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  • Jay Weinberg teams with Softcult for new single “Drown Fountain”

    An atmospheric collaboration that finds the former Slipknot drummer stepping behind the microphone for the first time

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  • Extinction A.D. drop new single and video for “Blood Hoax”

    Continuing a run of six standalone releases over the past six months

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  • FRUUPP And Friends Release A Tribute To Fallen Hero

    FRUUPP And Friends Release A Tribute To Fallen Hero

    Some Facebook groups are for idle chatter; others work miracles. A group dedicated to FRUUPP, one of the most underrated British prog ensembles from the early ’70s belongs to the latter category – championing the band in ways both possible … Continue reading →

    The post FRUUPP And Friends Release A Tribute To Fallen Hero appeared first on DMME.net.

  • She’s in Charge | Shirley Chisholm: Unbought and Unbossed

    In the late 1960s, Uncle Sam was choking on a suffocating political machine run by men who traded favors in closed rooms while cities burned from civil unrest. The Cold War was raging, the civil rights movement was bleeding out on the pavement, and the US government was a closed loop designed to keep the marginalized permanently locked out of the room. Shirley Chisholm was a Brooklyn educator who looked at that rigged, impenetrable structure and decided to break it apart from the inside.

    To understand what she was up against, you have to look at the American political hierarchy. The system is monopolized by two massive factions, the Democrats and Republicans, but it’s also rigidly layered. At the local level, there’s the State Assembly, which handles regional laws and budgets. Above that is the federal government, specifically the House of Representatives, where hundreds of politicians battle over national legislation. Sitting at the absolute top of the food chain is the President. The entire structure was an exclusive club, and candidates were expected to wait their turn and rely on party bosses for permission to climb that ladder.

    Chisholm cut her political teeth in Bedford-Stuyvesant, Brooklyn, where she realized the local Democratic clubs were entirely disconnected from the decay of the actual neighborhoods. Bypassing the bosses, she organized directly with women and community groups who were exhausted from being ignored, channeling that stagnant frustration to win a New York State Assembly seat in 1964. By 1968, she aimed higher. Running under the legendary motto “Unbought and Unbossed,” she dismantled the establishment’s chosen candidate to become the first Black woman elected to the national House of Representatives. The Washington machine immediately tried to bury her by assigning her, a representative from a dense urban district, to the agricultural committee. Rather than accepting the insult quietly, she publicly demanded reassignment, forcing the institution to recognize that she would not be shoved into a corner.

    The peak of her defiance was the 1972 presidential run, an act of pure, calculated disruption. She knew the presidency was statistically out of reach, but the campaign was a weapon to force the Democratic party to acknowledge the antiwar movement, the working class, and minorities. The establishment fought back hard, blocking her from participating in televised primary debates. Instead of backing down, she dragged the TV networks to federal court, citing the equal time rule, and legally forced them to give her the national airtime she was owed just to state her case.

    That run was brutally isolating and physically dangerous. She survived multiple assassination attempts on the campaign trail, ultimately requiring the Secret Service to step in and protect her. Yet, worse than the physical threats was the betrayal from her own supposed allies. Prominent male civil rights leaders dismissed her campaign as a vanity project, and leading white feminist icons abandoned her when it became politically inconvenient, calculating that a white male candidate was a safer bet. She carried the campaign anyway, dragging the neglected reality of the marginalized onto the convention floor through sheer force of will.

    The 1972 Democratic National Convention ultimately crowned a white, male establishment candidate, but Chisholm still arrived on the floor in Miami commanding 152 delegate votes. That block of votes was a weapon, giving her the leverage to force the party machinery to negotiate on issues they preferred to ignore. Once the convention ended, she returned to the House of Representatives and spent another decade drafting legislation for childcare, domestic workers, and the minimum wage, executing the unglamorous, brutal work of forcing the system to serve the people it despised.

    What I, as a woman, take away from her story isn’t some sanitized, optimistic narrative about breaking glass ceilings or finding your tribe. Chisholm’s reality proves that the system will never willingly hand over the keys, and the people who are supposed to be your allies will often evaporate when things get difficult. Her legacy is about recognizing that standing your ground usually means standing completely alone, and that true power comes from remaining completely unbought and unbossed, refusing to dilute who you are just to make a broken establishment comfortable.

    The post She’s in Charge | Shirley Chisholm: Unbought and Unbossed first appeared on FemMetal – Goddesses of Metal.

  • Voivod release “Holographic Thinking” animated video

    Plus, former vocalist/bassist E-Force will front the band’s upcoming European tour

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  • Buzz Kull and Kontravoid Join Forces for Fall North American Tour

    Two of dark electronic music’s most commanding forces are joining together for a fall run across North America. Buzz Kull and Kontravoid will bring their body-lit blend of darkwave, EBM, electro, and synth-pop to clubs and festivals beginning September 10 in Austin, with dates stretching through Texas, the South, the East Coast, Canada, the Midwest, the Pacific Northwest, and California. Five of those shows — in Spokane, Vancouver, Seattle, Portland, and Sacramento — will be shared with Spike Hellis and Normal Bias.

