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  • Listening Now : Yoshiki Tagashira – Jofuku

    Yoshiki Tagashira’s Jofuku is a delicate and contemplative piano piece inspired by the quiet mysticism of the Kumano Kodo trail and the legend surrounding Jofuku Shrine. With gentle, flowing melodies and spacious phrasing, the composition evokes the stillness of nature and the sense of history embedded in the landscape. Each note unfolds with patience and clarity, inviting the listener into a reflective sonic environment where time seems to slow down. Jofuku captures the peaceful dialogue between nature, memory and music, transforming a remote sacred place into a serene musical meditation.

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  • BILL EVANS AND THE VANSBAND ALLSTARS Announce Australian Tour For October 2026

    Few musicians can say they helped shape one of the most important comeback chapters in modern jazz history. Fewer still can say they did it at 22 years of age. This October, legendary saxophonist Bill Evans, the fiery, genre-crossing voice behind Miles Davis’ 1980s resurgence returns to Australia with a world-class band featuring drummer Keith Carlock, bassist Pablo Contreras and keyboardist George Whitty.

    Evans is beyond excited to do this tour of Australia, he exclaims 
    “I haven’t been to Australia to tour in over 25 years, I’m excited!“

    Born in Illinois and schooled in both classical piano and Chicago’s deep jazz lineage, Evans cut his teeth studying with Bunky Green before moving to New York in 1979, immersing himself in loft sessions and sharpening the improvisational edge that would soon catch Miles Davis’ ear. At just 22, Evans joined Davis’ band and became a key figure in the trumpeter’s early-80s revival, performing on landmark releases including The Man With The Horn, We Want Miles, Star People and Decoy. He was instrumental in assembling that era’s formidable lineup, bringing in names such as Mike Stern, Marcus Miller and John Scofield.

    Since then, Evans has carved out a fiercely individual career, touring and recording with Herbie Hancock, John McLaughlin, Willie Nelson, Mick Jagger and The Allman Brothers Band, among many others. His own projects number in the dozens too,  from the Grammy-nominated Soul Insider to Soulgrass, a bold and joyful fusion of jazz and bluegrass featuring Béla Fleck, Sam Bush and Bruce Hornsby.

    Joining Evans on this tour is one of the most respected drummers in contemporary music, Keith Carlock. Known for his work with Steely Dan, Toto, Sting, John Mayer and James Taylor, Carlock was voted Best Pop, Fusion and All-Around Drummer in Modern Drummer’s 2009 Readers Poll and is widely regarded as one of the most versatile players of his generation.

    On bass, Pablo Contreras is a rising force on the international scene whose fluid, groove-driven style has seen him perform across Latin America, the United States and Europe. A first-place winner at New York’s International Solo Bass Competition, Contreras has worked alongside a wide range of acclaimed artists and was personally invited by Bill Evans to join his touring band in 2025, bringing a dynamic, modern edge to the quartet’s already formidable musical chemistry.

    On keys, George Whitty brings a staggering resume that includes collaborations with Santana, Herbie Hancock, the Brecker Brothers, Chaka Khan and Celine Dion, alongside a catalogue of Grammy-winning productions and an Emmy Award for composition. Whitty’s harmonic depth and textural command make him a perfect foil to Evans’ expansive saxophone voice.

    For jazz lovers, musicians and anyone who understands the weight of that Miles Davis lineage, this is not just another tour announcement, it’s a rare opportunity to witness one of the great living saxophonists in full flight. Together, these masters of craft converge for a performance defined by soul, funk, and neo-jazz, representing contemporary music at its zenith. Something not to be missed!

    Tickets are on sale now!
    www.gaevents.au

    ABOUT BILL EVANS
    Bill Evans: Saxophonist, Producer, & Innovator
    Who do Miles Davis, John McLaughlin, Willie Nelson, Herbie Hancock, among a multitude of others have in common? Bill Evans, that’s who.

