Blog

  • Interview with Nyctopia – @elricnewby

    I interviewed 3 members of the band Nyctoipia at Raven Records during the Dark Clouds Over Camden Festival 2025
  • Lee Dorsey’s British tour in October-November 1966

    Following two successful British tours earlier in 1966, the first with The Krew as backing band and the second with The League of Gentlemen, promoter Roy Tempest brought Lee Dorsey back for a final tour that autumn.

    According to Disc & Music Echo, the tour kicked off on 14 October and the main backing group was The Garden of Eden.

    Hailing from Watford, Hertfordshire, they comprised Dave Rodwell (vocals); Dicer Sarney (aka Roger Matthews) (lead guitar); Barry Rich (bass); Tom Hill (organ); Chunky Mo (drums). When The Garden of Eden started working with Dorsey, they had literally just come off another tour backing The Mad Lads.

    However, they weren’t the only outfit to provide backing on this tour. Stuart Francis, drummer with Glaswegian outfit, The Scots of St James, says they backed Lee Dorsey on some gigs in late 1966. The line-up at this time comprised James Oakley (lead vocals); Hugh Nicholson (lead guitar); Ian Murray (bass); James Mylchreest (keyboards); and Stuart Francis (drums).

    Chris Rodger, sax/trumpet player with London-based group The Noblemen, which became (The) Motivation in late October/early November 1966, says they also did some dates with Lee Dorsey. This is also confirmed by the band’s keyboard player Mick Ketley and bass player Bryan Stevens.

    In addition, Martin Barre, the band’s guitarist, mentions backing Dorsey during this time in his recent book about his career, including with Jethro Tull, A Trick of Memory. At the time, the remaining two members of the band were Jimmy Marsh (lead vocals) and Malcolm Tomlinson (drums).

    Finally, there is an advert in the Brighton Evening Argus, in its 16 December 1966 issue, that mentions [Australian band] The Groove and has says they are just back from touring in the USA. It also says that they are backing group for Lee Dorsey. We’d welcome any clarity on this.

    This is an incomplete gig list

    Tour dates:

    14 October 1966 – Starlite Ballroom, Greenford, northwest London (Melody Maker/NME)

    14 October 1966 – Location, Woolwich, southeast London with The Scots of St James (Melody Maker) Backed by The Scots of St James

    Ian Murray says The Scots of St James backed Lee Dorsey at the Scotch of St James through their manager Stan Beadabeck and this date looks the most likely following the Woolwich gig.

    15 October 1966 – Toft’s, Folkestone, Kent (Melody Maker/NME) Folkestone, Hythe & District Herald also lists this date but looks like Dorsey was replaced by Guy Darrell Syndicate so it didn’t happen. On this date Garden of Eden played with The Mad Lads at the Dungeon in Nottingham

    15 October 1966 – Twisted Wheel, Manchester (Manchester Evening News & Chronicle)

    16 October 1966 – Oasis, Manchester with The Wheels (Manchester Evening News & Chronicle)

    16 October 1966 – Cavern, Liverpool with The Hideways, The Dark Ages, The Times, Georgies Germs, The Insite and The Gates of Eden (Liverpool Echo) Backed by The Gates of Eden

    17 October 1966 – Tiles, Oxford Street, central London with The Gates of Eden and The Sovereigns (Melody Maker) Most likely backed by The Garden of Eden although Chris Rodger, sax player with The Noblemen, says they did back Lee Dorsey on this gig. The Sovereigns were also one of the groups that Roy Tempest used to back visiting US soul acts

    19 October 1966 – Saddle Room, central London (NME) Possibly backed by The Noblemen

    20 October 1966 – Maple Ballroom, Northampton (Melody Maker) Possibly backed by The Noblemen

    Melody Maker article, 22 Oct 1966, page 4

    21 October 1966 – Iron Curtain Club, St Mary’s Cray, Kent (Melody Maker)

    22 October 1966 – Locomotive Club, Paris, France (Melody Maker/Disc & Music Echo)

    23 October 1966 – Club West Indies, Stonebridge Park, Harlesden, northwest London (Melody Maker) Possibly backed by Scots of St James

