray Vaughan.

    He began to understand how different that childhood was once he started to play himself. He didn’t pick up the guitar until he was in high school but two days after graduation he was the lead guitarist for another Chicago blues legend, Koko Taylor.

    “I knew after that point, I had something special, you know, because I can’t read music, but I can play anything I hear. So I’m pretty blessed and honored to be able to continue the Alison legacy. Sure, my dad’s there, but I have my own thing too.”

    The post Bernard Allison: Following a Legacy, Blazing a Trail appeared first on Blues Rock Review.