    Bill Evans is a world-class saxophonist and producer who has served as a cornerstone of the international music scene for over four decades. He first gained global prominence in the 1980s when, at the age of 21, he was recruited by Miles Davis. It was Evans who brought Marcus Miller, Mike Stern and John Scofield into the band with Davis.  Evans went on to record six albums with Davis, a formative period that established him as a premier voice in jazz and led to high-profile collaborations with icons such as John McLaughlin, Herbie Hancock, The Allman Brothers Band, Mick Jagger and Willie Nelson to name but a few.

    Artistic Evolution & Soulgrass
    Since launching his solo career in 1990, Evans has relentlessly explored the boundaries of genre. His work spans soul-jazz, acoustic groove, and contemporary funk, comprising a prolific discography of 27 solo albums. In 2004, he garnered his second Grammy nomination for Soulgrass, a groundbreaking project that fused jazz with Americana. By blending banjo, fiddle, and saxophone, Evans created a unique sonic signature that he toured globally for over 12 years.

    Recent Projects & “Who I Am”
    In 2024, Evans toured extensively across Europe, Brazil, and Japan with his VansBand Allstars, featuring a rotating cast of virtuosic talent including Keith Carlock, Dennis Chambers, Felix Pastorius, George Whitty, Gary Husband, Dave Weckl, James Genus, and Kevin Hays.

    His latest studio release, Who I Am (August 2024), represents a career milestone. A year in the making, the album has already surpassed 700,000 streams and features an elite ensemble including Béla Fleck, Jerry Douglas, Victor Wooten, Keith Carlock, and John Medeski.

    “I’ve always recorded music that inspires me,” says Evans. “The music on Who I Am is very personal. If you don’t write music that you love to listen to yourself, why write it?”

    2026 has already seen Bill’s Vansband Allstars play 8 sold out shows in Tokyo Japan with Russ Ferrante ( Yellowjackets fame ) as his special guest on the keyboards, as well as Carlock, Genus, and trumpeter Till Bronner.

    The post BILL EVANS AND THE VANSBAND ALLSTARS Announce Australian Tour For October 2026 appeared first on The Rockpit.

  • HAYDEN McGOOGAN: ‘Relapse’

    Success carries its own kind of fear, a subtle unease that whispers it could all disappear in a heartbeat. On Relapse, Hayden McGoogan captures that fragile space with striking clarity. Musically, the track resists drama. Despite McGoogan and his instrumentalists coming from different sonic backgrounds, the track deliberately holds back. The tempo is restrained, almost […]
  • ZAN ZONE – The Rock Is Still Rollin’

    ZAN ZONE – The Rock Is Still Rollin’

    Randomaxe 2026 East Coast dwellers spread happiness and sorrow all around the world to celebrate the past by boosting it to the present tense. The image of Sisyphus pushing a boulder up a hill can hardly be synonymous with a … Continue reading →

    The post ZAN ZONE – The Rock Is Still Rollin’ appeared first on DMME.net.

  • NAUTICAL MILE Return With New Single ‘Daydreamer’

    Perth pop-punk favourites Nautical Mile are officially back, returning with their nostalgic new single, Daydreamer. The track will make its live debut at the band’s first show in four years at Amplifier Bar in Perth on Saturday, March 28. Daydreamer is an energetic, heart-on-sleeve throwback that taps into the nostalgia of simpler times, before adulthood […]
  • Woodstock legend Country Joe McDonald dead at 84

    Country Joe McDonald fronted Country Joe and the Fish and wrote the Vietnam protest classic I-Feel-Like-I’m-Fixin’-to-Die Rag
  • Nervosa’s Prika Amaral and Guernica Mancini from The Gems On The Loaded Radio Podcast

    nervosa-the-gems-the-loaded-radio-podcast

    The Nervosa and The Gems frontwomen join Scott Penfold for a two-guest episode spotlighting women driving heavy music forward.

