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The post Delusions of April 2026 – Part 1 appeared first on Still in Rock.
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Set amongst the lush bushland confines of Dashville, in the Hunter Valley, Thrashville returns, ready for a one day explosion of punk, rock, metal and all in between, on the darkest, firiest day of the year, Saturday, June 27, 2026. This years line-up is a cracker, with FEAR (USA), Disentomb, The Bennies, Dregg, Hybrid Nightmares, Turtle Skull, […]Castle 2026 Reframing their riffs and licks, French collective take fiery blend of pancontinental motifs to an entirely new level of fantasy. There’s nothing new under the sun, of course, yet cooking things up by exposing them to a natural … Continue reading
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Interview by Kris Peters Gothenburg’s finest musical expert Evergrey are returning with their fifteenth studio album Architects Of A New Weave, set for release on June 5, 2026 via Napalm Records. Whether it launches EVERGREY’s boldest era yet, stands as a fierce standalone declaration, or serves as the pivotal bridge chapter that redefines their path, […]This weekend was the 2026 Junos, the annual awards presented by the Canadian Academy Of Recording Arts And Sciences. Tonight, Saskatoon’s own Joni Mitchell was honored with the Lifetime Achievement Juno, along with a tribute performance from fellow Canadian singer-songwriters Sarah McLachlan and Allison Russell.
The post Joni Mitchell Accepts Lifetime Achievement Juno, Sings With Sarah McLachlan & Allison Russell appeared first on Stereogum.

Washington, D.C. – Metalcore veterans, Age of Ruin, have released new single, “Falling.” The song is the first fresh blood spilled by Age of Ruin since last year’s seminal, full-length album, Nothingman (a title that perfectly encapsulates both the crushing bleakness of the human spirit and the exact Kelley Blue Book value of their touring vessel, the Nothingvan).
Manifesting without warning like a collective auditory hallucination, this new track sees the band violently regressing to their roots. It delivers the kind of punishing, primitive riffage that will make anyone raised on Roots-era Sepultura or Kingdom of Lost Souls-era Damnation A.D. want to immediately start throwing elbows in a pottery store.
But it’s not just an exercise in neck-snapping brutality. As the despair boils over, the mood shifts from pitch-black bleakness to something suspiciously resembling optimism. When frontman Ben’s haunting vocals bellow, “the lines begin to blur around me,” which in most other contexts would be a terrifying neurological symptom. It actually serves as a rare glimmer of hope. Just then, the mood shifts, like a thundering tempest leaving all of the elements of rebirth in it’s wake. It’s sonic proof that even after all this time, a little bit of light is finally cracking through the Age of Ruin.
The official video for “Falling” is available at: youtu.be/XjVvWz9LEC4
The song is also available on all major platforms, including Bandcamp, Ampwall, Spotify and Apple Music.
“Falling” was recorded at The Hell Room in northern Virginia and mixed and mastered by Will Beasley at The Bakery Studios in Richmond Virginia.

Line-up:
Benjamin Swan – vocals
Christopher Fleming – bass
Daniel Fleming – guitar
Hendrik Osinga – drums
Casey Flanagan – guitar
FFO: In Flames, Soilwork, Killswitch Engage, and Gojira.
Released October 17, 2025, Nothingman is available at:
Bandcamp: ageofruin.bandcamp.com/album/nothingman
Ltd. Edition CD: theupstagemusicfest.com/product-page/age-of-ruin-nothing-man
Spotify: open.spotify.com/album/5gx07goL02rG6kpD4mP10f
Apple Music: music.apple.com/us/album/nothingman/1838282980
Ampwall: ampwall.com/a/ageofruin
Source: ClawHammer PR
