Blog

  • Live Gallery: Miss May I / Crystal Lake – Manchester

    Live Gallery: Miss May I / Crystal Lake – Club Academy, Manchester

    20th March 2025
    Support: Great American Ghost, Diesect

    Photos: Rich Price

    We look back at the epic Miss May I / Crystal Lake co-headline tour through the eyes of our photographer Rich Price!

    Miss May I

    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography

    Crystal Lake

    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography

    Great American Ghost

    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography

    Diesect

    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography

    Fans

    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography
    Photo Credit: Rich Price Photography

    All photo credits: Rich Price Photography

    For all the latest news, reviews, interviews across the heavy metal spectrum follow THE RAZORS’S EDGE on facebook, twitter and instagram.

    The post Live Gallery: Miss May I / Crystal Lake – Manchester appeared first on The Razor's Edge.

  • Album review: Hellripper – Coronach

    For more than a decade, Hellripper have provided sustenance for speed’n’blasphemy-hungry headbangers. But while blackened thrash is a realm often resistant, if not downright hostile, to progression, mainman James McBain has consistently pushed the boundaries. Coronach continues this momentum, embracing diverse sounds and influences without toppling the project’s evil edifice.

    James has spoken of his desire to try something new on every song, something evident here from The Art Of Resurrection’s gothic piano intro, through the almost hair metal catchiness of Kinchyle (Goatkraft and Granite), to the title-track’s epic funeral march vibes and varied vocal approaches. The whole thing sounds incredible, too, the combination of high production values and dynamic songwriting lifting this out of the sonic dungeons inhabited by contemporaries like Midnight. Rest assured, however, that Coronach is certainly not lacking in frenzied riffs, galloping D‑beats, moments that sound exactly like Motörhead, or indeed a tune by the name of Blakk Satanik Fvkkstorm.

    Admittedly, it’s unclear where that last number fits into the album’s central theme, but everything else here explores myths and history from Hellripper’s native land: uniquely Scottish vampire legends on Hunderprest and Baobhan Sith (Waltz Of The Damned), Edinburgh grave robbery on The Art Of Resurrection, even traditional Celtic wakes on the title track. While their musical ancestry takes in soaring Maiden-esque solos, cranked-up speed metal mayhem and the chewy ferocity of cult Brit thrashers Sabbat, this lyrical focus on the band’s cultural roots provides a distinctive identity to proceedings.

    Coronach is a reinforcement of Hellripper’s compelling vision, 45 minutes of scything magnificence both ancient and timeless. It might hail from the grimiest reaches of the underground, but it deserves to be celebrated by metal maniacs everywhere.

    Verdict: 4/5

    For fans of: Mercyful Fate, Kreator, Darkthrone

    Coronach is released on March 27 via Century Media

    Posted on March 23rd 2026, 9:00a.m.

  • Black Label Society / Engines Of Demolition Is Zakk Wylde’s Most Emotional & Powerful Album Yet

    Black Label Society, Electric Ballroom. 7 June 2022

    It is impossible not to like Zakk Wylde, Ozzy’s faithful lieutenant for many years, the obvious stand-in for Dimebag on the Pantera tours, and purveyor of the shred for over 30 years with his own unit, Black Label Society. Eleven albums in, and here we go with the latest BLS release, Engines Of Demolition.

    Black Label Society – Engines Of Demolition

    Release Date: 27 March 2026

    Words: Paul Hutchings

    Engines Of Demolition sees Wylde deliver an album that started life in 2022, following on from Doom Inc. Those four years have been one wild ride. Pantera, Back To The Beginning, and his great friend Ozzy’s death.

    So it’s no wonder that this release sees Black Label Society provide everything from the explosive radio-friendly single Name In Blood through to the heartfelt passion of ballad Ozzy’s Song.

    Engines Of Demolition is one of Black Label Society's most solid albums of their entire career.
    Engines Of Demolition is one of Black Label Society’s most solid albums of their entire career.

    There are, of course, plenty of riffs, plenty of solos, and Wylde’s distinctive vocals that have always echoed his fallen boss. “Engines of Demolition is a sincere ride through the peaks and valleys of the last four years from start to finish, some of the highest highs and lowest lows and everything in between.”

    Thirteen songs on any release can often be a little long for me, and over the years, BLS songs have, on occasion, blended into each other. For me, that has always been the challenge. Ample bangers but a little bit of filler that pads out the album.

    That does not take away anything about the quality of the playing, and once again we see Zakk’s three trusty companions, John DeServio, Jeff Fabb and Dario Lorina putting in a solid shift. 

    You will be familiar with Name In Blood, a scorcher of an opener, ample melody underpinned by plenty of catchy riffs that have earned it a place on the Planet Rock playlist no less.

    It is followed by the similarly infectious Gatherer Of Souls, with its definitive Sabbath vibe, alongside The Gallows, which is anchored in the Sabbath Bloody Sabbath era.

    Then there is some beautiful bluesy swagger on tracks such as The Hand Of Tomorrows Grave and the powerful Above & Below, with its gentle juxtaposition between hard rock and gentle choral harmonies. 