    Who Are The Guests On This Week’s Loaded Radio Podcast?

    This week’s Loaded Radio Podcast features Prika Amaral of Brazil thrashers Nervosa and Guernica Mancini of Swedish hard rockers The Gems for a special Women In Metal episode highlighting two artists pushing heavy music into its next era.

    TL;DR:

    This week’s Loaded Radio Podcast is a Women In Metal special featuring two powerful artists shaping modern heavy music. Nervosa founder Prika Amaral joins the show to talk about the band’s upcoming thrash assault Slave Machine, while Guernica Mancini of The Gems dives into the band’s second album Year Of The Snake. Two interviews, two bands, and one episode celebrating women bringing serious fire to the metal world.

    Prika Amaral Talks Nervosa’s Brutal New Era With Slave Machine

    The first guest on this week’s Loaded Radio Podcast is Prika Amaral, founding guitarist and vocalist of the international thrash metal powerhouse Nervosa.

    The band will release its sixth studio album, Slave Machine, on April 3 via Napalm Records, and it’s shaping up to be one of the most intense releases of their career.

    Produced by Martin Furia of German thrash legends Destruction, the album pushes Nervosa’s sound further while still staying rooted in the speed and aggression that built their reputation.

    Tracks like “Slave Machine” and “Ghost Notes” highlight the band’s trademark blend of blistering riffs, explosive drumming and razor-sharp vocals.

    During the conversation, Amaral discusses:

    • stepping fully into the role of lead vocalist
    • the evolution of Nervosa’s sound
    • the band’s identity after lineup changes
    • writing and recording the new album
    • and life touring major festivals like Wacken Open Air and Hellfest

    It’s a great look into a band that continues to push modern thrash forward.

    Browse upcoming heavy metal concerts and ticket availability here

    nervosa-2026

    Guernica Mancini Discusses The Gems’ New Album Year Of The Snake

    The second half of the episode welcomes Guernica Mancini, the powerhouse vocalist of Swedish hard rock trio The Gems.

    The band’s new album “Year Of The Snake” arrives March 13 through Napalm Records, and it showcases the group’s explosive mix of classic hard rock swagger and modern production.

    Across fourteen tracks, The Gems deliver big riffs, blues-rock groove, and festival-ready hooks inspired by bands like Van Halen and Europe.

    One standout track is “Hot Bait,” a playful ZZ Top-influenced blues rocker that shows the band’s fun side while still delivering serious punch.

    The album’s central theme revolves around resilience and transformation — symbolized by the snake shedding its skin and emerging stronger.

    In the interview, Mancini talks about:

    • the creative process behind Year Of The Snake
    • the chemistry between the band members
    • building a new identity after Thundermother
    • writing songs with live crowds in mind
    • and the band’s growing global audience

    Loaded Radio Recommends – Queens of Noise: The 13 Best Female Fronted Metal Bands (Loaded Radio’s Definitive Countdown)

    2026-THE GEMS

    Listen To The Full Women In Metal Podcast Episode

    Two bands. Two artists. Two very different corners of heavy music.

    From the crushing thrash attack of Nervosa to the arena-ready hard rock energy of The Gems, this week’s Loaded Radio Podcast celebrates women helping shape the future of the genre.

    Listen to the full episode below.

     

    Check This Out – Forget the ‘Big 4’: These 13 Bands Actually Built Heavy Metal

    FAQ

    Who Are The Guests On This Week’s Loaded Radio Podcast?

    This week’s episode features Prika Amaral of Nervosa and Guernica Mancini of The Gems.

    What Is Nervosa’s New Album?

    Nervosa will release their sixth album Slave Machine on April 3 through Napalm Records.

    When Does The Gems’ New Album Release?

    The Gems’ second album Year Of The Snake arrives March 13 via Napalm Records.

    Where Can I Listen To The Loaded Radio Podcast?

    You can listen directly through the embedded player on LoadedRadio.com or on major podcast platforms.

