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  • Randy Blythe Has Words for Those That Say Art Shouldn’t Be Political: “Go F*ck Yourself”

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    If there’s one thing that political discourse over the last decade or so has proven, it’s that nuance is fucking dead. Those in power aren’t even hiding their disdain for the general public and people are getting more frustrated by the day. And you know who’s got things to say about all that? Lamb of God‘s Randy Blythe, that’s who.

    And though that’s a completely unsurprising thing to know about the Richmond, Virginia native, there will undoubtedly be some smooth-brained MAGA chuds that parrot the same tired old criticisms whenever an artist shares a political thought. “Shut up and play,” they all cry. “I don’t want politics in my metal music,” they’ll belly-ache. But none of that matters to Randy — in fact, in an interview with Kerrang!‘s Sam Law, he put his thoughts out there.

    “To those people, I say ‘Go fuck yourself.’ I’m an American citizen and a world traveler. More than that, I’m a human being. I’m not some dancing monkey put here for your entertainment. If you have any sort of moral compass at all, it’s irresponsible to not exercise your right to speak up.

    “If people are willing to compartmentalize something like a child sex trafficking ring because they think it might better their bank account, they’ve lost a component of their humanity. They’ve lost an integral part of what it is to be a righteous human being. At that point, it’s time to stop and reassess and reevaluate. You’re not going to be able to carry your money into the grave, motherfucker, but you will be able to carry the memories of silently going along with people that enabled child sex predators. How are you going to feel about that on your deathbed?”

    He’s 1,000% correct, too. Musicians, actors, and artists of all kinds can speak their mind just as much as the next person. It’s also impossible to make non-political metal. It’s baked into its genes thanks to the works of Judas Priest and Black Sabbath. All art is political, even when its trying desperately not to be.

    In recent months, Blythe has garnered some of the right’s ire with things like his Substack, Randonesia, where he once published a post titled All The Horrors Happening Around Us. In that post, he highlights all the ways the Trump administration has put America on the slippery slope toward authoritarianism and fascism. Looking at how MAGA handles reality by often ignoring the truth and just following whatever Trump and his cronies say, Blythe told Law that his own political thoughts have caused people to become absolute fucking assholes online.

    “How do I rationalise that? I don’t. It’s a fucking cult. Cognitive dissonance is a motherfucker. It’s disheartening to see that for a lot of people it isn’t the point where they will draw the line, but I do believe that a lot of other people do see how truly fucked up all of this is. Also, it’s exposing the levers of power that are being pulled. Once again, those are things I can’t believe are sustainable.”

    Ultimately, Blythe said he knows his music and lyrics often talk about the dismal side of the world. After all, a lot of the band’s early work dealt with criticizing the Bush administration’s wars in Iraq and Afghanistan. It’s that need to use his voice that he thinks more Americans need to embrace these days. If you don’t and become apathetic to everything, you’re ultimately giving the ultra rich and powerful exactly what they want.

    “It’s okay to pay attention to what’s going on and be worried, but you need to do your best to change it. Everyday citizens in a functional democracy have a right to vote and they need to not become apathetic. I have a lot of problems with our American system. There are things that are archaic such as the electoral college, which should be abolished. But that is the only system we have right now. And if I do not engage in it and do my best to be a force for positive change, then I am abdicating responsibility and handing what little bit of control I have — my agency — over to someone else.

    “In general, I see that fatalist, defeatist attitude in people and it bums me out. Like, ‘Oh, it doesn’t make a difference…’ Well, you’re right, because if you don’t do anything, then that won’t make any difference at all. So please carry yourself to the voting booth and do what you can. I don’t understand politics in the U.K., but I do know that you need to vote. Don’t just be an apathetic slug and complain when everything turns to shit.”

    The post Randy Blythe Has Words for Those That Say Art Shouldn’t Be Political: “Go F*ck Yourself” appeared first on MetalSucks.