    The pairing feels inevitable. Both artists have carved out distinct territories in the fogged-out corners of modern dark music: Buzz Kull with a severe, cinematic pulse that turns anxiety into motion, and Kontravoid with a masked, strobe-lit mystique that sharpened into dancefloor discipline.

    See the full list of dates below.

    Buzz Kull is the solo project of Sydney-based musician and producer Marc Dwyer. Since 2012, Buzz Kull has been blending elements of darkwave, EBM, and synth-pop into a sound that is dark, dissonant, and danceable. His early work, including his 2017 debut Chroma and 2018’s New Kind of Cross, was defined by stripped-back production and a fascination with minimal synth textures. These records drew from early industrial and post-punk traditions, pairing drum machine-led tracks with cool, monotonous vocals and moody atmospherics.

    Over time, Dwyer’s sound has grown harder and more precise. His 2022 album Fascination, released through Italian label Avant! Records, marked a turning point: a sleek, focused collection of dark dance tracks that channel the energy of late-’80s body music. In 2026, Buzz Kull returned with Deep Hate, a four-song statement of intent: relentless, cinematic, and charged with nocturnal electricity. The release marks some of Buzz Kull’s most focused and ferocious work to date, a document of emotional clarity and mechanical pulse.

    Outside of Buzz Kull, Dwyer is a frequent collaborator and remixer, working with artists across the darker ends of electronic music. He has toured extensively throughout Europe, the United States, Latin America, and Asia, sharing stages with contemporaries like Cold Cave, Boy Harsher, Kontravoid, and Spike Hellis.

    Buzz Kull’s latest release is Deep Hate, out now via Heartworm Press. Watch the latest official video, “Human Force,” below.

    Kontravoid’s masked mystique has remained intact for over a decade. Ever since the release of his self-titled LP in 2012, Canadian-born, Los Angeles-based Cameron Findlay has perfected a strain of dark pop that teeters between EBM, electro, and goth. His productions, such as 2019’s “Too Deep” and 2021’s “Faceless,” dive into the most derelict corners of foggy, strobe-lit clubs: there is no choice but to dance.

    Still, beneath the harsh pulse, there is an uncanny softness and a clear songwriting instinct. Kontravoid’s work carries a capacity for heart-wrenching melody, with songs that are both captivating and drenched in melancholy. 2018’s “Undone,” released on Berlin’s Fleisch Records, has remained a fan favorite since its arrival.

    Onstage, Kontravoid demands the audience’s attention with a powerful performance that balances harsh beats with signature bassline-driven rhythmic patterns. He has toured with Boy Harsher, ADULT., Drab Majesty, and Hide, and has remixed artists including Schwefelgelb and Kris Baha. Truly a man of the shadows, Kontravoid remains an unparalleled fixture in the dark electronic arena.

    Kontravoid’s latest release is the 2026 single “Mortal,” out via Artoffact Records. Watch the video “For What It Is” below.

    Buzz Kull and Kontravoid 2026 Tour Dates

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    The post Buzz Kull and Kontravoid Join Forces for Fall North American Tour appeared first on Post-Punk.com.

  • Insomniac announce East Coast fall tour, summer dates with Slumbering Sun

    In support of their debut album ‘Om Moksha Ritam’

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  • Album Review: Blackstaff – Drowner

    If you’re a fan of music from the likes of Chained to the Bottom of the Ocean and Thou, and have a passion for folklore and dark fantasy, then the new EP from Blackstaff is the one for you. Drowner is a gem of a record, equally brilliant in its storytelling and its music. The … Continue reading Album Review: Blackstaff – Drowner

  • Amon Amarth release first-ever acoustic song “Upphaf”

    The standalone single arrives with a new music video and offers a different side of the Swedish metal veterans

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  • Complete List Of Lynyrd Skynyrd Band Members

    Lynyrd Skynyrd’s history is filled with triumph, tragedy, survival, and one of the most important lineups in Southern rock. From Ronnie Van Zant and the classic 1970s band to the musicians who carried the name forward after the 1987 reunion, every member played a role in shaping the legacy of one of rock and roll’s most enduring groups. In 1977, I saw Lynyrd Skynyrd perform at the Nassau Coliseum. Ted Nugent was the opening act. Both groups were on tour together, alternating between who would open and close the show. It was one of the greatest concerts I have ever

    The post Complete List Of Lynyrd Skynyrd Band Members appeared first on ClassicRockHistory.com.