    Nervosa Band Bio

    Nervosa is an international thrash metal band originally formed in Brazil and now featuring musicians from multiple countries. Founded by guitarist and vocalist Prika Amaral, the band quickly gained attention for its ferocious take on modern thrash metal. Nervosa has performed at major global festivals including Wacken Open Air and Hellfest, building a reputation for relentless live performances and aggressive songwriting. The band’s sixth studio album, Slave Machine, continues their mission of blending old-school thrash intensity with modern production and expanded musical ideas.

    The Gems Band Bio

    The Gems is a Swedish hard rock trio featuring Guernica Mancini (vocals), Emlee Johansson (drums), and Mona Lindgren (bass). Formed after the trio’s time in the band Thundermother, The Gems quickly carved out a new identity built on powerful vocals, blues-influenced hard rock riffs and energetic live performances. Their second album Year Of The Snake blends classic ‘80s rock influences with modern production and songwriting built for the stage.

    The post Nervosa’s Prika Amaral and Guernica Mancini from The Gems On The Loaded Radio Podcast appeared first on Loaded Radio.

  • Gig review: MILKFEST, Indigo2, London, 1 March 2026

    MILKFEST, Indigo2, London, 1 March 2026A year after the first event, blues festival and charity fundraiser Milkfest was back for a return delivery. The format was similar but the carefully curated eight artist line up featured all but one new act, and a new beneficiary … Continue reading →

    The post Gig review: MILKFEST, Indigo2, London, 1 March 2026 appeared first on Get Ready to ROCK!.

  • Descendents at House of Blues: Concert Review and Photos

    Descendents at House of Blues: Concert Review and Photos

    Punk legends the Descendents played Thursday night at the House of Blues in Anaheim, CA, and aside from the stellar music and performances from all three bands, there were two things of note regarding the crowd. The first was despite the listed 2200 standing capacity of the main room, there appeared to be way more than 2200 people crammed inside the venue. By the time the Descendents took the stage at 9:45pm, there was zero room to move on the floor, by the bars, by the merch booth, in the aisles, or anywhere else, much less trying to get from one place to another. I’ve been to hundreds of shows, and I can’t recall ever being so pressed in, with no options for moving or escaping the humanity. The second interesting note was the demographic of the audience – there seemed to be two distinct camps – teenagers and kids in their early 20s who made up most of the population pressed up against the front barricade, and people in their 50s and 60s on the edges and slightly farther back who grew up and came of age with the band. There were zero issues between the generations, and it was the first time I’ve seen a band that could attract such a varied audience, made up entirely of devoted fans – both old-schoolers and kids who wanted to be there for the music’s merit, not because their parents made them tag along.

    Descendents

    The Descendents are a punk rock institution, formed in Manhattan Beach, CA, in 1977 – they are one of the true originals and an inspiration to countless groups that followed. I’d never seen them live before and didn’t know what to expect. Selfishly, as a photographer, there was something about punk songs I hadn’t anticipated – they are short. There are rules to shooting concerts, and the main one is that you are allowed three songs to do your work in the photo/security pit between the barricade and the stage. Twelve minutes is enough time to cover all of the band members adequately from various angles while staying out of other photographers' shots and dodging crowd surfers landing on you from behind, but with punk rock, the songs are shorter, as was the allowed time in the pit. The studio versions of the first three songs in the set are two minutes or less, so it was a bit of a surprise when the eight of us shooting photos got a tap on the shoulder to indicate that our time was up after only six minutes or less…

