Aryna Sabalenka’s fiancé Georgios Frangulis helped her through a tough time in life, and she has opened up about it.

The post Aryna Sabalenka’s Fiancé Georgios Announces News at Miami Open appeared first on Audio Ink Radio.

Misery Out June 4th

Michigan’s MY OWN WILL has announced the release of their newest EP, Misery. The EP promises to clutch throats and incite pits with four overly-aggressive tracks of metal-fueled hardcore.

The band has picked the EP’s title track for the lead single. Vocalist Dave Keoppen comments on the song, “‘Misery’ was the first demo we recorded for the EP and was initially called ‘Highway Homicide.’ It is a fast, blistering track that we really feel sets the tone for the EP. Sonically, it is unlike anything we feel we have done before. I really tried to push my vocal ability on this one and the dudes wrote a heavy, fast, interesting ass beater. It’s fast at times, slow at times, and maintain a constant auditory onslaught throughout.”

Watch the music video for “Misery” here.

Misery is due out on June 4th, through Bleeding Art Collective in partnership with Blood Blast Distribution. Pre-save the EP at: myownwill.bfan.link/misery-ep.

MY OWN WILL hit the road in support of Misery with labelmates, NIGHTS OF MALICE. The Chaos & Misery Tour kicks off on June 4th in New Jersey.

Chaos & Misery Tour dates:

6/4 Clifton, NJ @ Dingbatz
6/5 Harrisburg, PA @ Capital City Music Hall
6/6 Salisbury, MD @ Lurking Class Skate Shop
6/9 Memphis, TN @ Growlers
6/10 Nashville, TN @ Cobra
6/11 Atlanta, GA @ Boggs Social & Supply
6/12 Warner Robins, GA @ The Reverb Room
6/13 Orlando, FL @ My Sisters House
6/14 Bradenton, FL @ Oscura
6/16 Lake Worth, FL @ Propaganda
6/17 Jacksonville, FL @ Hard Love
6/18 Pensacola, FL @ Handlebar
6/19 Spartanburg, SC @ Ground Zero
6/20 Chesapeake, VA @ Riffhouse Pub

Misery Track-listing:
1) Misery
2) Rorshach
3) Forsaken
4) Phobos

Misery was engineered by Max Kushner and produced by Cody Steward and Max Kushner. The EP was mixed by Cody Steward and mastering and additional mixing by Christian Donaldson.

BIO:

MY OWN WILL is a death metal driven hardcore act from Southeastern Michigan, USA. The band has shared the stage with absolute titans such as Hatebreed, Cannibal Corpse, Nile, Suffocation, Bodysnatcher and Left To Suffer, as well as performing on events such as Michigan Metal Fest and Blue Ridge Rock Fest.

The band’s debut album Left To The Flies is a crushing example of the heft and groove that this band delivers live. The album saw three tracks featured on Spotify’s prestigious Deathcore and Metalcore playlist pushing their brand of deathcore to thousands of new listeners.

linktr.ee/MyOwnWill

Source: ClawHammer PR

A brand new track from Australian death/thrash unit IN MALICE’S WAKE is now streaming. “Beyond Death” is the second single off the band’s long-awaited fifth studio album, The Profound Darkness. The premiere of “Beyond Death” comes via MetalInjection.net. Watch now at this location. The Profound Darkness is due out on May 1. Pre-order the album at www.inmaliceswake.com Where previous […]

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Finnish doom metal act GRAIN OF PAIN celebrates the release of their highly anticipated new album “Behind Us All”, out today via Noble Demon. To mark the occasion, the band has unveiled a haunting lyric video for the track “Ruins of the Heart”. Mastermind Timo Solonen reflects on the song’s meaning: “There is always someone who wants to lead and […]

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The Sway – The Grief Review

The Sway entertain us with “The Grief” and sets a clear tone from the very beginning.

The Grief is The Sway’s Single Out Now

The Grief reveals a powerful single rich in emotional depth. The track opens with a driving beat that pulls you in.