  • BLOODSTOCK teams up with Stowford Press for Metal 2 The Masses

    BLOODSTOCK is raising a glass to a brand new partnership for 2026, as Westons Stowford Press comes on board as the official sponsor of the […]

    The post BLOODSTOCK teams up with Stowford Press for Metal 2 The Masses appeared first on Metal-Rules.com.

  • Midnight is Richard Green’s Single Out Now

    Good Day Noir Family,
    Richard Green’s “Midnight” paints a nocturnal scene that feels alive rather than nostalgic.

    Midnight is Richard Green’s Single Out Now

     Instead of dwelling on memory, the composition suggests a city that refuses to sleep, a place where strange adventures unfold in quiet corners and neon-lit streets.

    The music evokes the mood of an Edward Hopper painting: you glance through illuminated windows, you notice silhouettes interacting inside late-night cafés, and for a fleeting moment you wonder about their hidden stories.

    The track unfolds entirely through instrumental language, yet it speaks clearly. Strings and piano engage in a dialogue that feels almost baroque in character. Their harmonic variations carry a subtle tension, slightly plucked and articulated in a way that gives the piece a bright, almost playful undertone. At the same time, the nocturnal theme remains central. There’s a pulse beneath the surface, suggesting movement—cars passing by, lights flickering on in distant apartments, conversations happening just beyond your reach.

    Green demonstrates careful compositional control. The piano introduces motifs that the strings later reinterpret, creating continuity without repetition. This interplay generates depth while maintaining clarity. The harmonic shifts feel deliberate, and they guide the listener through a sequence of emotional colors. The piece never becomes heavy. It balances introspection with curiosity.

    As the music progresses, the atmosphere expands gently. One moment feels intimate, like standing alone on a sidewalk; the next opens into a broader urban panorama. The absence of lyrics allows the imagination to roam freely. Each listener can project their own narrative onto the unfolding musical canvas.

    The classical foundation remains evident throughout. The arrangement avoids stiffness, embracing fluidity and warmth. The joy embedded in the harmonic phrasing adds lightness to the otherwise shadowed setting. This duality gives “Midnight” its distinct personality.

    Richard Green crafts an instrumental work that guides the listener through a living, breathing cityscape after dark. It’s a refined and imaginative composition.

    Midnight is Richard Green’s Single Out Now!


    Nocturnal!


    Midnight is Richard Green’s Single Out Now

    Richard Green is an Italian guitarist, composer, and musician based in London since 2012. After moving to the city, he earned a higher diploma in guitar and a musician’s degree, further shaping his artistic direction. His debut track, Dark Horses (2020), introduced an experimental approach with a dark tone. He later released the EP A Journey, a collaboration with pianist Irene Veneziano and the Archimia Strings Quartet, blending classical elements with modern influences such as jazz and blues. This project marked the beginning of his trilogy, completed with The Circle Closes (2023) and First Light (2024). Green’s music explores a wide spectrum of styles, ranging from electro and indie to funk-pop, chillout, and neoclassical.




    Find Richard Green Here:

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    The post Midnight is Richard Green’s Single Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

  • File under: Dadrock is Dominik Wrana’s EP Out Now

    Good Day Noir Family,
    Dominik Wrana & States of Matter introduce their EP File under: Dadrock with a breeze of desert air and open-road freedom.

    File under: Dadrock is Dominik Wrana’s EP Out Now

    The opening track, “On the Road,” carries a renegade spirit that evokes Easy Rider.

    There’s a spacious, dusty quality to the arrangement; subtle hints of Dire Straits emerge in the guitar phrasing and relaxed confidence. The song invites movement, physical and emotional, and it sets the tone for what follows.

    “Looking Back,” which continues to explore American rock textures. Here, Dominik Wrana’s vocal interpretation stands out. As the architect of this project, he delivers each line with conviction and credibility. His tone feels lived-in and direct. Moreover, the guitar solo adds a burst of melodic clarity, reinforcing the track’s reflective edge without overwhelming its structure.

