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  • The Devil Wears Prada: Concert Review and Photos

    The Devil Wears Prada: Concert Review and Photos

    Formed in 2005, Dayton, Ohio’s very own are a metalcore institution, and a reflection of where the scene has come from and where it’s headed. TDWP is ¼ of the way through their “Flowers” tour in support of their 2025 album of the same name, and Friday’s show was in Riverside, California.

    Riverside is 60 miles east of Los Angeles, and put its name on the map as the birthplace of California’s robust citrus industry in the late 1800’s. Making the two hour and forty-five-minute commute during Friday rush hour traffic gave me time to 1) notice there are no longer any orange orchards in Riverside or the surrounding area, 2) question certain life choices – specifically why I was still in my car after two hours, 3) reflect on how truly immense Los Angeles is, and 4) come to the realization that I wouldn’t make this drive for many bands.

    Friday night’s concert was at the Riverside Municipal Auditorium, which was initially built as a World War 1 Memorial in 1928, before gradually being converted to a concert hall over time. Despite it’s relatively small 1500 capacity, the Spanish style venue feels much larger. The exterior has a belltower, tiled domes on the roof, and palm trees that surround the building. It was listed on the National Register of Historic Places in 1978, and it’s hard to imagine the people in attendance at that ceremony having any idea that several decades later, a state-of-the-art PA system would be blaring loud guitar-driven music, people would be circling in mosh pits, crowd surfing, and up to plenty of other shenanigans in the darkened hall of their forefathers.

    There were three opening bands before The Devil Wears Prada, and by the time they finally took the stage at 9:30pm, the audience was already worked into a lather. This was a good night of live music top to bottom, and the assembled crowd was down to make the most of it. There’s nothing better than being in the photo pit, mere feet (and sometimes inches) away from incredible musicians doing their thing for the first three songs, but when the crowd really gets going, it can be a little precarious while holding cameras with your back turned to the madness, even with security trying to protect the crowd surfers and (hopefully) you. Tonight was one of those nights.

    The Devil Wears Prada

    The Devil Wears Prada played seven songs from the new album. There was some controversy among diehard fans with the band bringing in outside songwriters and excluding guitarist Kyle Sipress from writing and recording on “Flowers” – a point that went public when Kyle wrote on his socials that he was learning the songs for the tour. Regardless of how the album’s tracks came to be, the audience in Riverside went crazy for the new material, just as they did for the old. The show was a massive success, and the completely full Riverside Municipal Auditorium shook with soundwaves and the stomping of feet all the way down to its stone foundation.

    The Devil Wears Prada are:

    • Kyle Sipress – guitar
    • Jeremy DePoyster – clean vocals/guitars
    • Mike Hranica – vocals
    • Johnathan Gering – keyboards
    • Giuseppe Antonio Capolupo – drums

    Setlist:

    1) Where the Flowers Never Grow

    2) So Low

    3) Danger: Wildman

    4) Watchtower

    5) Salt

    6) Broken

    7) Everybody Knows

    8) Supernova

    9) Outnumbered

    10) Dogs Can Grow Beards All Over

    11) Ritual

    12) When You’re Gone

    13) For You

    14) Kansas

    15) Dez Moines

    16) Chemical

    17) Sacrifice

    Four Year Strong

    I didn’t know Four Year Strong before the show started, but it was clear that I was in the minority. As I made my way around the venue, everyone within view was passionately singing along, song after song. It wasn’t just the singing that was eye-opening. It was announced with three songs remaining that the Worcester Massachusetts band needed more crowd surfers, and more crowd surfers was exactly what they got. I think I’ve only seen more surfers at Aftershock Festival – they came fast and furious, and I’m sure the security staff in the pit had their hands full.

    Four Year Strong are:

    • Joe Weiss – bass
    • Jackson Massucco – drums
    • Dan O’Connor – vocals/guitar
    • Alan Day – vocals/guitar

    Split Chair

    The second band of the night was Split Chair from the UK. These guys were great, and were totally appreciative to be on the tour, mentioning how incredible it was to be touring the US with The Devil Wears Prada. They put on a great show, and the audience really liked what they heard and saw on stage.

    Split Chain are :

    • Bert Martínez-Cowles – vocals
    • Aaron Black – drums
    • Jake Reid – guitar
    • Tom Davies – bass
    • Oli Bowles – guitar

    I Promised The World

    Right out of the gate, Texas-based I Promised the World hit the stage and energized vocalist Hunter Wilson simply took over – from jumps to singing into every camera in the pit and every fan on the rail. They made the most of their 7:00pm time slot, and judging from people’s exited talk after their set, they made many new fans.