The sound fuses 80s alternative rock influences—reminiscent of early U2—with a vibrant, modern energy. It carries a sense of urgency, propelled by the relentless tempo that never falters. The chemistry between instruments is natural and compelling, avoiding any feeling of artificial production. The track’s genuine tone feels refreshing in an era dominated by synthetic sounds. The music breathes with a human touch, making every note and beat vital.

Around the 3:15 mark, the song strips down unexpectedly but purposefully. The drums and bass persist, creating a hypnotic pulse underneath the moment of spacious silence. This transition introduces a psychedelic atmosphere that intensifies emotions and prepares listeners for the climactic finish. In this segment, the haunting echoes channel a vibe similar to Jim Morrison’s Doors era, blending mystery with anthemic rock.

The vocals maintain passion and control throughout, balancing vulnerability and strength. The lyrics convey a complex emotional narrative without becoming overwrought. This restraint enhances the overall impact, allowing listeners to immerse fully in the mood. The seamless flow from intro to finale highlights the band’s skill at dynamic arrangement.

The production captures the essence of the performance, with subtle spatial effects that widen the soundstage. The reverberations envelop the instruments, creating depth and texture without crowding the mix. The interplay between rhythm and melody feels impactful. This balance keeps the listener engaged from start to finish.

The band manages to evoke powerful feelings while staying grounded in genuine artistry. The song’s energy and thoughtful craftsmanship suggest a solid musical project. It offers a nostalgic nod while forging a distinct modern rock identity.

The Grief is The Sway ‘s Single Out Now!

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The Sway are an indie rock band formed in North London in 1989, known for their early ’90s presence and a sound shaped by melodic guitar work and reflective songwriting. Originally gaining attention with their EPs Silk and Going Blind, the band built momentum through UK tours before stepping away as the Britpop wave took over.

Over the years, The Sway have reunited at key moments, continuing to evolve while staying true to their roots. Their music blends classic indie sensibilities with a more mature perspective, shaped by time, experience, and a renewed creative drive. With their original lineup—David Casson, Jim Kook, Sean Kelly, and Paul Hogan—back together, the band stands as a testament to longevity and artistic persistence within the UK indie scene.

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The post The Grief is The Sway’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

Odium Records proudly announces a new, 7th album of the cult Polish band Hell-Born – simply called “VII”. The band was formed in 1996 by Behemoth co-founder Baal and Les, also a former Behemoth musician as well as a member of Damnation. “VII” is the most complex, ominous and apocalyptic album in their discography. There are VII […]

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Soft as Hell – I’d Rather Fly Review

Soft as Hell entertains us with “I’d Rather Fly” and sets a clear tone from the start.

I’d Rather Fly is Soft as Hell’s Single Out Now

I’d Rather Fly opens with an organ that creates a ritualistic atmosphere. The organ establishes a haunting foundation that feels sacred and eerie.

The track unfolds like a sonic mirage in a desert. Each sound seems carefully chosen to evoke an image of abandonment and desolation. Listeners can almost picture a drone camera tracking the remains of human civilization in a sci-fi setting. The textures shift subtly, maintaining intrigue, never allowing the experience to grow dull. This precise use of instrumental layers reflects Soft as Hell’s ability to paint vivid scenes without lyrics.

Around 3:15, a significant atmospheric shift occurs, moving toward 1970s funk influences. This change introduces warmer tones, funkier rhythmic patterns, and a brighter energy. A kaleidoscopic transition, revealing the wider palette the artist employs. This contrast sparks renewed attention and enriches the journey, breaking the previously hypnotic, steady pulse.

Soft as Hell balances refinement and emotional depth throughout the track. The absence of vocals directs full focus on instrumental storytelling, which requires careful craftsmanship. Each element contributes to a cohesive soundscape, allowing the listener to immerse fully in the sonic world.

The production quality supports the song’s vibe masterfully. The organ’s reverb and harmonic layering emphasize space and mystery. Guitar effects, such as tremolo and fuzz, add texture without overwhelming other instruments. The drums remain restrained, avoiding excess complexity while providing essential rhythm.

Soft as Hell showcases creative ambition and skill through this track. The mix of retro and futuristic elements forms a unique hybrid sound. The ritualistic, hypnotic opening transforms into a vibrant, funky conclusion that intrigues continually. This song embodies an aural narrative fitting for a cinematic visual.