    Then “Mofuday” shifts the atmosphere slightly. The opening solo carries echoes of Santana, not through imitation but through warmth and fluidity. The rhythm unfolds with a gentle sway that evokes a seaside sunset. The instrumentation feels balanced and organic. The interplay between guitar and rhythm section highlights the band’s cohesion.

    One of the EP’s strongest moments arrives with “Midlife Crisis.” This alternative ballad reveals Wrana’s compositional depth. The arrangement slows down, allowing space for introspection. His voice takes on an almost oracular quality, warm yet slightly mysterious. As the melody develops, it draws the listener inward rather than outward. The dynamics feel controlled and purposeful.

    Finally, “Opus#1” closes the EP with an enigmatic tone. The atmosphere turns misty and nocturnal, encouraging contemplation. The band leans into subtle textures and measured pacing. The track lingers long after it ends.

    Overall, File under: Dadrock presents refined, intense songwriting delivered by skilled musicians. Dominik Wrana & States of Matter balance nostalgia with originality, crafting a cohesive and thoughtful EP that resonates beyond its runtime.

    File under: Dadrock is Dominik Wrana’s EP Out Now!


    Reflective!


    File under: Dadrock is Dominik Wrana’s EP Out Now

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    Dominik Wrana & States of Matter is a Mannheim-based five-piece band crafting intentional, handmade rock rooted in strong musicianship and authentic performance. Their sound draws inspiration from the warm grooves of ’70s West Coast rock and the dynamic energy of ’90s alternative, blending loud-quiet contrasts with rhythmic touches of funk and Latin-influenced grooves. With a style that feels both classic and contemporary, the band delivers music that connects with rock purists, alternative listeners, and anyone who appreciates honest, groove-driven songwriting.




    Find Dominik Wrana Here:

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    The post File under: Dadrock is Dominik Wrana’s EP Out Now appeared first on Edgar Allan Poets – Noir Rock Band.

  • Sleep Token Members: Four Masks, One Grammy, And A Name That Was Never Supposed To Get Out

    sleep-token-members

    Sleep Token has four members: Vessel on vocals and piano, II on drums, III on bass, and IV on guitar, backed by the masked vocal collective Espera. Those are the only names the band has ever used. Ten years in, not one identity has been officially confirmed — not by the band, not by their label, and not by the Recording Academy, which handed one of them a Grammy in February 2026 and credited him on the award as a Roman numeral.

    Current Sleep Token Lineup

    Four masked musicians, one masked choir, and the most successful anonymous act heavy music has ever produced.

    They have a number one album on both sides of the Atlantic. They set a vinyl sales record that had stood since 1991. They have played arenas across two continents and collected a Grammy on live television. And the public still cannot name a single one of them.

    Which is exactly why the internet has spent the better part of a decade trying.

    The Decade-Long Hunt For Sleep Token’s Real Identities

    The band has never confirmed a single name. That has not slowed anyone down.

    What has grown up around Sleep Token instead is one of the most sustained pieces of crowd-sourced investigation in modern music — thousands of fans across Reddit, Discord and YouTube working the problem for years, cross-referencing databases, freeze-framing tour footage and comparing equipment endorsements. Whatever you make of the ethics, the sheer persistence is remarkable.

    The findings below are what that community has concluded. None are confirmed by the band. We are reporting the investigation and its evidence, not endorsing its verdict — and the quality of that evidence varies enormously depending on which member you are talking about.

    Where It Started

    The single most influential piece of this puzzle was published in February 2023, when writer Jordan Mohler laid out a case at Kill The Music assembling four names in one place for the first time. Almost everything you will read on the subject since traces back to that post, usually without crediting it.

    Its central pillar was ASCAP — the performing rights database that records songwriting credits so royalties reach the right people. The argument was straightforward: a rights registration is a financial filing with legal consequences, not a fan theory, and if a legal name appears there it carries weight that forum speculation cannot.

    The wider community, principally the r/SleepTokenTheory subreddit, had been building the case for years before and has kept refining it since.

