We had this wonderful chat with Unverkalt’s vocalist, Dimitra Kalavrezou, as we spoke about their music, the new album Héréditaire, and her musical background.
Reuel
Hello Dimitra! I’m very glad to chat with you. How are you doing?
Dimitra
Thank you so much for having me! I’m really excited for this discussion.
Reuel
Me too! You have recently released your new album Héréditaire. What are the first three words that come to mind when you think about this new album?
Dimitra
The first three words that come to mind are origins, trauma, and transformation.
Reuel
How would you describe Unverkalt musical style and sound to our readers who haven’t had the chance to listen to it yet?
Dimitra
I would describe our sound as something that moves between post-metal and more avant-garde textures. It’s quite slow-burning and emotionally driven, with a strong contrast between heaviness and fragility. Vocally, we tried to move through different emotional states, which gives the music a multifaceted character. Because of that, the songs often feel more like unfolding narratives than traditional structures, where dissonance and beauty exist side by side.
Reuel
This sounds amazing! Releasing an album is no doubt a huge milestone for any musician, but also challenging. What was your favorite and least favorite part of working with your bandmates on Héréditaire?
Dimitra
It was challenging mainly because we were exploring many new things during the process. At the same time, that was also one of the most inspiring aspects of working on the album. Everyone brought their own ideas and perspectives, and the collaboration between us felt very natural. For me, the most rewarding part was seeing how all these different elements slowly came together into one cohesive vision. That shared creative energy was something very special while creating Héréditaire.
Reuel
What, in your opinion, does Héréditaire have that older Unverkalt albums did not have, and makes it special?
Dimitra
I think what makes Héréditaire different from our previous albums is the clarity of its conceptual and musical direction. With this record, we really pushed ourselves to experiment, especially with different vocal layers, textures, and new elements within the compositions. It’s an album where many complex and diverse elements come together. You can also hear how different cultural backgrounds blend within the music, which gives the record a different direction. At the same time, we wanted to create something that carries a deeper sense of awareness. One of our intentions with this album was to create a space that invites self-reflection and allows the listener to engage with these themes in a personal way.
Reuel
What musicians can you credit as the ones who inspired you, personally, in your life or career as a musician?
Dimitra
Some of the artists who have influenced me the most over the years are Björk, Fever Ray, iamamiwhoami, The Cure, Porcupine Tree, Pink Floyd, Faith No More, The Gathering, Tool, Katatonia, Anathema, Norma Jean, Rolo Tomassi, Florence and the Machine, Jorja Smith, Korn, Kittie, Bush,, How to Destroy Angels, Crosses, Rob Zombie, Skunk Anansie, Puscifer, Battle of Mice. Each of them has inspired me in different ways and shown me how many different ways there are to express yourself through music.
Reuel
Here’s a question you don’t get asked every day. If the sense of taste and hearing were mixed up together, what food do you imagine Unverkalt’s music would taste like?
Dimitra
Maybe something like a truffle risotto. It’s rich and earthy, with many subtle layers that slowly reveal themselves.
Reuel
Sounds like something I’d like! What are your feelings about the way women are represented in music today, and what do you think can be done to promote more inclusivity and support for female musicians?
Dimitra
I think the metal scene is slowly becoming more inclusive, which is very positive. At the same time, I believe we should continue encouraging experimentation and allow more diverse voices to be present in the scene, with versatility and complexity. No one should feel afraid to express their voice in the way that feels authentic to them, whether that is extreme, aggressive, atmospheric, or softer.
We should be more open in talking about these issues and stand together against hateful attitudes that still exist. Supporting each other is essential.
There were many moments where I felt like a black sheep, but with time, I realized there is no reason to let anyone define your dreams or your path. What matters is staying true to what makes you feel complete and standing by each other.
Reuel
Thank you for sharing these empowering experience and thoughts!
Thank you for your time, Dimitra! Is there anything else you’d like to add?
Dimitra
Thank you so much for this great interview. It was really nice to have the opportunity to talk about our music and allow people to get to know our band a little more. Stay tuned and keep spreading the music.
Portuguese rock and blues artist Vítor Bacalhau has released a new single titled “Burn Me Slow,” a groove-driven track that highlights his multi-instrumental talents and modern take on vintage-inspired blues rock.
The new single features falsetto vocals, fuzz-heavy guitars, and a rhythm influenced by legendary drummer James Gadson. Built around a laid-back but expressive groove, the song gradually unfolds with a resonator slide riff weaving through the mix alongside a sparse bass line and atmospheric keys.
Bacalhau performs all of the instruments on the track, giving the song a distinct personal feel from start to finish. The arrangement blends classic blues textures with contemporary production, creating a sound that balances grit and intimacy.
The lyrics for “Burn Me Slow” were written by Carolina Fonson. Bacalhau also co-produced the track with longtime collaborator Budda Guedes, shaping a stripped-down but textured recording that emphasizes mood and feel.