I’d Rather Fly is Soft as Hell’s Single Out Now!

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Cinematic!

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Soft as Hell is a Brighton, England–based project rooted in atmospheric experimentation and cinematic imagination. Blending elements of psychedelic rock, ambient textures, and a subtle Western flair, the project crafts immersive compositions that feel both expansive and intimate. Driven by a hands-on approach, the artist behind Soft as Hell writes and performs nearly every element of the music, shaping a cohesive and personal sonic identity. With influences ranging from Pink Floyd to Tangerine Dream, their sound balances vintage inspiration with a modern, exploratory edge.

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The post I’d Rather Fly is Soft as Hell’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

SIGNUM REGIS was founded in 2007 and stands for finest melodic Power Metal with both progressive and symphonic elements. Their upcoming new and eighth studio album „Beyond Spacetime“ will be released on October 9th through their new label partner Fireflash Records, where the band found a new home. “Signing a new contract is a major milestone in the life […]

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Black Label Society has released the official music video for “Ozzy’s Song,” a tribute to the late Ozzy Osbourne, directed by Justin H. Reich of Three Thirty-three Creative. The track closes out the band’s new album, Engines of Demolition, released 03/27 via MNRK Heavy, the follow-up to 2021’s Doom Crew Inc., which also includes previously released singles “Name in Blood”, “Broken and Blind”, “The Gallows”, and “Lord Humungus”.

Speaking to São Paulo’s 89 FM A Rádio Rock, Zakk Wylde explained how the song came together. The music had been sitting in the can for the better part of four years, but the lyrics only came after Ozzy‘s death (via Blabbermouth): “I had the music written ’cause we’d been writing this album for the last three and a half years, almost four years,” he said. “We stockpiled all these songs. And I was really happy with the way the music came out. And then I figured that eventually I’ll finish the song.”

“But then after we laid Ozzy to rest, when we got back home, we took a break from Pantera [touring]. I sat in a little library room in our house. I just put the headphones on at about one o’clock in the morning, and I was looking at a book of Ozzy, and I just wrote the lyrics. And that’s what came out.”

The title itself was never really a decision. Wylde‘s wife, Barbaranne, had been playing the track on repeat in the car, and the working title became the only title it could ever have: “My wife would always be listening to it in the truck,” he said. “She’d be, like, ‘Babe, put on Ozzy‘s song again.’ So that was pretty much just the working title.

“People would always be asking, ‘I wonder since Zakk wrote a song for Dimebag [Darrell Abbott], and now we sing it for Vinnie [Paul Abbott] as well with “In This River” — I wonder if Zakk will write a song for Ozzy on the new album.’ So it’s only fitting. We just called it ‘Ozzy’s Song’. That’s how we ended up with ‘Ozzy’s Song’.”

Wylde also addressed the band’s decision to bring Ozzy‘s “No More Tears” into their current live set — a choice that traces back to his appearance at the BRIT Awards, where he performed the track alongside Robbie Williams, Robert Trujillo, Adam Wakeman, and Tommy Clufetos to mark Ozzy‘s lifetime achievement honour.

“I called the fellows up,” he said. “I said, ‘Man, we’ll put that in the set when we get back home before we go out and do the Engines of Demolition crusade.’ A little ode to the boss.”

Wylde first joined Ozzy‘s band in 1987 after sending the singer a demo tape and went on to play on virtually every Osbourne solo record through the decades, including No More Tears (1991), Ozzmosis (1995), and Black Rain (2007). He formed Black Label Society in 1998 alongside that work. Order of the Black (2010) and Catacombs of the Black Vatican (2014) both reached the top five on the hard rock album charts.

The post BLACK LABEL SOCIETY Share Official Music Video For OZZY OSBOURNE’s Tribute Track, “Ozzy’s Song” appeared first on Sonic Perspectives.

Nevermore is having trouble securing a work visa for their new vocalist, Berzan Önen, ahead of a US festival appearance in September.

The post NEVERMORE Pull Out Of Festival Appearance Due To Issues With US Work Permits appeared first on Metal Injection.