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  • Reviews: Black Swan, Joel Hoekstra’s 13, ITsALIE, Transatlantic Radio (Matt Bladen)

    Black Swan – Paralyzed (Frontiers Music Srl)

    Super group Black Swan return with another set of heavy rockers and bluesy ballads on their third album Paralyzed.

    Comprised of vocalist Robin McAuley (MSG), guitarist Reb Beach (Winger/Whitesnake), bassist Jeff Pilson (Foreigner/ex-Dokken) and drummer Matt Starr (Mr Big), with two albums behind them it’s obvious that this high profile foursome consider Black Swan more than just another project.

    They are fully realised, fully functioning band, all the songs written by McAuley, Pilson, and Beach, with Pilson working his magic behind the desk, Paralyzed, like it’s predecessors, is a combination of 80’s heavy rock leaning on melodic heavy riffs and those brilliant vocals.

    It’s a record they have been building to with their last two release, a combination of styles and sounds from the 80’s draped in modern trappings, with the guitar driven The Fire And The Flame and ballad I’m Ready letting Beach show off his chops while Pilson and Starr drive faster moments such as the title track and the grooving Battered And Bruised.

    From the traditional metal sound of anthemic opener When The Cold Wind Blows, gets the Priest chug going, while Different Kind Of Woman is a sleazy strutting rocker, as AOR creeps in on Shakedown, every song delivered with those powerhouse vocals of McAuley be it the Van Hagar-like What The Future Holds, and there’s moments of Scorpions on Carry On.

    So Black Swan continues to bring classic heavy rocking from a bygone era right up to date with a quartet of veteran musicians at the top of their game, grab an air guitar you’ll be singing into the mirror in no time. 8/10

    Joel Hoekstra’s 13 – From The Fade (Frontiers Music Srl)

    If for some reason you stumbled upon You Can Give, the opener of this record and you thought it was a new one from Avenged Sevenfold, you could be forgiven for doing so, as it sounds really like an AX7 song, it’s the vocals from Girish Pradhan, I think but thankfully we’re back on solid ground of classic hard rock with The Fall.

    This is where guitarist Joel Hoekstra is most comfortable as a writer, with time spent in Whitesnake and Revolution Saints, though his time in Trans Siberian Orchestra (via The Beatles on Will You Remember) means that From The Fade can get a bit more musically expressive.

    He’s yet again assembled an A-Team of musicians with his fourth record under the 13 name, Pradhan flexes those vocal chords with Jeff Scott Soto providing backing. The engine room is Vinne Appice behind the kit drums and “The Fretless Monster” Tony Franklin on bass while Derek Sherinian adds keys/organs but these songs are about the riff.

    Heavier riffs than on earlier outings due to Hoekstra doing some live filling in for Accept at the time of writing and you can hear that influence on Free To Be alongside Misunderstood, where everyone gets a solo, Mr Big style.

    The Fade though is a hard rock record and while the guitars are a little harsher the choruses are big and the riffs will get your head nodding in the hard rock style Hoekstra is known for. 7/10

    ITsALIE – Wild Games (Frontiers Music Srl)

    The one thing you can say about Frontiers is that the label does a lot for the Italian rock scene, ITsALIE being the latest Italian rock band to get a record release through the label. Now being a band managed by Mat Sinner (Primal Fear/Sinner) who also produces the music on this third album and also now plays bass with the band.

    Having Sinner aboard has brought them a bit more recognition from a wider audience and I’d assume Frontiers too as along with him twiddling the knobs, Magnus Karlsson handles the mix and master so ITsALIE have been attracting some very famous eyes and ears. As I said they released two albums before this on Rock Of Angels Records, much of the praise for the band placed upon the vocals of Giorgia Colleluori but Wild Games is their chance to show off to a new audience.

    With tracks such as Waiting For The Rain, History Remains and Believers Of Leaders, you can hear why her gritty hard rock vocal has been praised, it’s got power and soul to it with a gnarly low end for the heavy grooves of Rebels. Giorgia is a member of Sinner as well as Rock Meets Classic, while her and drummer Camillo Colleluori are both former members of symphonic power metal act Eternal Idol, but they seem more at home in their current melodic rock guise.

