Stephen Wilson Jr. announced the second leg of his Gary The Torch Tour, which adds West Coast, Southeast and EU/UK dates to the completely sold-out tour that kicked off earlier this month. 10/19 – Glasgow, UK – O2 Academy Glasgow 10/22 – London, UK – O2 Academy Brixton 10/23 – Bristol, UK – The Prospect […]
Kid Bookie has once again joined forces with the legendary Corey Taylor, kicking off a brand-new era with explosive single ‘Blame’.
With the pair’s creative partnership now spanning over a decade, their latest venture is as grippingly raw and emotional as you might expect. On ‘Blame’, there are no egos involved, with both musicians stripping it back and confronting personal truths, accountability and growth.
Speaking on the meaning behind the track, Kid Bookie has shared:
“Over the years, facing myself and the reflection that comes with the mirror isn’t always an easy one. Accountability is the removal of ego and pride to see beyond your own nose, to allow yourself the room to grow via ownership of your actions. I’m around some of the best people who practise that in more ways than one. Corey and I have been working with each other for nearly a decade, but I feel this record is a coming of age, even for us. New territory, but a familiar approach to make sure we embolden each other through music. This song is almost a therapy session for me, and not just via my own lyrics, but to how Corey has made me feel by exposing himself so bare in this record, truly an honour to keep pushing the envelope with someone who has just pushed it as far as it can go, but has completely revamped what the envelope fucking is.”
And on teaming up with his friend once more, Corey has said:
“Books is one of my favourite people, not just artists, and every time he comes to me with an opportunity to create with him, I’m always excited because I know I’m going to hear something I’ve never heard before. ‘Blame’ was so good the first time I heard it, I signed on without even knowing what I’d do! I’m proud of the song, and I’m proud of him, and grateful to be involved.”
Take a listen to the thought-provoking collaboration below:
The start of a fearlessly confident new era for Kid Bookie, ‘Blame’ sets the stage for the arrival of his forthcoming album, which is expected to drop later in 2026.
If you’ve missed out on his previous collabs with Corey, you can catch yourself up below:
“Over the years, facing myself and the reflection that comes with the mirror isn’t always an easy one,” Bookie shares of the meaning behind Blame. “Accountability is the removal of ego and pride to see beyond your own nose, to allow yourself the room to grow via ownership of your actions. I’m around some of the best people who practise that in more ways than one.
“Corey and I have been working with each other for nearly a decade, but I feel this record is a coming of age, even for us. New territory, but familiar approach to make sure we embolden each other through music. This song is almost a therapy session for me, and not just via my own lyrics, but to how Corey has made me feel by exposing himself so bare in this record, truly an honour to keep pushing the envelope with someone who has just pushed it as far as it can go, but has completely revamped what the envelope fucking is.”
“Books is one of my favourite people, not just artists, and every time he comes to me with an opportunity to create with him, I’m always excited because I know I’m going to hear something I’ve never heard before,” adds the Slipknot legend. “Blame was so good the first time I heard it, I signed on without even knowing what I’d do! I’m proud of the song, and I’m proud of him, and grateful to be involved.”
Avenged Sevenfold, Good Charlotte and A Day To Remember have announced that they’ll be teaming up for a very special one-off stadium show this summer.
Photo credit: Brian Cattelle / Jen Rosenstein
With Avenged Sevenfold and Good Charlotte already set to head out on a full North American tour together, the massive Los Angeles show will take place at the end of their run.
They’ll be hitting up LA’s 24,000-capacity BMO Stadium on August 30, with A Day To Remember rounding out an already kick-ass line-up.
Tickets for the one-off show go on sale this Friday March 20 at 10am PT.