    24 October 1966 – Community Centre, Welwyn Garden City, Herts with The Gates of Eden and The Trekkers (Melody Maker) Backed by The Gates of Eden

    25 October 1966 – Sherwood Rooms, Nottingham with The Ivy League, The Jaybirds, Our Young, Zoot Money’s Big Roll Band (Nottingham Evening Post) Melody Maker says Nottingham University

    26 October 1966 – Locarno, Stevenage, Herts (Melody Maker/NME) Possibly backed by The Noblemen but they were touring with Alvin Robinson at the time

    27 October 1966 – Locarno, Burnley, Lancashire (NME) Possibly backed by The Noblemen but they were touring with Alvin Robinson at the time

    28 October 1966 – Golden Star Club, Westbourne Park, west London with The Dynacords (Melody Maker)

    28 October 1966 – Northwich Memorial Hall, Northwich, Cheshire (Widnes Weekly News)

    29 October 1966 – New Century Hall, Manchester with The Black Velvets (Manchester Evening News & Chronicle/Disc & Music Echo) Possibly with Scots of St James

    30 October 1966 – Club Cedar, Birmingham with The Ebonites (Birmingham Evening Mail) Possibly backed by The Ebonites

    30 October 1966 – Leofric, Coventry (Coventry Evening Telegraph)

    31 October 1966 – Queen’s Hall, Wolverhampton, West Midlands (NME)

     

    1 November 1966 – Palais de Danse, Leicester with The Gates of Eden (Leicester Mercury) Backed by The Gates of Eden

    3 November 1966 – Locarno, Streatham, southwest London (Melody Maker)

    3 November 1966 – Whisky A Go Go, Wardour Street, Soho, central London (Melody Maker)

    4 November 1966 – Bull’s Head, Syston, Leicestershire with The Gates of Eden, The Pilgrims and Sister Jill & The Brethren (Leicester Mercury) Backed by The Gates of Eden

    5 November 1966 – Midnight City, Birmingham with Listen and The Ray King Soul Band (Birmingham Evening Mail)

    5 November 1966 – Rhodes Centre, Bishop’s Stortford, Herts with The Gates of Eden and The Cortinas (Herts and Essex Observer) Backed by The Gates of Eden

    6 November 1966 – Birmingham Hippodrome Theatre, Birmingham with Jerry Lee Lewis and Cliff Bennett & The Rebel Rousers (Birmingham Evening News)

    7 November 1966 – Wimbledon Theatre, Wimbledon, southwest London (Melody Maker) Possibly backed by Motivation (formerly The Noblemen) but they were touring with The Coasters at the time

    8 November 1966 – Dungeon Club, Nottingham (Nottingham Evening Post) Possibly backed by Motivation but they were touring with The Coasters at the time

    9 November 1966 – Community Centre, Welwyn Garden City, Herts (Disc & Music Echo)

    10 November 1966 – Ashton Palais, Ashton, Greater Manchester (Manchester Evening News & Chronicle/Disc & Music Echo) Possibly backed by Motivation but they were touring with The Coasters at the time and potentially backed Ben E King today at the Twisted Wheel in Manchester (unless this was 12 November). An advert for Motivation playing Cardiff on 16 December says they are Lee Dorsey’s backing band

    11 November 1966 – Top Rank Ballroom, Doncaster, South Yorkshire with three supporting groups (Retford, Gainsborough and Worksop Times)

    11 November 1966 – Gaiety Ballroom, Grimsby with supporting groups (Grimsby Evening Telegraph/Disc & Music Echo)

    12 November 1966 – Reading University, Reading, Berkshire (Melody Maker/NME)

    14 November 1966 – Atalanta Ballroom, Woking, Surrey with The Gates of Eden plus supporting group (Aldershot News) Backed by The Gates of Eden

    17 November 1966 – Locarno Ballroom, Bristol with The Gates of Eden (Bristol Evening Post) Backed by The Gates of Eden

    18 November 1966 – Blue Moon, Cheltenham, Gloucestershire with The Good Goods (https://garagehangover.com/blue-moon-cheltenham-gigs-july-1965-may-1967/) Says backed by The Good Goods