    I Promised the World are:

    • Caleb Molina – vocals/guitar
    • Hunter Wilson – vocals
    • Mason Nowlin – guitars
    • Aidan Vickers – bass
    • Mason Zschau – drums
    Photos and Writing by Brooks Robinson. Check out more of his work here.

    Thanks for reading!

  • Nocturnal Ceremony Unleashes “Seasons of Hate” Official Video, Cementing Their Return to Extreme Metal Dominance – @thebeast

    FOR IMMEDIATE RELEASE
    Nocturnal Ceremony Unleashes “Seasons of Hate” Official Video, Cementing Their Return to Extreme Metal Dominance
    Independent modern death metal titans Nocturnal Ceremony continue their triumphant resurgence with the release of the official video for “ Seasons of Hate ,” a standout track from their debut album Obsidian (March 4, 2026). Following glowing international reviews from publications like Heavy Metal Philosophy and Deadly Storm Zine , the new visual accompaniment further showcases the band’s mastery of haunting atmosphere, crushing riffs, and blackened death metal intensity.
    The “Seasons of Hate” video plunges viewers into a ritualistic, shadow-drenched world where ancient passions collide with modern brutality. True to the album’s tone, the visuals mirror the music’s eerie depth—fog-laden landscapes, spectral imagery, and visceral intensity combine to create an immersive experience that pulls fans deep into Nocturnal Ceremony’s dark universe.
    Deadly Storm Zine previously described Obsidian as “strange, captivating, and magical,” likening the album to wandering through fog-covered cemeteries at dawn while ghosts drift between gravestones. Tracks like “Seasons of Hate” exemplify that hypnotic, blackened energy, balancing raw aggression with atmosphere and emotional weight.
    Highlights from “Seasons of Hate” and Obsidian include:
    A dense, crushing sound that commands attention while evoking haunting imagery
    Dark, imaginative songwriting that bridges ancient mysticism and contemporary extreme metal
    Hypnotic blackened death metal energy that lingers long after the final note
    Originally formed in the early 1990s, Nocturnal Ceremony vanished before fully realizing their potential. Now, more than three decades later, the band delivers a debut album that proves some darkness only grows stronger with time.
    Produced, mixed, mastered, and engineered by Thomas Madsen, Obsidian captures the band’s raw ferocity and cathartic depth, delivering an unrelenting sonic journey through shadow, memory, and emotion.
    Nocturnal Ceremony says of the album:
    “Sharing our music is a way of alleviation, up to the point of being cathartic. It is a way to express emotions that simply don’t have any words, or a name. Releasing these songs is an act of letting go of some demons. It is about accepting what life now is and who you have become, to perhaps ultimately find some small measure of peace. Maybe by listening, you can too. We are Nocturnal Ceremony – welcome to our darkness.”
    Fans of Igorrr , Behemoth , and Bloodbath will find plenty to sink their teeth into as “Seasons of Hate” and the rest of Obsidian continue spreading throughout the underground metal scene.
    Watch the official video for “Seasons of Hate” here:
    Stream the album and add to your playlists:
    https://hypeddit.com/nocturnalceremony/obsidian
    Independent, relentless, and unapologetically heavy, Nocturnal Ceremony proves that true darkness never dies, and Obsidian —with the video for “Seasons of Hate”—is solidifying its place as one of 2026’s most talked-about underground metal releases.
    For interviews, review copies, or additional assets: zach@metaldevastationradio.com


    Connect: 
    https://linktr.ee/nocturnalceremony
    Contact: mail@nocturnal-ceremony.com

  • Wu-Tang Clan Announce Another Farewell Tour

    Last year, the Wu-Tang Clan, arguably history’s greatest rap crew, embarked on an arena tour that was billed as their farewell. Well, it turns out that wasn’t the last last tour. See, that tour was a success. I didn’t go, but the videos I saw looked great. This year, Wu-Tang are first-time nominees for the Rock And Roll Hall Of Fame. So why not run that farewell tour back again?

    The post Wu-Tang Clan Announce Another Farewell Tour appeared first on Stereogum.

  • Classic Rock’s Tracks Of The Week: March 23, 2026

    Eight songs you need to hear right now, from Muse, Crown Lands, the Black Keys and more
  • Poison The Well Drop New Album “Peace in Place”; Watch Video For “Weeping Tones”

    POISON THE WELL are released PEACE IN PLACE, their first album in 16 years, on March 20 via SharpTone Records. “There’s
  • Eagles Have Extended the Long Goodbye: Act III Tour Again

    Logistics are apparently keeping them from confirming new dates in a bulk announcement. Continue reading…
  • Blue Medusa Share Savage Debut Track ‘Checkmate’

    Blue Medusa, the new band from former Arch Enemy vocalist Alissa White-Gluz, have shared their first piece of music, and it is a total face-ripper.


