Freddie Jackson, the R&B singer who made a long string of smooth romantic hits from the mid-’80s to the early ’90s, has passed away. In a social media statement posted this afternoon, Jackson’s family shared the news that he “went home to rest last night.” No cause of death has been revealed. Jackson was 69.
The post Freddie Jackson Dead At 69 appeared first on Stereogum.
Hollywood Vampires has put out the official video for “I Want My Now,” taken from its new live album, At Montreux Jazz Festival.
The recording comes from the band’s 2018 set at Montreux, one of the most respected festival stages in the world. Hollywood Vampires brought its theatrical brand of rock, its tributes to departed heroes and a full tank of energy to the show. The record captures a celebration of the music, the excess and the friendship behind it, and of a legacy that keeps influencing new generations.
The band takes its name and spirit from the original Hollywood Vampires, a legendary circle of musicians held together by friendship, mischief and a love of rock ‘n’ roll. That heritage shows up in the group’s approach, which mixes reckless fun with reflection. The live recording documents both sides, pairing the wild abandon of rock excess with sincere respect for the artists who came first.
The group debuted in 2015 with the self-titled Hollywood Vampires, an album packed with star guest spots and classic rock covers. It then moved into original songwriting with 2019’s Rise. Hollywood Vampires is known for high-energy festival sets and sold-out tours worldwide, and it has racked up millions of streams, solid physical sales and global press attention. Through theatrical rock, iconic songs and heartfelt tributes, the band continues to honor rock ‘n’ roll and connect fans across generations.
The post HOLLYWOOD VAMPIRES Release Official “I Want My Now” Video From Live Album Recorded At Montreux Jazz Festival appeared first on Sonic Perspectives.
Plus offerings from Iron Maiden, Motörhead, Thrice, Poppy, Sparta and more.
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Freddie Jackson cause of death: How did the legendary R&B singer die? Here’s what’s known as the news comes out.
The post Freddie Jackson Cause of Death: What is Known About the 69-Year-Old’s Death appeared first on Audio Ink Radio.
Hollywood Undead is heading back to Europe for a headline tour, and the rap-rock group plans to start 2027 at full volume.
The 24-date run follows a busy 2026 that took the band around the globe and onto major festival bills, including Download, Welcome To Rockville, Rock Am Ring, Rock Im Park and Graspop Metal Meeting. The new tour brings its high-energy sound across the continent, with a major stop at London’s O2 Forum Kentish Town.
Hollywood Undead said: “Europe and the UK have always been a huge part of Hollywood Undead‘s story, and every time we tour there, it’s unforgettable.
“We played a handful of shows and festivals in Europe this summer, but there are still so many fans and cities we haven’t seen in years. It’s been way too long, and we’re ready to see all of you again.”
Ticket sales begin with an artist presale Wednesday, Oct. 7, at 10 a.m. BST. Local, promoter and venue presales follow Thursday, Oct. 8, at 10 a.m. BST, and the general onsale opens Friday, Oct. 9, at 10 a.m. BST.
Hollywood Undead 2027 European headline tour:
01/27 – Tilburg, Netherlands – 013
01/28 – Zurich, Switzerland – X-Tra
01/29 – Munich, Germany – Tonhalle
01/31 – Vienna, Austria – Raiffeisen Halle im Gasometer
02/02 – Zagreb, Croatia – Tvornica Kulture
02/03 – Budapest, Hungary – Barba Negra
02/05 – Prague, Czech Republic – O2 Universum
02/06 – Berlin, Germany – Huxleys Neue Walt
02/08 – Warsaw, Poland – COS Torwar
02/09 – Riga, Latvia – Palladium
02/10 – Tallinn, Estonia – Helitehas
02/11 – Helsinki, Finland – Ice Hall
02/13 – Stockholm, Sweden – Fållan
02/14 – Gothenburg, Sweden – Filmstudion
02/16 – Oslo, Norway – Sentrum Scene
02/17 – Copenhagen, Denmark – Store Vega
02/18 – Hamburg, Germany – Inselpark Arena
02/20 – Hannover, Germany – Capitol Hannover
02/21 – Cologne, Germany – Palladium
02/23 – Birmingham, England – O2 Academy Birmingham
02/24 – London, England – O2 Forum Kentish Town
02/26 – Manchester, England – Manchester Academy
02/27 – Glasgow, Scotland – O2 Academy Glasgow
02/28 – Leeds, England – O2 Academy Leeds
This is the band’s first European headline outing since it signed with Sumerian Records. Since joining the label, Hollywood Undead has released a run of strong singles: “Feels Like Home,” “Hollywood Forever,” “Savior,” “1×1” and “All My Friends,” featuring Jeris Johnson. Together they mark a fresh chapter, one that brings back the group’s signature masks, sharpens its emotional and sonic extremes and has put it in the middle of one of its most successful stretches.