    19 November 1966 – Starlight Ballroom, Gliderdrome, Boston, Lincolnshire with The Gates of Eden and The Ray King Soul Band (Lincolnshire Echo) Backed by The Gates of Eden

    19 November 1966 – Dungeon Club, Nottingham with Ben E King plus top line groups (Nottingham Evening Post)

    19 November 1966 – King Mojo, Sheffield, South Yorkshire (Melody Maker/NME)

    20 November 1966 – Dereham Tavern Club, Dereham, Norfolk with The Johnny Lofty Soul Band and The Gates of Eden (Thetford & Watton Times) Backed by The Gates of Eden and final gig on his tour

    Eastern Evening News article on the tour mentioning The Garden of Eden

    4 December 1966 – Wimbledon Palais, Wimbledon, southwest London (Disc & Music Echo) This did not happen as he’d already returned to the US

    We’d welcome any further information below in the comments

  • Poison Suckers – Charmer

    It’s crazy that it has already been five years since the first Poison Suckers 7″ came out. Today Jo Jo and Joe are back with a follow-up, and this thing is a stone-cold ripper that will melt your ears clean off your head. Out on Transistor 66, the 4-track EP Charmer finds Poison Suckers doing what they do best: mixing soul music and ’60s girl group stylings with ferociously trashy garage punk rock ‘n’ roll. This band makes an art form out of lo-fi budget production, and the music is all raw energy and thrillingly primitive fury. 

    “Slash Tires” is pure fire right out of the gate — like Tina Turner fronting the Oblivians playing an MC5 song. This tune explodes out of your headphones, and Joanne’s vocal is just ridiculous. It gives me chills. “Charade” is old school girl group greatness without all the fancy production getting in the way. “Viper Winds” lays down some hip-shaking hillbilly blues stomp — think Southern gothic vibes transplanted to the chilly North. “I’m a Zero” caps things off with full-on garage rock fury. It’s a banger of epic proportions. 

    And that’s that: four perfect songs that give you a little bit of everything you might be craving. I can think of no band that better understands or more fully brings to life the true spirit of rock ‘n’ roll. Of course this band has talent. These two have a great knack for writing songs that hit you in the gut yet also treat you to enthralling hooks. And there’s a very limited number of humans on the planet who can sing like Joanne. But beyond the talent, it’s the feeling and the fire in this music that is just so undeniable. Charmer will hit you deep in your soul. It’s a record made to be played loudly and enjoyed thoroughly. It’s an at-home dance party waiting to happen and a spirited soundtrack to whatever sinful activity you might be compelled to engage in. The EP will be officially released tonight at Times Change(d) High & Lonesome Club in Winnipeg! 

  • Poison Suckers – Charmer

    It’s crazy that it has already been five years since the first Poison Suckers 7″ came out. Today Jo Jo and Joe are back with a follow-up, and this thing is a stone-cold ripper that will melt your ears clean off your head. Out on Transistor 66, the 4-track EP Charmer finds Poison Suckers doing what they do best: mixing soul music and ’60s girl group stylings with ferociously trashy garage punk rock ‘n’ roll. This band makes an art form out of lo-fi budget production, and the music is all raw energy and thrillingly primitive fury. 

    “Slash Tires” is pure fire right out of the gate — like Tina Turner fronting the Oblivians playing an MC5 song. This tune explodes out of your headphones, and Joanne’s vocal is just ridiculous. It gives me chills. “Charade” is old school girl group greatness without all the fancy production getting in the way. “Viper Winds” lays down some hip-shaking hillbilly blues stomp — think Southern gothic vibes transplanted to the chilly North. “I’m a Zero” caps things off with full-on garage rock fury. It’s a banger of epic proportions. 