    We Suggest – What Genre Is Sleep Token? A Clear Answer And Full Breakdown

    vessel-sleep-token-2025

    Who The Sleuths Say Sleep Token Are

    Attributed to that body of fan research, and unconfirmed by the band:

    Vessel is widely identified as Leo George Faulkner, previously of the project Blacklit Canopy.

    II is widely identified as Adam Pedder, a UK drummer whose earlier credits include She Must Burn and Belial.

    III is widely identified as Dave Ball, a bassist with prior touring history in the UK metal scene.

    IV is widely identified as Rhys Griffiths, formerly of the Welsh metalcore band Continents.

    The Strongest Thread, And The Weakest

    Not all four identifications are built on the same footing, and this is the distinction almost nobody covering the story makes.

    The Vessel case is the most developed. Beyond the rights filings, researchers point to recordings by Blacklit Canopy that remain publicly available, where the vocal resemblance is something listeners can judge for themselves rather than take on trust. There is also a lyrical thread: Take Me Back To Eden contains what look like deliberate callbacks to that earlier project, with a reference to a “blacklit” paradise in “Ascensionism” and “ancient canopies” surfacing in the bridge of “Euclid.” Either a considerable coincidence, or a signature hidden in plain sight.

    The II case is the only one with a documentary trail. More on that below.

    The III and IV cases rest on inference alone. No rights filing connects a legal name to either position. What the community assembled instead was photographic — a shot taken by a tour photographer in Düsseldorf in January 2023 during a run with Architects, cross-referenced against the tour poster to confirm the date and venue, alongside matching guitar endorsements tagged on personal social accounts. Careful work. Not a record.

    What The Rights Database Actually Shows In 2026

    Because that ASCAP claim has been repeated across the internet for three years, Loaded Radio went and pulled the records ourselves on July 26, 2026.

    Nearly every Sleep Token composition in the database is registered to writers listed as II and Vessel — stage names, in the writer field, each carrying an individual IPI code, collecting real royalties. The Summoning, Aqua Regia and Euclid all follow that pattern.

    One does not. Emergence, the lead single from Even In Arcadia, lists a legal name as co-writer alongside Vessel: Pedder Adam Paul. Registry format for Adam Paul Pedder — the name the community had already attached to II.

    Same band. Same catalogue. Same two-writer partnership. One filing uses the numeral, the one directly beneath it uses the name.

    For a project whose entire public identity depends on those numerals holding, an inconsistency inside its own registered paperwork is a genuinely significant document — and it is the only place in this entire story where a legal name appears in an official record rather than a theory thread.

    No comparable filing exists for Vessel, III or IV.

    adam-pedder-sleep-token

    And Still, Nothing From The Band

    Ten years. Four albums. A number one on both sides of the Atlantic. Three Grammy nominations and a win collected under a Roman numeral on live television.

    Not a confirmation, not a denial, not a strategic leak. Sleep Token’s management and label have said nothing, and the members have never appeared unmasked in any official capacity.

    The one part of the operation that has ever stepped forward is Espera, the masked vocal collective, who identified themselves via their own social account.

    Everything else remains exactly where the band left it.

    Also – Sleep Token Lore Explained: What The Band Actually Reveals — And What It Doesn’t

    sleep-token-lore

    A Masked Member Won A Grammy In 2026

    This is the part almost no coverage of the band has picked up, and it is the best measure of how completely the anonymity has held.

    At the 68th Annual Grammy Awards on February 1, 2026, Best Rock Performance went to the Villa Park live recording of “Changes” from the Back to the Beginning concert. The credited artists were Yungblud, Nuno Bettencourt, Frank Bello, Adam Wakeman, and II of Sleep Token.

    The Recording Academy listed a Grammy winner as a Roman numeral.

    Sleep Token went into that ceremony with three nominations. Emergence was up for Best Metal Performance against Dream Theater, Ghost, Spiritbox and Turnstile, with Turnstile taking it for “Birds.” Caramel was nominated for Best Rock Song and lost to Nine Inch Nails.