    Since the last album hotshot six stringer Leonardo Duranti has joined the band and he clearly relishes playing alongside Sinner and collaborating with Karlsson as his guitar playing just fits so well, full of the technical brilliance of EVH on the excellent Wake Up Call, and on Sammy Hagar cover One Way To Rock, as that heavy rock experience of Sinner combines with drummer Camillo on the Zep-like closer Spirits.

    ITsALIE are band an Italian band who are looking to break out of their home country, joined by an experienced hand they will be doing just that soon. 7/10

    Transatlantic Radio – Midnight Transmission (Frontiers Music Srl)

    A break from the rock now with some keyboard heavy AOR from Transatlantic Radio and with a huge debt to the likes of Toto, Danger Danger and Def Leppard, this International band of course encompass the entire Scandi AOR sound as well.

    Formed by Victor Brodén in lockdown as a tribute to the bands he has always loved, the Swedish born, L.A based bassist/producer wrote this album to pay homage to the band’s that inspired him by recruiting a whole host of quality session guys to make these tracks a reality, they have played shows live but this is their debut studio record.

    Brodén is joined by producing partner Fred Kronn. Fred has contributed music to Anchorman 2 and High School Musical as well as the studio band for Jimmy Kimmel Live! His keys are a huge part of the album, bringing the shimmering, cinematic sounds to Midnight Transmission, on tracks like All For You.

    R.J Ronquillo (Santana/Stevie Wonder) is ridiculously talented guitar player, his guitar lines are smooth and anthemic, while his solos pack a punch and are filled with mastery of his instrument. Mattias Osbäck has a perfect melodic vocal with a bit of European grit behind it too. In the engine room Chris Reeve (Filter/Avril Lavigne) takes the drum stool driving the likes of First To Be The Last and Fever Dream, but all the musicians combine well to bring Brodén’s vision to life.

    What you get out of this album depends on how much you love AOR, for fans of the genre, the debut from Transatlantic Radio will be more than just a Midnight Transmission, they’ll be playing it all day. 7/10
  • Live in Rome Auditorium Parco della Musica is Mardi Gras’ Live Show

    Good Day Noir Family,
    This time I found myself reviewing a remarkable live show: Mardi Gras at the Auditorium Parco della Musica in Rome, a venue that rewards artists who can truly command a stage.

    Live in Rome Auditorium Parco della Musica is Mardi Gras’ Live Show

     Live in Rome Auditorium Parco della Musica is Mardi Gras' Live show Show

    The band delivered a sold-out performance, and within minutes, it became clear why. Their music, already strong on record, gains even more depth in a live setting.

    The chemistry among the musicians stands out immediately. Each member plays with precision; however, they never appear mechanical. They perform to entertain, to enjoy the moment, and to share genuine emotion with the audience. That balance between professionalism and spontaneity defines the entire evening.

    The singer’s voice anchors the show. She channels the emotional core of the songs with confidence and warmth. There are alternative Americana vibes throughout the set, enriched by harmonic variations that occasionally bring to mind Dave Matthews Band or Counting Crows. Yet Mardi Gras maintain a distinct identity. Their melodic progressions feel structured and intentional, and the arrangements reveal careful craftsmanship.

    I was particularly struck by “Shoes,” a track that radiates almost danceable energy. The band clearly revels in performing it, and the crowd responds with equal enthusiasm. In contrast, “Road Song” shifts the mood. This ballad evokes open highways and solitary reflection, encouraging listeners to drift into their own thoughts. The transition between these emotional poles happens seamlessly.

    Moreover, the concert offers introspective moments such as “Before I Die.” Piano and voice combine to create an intimate atmosphere that holds the audience in attentive silence. Then the tone changes again with “Cinematica,” where darker and more rhythmic textures reveal the band’s rock edge. Energy surges once more during “Scarecrow in the Snow,” a track that blends drive and melodic clarity.

    Over two hours of music flow effortlessly. Applause erupts repeatedly, confirming how deeply the performance resonates. Mardi Gras prove themselves seasoned professionals capable of connecting with a broad audience while preserving artistic integrity. A powerful and memorable live experience.

     Live in Rome Auditorium Parco della Musica is Mardi Gras’ Live Show!