The band’s 2008 debut, Swan Songs, went RIAA platinum, and its catchy, distinctive sound has since built a global cult following and sold out shows on multiple continents. Consequence Of Sound, Billboard and Revolver are among the outlets that have praised the group. With more than 3.2 billion cross-platform streams, over 1 billion YouTube views and 4.1 million monthly Spotify listeners, Hollywood Undead remains one of modern rock’s most influential acts, and it keeps pushing boundaries and reshaping alternative culture.
The post HOLLYWOOD UNDEAD Announces European Tour Dates For January & February 2027 appeared first on Sonic Perspectives.
The track opens with a beautiful guitar riff that quickly intensifies. Soon after, the drums join in, elevating the overall energy. The sound has a slightly muffled quality that creates an alternative atmosphere. The vocals remind me of Damiano David of Måneskin, delivering a song that is driving and melodic.
The chorus bursts forth, propelled by powerful vocals and increasingly intense guitars. This results in a rock ballad that entertains the listeners, inspiring them with nostalgic and epic vibes. The dynamics of the song are well crafted, creating moments of tension and release that engage the listener.
While artificial intelligence played a role in creating this piece, the sound still feels tangible and conveys real emotions. This is an impressive track I would recommend to everyone. It invites you to reflect and feel deeply while enjoying the raw energy it presents. The fusion of rock elements with the emotional weight in the lyrics creates a thought-provoking experience.
Throughout the song, careful attention is paid to the arrangement. From the quiet moments that allow for introspection to the loud sections filled with exuberance, each part transitions smoothly into the next. This ensures that listeners remain engaged from start to finish.
The song embodies a blend of artistry and raw emotion. It channels a sense of nostalgia, resonating with those who have experienced moments of reflection in their lives. The mix of instrumentation and vocal delivery creates an engaging experience.
The guitars are layered effectively, adding depth to the overall sound. The drumming provides a solid backbone, driving the energy forward while allowing space for the melody to breathe. This balance is essential for creating an immersive listening experience.
As a rock ballad, it effectively conveys strength and vulnerability. The shifts in dynamics reflect the rollercoaster of emotions experienced within the lyrics. The song invites listeners to embrace their feelings, whether they be uplifting or introspective.
Despite some aspects being supplemented by technology, the warmth of the sound remains intact. This careful balance allows for an authentic listening experience.
“Me and My Mind” from Lelinski is a beautifully crafted piece that deserves recognition. This song stands as a strong indicator of Lelinski’s potential in the music industry. This is a refreshing take on contemporary rock that blends nostalgia with modern influences. I believe this vibe will appeal to many, drawing in a diverse audience.
Intense
If you love this music: Discover MoreThe post Lelinski Me and my mind Review appeared first on Edgar Allan Poets – Noir Rock Band.
It’s fair to say that AC/DC‘s early hopes of making an impression in Britain didn’t go entirely to plan.
When the Australian quintet arrived in the UK in the spring of 1976 ahead of a proposed April tour with their Atlantic Records labelmates Back Street Crawler, ex-Free guitarist Paul Kossof‘s new band, they were in high spirits. But their plans were thrown into disarray when, on March 19, ’76, Kossof died on a flight from Los Angeles to New York, aged 25.
While the band kicked up their heels in their Bayswater digs trying to figure out their next move, they suffered another setback. Vocalist Bon Scott was having a low-key drink in a north London pub in early April when a fight broke out, and in the melee, he was hit in the face with a glass, resulting in him losing several teeth and suffering a dislocated jaw. “
It wasn’t even my fight” he protested to his bandmates, as management dipped into the group’s coffers to cover a £2,000 dental bill.
It’s little wonder then that, when AC/DC finally got to make their UK debut, at the Red Cow pub in Hammersmith, they were feral. At its conclusion, their British booking agent Richard Griffiths, told the band, “That was the loudest, meanest thing I’ve ever heard in my life.”
“I just like to get up in front of a crowd and rip it up,” teenage guitarist Angus Young told NME as the quintet’s reputation as a killer live band began to spread. “You’ve got to really entertain a crowd nowadays. Personally, I think it helps if a lead guitarist has some kind of visual gimmick.”
Young revealed to writer Roy Carr that, when the occasion demanded, he would deploy his own unique visual display for the crowd.
“I usually do it as a special treat,” he confessed. “I’ve done it at the Marquee when the audience has been really great… I make sure the kids don’t go away disappointed.”
Young liked to call his signature move ‘The Human Kangaroo’, and admitted that it was originally inspired by a routine that Bon Scott used to enact to liven up moribund after-show parties back in Australia.
“What I do,” he revealed, “is go behind the equipment, strip off all me clothes, put me legs tightly together, me hands behind me back and hop like mad across the stage.”
“I just couldn’t stand there in front of the group without doing something!”
Anyone who’s had the pleasure of witnessing AC/DC live in the 21st century will know that ‘The Human Kangaroo’ is no longer part of the band’s stage act. And perhaps, for all our sakes, that’s for the best.