During the mixing process, the track was submitted to acclaimed engineer and producer Tchad Blake through the Mix With The Masters platform for feedback. Bacalhau described the experience as a “career-highlight moment,” noting that Blake’s insights helped refine the song’s raw and minimalist energy.
“Burn Me Slow” represents the latest step forward for Bacalhau as he continues to develop his sound and expand his presence in the blues rock world.
🔥 Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands? 🔥 And who will dominate next month as Band of the Month on Metal Devastation Radio?
Last month’s winners, HETSHEADS , crushed the competition with a staggering 322,430 VOTES , claiming the title of Band of the Month on Metal Devastation Radio! You can check them out HERE !
This is the weekly championship edition of the Band Of The Month – Battle Of The Bands that we host every month on MDR!
How does it work? Every Monday, we launch a new poll featuring bands that submit music each week on metaldevastationradio.com. Voting runs until Friday at 9PM EST .
Each Friday night , at the start of The Zach Moonshine Show , I’ll be spinning the Top Six weekly winners , and announcing the #1 band of the week live on air — getting thousands of listens on Mixcloud !
At the end of the month , all weekly votes are added up, and the band with the highest total votes becomes our Band of the Month !
Winning Band of the Month gets:
A featured post on our Facebook page, reaching thousands of fans
A front-page spotlight on metaldevastationradio.com , which pulls in hundreds of thousands of views every month
A free PR email blast from Metal Devastation PR, hitting 40,000+ contacts including labels, zines, stations, and more
Airplay every hour during general rotation
Tons of social media shares and exposure across our network
If you want the world to know who your band is, this is the easiest way to make it happen!
💥 Want in on the next battle? Comment below with your band name and we’ll add you to next week’s poll — or email me at zach@metaldevastationradio.com with “Battle Submission” in the subject line.
Bands can compete as many times as they want , and if you enter multiple weeks in the same month, your votes combine toward the Band of the Month title!
👇 Click on the bands below to vote as many times as you like, or add your own! Poll closes Friday, March 13th at 9PM EST !
Who Will Rise as This Week’s Champion on the MDR Battle Of The Bands?? 03/09/26 – 03/13/26
Phoenix groovers/thrashers INCITE are set to join DEATH ANGEL in support of their “Act III US Tour 2026” alongside VIO-LENCE. INCITE will be obliterating stages performing tracks taken from their critically acclaimed 2025 album Savage New Times, releasedvia Reigning Phoenix Music.
Frontman Richie Cavalera comments, “Metalheads we are beyond fired up to be touring with metal legends DEATH ANGEL and VIO-LENCE on the upcoming Act III US tour! We’ll be bringing our new album Savage New Times to the stage and to the pit for the first time since its release!!! Get those tickets today and get ready for an insane night of heavy metal.”
DEATH ANGEL “Act III” US Tour 2026 W. VIO-LENCE & INCITE Dates:
5/1 – Phoenix, AZ – Marquee Theater 5/3 – Oklahoma City, OK – Diamond Ballroom 5/5 – New Orleans, LA – House of Blues 5/7– Daytona, FL – Welcome To Rockville (not ACT III set) 5/10 – Charlotte, NC – The Underground 5/11 – Asheville, NC – Orange Peel 5/12 – Hobart, IN – Hobart Theater 5/13 – Columbus, OH – The King Of Clubs 5/14 – Detroit, MI – St Andrews Hall 5/15 – Sayreville, NJ – Starland Ballroom 5/16 – Norwalk, CT – District Music Hall 5/19 – Wilmington, DE – The Queen 5/20 – New York, NY – Gramercy Theater 5/21 – Buffalo, NY – Electric City 5/22 – Allentown, PA – Archer Music Hall 5/24 – Baltimore, MD – Maryland Deathfest 5/27 – Atlanta, GA – Masquerade Hell 5/28 – Orlando, FL – The Abbey 5/29 – Ft Lauderdale, FL – Culture Room 5/30 – Tampa, FL – Orpheum 6/2 – Nashville, TN – Brooklyn Bowl 6/3 – Louisville, KY – Mercury Ballroom 6/5 – Milwaukee, WI – Milwaukee Metal Fest 6/6 – St Louis, MO – Red Flag 6/8 – Wichita, KS – Wave 6/9 – Greeley, CO – Moxi Theater 6/10 – Colorado Springs, CO – Black Sheep 6/11 – Salt Lake City, UT – The Complex 6/12 – Boise, ID – Shrine Ballroom 6/14 – Seattle, WA – Showbox 6/16 – Portland, OR – Hawthorne Theater 6/17– Sacramento, CA – Ace Of Spades 6/18 – San Luis Obispo, CA – Fremont Theater 6/19 – Santa Ana, CA – The Observatory 6/20 – Ventura, CA – Ventura Music Hall 6/21 – Santa Cruz, CA – The Catalyst
Savage New Times – Track Listing: 1. Lies 2. Feel This Shit (I’m Fired Up) 3. Just A Rat 4. Chucked Off 5. Doubts and the Fear 6. Dolores 7. No Mercy No Forgiveness 8. Used and Abused 9. Never Die Once 10. Savage New Times
Exceptionally wide and deep soundstage for the price
Smooth, refined tuning — free from the harsh "planar sheen" that plagues many competitors
Excellent timbre that sounds surprisingly natural for a planar driver
Comfortable for long listening sessions despite its larger-than-average shell
Striking, premium-looking design well above its price class
Cons:
Larger shell may not fit smaller ears — try before you buy if possible
No modular cable termination (stuck with 3.5mm SE only)
Lower mids can sound slightly scooped or thin on certain tracks
A treble peak around 7–9kHz can get sharp depending on tip choice and insertion depth
Accessories feel underwhelming for a ~$170 IEM — the case and cable are nothing special
Isolation is average due to multiple vents — not ideal for noisy commutes
What Is the Kiwi Ears Aether?