    Sublime!


    Live in Rome Auditorium Parco della Musica is Mardi Gras’ Live Show

    Mardi Gras is an alternative rock band from Rome known for blending pop, rock, soul, Irish country, and grunge into a distinctive sound. Since the release of their debut album Drops Made in 2006, the band has toured extensively across Italy and Ireland, building a strong reputation as a powerful live act.

    Over the years they have shared stages with artists such as Glen Hansard and The Frames, Billy Bragg, Mundy, Noah and the Whale, and Micah P. Hinson, and have performed at festivals including Sziget. Their music has also been featured in Neil Young’s “Songs of the Times” section on his official website.

    With recordings made between Rome, Nashville, and Abbey Road Studios, and collaborations with artists like Irish troubadour Mark Geary, Mardi Gras remains one of the most respected acts on the Italian independent scene.




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    The post Live in Rome Auditorium Parco della Musica is Mardi Gras’ Live Show appeared first on Edgar Allan Poets – Noir Rock Band.

  • MetalSucks, Metal Injection, Lambgoat, Metal Addicts, The PRP, Blunt Magazine, The Mosh Network, Rock Documented And More Cover Metal Devastation PR Client Matt Zane – @thebeast

    FOR IMMEDIATE RELEASE
    MetalSucks, Metal Injection, Lambgoat, Metal Addicts, The PRP, Blunt Magazine, The Mosh Network, Rock Documented And More Cover Metal Devastation PR Client Matt Zane
    The metal media world has been buzzing following the recent appearance of the previously unheard Wayne Static track “Infiltrator,” released by Metal Devastation PR client Matt Zane.
    The story quickly spread across the global metal press, with coverage from major outlets including MetalSucks , Metal Addicts , Metal Injection , The Mosh Network , Lambgoat , Blunt Magazine , The PRP , Rock Documented , and many additional media platforms throughout the heavy music community.
    Metal Devastation PR would like to extend sincere thanks to the journalists, editors, and publications who took the time to cover the story and help bring it to the attention of metal fans around the world. Continued support from the press plays a vital role in keeping heavy music visible and thriving.
    The track “Infiltrator” surfaced as part of Matt Zane’s work connected to a documentary project centered on the late Static-X frontman Wayne Static and his wife Tera Wray. The appearance of the song has sparked renewed interest among fans and media, highlighting Wayne Static’s lasting impact on the metal scene.
    Metal Devastation PR remains committed to helping artists connect with the worldwide metal audience through media outreach, promotion, interviews, and strategic campaigns.
    For media inquiries, interviews, or promotional opportunities contact: zach@metaldevastationradio.com


    Fans and vocalists interested in participating are invited to submit a recording of themselves performing their favorite Wayne Static song to:
    TheSlackerJesus@gmail.com
    Zane has also made the unfinished Wayne Static track available for fans to hear as discussion continues surrounding its future.
    Link:
    More updates regarding the documentary and soundtrack will be announced as they develop.
  • The Other Side is Steven R. Hansen’s EP Out Now

    Good Day Noir Family,
    Steven R. Hansen opens his EP The Other Side with “My Own Funeral,” and the track jumps to life with immediate intensity.

    The Other Side is Steven R. Hansen’s EP Out Now

    His vocal timbre carries a slight punk edge, and the compositional style hints at early 2000s alternative rock.

    The production feels crisp and modern, anchoring the song firmly in the present. The balance between atmospheric passages and more energetic bursts reveals strong songwriting instincts.

    Then comes “Suspended,” which begins with a strummed guitar colored by a subtle flanger effect. A doubled vocal treatment makes Hansen’s voice feel especially present in the mix. The melodic lines avoid predictability. Harmonic and rhythmic variations give the song depth, and it gradually builds momentum without abandoning its nostalgic rock core. That steady growth keeps the listener engaged.

    With “Talking to Myself,” the EP shifts gears. A driving riff injects fresh energy, and soon the rhythm drops into a half-time section that leans fully into punk territory. The track surges forward like a bullet train, delivering urgency and momentum. The melodic structure remains tight and controlled, preventing chaos from overtaking the arrangement. It’s the kind of song that fuels determination at the start of the day.