    Three nominations, one win, and not a single face on the broadcast.

    Check Out – Sleep Token Drummer II: Who He Is And Why His Playing Stands Out

    sleep-token-drummer-II

    Who Are The Members Of Sleep Token, Role By Role

    Vessel — vocals, piano

    The project’s central figure and principal songwriter. He carries the full dynamic range live, moving between near-whispered passages and full-force climaxes, and he holds writing credits across the entire catalogue — every one of them registered under the stage name.

    II — drums

    The band’s drummer and, on the evidence of the credits, a founding creative partner rather than a hired player. He is a co-writer on both Emergence and Damocles, and his IPI code appears on registrations across the catalogue. He gave Sleep Token’s first-ever video interview to Drumeo in late 2023, masked. In February 2026 he became the band’s first Grammy winner.

    III — bass

    Bass in both live and studio settings, anchoring a catalogue that swings between ambient restraint and full djent weight. Plays Charvel instruments and runs Neural DSP modelling live.

    IV — guitar

    Guitar and backing vocals, reproducing live the dense layered arrangements the studio recordings are built on.

    Espera — backing vocals

    Routinely left out of members lists entirely. Espera is the masked vocal collective that performs with Sleep Token live and on record, and they are the one part of the operation that has openly self-identified. If you have heard the choral swells across the recent material, that is Espera.

    Why The Numbers Exist At All

    The numbering is not a marketing device bolted on after the fact. It has been the structure since the project surfaced in London around 2016.

    Sleep Token was introduced as a concept rather than a set of personalities. The mythology holds that Vessel serves an ancient deity known as Sleep, and that the songs are offerings made in devotion. Under that framing the numbers are not aliases concealing real names — they are roles inside the ritual.

    A 2018 interview with Kerrang established the framing publicly, quoting Vessel while leaving the numbered structure intact. Eight years later, the rights filings show how far it extends: the numerals are not just stage presentation, they are how these musicians are registered as working songwriters with a performing rights organisation.

    Songs are offerings. Concerts are rituals. The audience are participants. Strip out the celebrity and the work is what remains, which was always the design.

    Also Recommended – Sleep Token Members DECODED: 13 Facts That Finally Explain Vessel, The Cult, and The Real Story

    sleep-token-2024-european-tour-

    Has The Lineup Ever Changed

    Yes, and the numbering makes it almost impossible to track from outside.

    The project’s earlier years included guitar and keyboard personnel who are no longer part of the band. Because roles are filled by numerals rather than names, a change can happen without any public announcement — and one of the quieter implications of the system is that a listener has no way of knowing whether the musician behind a number today is the same one from five years ago.

    The rights filings offer the only real continuity signal. Vessel and II hold writing credits stretching across the catalogue, which points to a stable creative core from early on, whatever has shifted around them.

    Ten Years, Four Albums, Zero Reveals

    The scale of what this band has achieved while anonymous is the actual story.

    Sundowning (2019) — the debut, released in serialised drops rather than as a conventional album. Produced by George Lever.

    This Place Will Become Your Tomb (2021) — the record that converted a cult following into a mainstream one, also produced by George Lever. It returned to number one on the UK Official Rock and Metal Albums chart in late 2025 on the strength of vinyl reissues, four years after release.

    Take Me Back To Eden (2023) — the breakout, peaking at number 16 on the Billboard 200 with roughly 16,000 first-week units.

    Even In Arcadia (2025) — released May 9, 2025, their first album for RCA after signing in 2024, produced by Carl Bown. Ten songs. It debuted at number one on the Billboard 200 with 127,000 equivalent album units, and topped both Top Album Sales and Top Streaming Albums simultaneously. Number one in the UK and Australia as well.

    Put those last two side by side. Sixteen thousand first-week units in 2023. One hundred and twenty-seven thousand in 2025. Close to an eightfold jump in two years, achieved by four musicians the public cannot officially name.

