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SUMiT teams up with Cory Gunz on On the Run, delivering a sharp, cinematic hip hop cut that balances storytelling with technical precision. The track opens with a Western-tinged atmosphere before locking into a hypnotic, hard-hitting groove, setting the stage for tightly structured verses and layered rhyme schemes. SUMiT brings a focused intensity, weaving introspection with themes of confrontation and control, while Cory Gunz elevates the momentum with his signature rapid-fire delivery and intricate wordplay.

There’s a sense of urgency throughout, but it never feels rushed. Instead, it stays controlled and deliberate, making its impact through clarity, skill, and a strong narrative edge.

Blvckhndz’s I AM YOUR NEIGHBOR moves with a bright, synth-driven pulse that feels immediately inviting, balancing playful energy with something more reflective underneath. The production leans into clean, melodic textures and a steady groove, giving the track an accessible, almost carefree surface. But as it unfolds, there’s a quiet tension in the lyrics, questioning connection, attention, and what people actually take in. Blvckhndz navigates that contrast well, keeping the flow hook-focused while letting the message linger just beneath.

It’s catchy without being empty, a track that pulls you in easily but leaves you thinking a little longer.

P.S.: Fuck ICE!

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Kylpyvesi Records has today released Via Dolorosa, an unreleased album recorded in 1990 by cult Melbourne band These Future Kings, a band whose founding members both grew up in migrant families in the city’s outer South-Eastern suburbs, and whose co-songwriter, lyricist and vocalist Perry A. White passed away in 2025. Recorded in 1990 and intended […]

Vilde’s Sunblush carries a quiet sense of movement, shaped by longing and the feeling of returning somewhere both familiar and changed. The track leans into soft indie textures and understated melodies, allowing the vocals to sit gently at the center without ever overpowering the atmosphere. There is a warmth running through it, but also a subtle distance, as if the song is caught between past and present. Vilde keeps everything restrained and intentional, letting small details do the emotional work. It’s a reflective piece that unfolds naturally, capturing that delicate space between reconnection and hesitation.

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Tonenn’s Teñvalijenn unfolds like a slow-burning cinematic passage, where post-rock intensity meets orchestral depth in a carefully shaped progression. The track builds with patience, layering electric guitars over expansive textures that gradually open into something more powerful and emotionally charged. There is a strong sense of narrative throughout, as if each section is guiding you further into a shifting landscape of tension and release. Tonenn leans into atmosphere without losing direction, allowing the crescendos to feel earned rather than forced.

It’s immersive and evocative, a piece that resonates through its sense of scale and quiet emotional weight.

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This week’s “Dark Wave,” hosted by Matt Sebastian, featured music by The Cult, Strawberry Switchblade, Nick Cave & The Bad Seeds, Front 242, Jane’s Addiction and more.

Yannick Mueller’s Vibin leans into a smooth, understated groove that lives up to its title, built on a steady rhythm and a relaxed, late-night atmosphere. There is an effortless flow to the track, where vocals and production move together without friction, creating a cohesive and easygoing feel. Nothing feels forced, instead it settles into its own space, letting subtle details and textures carry the momentum.

Yannick Mueller keeps things minimal but effective, focusing on mood and consistency rather than big shifts, resulting in a track that feels warm, controlled, and quietly addictive.

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Mindy Gledhill’s Hidden Pictures unfolds with a quiet intimacy, drawing the listener into a space where reflection feels gentle rather than heavy. The arrangement is delicate and unobtrusive, allowing her voice to carry the emotional core with a soft clarity that feels deeply personal. There is a sense of looking inward throughout, of revisiting past moments with a newfound understanding, where even pain is reframed as something meaningful. Mindy Gledhill captures that balance beautifully, turning subtle melodies and thoughtful lyrics into something quietly profound, a piece that lingers not through intensity, but through honesty and warmth.

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Tim Bowman’s Come With Me (Lets Take a Ride) glides effortlessly, built on a smooth, melodic foundation that feels both refined and inviting. His guitar work takes center stage, warm and expressive, carrying the track with a sense of ease that never feels forced. There is a gentle groove underneath that keeps everything moving, but the real strength lies in the tone and phrasing, each note placed with intention.

Tim Bowman leans into clarity and feel rather than complexity, creating a piece that feels timeless, relaxed, and perfectly suited for moments where you just let the music carry you.

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Carbon City Lights’ Sky Blue unfolds with a calm, introspective tone that gradually opens into something more expansive and emotionally charged. The track leans on a strong melodic core, with Michael Venia’s falsetto adding a sense of vulnerability that feels genuine rather than overstated. There is a careful balance between restraint and release, the verses staying grounded while the chorus lifts into a more cinematic space. Subtle guitar textures and steady rhythms support that progression without overwhelming it.

Sky Blue ultimately feels like a quiet reassurance, rooted in protection, memory, and the need to hold onto something pure.

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