    “Small Delights” closes the EP on a high note. The rhythmic cadence feels infectious, and the chorus invites sing-alongs almost instantly. In fact, it may be the most radio-friendly moment on the record. The hook sticks, and the production polish enhances its accessibility. The track could easily fit within the soundtrack of a film or television series.

    In Hansen’s vocal delivery, I sensed echoes of Smash Mouth, along with broader nuances of Sum 41 and Blink 182. Yet he maintains his own identity. The influences appear as subtle shades rather than direct imitations. Overall, The Other Side offers a cohesive blend of punk spirit, alternative melody, and contemporary clarity. It’s a refreshing discovery that deserves attention.

    The Other Side is Steven R. Hansen’s EP Out Now!


    Vibrant!


    The Other Side is Steven R. Hansen’s EP Out Now

    Steven R. Hansen is a Chicago-based producer, songwriter, and audio engineer. Steven owns Alto Echo Media Group and Big Buck Recording Studio. He showcases his multifaceted talents in his latest Original EP, The Other Side. As the mastermind behind the project, Hansen took on the roles of writer, producer, and mixer, crafting a powerful 4-song collection that delves into raw emotions and introspective narratives.




    Find Steven R. Hansen Here:

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    The post The Other Side is Steven R. Hansen’s EP Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

  • Sabotør – Announce & Detail Debut Full Length

    On May 8th 2026, Norwegian heavy metal ensemble Sabotør will put out their debut studio record Første Aksjon via Dark Essence Records. Two new songs, “Skyggens Frekvens” and “Sabotør”, are already available for streaming via Bandcamp player below.
    Read more…
  • Leave Me And Stay Away is Daniel Nicolini’s Single Out Now

    Good Day Noir Family,
    Daniel Nicolini’s “Leave Me And Stay Away” opens with a mysterious and slightly nostalgic chord progression that sets a reflective tone.

    Leave Me And Stay Away is Daniel Nicolini’s Single Out Now

    The guitar lays down a gentle but deliberate pattern, inviting the listener into an emotional landscape that feels intimate and expansive.

    Nicolini’s voice enters—sincere, direct, and unfiltered. His delivery carries authenticity, and that honesty becomes the emotional anchor of the track.

    The song inspires movement. There’s a subtle urge to grab the car keys and disappear down an open road, letting the melody accompany solitary thoughts. This isn’t just a road song; it’s a carefully structured composition. The harmonic construction reveals sophistication. Verse, pre-chorus, and chorus unfold with fluid transitions, and the dynamics rise and fall naturally. This emotional ebb and flow sustains engagement without feeling forced.

    The rhythm plays a crucial role. It cradles the narrative, offering steady support while allowing space for melodic expansion. As the track progresses, additional layers enrich the arrangement. Strings gradually emerge, widening the sonic palette and giving the song a cinematic quality. Background vocals enter subtly, adding depth without overshadowing the lead performance.

    I also sensed faint nuances of Pink Floyd, particularly in the chorus. The harmonic lift and atmospheric openness echo that influence. Yet Nicolini never loses his own identity. His phrasing and melodic choices establish a distinct voice that stands apart from comparison.

    The arrangement grows with intention. Each added element feels purposeful, enhancing the emotional resonance rather than cluttering the mix. The interplay between instrumentation and vocal lines strengthens the storytelling aspect. The song becomes a space for reflection, a moment to step back and breathe.

    “Leave Me And Stay Away” balances introspection and momentum with refined compositional skill. Daniel Nicolini delivers a track that feels personal yet universal, ideal for those quiet drives when you need distance and clarity.

    Leave Me And Stay Away is Daniel Nicolini’s Single Out Now!


    Introspective!


    Leave Me And Stay Away is Daniel Nicolini’s Single Out Now

    Daniel Nicolini is a pop-rock artist from Ancona, Italy, currently based in Turin. After living between North America and Europe, he developed a style that blends cinematic sensitivity with melodic pop-rock energy. A Cinema Studies graduate and self-taught multi-instrumentalist, he has been writing and performing his own music since the age of sixteen. His approach focuses on honesty, transparency, and simplicity, embracing a classic rock structure and a live production feel that highlights the raw emotion and human imperfections of each performance.