    The band consists of White-Gluz on vocals, joined by guitarists Alyssa Day and Dani Sophia and launched last month. And in ‘Checkmate’, the trio are showing a bit of what we should come to expect from this collaboration.

    A gripping, frantic, guttural slice of modern metal battery, it shows off as much sensational riffing as it does beastly vocal gymnastics. Going straight for the jugular and refusing to take the pressure off, it’s a bold statement of intent from a band who have stardom already in their sights.

    There are few better first moves they could have made.

    Alissa had this to say about the track and where she was pulling inspiration:

    “This is a song where everything just clicked. ‘Checkmate’ is an extremely cathartic song for me. It was created in one of those flow states where the lyrics and melodies and rhythms just write themselves and you get the feeling that you’re on to something powerful. It’s probably the heaviest thing I’ve written in terms of lyrics, and probably the lightest of what we have cooking in terms of sound. I wanted to share the intensity of these feelings with fans and give them something to hold on to.”

    And she had this to say about the support that the band have already received:

    “I’m so happy to see so much support for Blue Medusa already; fans can look forward to more dark, heavy, brutal and haunting music very soon.”

    The post Blue Medusa Share Savage Debut Track ‘Checkmate’ appeared first on Rock Sound.

  • You Made Me Bad is Rayka Blake’s Single Out Now

    Good Day Noir Family,
    Rayka Blake launches “You Made Me Bad” with immediate drive, as drums push forward and a sharp guitar riff sets the pace.

    You Made Me Bad is Rayka Blake’s Single Out Now

    The instrumental opening does more than establish energy; it builds a foundation that supports the emotional core of the track.

    You Made Me Bad is Rayka Blake's Single

    The rhythm section locks in quickly, creating a steady pulse that carries the listener without hesitation.

    Blake’s voice enters with warmth and intensity. Her vocal tone carries a natural rock identity, one that feels deeply rooted rather than constructed. Her delivery shows control and intention, allowing each phrase to land with clarity. There is a trace of the 80s in her phrasing, yet it never feels dated. That influence blends into a modern framework that keeps the performance current.

    The strength of the track also lies in its structure. The bass line works closely with the drums, forming a tight rhythmic backbone that supports the entire arrangement. The song maintains momentum without becoming repetitive. The distorted guitars create a consistent layer of energy, while their slightly elevated high frequencies add contrast. This choice allows the vocal to rise clearly above the mix, giving the song a defined sonic balance.

    The chorus amplifies the track’s emotional impact. It introduces a sense of movement, almost like a journey shaped by memory and reflection. The hook remains accessible, but it carries enough weight to stay with the listener.

    Notably, the song addresses personal transformation after emotional wounds. The message encourages forward motion, urging the listener to move beyond the past rather than remain defined by it. On the other hand, the track never becomes overly reflective, maintaining its drive from beginning to end.

    Beyond that, “You Made Me Bad” stands out for its balance between energy and emotional clarity. The arrangement stays focused, the performance remains consistent, and the message connects without excess. All beautifully crafted through the skilled production of Pietro Foresti and Luca Urbani.

    A strong and engaging release by Rayka Blake.

    You Made Me Bad is Rayka Blake’s Single Out Now!


    Resilient!


    Rayka Blake is an Italian rock singer-songwriter with a growing international following, especially in the U.S. Known for her powerful vocals and emotionally driven songwriting, she blends strong guitars with themes of resilience and transformation.

    She debuted in 2019 with “Nevermore,” while her 2024 EP Daybreak featured “Born Again,” which passed the first round of GRAMMY® voting. She was also nominated at the FemMetal Awards 2024.

    Her latest single, “You Made Me Bad,” is a bold rock track about personal change after emotional wounds, confirming her as a distinctive voice in today’s global music scene.


    Find Rayka Blake Here:

    Spotify
    Instagram


    Discover New Bands Click Here


    Listen to more tunes on the Noir Playlist.

    The post You Made Me Bad is Rayka Blake’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

  • Courtney Love Comes Around On Geese Despite Their “Gatekeeping Elder Millennial Troll Fans”

    A few weeks ago — after fellow rock icons like Patti Smith, Billy Corgan, and Nick Cave proclaimed their fanship of Geese — Courtney Love bravely went on the record to say she wasn’t quite yet sold on the Brooklyn band, who made our favorite album of last year. “I’m Geese-curious,” Love said in an Instagram reel. “Do you feel like their team might be, like, elder millennial Brooklyn people? Like, very Girls-y? But who cares. You can’t fake the way he’s singing. I’m trying to get it, and I do, kinda.”

    The post Courtney Love Comes Around On Geese Despite Their “Gatekeeping Elder Millennial Troll Fans” appeared first on Stereogum.