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See the band co-founder's heartfelt video. Continue reading…

They met when Palmer stood in with Fleetwood Mac for a show with The Nice. Half a century of amazing music and friendship followed. The drummer reveals what they’d be doing today if Emerson was still alive

Gaisma’s Ca$hback opens with a sleek, confident pulse, setting the tone for a stylish blend of pop sensibility, smooth hip-hop and modern electronic edge. Built on crisp production and a steady groove, the track balances attitude with accessibility, letting its hook-driven structure shine without overcomplicating things. Her vocal delivery carries a cool, controlled energy, adding a subtle bite that complements the track’s theme and rhythm. There’s a polished, forward-moving feel throughout, making it instantly engaging.

As an opener, Ca$hback feels sharp and self-assured—clean, catchy, and built to linger.

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Rzekomo’s which can is a subtle, cerebral instrumental that unfolds with quiet precision and conceptual depth. Blending processed guitar textures with classical nuances, the track moves within a restrained framework, yet feels gently unsettled—thanks in part to its deliberately detuned bass. There’s a sense of tension beneath the calm, as if meaning is constantly shifting just out of reach. Rather than offering resolution, it invites reflection, leaning into ambiguity and atmosphere.

Thoughtful and finely detailed, which can exists in that elusive space between structure and intuition, where sound becomes suggestion rather than statement.

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Singer took to social media after his band was announced as an inductee. Continue reading…

Those shows are expected to debut in 2028.

The post KISS Have New Music Planned For Their Upcoming Digital Avatar Shows in 2028 appeared first on Theprp.com.

Griffin Benton’s Biscuits and Jam carries a hazy, dreamlike quality that blurs the line between fragility and quiet resilience. Recorded live, the track breathes with an organic looseness, letting its raw emotion unfold naturally without overpolish. There’s a surreal, almost “Benadryl dream” atmosphere to it—soft edges, drifting melodies, and a slightly disoriented charm that pulls you in. Beneath that, though, lies a powerful sense of survival and presence, turning personal trauma into something strangely warm and human.

Intimate and unfiltered, it lingers like a half-remembered feeling you can’t quite shake.

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The Kiss Abyss’ Stranger Every Day is a glorious blend of power pop sparkle and ‘90s slacker rock charm, rooted firmly in that sun-soaked Aussie indie tradition. Buoyant melodies and loose, jangly guitars carry the track forward, while festive horn bursts add an unexpected, celebratory lift. There’s an effortless, carefree feel throughout, balancing hook-driven immediacy with a slightly scruffy edge. It’s bright, melodic, and quietly triumphant—an indie gem that feels both nostalgic and refreshingly alive.

Ladies & Gents, let’s welcome The Kiss Abyss!

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LightSource’s Last Train to Kyoto pulses with energetic synthwave flair, glowing with neon-lit intensity and forward momentum. Driven by punchy rhythms and vibrant synth lines, the track captures the rush of a night ride through a futuristic cityscape. Bright melodies cut through the mix, while shimmering textures add depth and motion, keeping everything in constant flow. It’s cinematic but immediate—less about drifting, more about acceleration.

Bold, luminous, and full of drive, it delivers that classic synthwave thrill with a fresh, high-energy edge.

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Nobody tell Gene Simmons.

The post Iron Maiden, Billy Idol, Wu-Tang Clan, Etc. Set For Induction Into The Rock & Roll Hall Of Fame appeared first on Theprp.com.