It’s officially all around us now.

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Though some of you may have already checked it out early on SiriusXM.

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Hailing from Portland, Oregon, Stainless launch their debut album, “Lady of Lust and Steel.” The band was founded in 2022 and released their first EP, “Nocturnal Rider,” which is now followed up by their debut album. Stainless is the brainchild of guitarist Jamie Byrum, and the album blends hard rock with metal influences. Both of… Continue Reading →

It’s a double dose of brand new music from Hunnu Rock pioneers The Hu. The Gold-certified global phenomenon deliver The Men which is accompanied by an official music video, alongside Warrior Chant, both out now via Better Noise Music. Traditional Mongolian strings herald the arrival of The Men. This organic swell gives way to a […]

The news comes ahead of three scheduled shows at Estadio River Plate in Buenos Aires

In November 2025, during a run of Australian shows celebrating the legacy of legendary guitarist Randy Rhoads, Quiet Riot founding member Kelly Garni was joined on stage by Australian rock powerhouse Snake Bite Whisky for a special performance of the track Killer Girls. What began as a one-off moment during the show quickly sparked a […]

As Ten Years After release an expanded version of their Ssssh album, founding bassist Leo Lyons recalls a live packed with rock’n’roll flashpoints

Anja Huwe walked onto the stage at Le Poisson Rouge on Bleecker Street in Manhattan looking like she had just stepped out of some glamourous midnight ambush: fluffy black jacket, leather pants, killer heeled boots, and those famous ice-blue eyes staring out over the room with the kind of cool, electric poise that can still make a crowd forget its own name. This was the triumphant kickoff of her first North American tour in forty years…which is the sort of sentence that sounds unreal even when you’re standing there watching it happen, drink in hand, shoulder to shoulder with a room full of devotees.

After a thrilling intro, the band tore into Boomerang, and just like that, all historical reverence got kicked to the curb in favour of the far better business of being gloriously, physically present. Huwe sounded as robust as ever, particularly considering she was fighting off a bad cold, and there was something almost absurdly thrilling about hearing her voice. Huwe proved her legacy was never preserved in amber or propped up by nostalgia; nor gingerly handling old glories like museum pieces, but alive, kicking, and swinging a belt around the stage.

Flanked by Mona Mur (and Tom Ashton of The March Violets), the set moved beautifully between material from Codes and the Xmal Deutschland canon, making a convincing case that this wasn’t some heritage lap or victory crawl through old headlines. Songs like Living in the Forest, Pariah, Exit, and Rabenschwarz carried the newer material with a fierce, tensile grace, while Xmal staples like Geheimnis, Allein, Young Man, Augen-blick, Eisengrau, Autumn, Polarlicht, Incubus Succubus, and Qual arrived like dispatches from a parallel era where post-punk could still sound dangerous, theatrical, and weirdly elegant all at once. Eden, the Mod Con cover, slipped in like a sly little detour, and Sleep With One Eye Open had the room leaning forward as if the floor itself had become conductive.

Huwe, who stepped away from music after Xmal Deutschland’s distinguished run to focus on visual art and painting, has spoken about being haunted for years by the legend of the band and by endless requests to return, all of which she refused until recently. Maybe that’s part of what made this show feel so exciting and fresh: there was none of that grim ceremonial duty that so often dogs long-awaited returns. She was genuinely delighted to be there, dancing, trading energy with her bandmates, cracking little jokes with the audience before snapping back into business with the easy authority of one who knows exactly how much mischief and majesty a room can take.

At one point, she brought out a Polaroid camera and started taking photos of the audience, handing the pictures out to ecstatic fans like party favours from a beautifully strange aunt who had just descended from another dimension. Sacred Bones cohorts were spotted in the crowd, appropriately reverent but also visibly thrilled, because Codes, her first solo album for the label, has helped complete this restoration in a wonderfully organic way.  That record, shaped in collaboration with Mona Mur and sharpened by the return of Manuela Rickers’ guitar presence, carries the same hard emotional line that always made Huwe so powerful. Live, you could hear that continuum clearly: the old material still bristling, the newer songs seamlessly blending in perfectly.