    The thunder continues with the thick riffs of Broken & Blind, which sit with some of the band’s earlier style, a Southern swagger mixed with a grungy feel and of course, some blistering shredding.

    It is preceded by the first deep voyage into the soul on Better Days & Wiser Times, an honest ballad which Zakk does so well. Back To Me continues in the same vein, evidence that there are few better at combining the skull crusher riff with the most tender dives into the heart and soul. 

    As Zakk will tell you, everything about BLS starts and ends with the riff. He is a demon on the fretboard, and some of his best work in aeons features here. Back To Me sees a gorgeous burst of finger work that contrasts with the beautiful riff that runs through the song.

    For me, it is when he hits the heavy riff that Black Label Society really get into their stride, and there is one fat beast on Lord Humungus that really gets you moving. You are already two-thirds into the album, and to be fair, there is little to dislike so far.

    More big riffs dominate Pedal To The Floor before a measured, emotional Broken Pieces leads to the final couple of tracks. Although I have been critical of the number of songs on previous BLS albums, this one really flows without distraction. Playing it in the car on a sunny Sunday felt right, all songs working as the miles passed.

    The finale is Ozzy’s Song, and you will find Zakk at his most emotional since he penned In This River. (It is a misconception that he wrote that for Dimebag, though he did dedicate it to the Pantera axeman).

    I am not a huge ballad fan, but you would have to have a heart of stone not to be moved by this tribute to the Prince Of Darkness. Few will have felt Ozzy’s death as keenly as Zakk after all. 

    51 minutes of guitar-heavy music with plenty of groove. Mix in emotional lyrical content, phenomenal playing and songs that work and for me, Engines Of Demolition is one of Black Label Society’s most solid albums of their entire career.

    May

    28may7:30 pmBlack Label Society, GlasgowO2 Academy Glasgow

    29may7:30 pmBlack Label Society, LondonO2 Forum Kentish Town

    30may7:30 pmBlack Label Society, BournemouthO2 Academy Bournemouth

    Black Label Society have announced a run of UK headline shows with support from Venom inc. 

    Black Label Society release Engines Of Demolition on 27 March 2026 via Spinefarm. Album pre-orders and tour tickets are available from linktr.ee/zakkwyldebls.

    Black Label Society UK/EU Tour Poster 2026
    Black Label Society UK/EU Tour Poster 2026
    The post Black Label Society / Engines Of Demolition Is Zakk Wylde’s Most Emotional & Powerful Album Yet first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • AURORA DISEASE: Epitaph

    Out NOW Via Purity Through Fire Words by: Messer Jack Moin people! It is always interesting when a record lands on my desk that feels less like an album and more like a deep dive into someone’s mind. With Epitaph, Aurora Disease deliver exactly that kind of unsettling and strangely fascinating experience. Released via Purity […]
  • Mirrors Premiere New Single & Visualizer “Purity in Decay” – Kyle Medina Of Bodysnatcher Guests

    Tokyo, Japan-based deathcore band Mirrors premiere a new single and visualizer named "Purity in Decay", streaming via YouTube for you now below. Kyle Medina of Bodysnatcher guests on this particular track. Read More/Discuss on Metal Underground.com
  • Metal To The Masses South Wales Heat Rundown (By Matt Bladen)



    So the Metal To The Masses South Wales heats are all done and dusted. You read all the interviews with this year’s bands but we thought it was worth rounding up what happened before the Quarters kick off properly.

    Things began super early this year with a slight change of venue from previous years as the East Side of the things were based at Green Rooms, a grassroots venue and practice room that is helping the new generation of talent to hone their skills.

    For the first heat unfortunately veterans Catalysts had to pull out so that left us with the disgustingly youthful noise Syndicate, the modern metal slickness of Virtue In Vain and the classic rock sounds of Daytura. It was a hard fought Heat even though their was only the three bands playing.

    The crowd were electric throughout getting involved with every set despite how eclectic the bands were. It was the arena ready heaviness of Virtue In Vain who took home the fan vote on the night while the judge vote went to the powerful vocals and hard rock swagger of Daytura.

    Neither of these things should detract from how talented Syndicate are and with a bit of refinement they will be a force to be reckoned come 2027 for sure.

    With one down it was over to the West Side for a post Valentine’s Day love in.

    Again held at the brilliant Bunkhouse Swansea, a community hub that is the heart and soul of Swansea’s music scene. A venue defined by resilience their first heat saw some violence from Clarity As Arson, some traditional metal from Antique Curse, grooves from Thawn and modern melodic metal from House Of Hosts

    Taking the judge vote was the outright aggression of Clarity As Arson who came back after a short hiatus to remind everyone what they do so well while it was House Of Hosts that stole the fans heart, with a massive backing in the local scene they stormed their way into the Quarters.

    Both Antique Curse and Thawn offered something different, and while they came up short they are both acts with a lot of youth on their side and will only refine and define themselves from here.

    The following weekend we had two Heats back to back. Over at Green Rooms there was another eclectic line up of Deathcore heaviness from Excursia, some vampiric rockong from Blood Red Lips, alt rock from Remain The Few and a bit more classic/thrash metal from Winter.