If you’re lucky enough to be stateside though, you can catch A7X and GC on their joint tour at the dates below:
JULY 25: RIDGEDALE, MO Thunder Ridge Nature Arena 27: SHAKOPEE, MN Mystic Lake Amphitheater 30: TINLEY PARK, IL Credit Union 1 Amphitheatre
AUGUST 1: ST. LOUIS, MO Hollywood Casino Amphitheater 4: CLARKSTON, MI Pine Knob Music Theatre 6: TORONTO, ON RBC Amphitheatre 8: MONTREAL, QC Bell Centre 10: BELMONT PARK, NY UBS Arena 12: MANSFIELD, MA Xfinity Center 14: CAMDEN, NJ Freedom Mortgage Pavilion 16: CHARLOTTE, NC PNC Music Pavilion 18: TAMPA, FL MIDFLORIDA Credit Union Amphitheatre 21: DALLAS, TX Dos Equis Pavilion 23: DENVER, CO Ball Arena 25: SALT LAKE CITY, UT Utah First Credit Union Amphitheatre 27: PHOENIX, AZ Talking Stick Resort Amphitheatre
Dewayne Bailey played with Bob Seger from 1983 to 1986 and was with Chicago for a decade after that, but he gives himself zero grace. “I’m very brutal about myself and my time with both bands,” he tells ClassicRockHistory.com. “But at the end of the day, I was incredibly humbled and grateful to be given the chance to play with both,” he says. “As they say, ‘Ya live and ya learn.’ The good thing is that you can correct the mistakes you made years ago… and have fun doing it.” It’s a good outlook to have, considering Bailey intends to
From an overpacked tent debut at Download Festival to sell-out shows across the Atlantic, President are quickly becoming one of metal’s biggest new bands
There is a specific, gritty satisfaction in seeing Epic Studios pushed toward its near-1,000 capacity limit on a school night. It’s a reminder that good music remains a primary pull, regardless of the temperature outside or the day of the week. Last Tuesday, the room wasn’t just “busy”, it was properly swamped, providing the perfect pressure-cooker environment for a bill that moved through three distinct tiers of heavy.
The night ignited with Baest (8). The Danish death metal machine doesn’t bother with the theatrical preamble; they delivered a blistering 30-minute set that functioned as a masterclass in engagement. Minimal chat. Maximum friction. Within minutes, an immediate circle pit had claimed the centre of the floor, a physical response to a sound that is as honest as it is brutal. They didn’t just open the show; they kickstarted the room’s pulse.
The weather shifted significantly with Disembodied Tyrant (9). If Baest was an invitation, Blake Mullens and his lot provided a confrontation. Mullens stalked the stage with a predatory intent, almost challenging the thousand-strong crowd to match the velocity coming from the PA. This is Deathcore for the high-IQ set, epic, super-fast, and possessing a level of technical dexterity that makes your eyes bleed.
The highlight was the skilfully integrated nod to Vivaldi’s Four Seasons, a moment of baroque insanity that proved this isn’t just about the breakdown; it’s about smart, sophisticated songwriting delivered at a heart-attack pace. The guitar work was needle-fine, cutting through the low-end churn with a surgical precision that left the audience both battered and genuinely impressed. It was an awesome, exhausting build-up for what was to come. I managed to catch up with Dominic Petrocelli, lead guitarist, for a quick chat after their set and it’s clear the band are loving this tour, getting to engage with a new crowd and truly seizing the opportunity.
By the time Bleed From Within (9) hit the stage, the venue was a powder keg. The Glasgow five-piece hit the ground running, ripping through the opening salvos of Sovereign and I Am Somewhere Else with the kind of arena-ready confidence that suggests they’ve outgrown these rooms, even as they clearly relish the intimacy of them.
Between the high-velocity riffs, there was a brief moment of reflection. The band noted the contrast between tonight’s massive turnout and the much smaller crowds of their previous visits to Norwich. Filling a room of this size on a Tuesday is a well-earned ascent and a testament to the pull of this specific triple-bill.
The setlist was a relentless march through their most potent material. Pathfinder and the massive, melodic soar of Levitate showed a band that has mastered the “shimmer and shove” of modern metal. They’ve found a way to maintain the raw, bruised-rib honesty of their early days while draping it over cinematic, towering structures. By the time they reached the final, feedback-saturated roar of The EndOf All We Know, the job was done, Metalcore Tuesday nights should be a thing. This was the perfect evening to get rid of start of the week annoyances.
It was a night of pure, unadulterated intent. Bleed From Within didn’t just headline; they provided the definitive proof that the UK metal scene is currently operating at a world-class level. For those of us who braved the cold to stand in the heat of a packed Epic Studios, it was the best kind of Tuesday night, loud, honest, and utterly essential.