    The fervent crowd was losing their minds all night – the mosh pit never stopped spinning, and people came prepared and gave it their all. Crowd surfers were everywhere, and people fed off of both the music and the energy of their tightly packed neighbors. Milo, Bill, Stephen, and Karl were in top form, and the completely sold-out show was an utter success. This was the first of a two-night stint in Anaheim, and it’s hard to imagine anyone being able to maintain this kind of energy night after night, but the Descendents really brought their A game, and my only regret was that I couldn’t be there the following night. All told, they played 34 songs from nine albums, with a large portion of the material coming from 1982’s Milo Goes to College, 1996’s Everything Sucks, and 2016’s Hypercaffium Spazzinate. Songs aside, the crowd was in a fever pitch all night, and the energy level was extremely high – people were genuinely excited to be there and witness a great band performing at a really high level. As an observer and participant, the Descendents and their fans were the perfect blend of band and receptive audience, and witnessing how one fed off the other made for the perfect night of music and celebration.

    Frank Turner

    Frank Turner and the Sleeping Souls came on before the Descendents. I hadn’t heard of Frank prior to February 24th, when a friend saw his show in Florida and sent me a text raving about it. As proof, he sent along a link to a song which he said was his current favorite – “Love Ire & Song”. He’s a good music resource, so I checked it out…and didn’t really get the buzz. To my ears, it was a little reminiscent of Flogging Molly, which I like, but isn’t something I’d consider to be my favorite thing. Then Frank took the stage five feet in front of me, and my stance changed completely. He held the audience captive from the first note, and while acoustic guitar-driven anthems aren’t usually the stuff of mosh pit madness, the pit was as strong as any I’ve seen. After the first song, I could understand why my friend was so enthusiastic, and I too became a fan.

    There were four highlights to Frank’s set for me. He dedicated “Be More Kind” to the people of Minneapolis, along with a message that echoed the song’s title – essentially, be kind to your fellow man. The next song was a NOFX cover of “Bob”, and Fat Mike came out and played harmonica while Frank sang. Lastly, Frank conducted a sing-along with the song “Do One”, with the audience instructed to sing along with the “Do Do…” chorus. We were given a trial run before the song, and it was deemed to be “A bucket of shit”. Frank then stated that the assembled audience was worse than Texas. And Florida. And Pittsburg. After hearing this, the audience upped their performance and screamed out the chorus, finally achieving the desired effect, while having a blast doing so.

    Nobro

    The first band of the night was Nobro (as in zero bros/dudes in the band), an all-female band out of Montreal, Canada. I didn’t know them, but much of the audience who showed up early did. The doors opened at 6:00pm, and Nobro hit the stage at 7:00pm. Usually, when a band goes on two hours and forty five minutes before the headliner, they are playing to a sparsely populated room – not Nobro – the venue was already ¾ full, and those that were there were stoked to be treated to an enthusiastic performance of hard-hitting girl-power at its finest. With songs like “Set That Pussy Free”, “Let's Do Drugs”, and “Where My Girls At”, Nobro came out of the gate full-throttle and didn’t let up to the delight of the crowd.

    Descendents at House of Blues: Concert Review and Photos

    Descendents Setlist:

    • 1 Everything Sux
    • 2 Hope
    • 3 I Don't Want to Grow Up
    • 4 I Like Food
    • 5 Nothing With You
    • 6 Rotting Out
    • 7 Myage
    • 8 Victim of Me
    • 9 Clean Sheets
    • 10 My Dad Sucks
    • 11 'Merican
    • 12 Without Love
    • 13 No Fat Burger
    • 14 When I Get Old
    • 15 Nightage
    • 16 Weinerschnitzel
    • 17 No, All!
    • 18 Silly Girl
    • 19 Van
    • 20 I'm Not a Punk
    • 21 Good Good Things
    • 22 Coffee Mug
    • 23 Coolidge
    • 24 I Wanna Be a Bear
    • 25 On Paper
    • 26 I'm the One
    • 27 Suburban Home
    • 28 Thank You
    • 29 Bikeage
    • 30 Smile

    Encore:

    • 31 Testosterone
    • 32 Grudge
    • 33 Catalina
    • 34 Get the Time
    Photos and Writing by Brooks Robinson. Check out more of his work here.

    Thanks for reading!