    That week set two records outright. The album’s 47,000 vinyl sales made it the largest vinyl week for a hard rock band since tracking began in 1991 — breaking a record Ghost had set two weeks earlier with Skeletá. Its 68.89 million streams made it the largest streaming week ever recorded for a hard rock album.

    The three singles delivered the band’s first appearances on the main singles charts. Emergence reached 17 in the UK and 57 on the Billboard Hot 100. Caramel hit 10 in the UK, their first top ten there, and 34 on the Hot 100. Damocles landed at 25 and 47.

    We Suggest – Every Sleep Token Album Ranked Worst To Best (One Clearly Stands Above The Rest)

    sleep-token-albums-ranked

    Will Sleep Token Ever Take The Masks Off

    There is no sign of it, and the paperwork suggests why.

    Most anonymous acts eventually reveal themselves, usually because the concealment starts costing them something. For Sleep Token the reverse has happened at every stage. They have gone from serialised self-releases to a number one album on both sides of the Atlantic, arena headline runs, three Grammy nominations and a win, all with the masks on.

    What the filings show is that this is not a stage gimmick awaiting the right moment to cash in. These musicians have structured their professional lives around it — writing credits, publishing entities, performing rights registrations, the whole administrative machinery of a major-label career, built to function without their names attached.

    One inconsistency out of an entire catalogue does not undo ten years of that. If anything, the fact that a single slip is newsworthy is the measure of how well the rest of it has held.

    TL;DR

    • Sleep Token has four members: Vessel (vocals, piano), II (drums), III (bass), IV (guitar), plus the masked vocal collective Espera.
    • The band has never officially confirmed any member’s identity, across ten years and four albums.
    • Fan research — originating with a February 2023 Kill The Music piece and the r/SleepTokenTheory community — identifies them as Leo George Faulkner (Vessel), Adam Pedder (II), Dave Ball (III) and Rhys Griffiths (IV). None are confirmed.
    • The evidence is uneven: Vessel’s case is the most developed, II’s is the only one with a documentary trail, and the III and IV identifications rest on photograph matching alone.
    • Loaded Radio pulled the performing rights records on July 26, 2026. Nearly every writing credit lists stage names. Emergence is the sole exception, listing a legal name alongside Vessel — while Euclid, in the same catalogue, lists the same partnership as II and Vessel.
    • II won Best Rock Performance at the 2026 Grammys as a credited artist on the Villa Park recording of “Changes” — credited as a Roman numeral.
    • Sleep Token had three 2026 Grammy nominations: Emergence for Best Metal Performance, Caramel for Best Rock Song, plus the win.
    • Even In Arcadia (May 9, 2025, RCA, produced by Carl Bown) debuted at number one on the Billboard 200 with 127,000 units, topping the sales and streaming album charts at once.
    • It set the largest vinyl week for a hard rock band since tracking began in 1991 (47,000 copies) and the largest streaming week ever for a hard rock album (68.89 million).
    • The band formed in London around 2016 around the mythology of a deity known as Sleep, with songs framed as offerings.
    • Espera is the one part of the operation that has openly self-identified.

    FAQ

    Who are the members of Sleep Token?

    Sleep Token has four members performing as Vessel (vocals and piano), II (drums), III (bass) and IV (guitar), supported by the masked vocal collective Espera. No identity has been officially confirmed by the band.

    What are Sleep Token’s real names?

    The band has never confirmed any name. Fan research widely identifies Vessel as Leo George Faulkner, II as Adam Pedder, III as Dave Ball and IV as Rhys Griffiths. Loaded Radio’s search of the performing rights database on July 26, 2026 found one registration — Emergence — listing a legal name as co-writer alongside Vessel. Every other credit located uses stage names.

    Who is the singer of Sleep Token?

    The vocalist performs as Vessel and is the band’s principal songwriter. Fan research identifies him as Leo George Faulkner, previously of Blacklit Canopy, though the band has never confirmed it and every rights filing credits him as Vessel.

    Who is the drummer of Sleep Token?