    This time Blood Red Lips brought their nocturnal hordes to The Green Rooms and exsanguinated the fan vote from the room drop by drop, while it was Excursia who rumbled the skulls of the judges, taking their juggernaut into the Quarters.

    As with every M2TM heat the quality is hard to beat and Winter brought youth and were entertaining to all the old school lovers in the room while Remain The Few definitely have a strong following with their proggy/punky/emo sound. Go check out both for yourself!

    Back to the West and this one looked strong with electronic metalcore band Inscape coming back to life in Swansea, while Scratch One Grub brought some 2000’s era heaviness. The always odd Grindhorse83 filled Swansea with psycho surf metal while Mould crawled their way out of the tarpits with sludge.

    In the results side Inscape and Scratch One Grub unfortunately had to take the loss but that doesn’t detract from their skills and live presence, both are very active, especially Inscape who have a unique sound in sometimes overwhelming genre pool. So catch them at any of their numerous gigs coming up to see what the fuss is about.

    However I’m terms of results the crabs clacked their claws for the the absolute weirdness of Grindhorse83 who stole the fan vote like it’s a golden Maguffin in a Tarantino movie while the judges absolutely loved having their ears abused by Mold who brought bowel shifting NOLA sludge to Swansea.

    The train didn’t stop and it was back at the WEST station for another three band bill as Blindburn had to withdraw just before the heat. With melodic hard rock grooves from Soul Fracture, electronic cinematics from Manumit and psych/doom from Pvriah.

    The three band heats are always a little sadder as only one band is left behind and on this occasion it was Pvriah, who’s psych/doom didn’t quite hit the sweet spot but saw them gain a a new set of minds to melt.

    Soul Fracture took the fan vote after getting Bunkhouse’s hips shaking and heads nodding into the next round while the judges were drawn into the neon powered beatdowns of Manumit who will I assume do some kind of digital transporting into their Quarter.

    Another week another weekend of M2TM goodness as it was the first Friday Heat at Green Rooms. This was strong one with returning finalists Exaust coming back to unleash the thrash in the pits, returning to M2TM too were the doom laden sounds of Risperidrone ready hurt your neck.

    They were joined by two new bands as Paroxism brought and extreme metal assault while there was modern, emotive metal from Convoy, but unfortunately it was these two bands that didn’t quite get to the next round, as again there are tweaks needed, so get out there and support them at gigs so they can come back bigger and better next year.

    So then it was the other two bands that won the day, Risperidrone have gotten heavier and nastier since they last appeared here, clearly making a mark on the Green Rooms crowd as they took the fan vote while Exaust proved why they made it all the way to Day Of Wreckoning last year, having shifted their thrash sound a little but still rip your throat out.

    A days breathing space and The Bunkhouse saw disgusting death from Virology, evil doom riffs from Hateful Dread, extreme aggression from Judasnail and a lot of youthful rocking from White Leather.

    Another eclectic one and while it was Virology, who have some M2TM pedigree, but perhaps a two piece death metal comprised of vocals and bass was a step too far, and Judasnail who will continue to evolve and mature with their extreme metal, missed out on the next round.

    This left the fan vote to fall to the satanic, fuzz laden viciousness of Hateful Dread, breaking a few eardrums and causing a few trips along the way. The judges on the otherhand though that the rocking of a band like White Leather was way beyond their years so have the nod to them

    Finally then it was back once again to Green Rooms (not the renegade master) for last of this year’s heat and there was a third withdrawal as Levels Of Violence pulled out with only a day or two spare. This left Treforest with the alt metal stylings of Avicide, the heavy low end doom of Damek and the newly metallic hardcore brutality of Disrupt The Continuum.

    It’s always a much tighter affair when there’s only three bands and while Damek’s Satanic Doom got the teeth rattling it was the youthful grooves and powerhouse voice of Avicide that got the fan vote as the judges decided that the newly retooled and voracious Disrupt The Continuum would be our last Quarter finalist.

    There’s so much talent on offer this year the next few rounds are going to be fun as everything culminates with Day Of Wreckoning, the M2TM South Wales Final that sees six bands play for a place at Bloodstock Festival in front of a huge audience. The event also brings a lot of guest acts along including a headline set by The Wildhearts.

    Ticket for that are available here:

    https://ticket247.co.uk/Event/517805
  • Ditheist Premiere New Single & Music Video “Nyarlathotep”

    Chicago-based death metal quartet Ditheist premiere a new single and music video by the name of "Nyarlathotep", streaming via YouTube for you now below. Read More/Discuss on Metal Underground.com
  • Melissa Etheridge Challenges Gene Simmons on Hip-Hop in Rock Hall

    Kiss star can't relate to their music, adding: "I don't come from the ghetto." Continue reading…
  • Flesh Pursuit Premiere New Single & Visualizer “Field Dressed”

    Fort Worth, Texas-based deathcore unit Flesh Pursuit premieres a new single and visualizer by the name of "Field Dressed", streaming via YouTube and Spotify for you now below. Read More/Discuss on Metal Underground.com