    Find Daniel Nicolini Here:

    Spotify
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    The post Leave Me And Stay Away is Daniel Nicolini’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

  • SLAUGHTER TO PREVAIL Announce European & UK Summer Tour

    A photo of Alex Terrible playing with Slaughter To Prevail.

    Russian deathcore titans return for festivals and headlining shows with Vended, Crypta, and Chained Saint.

    The post SLAUGHTER TO PREVAIL Announce European & UK Summer Tour appeared first on Metal Injection.

  • HUMANITY’S LAST BREATH & VILDHJARTA Announce European Tour

    Studio promotional photo of Humanity’s Last Breath, featuring all band members posed together in a dark, atmospheric setting.

    Buster Odeholm’s bands team up for an extreme metal assault, joined by Enterprise Earth and Karmanjakah.

    The post HUMANITY'S LAST BREATH & VILDHJARTA Announce European Tour appeared first on Metal Injection.

  • Report: Bucharest Deathfest 2026

    Bucharest Deathfest kicked off on March 7th, in Quantic club, with Walk Alone, which unfortunately I missed to see, but the show went on with the second band, Vomit Erection, and as the their name suggest, you can already think the genre and the performance that was full of energy, and along with the Bulgarians, the crowd was slowly gathering. Next on, Romania’s Putred, a band that impressed me nicely. The Romanians delivered an amazing, brutal, and classic death metal set, fitting perfectly on the festival’s bill, with the must-be moshpit for extra madness and energy. Big kudos to Putred, a must-see band if you have the occasion. These guys are worth it.

    The madness continued with Incineration from Greece, the atmosphere was already on fire, the unfailing moshpit, and crowd surfing too. I gotta mention how responsive and active the crowd was, and with Incineration was just half of the festival going. Afterwards, both Guts and Toxaemia delivered ace performances, with a true death metal sound, and like previous bands that hit the stage, Guts and Toxaemia totally captivated the crowd in full force, killing it to the maximum. More, Toxaemia played a song dedicated to and in the memory of late Entombed’s Lars Petrov.

    Three more bands on board, and before saying more about the next performances, I want to mention the presence of a younger generation in large numbers, which makes me say there’s still hope for the scene and these kids today, listening to great metal music, and attending such events. Again, there’s still hope! Let’s continue, not tired yet, with Vulvectomy next on stage, well, here was like another chapter of the evening- Toxaemia’s vocalist, Dennis, joined the Italians on stage to film with his phone, then he placed himself right in the middle of the moshpit. Just imagine how this was, and Vulvectomy was top of the top. I think they could be enough to end this edition of Bucharest Deathfest, and moreover, they were present not just on stage, but before and after at the merch stand with the fans. Vulvectomy was a real madness. This band is also a must-see, for sure.

    General Surgery, so to speak, performed a ”surgery” and cut out the stage with lots of energy, still keeping the crowd hooked, and prepared it for the last, and not least band of the evening. BDF closed with some old-school Austrian death metal, Disharmonic Orchestra, the connoisseurs of this band felt, I believe, a little nostalgic too. Why do I say this? The other night, on March 6th, at the Encore club, there was a warm-up gig with Gore Thrower, and Rotheads, and there, one guy came with an old Disharmonic Orchestra cassette tape, and showed it to the band, as they were present at the warm-up gig too. They were like, ” Wow”! The Austrians nailed it till the end, bluntly, and that’s how you call it a perfect evening.

    This was the third edition of Bucharest Deathfest that I attended, and this one seemed to be, so far, the best, and the strongest, crowd-wise speaking too. Good news as well, in 2027, this festival will have two days of madness, so stay tuned and check the announcements for next year. As always, Coro, the festival host, made it a great event, with killer bands and great atmosphere. Everyone was satisfied. That’s all I got to say, folks!

    https://www.facebook.com/AxaValahaProductions

  • Sleeping Pulse – Premiere Video For ‘Rise’ Track

    Masters of musical melancholia Sleeping Pulse, featuring Mick Moss and Luís Fazendeiro, present a music video, “Rise”, as the first advance single from their forthcoming sophomore album Dreams & Limitations to be released on June 5th 2026 through Prophecy Productions.
    Read more…