    And that’s that: four perfect songs that give you a little bit of everything you might be craving. I can think of no band that better understands or more fully brings to life the true spirit of rock ‘n’ roll. Of course this band has talent. These two have a great knack for writing songs that hit you in the gut yet also treat you to enthralling hooks. And there’s a very limited number of humans on the planet who can sing like Joanne. But beyond the talent, it’s the feeling and the fire in this music that is just so undeniable. Charmer will hit you deep in your soul. It’s a record made to be played loudly and enjoyed thoroughly. It’s an at-home dance party waiting to happen and a spirited soundtrack to whatever sinful activity you might be compelled to engage in. The EP will be officially released tonight at Times Change(d) High & Lonesome Club in Winnipeg! 

  • Friends of Cesar Romero – Songs the Siren Sing


    And now it is done. Songs the Siren Sing is the final installment in Friends of Cesar Romero’s Doomed Babe Series, a project that spanned 5,191 days, 24,641 words, 400+ songs, and more than 50 releases. What J. Waylon Porcupine has done with this project is one of the most impressive feats in music that I’ve ever had the good fortune to experience. And now the mystery surrounding the title has been revealed: the doomed babe is J. Waylon himself. “Babe” was his childhood nickname, and this series has documented his failed relationships and allowed him to exorcise some demons. Just releasing 50+ installments in a series would be an achievement in itself. But what’s so remarkable about this one is that the quality never dipped. There were no phoned-in installments. There were never any throwaway tracks. How do you release over 400 songs and never once turn out a dud? But I don’t want to sell this last installment short by turning this review into a retrospective. I am happy to say that this album finds the Doomed Babe Series (and most likely Friends of Cesar Romero) going out on top.

    A la February’s superb Soul Scouts, Songs the Siren Sing is definitely on the more rocking end of FOCR’s musical spectrum. It has its share of perfect pop songs (such as “Simple XX’s” and “Dying For Dai (A Little More Each Day)”). And it concludes with J. Waylon having his Pet Sounds moment on the beautiful “Plum Cherry,” which is quite possibly the best song in the entire series. But all in all, this album wraps up the Doomed Babe odyssey with a proverbial bang. From the opening jolt of “Elko Speedway” to the garage-rocking fury of “My Cultist Angel” and “Starfucker Qualities” to the thumping power pop of “74 Dart” and “The War on Wednesday,” this album brings an energy that’s thrilling and infectious. This album, like every Doomed Babe installment, is the perfect combination of almost every musical genre I love. Why choose between power pop, punk, and garage rock when you can get it all in shot? 

    We all know of certain series in television and literature that were great for so long but couldn’t stick the landing. Well J. Waylon has absolutely stuck the landing. Songs the Siren Sing doesn’t try too hard to create closure. It just does what you expect any great Friends of Cesar Romero to do: deliver two-to-three minute tales of relationship woes that will tear your heart out yet also have you dancing around the house and humming the melodies all week. If you pay close attention to the lyrics, you understand how personal and intense these songs are. Yet isn’t the beauty of rock ‘n’ roll that you can take these excruciating experiences and channel them into music that’s fun to listen to and deeply reassuring to people who have felt similar pain? I’ll put it simply: if you love garage rock and power pop, you will love this release. It’s a great-sounding record with loud guitars, hooks for days, and genuine soul in the vocals and lyrics. Who would have expected anything different? 

    It’s not fair or even accurate to say that J. Waylon Porcupine is now quitting. He has finished what he started. The last time I checked, that’s the opposite of quitting. I was a latecomer to the Doomed Babe Series and have so much gratitude to J. Waylon for putting this music into the world and to Niek for turning me onto it. Someday, music historians will look back on the Doomed Babe Series with absolute awe. That’s where I already am. Songs The Siren Sing is a free download for now, and the entire Friends of Cesar Romero catalog is a deal and a steal at $111.25!