    The drummer performs as II, holds writing credits across the catalogue, and won Best Rock Performance at the 2026 Grammy Awards. He is widely identified as Adam Pedder, and appears in the ASCAP registration for Emergence under that legal name.

    How many members are in Sleep Token?

    Four core members — Vessel, II, III and IV — plus Espera, the masked collective performing backing vocals live and on record.

    Has a Sleep Token member won a Grammy?

    Yes. II won Best Rock Performance at the 68th Annual Grammy Awards on February 1, 2026, as a credited artist on the Villa Park live recording of “Changes” alongside Yungblud, Nuno Bettencourt, Frank Bello and Adam Wakeman.

    Why does Sleep Token hide their identities?

    The anonymity is structural rather than promotional. The band presents its music as offerings to a deity known as Sleep, and the numbered names are roles within that framework. The performing rights records show the numerals extend into their professional registrations, not just their stage presentation.

    Who is Espera in Sleep Token?

    Espera is the masked vocal collective performing backing vocals with Sleep Token live and on record. They are the one element of the band that has openly self-identified.

    What is Sleep Token’s newest album?

    Even In Arcadia, released May 9, 2025 through RCA. It debuted at number one on the Billboard 200 with 127,000 equivalent album units and topped the charts in the UK and Australia.

    Has Sleep Token’s lineup changed?

    Yes. Earlier guitar and keyboard personnel are no longer with the band. Because members perform under numerals, changes can occur without public announcement.

    What order are Sleep Token’s albums in?

    Sundowning (2019), This Place Will Become Your Tomb (2021), Take Me Back To Eden (2023), Even In Arcadia (2025).

    Ten years in, Sleep Token have built a number one album, a Grammy and a genuine arena career without ever putting a face to any of it — and the paper trail shows just how deliberately that was constructed, right down to a Roman numeral collecting royalties. Which era of this band hits hardest for you? Follow Loaded Radio for daily rock and metal news.

    The post Sleep Token Members: Four Masks, One Grammy, And A Name That Was Never Supposed To Get Out appeared first on Loaded Radio.

  • Total Bummer Fest Has Dinosaur Jr., Jesus And Mary Chain, Lots Of Guitar Music

    New York’s Total Bummer is a brand new festival that’s dedicated to different generations of bleary guitar music, and it’s coming to the Knockdown Center in Queens on Memorial Day weekend. Dinosaur Jr. and the Jesus And Mary Chain, two of the greatest and most influential alt-rock bands of the ’80s and ’90s, will headline the two days, and a bunch of other great bands are also on the bill.

    The post Total Bummer Fest Has Dinosaur Jr., Jesus And Mary Chain, Lots Of Guitar Music appeared first on Stereogum.

  • Alice Cooper Announces ‘Devil on My Shoulder’ Autobiography

    "I've written this book to track Alice's 'evilution', and how I've tamed him at last," the shock rock legend says. Continue reading…
  • Marilyn Manson to Mark ‘Antichrist Superstar’ Anniversary with Two Los Angeles Shows

    Marilyn Manson

    Long-embattled and controversial shock rocker Marilyn Manson’s had a lot to celebrate lately, what with recent decisions in court and his apparent attempt at revitalizing his once deeply jeopardized career. But one special event — the 30th anniversary of Antichrist Superstar — will see him playing two special concerts in Los Angeles later this year.

    Naturally, the first night will take place on Halloween (October 31), while the second show will take place the following night. Both shows will be hosted by The Wiltern. With the announcement made earlier today, Manson issued a statement via social media about the shows.

    “I’m celebrating 30 years of Antichrist Superstar at The Wiltern with a set that dives deep into this defining record and spans the milestones that followed. It’s a tribute to where I began – and everything I have become.”

    As he said in his statement, Manson’s plan for those shows is to play tracks from the album, as well as a number of songs that mark key moments in his long and again, controversial, career.

    The post Marilyn Manson to Mark ‘Antichrist Superstar’ Anniversary with Two Los Angeles Shows appeared first on MetalSucks.