By the end of the night, Huwe admitted she was having some vocal trouble, and you could hear the strain around the edges. But then came the encore, Orient, followed by a second run through Mondlicht, and if there was any fragility in the moment, it only made everything hit harder. The audience happily, loudly and gratefully erupted in pogo dancing and a delightful singalong.

Anja was then generous enough to spend the end of the evening signing treasures and taking selfies with her fans. It was truly heartwarming to behold.

Listen to Codes below and order the album here.

Catch Anja Huwe on tour through the rest of March and early April:

• March 21, 2026 — Chicago, IL — Epiphany Center for the Arts — Tickets
• March 22, 2026 — San Francisco, CA — Great American Music Hall — Tickets
• March 25, 2026 — Los Angeles, CA — 1720 — Tickets
• March 28, 2026 — Mexico City, MX — Mesones72 — Tickets
• March 29, 2026 — San José, Costa Rica — Amon Solar — Tickets
• April 1, 2026 — Costa Rica – Ardan Goth Festival
• April 3, 2026 — Lima, Peru
• April 4, 2026 — São Paulo, Brazil

Follow Anja Huwe:

• Website
• Instagram

Follow Xmal Deutschland:

• Facebook
• Instagram

The post Mondlicht in Manhattan — Xmal Deutschland’s Anja Huwe Opens Her First North American Tour in Forty Years appeared first on Post-Punk.com.

The post Release Round Up – March 20th 2026 appeared first on The Razor's Edge.

Good Day Noir Family,
Pete Lynch approaches MotherFather with a clear sense of direction, crafting an EP that balances experimentation and emotional weight without losing focus.

MotherFather is Pete Lynch’s EP Out Now

The title track opens the record with a gradual rise, establishing a dense and immersive atmosphere that unfolds patiently rather than rushing toward impact.

The compositional style brings to mind echoes of Brian Eno and Peter Gabriel, yet Lynch filters those influences through a distinctly personal lens. The result feels deliberate, with each layer introduced at the right moment to build tension.

“Let’s Celebrate Tonight” shifts the energy with a sharp guitar figure that anchors the track from the outset. In addition, a syncopated groove injects movement, supporting a vocal line that navigates melody with precision. The track highlights Lynch’s willingness to stretch beyond conventional structures while maintaining coherence.

Yet it is “Through the Fire” that leaves a deeper imprint. The rhythm locks into a hypnotic pulse, while subtle tonal choices introduce a Middle Eastern flavor that expands the track’s emotional range. The interplay between percussive elements and melodic phrasing creates a sense of forward motion that feels almost ritualistic. This is where Lynch’s artistic identity becomes fully apparent.

Still, “Let the Loving Begin” offers a contrasting moment, opening with a robotic vocal texture that sets a futuristic tone. When the beat drops, the transition feels purposeful and engaging. The vocal production throughout the EP stands out, often treated with megaphone-like effects and reverb that give Lynch’s voice an almost prophetic presence.

“Eye in the Sky,” originally by The Alan Parsons Project, is reinterpreted with a darker edge. The synth introduction recalls the cinematic tension associated with John Carpenter, adding a subtle sense of unease. Lynch’s vocal delivery remains intense and expressive, reinforcing his strong artistic vision.

“My Forever” closes the EP on a reflective note. The arrangement emphasizes space, allowing textures to breathe while the vocal line carries emotional weight. Even so, the track retains a hypnotic quality that lingers after the final moments. MotherFather stands as a cohesive and forward-thinking release, blending avant-garde instincts with accessible songwriting.

MotherFather is Pete Lynch’s EP Out Now!

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Hypnotic!

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MotherFather is Pete Lynch’s EP Out Now

American singer-songwriter Pete Lynch crafts a distinctive blend of alternative rock, atmospheric electronica, and hip-hop-influenced rhythms, shaping a sound that feels both intimate and wide in scope. His music carries a strong sense of intention, pairing textured production with a deeply personal artistic voice.

Originally from Maryland and now moving between Denver and Vienna, Austria, Lynch channels his diverse surroundings into emotionally rich compositions. With a focus on mood, identity, and human complexity, he creates immersive sonic spaces that resonate on a personal and cinematic level.

 

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Find Pete Lynch Here:

Spotify
Instagram

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