  • Friends of Cesar Romero – Songs the Siren Sing


    And now it is done. Songs the Siren Sing is the final installment in Friends of Cesar Romero’s Doomed Babe Series, a project that spanned 5,191 days, 24,641 words, 400+ songs, and more than 50 releases. What J. Waylon Porcupine has done with this project is one of the most impressive feats in music that I’ve ever had the good fortune to experience. And now the mystery surrounding the title has been revealed: the doomed babe is J. Waylon himself. “Babe” was his childhood nickname, and this series has documented his failed relationships and allowed him to exorcise some demons. Just releasing 50+ installments in a series would be an achievement in itself. But what’s so remarkable about this one is that the quality never dipped. There were no phoned-in installments. There were never any throwaway tracks. How do you release over 400 songs and never once turn out a dud? But I don’t want to sell this last installment short by turning this review into a retrospective. I am happy to say that this album finds the Doomed Babe Series (and most likely Friends of Cesar Romero) going out on top.

    A la February’s superb Soul Scouts, Songs the Siren Sing is definitely on the more rocking end of FOCR’s musical spectrum. It has its share of perfect pop songs (such as “Simple XX’s” and “Dying For Dai (A Little More Each Day)”). And it concludes with J. Waylon having his Pet Sounds moment on the beautiful “Plum Cherry,” which is quite possibly the best song in the entire series. But all in all, this album wraps up the Doomed Babe odyssey with a proverbial bang. From the opening jolt of “Elko Speedway” to the garage-rocking fury of “My Cultist Angel” and “Starfucker Qualities” to the thumping power pop of “74 Dart” and “The War on Wednesday,” this album brings an energy that’s thrilling and infectious. This album, like every Doomed Babe installment, is the perfect combination of almost every musical genre I love. Why choose between power pop, punk, and garage rock when you can get it all in shot? 

    We all know of certain series in television and literature that were great for so long but couldn’t stick the landing. Well J. Waylon has absolutely stuck the landing. Songs the Siren Sing doesn’t try too hard to create closure. It just does what you expect any great Friends of Cesar Romero to do: deliver two-to-three minute tales of relationship woes that will tear your heart out yet also have you dancing around the house and humming the melodies all week. If you pay close attention to the lyrics, you understand how personal and intense these songs are. Yet isn’t the beauty of rock ‘n’ roll that you can take these excruciating experiences and channel them into music that’s fun to listen to and deeply reassuring to people who have felt similar pain? I’ll put it simply: if you love garage rock and power pop, you will love this release. It’s a great-sounding record with loud guitars, hooks for days, and genuine soul in the vocals and lyrics. Who would have expected anything different? 

    It’s not fair or even accurate to say that J. Waylon Porcupine is now quitting. He has finished what he started. The last time I checked, that’s the opposite of quitting. I was a latecomer to the Doomed Babe Series and have so much gratitude to J. Waylon for putting this music into the world and to Niek for turning me onto it. Someday, music historians will look back on the Doomed Babe Series with absolute awe. That’s where I already am. Songs The Siren Sing is a free download for now, and the entire Friends of Cesar Romero catalog is a deal and a steal at $111.25!

  • Foo Fighters Say Taylor Hawkins Is Still a Member of the Band

    The late drummer's presence could be felt while the band recorded 'Your Favorite Toy.' Continue reading…
  • Ex-PARKWAY DRIVE Crew Member Arrested For Sex With A Minor; Band Issues Statement

    EX PARKWAY DRIVE CREW STAT RAPE

    Should we just start a new category for ‘metal creeps’ at this rate? Jed Gordon, ex-Parkway Drive crew, pleads guilty to statutory.

    The post Ex-PARKWAY DRIVE Crew Member Arrested For Sex With A Minor; Band Issues Statement appeared first on Metal Injection.

  • K-Pop’s BTS Returns to the Stage

    The group’s first concert in nearly four years — held in the historic center of Seoul — was heavy on songs from its new album. They also played a few old hits.
  • 73-Year-Old Viral Rapper Passes Out While Suspended Onstage, Announces Tour From Hospital Bed

    Pete & Bas are still at it. The UK drill duo made up of Peter Bowditch (73) and Basil Belgrave (76) have been making music since 2017 and going viral for, you know, being old. Now they’re going viral again, this time because Bowditch passed out mid-show while hanging from the ceiling in a harness.

    The post 73-Year-Old Viral Rapper Passes Out While Suspended Onstage, Announces Tour From Hospital Bed appeared first on Stereogum.