The Kiwi Ears Aether is a single planar magnetic driver in-ear monitor priced at $169.99 USD. Its headline feature is a 15.3mm planar driver—the largest ever put into an IEM at the time of its release, beating out the 14.5mm and 14.8mm drivers used by competitors like 7Hz and Hidizs.
On paper, bigger planar diaphragms should mean better bass authority and less distortion. The Aether was designed around a larger acoustic chamber and an improved ventilation system, both aimed at recreating the spaciousness you'd normally associate with open-back headphones, not earphones. It's a bold claim. Let's see how it holds up.
Unboxing
What's in the Box?
Kiwi Ears Aether
1 x 4-core copper cable
9 x pairs of ear tips (3S/3M/3L)
1 x Leather Carrying Case
Build Quality & Design
Pull the Aether out of its box, and your first reaction is probably going to be: "These look more expensive than $170."
The shell is made from medical-grade resin. It's smooth, lightweight, and completely free of sharp corners or uncomfortable seams. The faceplate is where the Aether really struts its stuff. It has a dark, fractured obsidian look, with subtle rainbow shimmer and glitter catching the light at different angles. A silver ridged frame wraps the faceplate like a watch bezel, and a "Kiwi Ears" logo sits centered over a faint starburst pattern under a clear acrylic gloss coat.
The nozzle is metal with a proper retaining lip to keep your ear tips from going walkabout. The 2-pin 0.78mm connectors feel solid and snug, with no wobble. The included cable is a soft 4-core copper—it's tangle-resistant, has minimal microphonics, and handles well. With that being said, it is not as nice as the cables Kiwi Ears includes with their more recent models, like the Orchestra II, and I found it to be on the flimsier side. It's also not modular, which isn't a dealbreaker but may require an extra adapter. I'd say the cable is the weakest point of the build quality, with everything else being quite good.
There are three vents near the 2-pin connector and one near the nozzle. These vents help reduce driver flex and ear pressure on insertion, which is a real comfort win. The tradeoff, as we'll get to, is that isolation takes a slight hit.
Overall, the build quality is excellent. The shell feels tough, the design is distinctive, and despite the larger-than-usual size, the whole unit feels refined.
Sound Quality
Source Pairing
Before diving in, the Aether is a planar driver, and like most planars, it does appreciate a bit more power than your standard dynamic driver earphone. It'll run off a phone, but you'll miss out on sub-bass depth and textural nuance. A decent USB dongle DAC/amp will make a noticeable difference. It's not demanding, but it rewards a proper source.
Bass
Sub-bass extension is far-reaching, mid-bass is punchy and textured without being bloated or boomy. For a planar driver, the bass is executed very well; there is a good sense of impact and texture to bassier tracks. 808s can be felt with a solid sense of rumble and punch.
The whole low-end presentation is quite good, but with that being said, this is a planar IEM, so it will be a little more tame than bassy v-shaped tunings with dynamic drivers.
Bass guitar and kick cut through the mix nicely, and deep synths have a sense of fullness. If you're a pure basshead who wants earth-shaking warmth and mid-bass bloom, the Aether isn't quite that—its bass is clean and controlled rather than meaty. But as far as planar IEMs go, the Aether is class-leading with its bass quality.
Midrange
The midrange is smooth, natural, and largely free of the forwardness or aggression that makes some planar IEMs exhausting to listen to. Vocals sit comfortably in the mix—present, clear, and unforced.
That said, there is a slight recession in the lower midrange that can make vocals on certain songs sound a touch thin. There is some planar timbre that can be noticed, though everything still sounds natural rather than metallic, as some other planar headphones can show.
The upper midrange is mostly well-behaved—female vocals come through with clarity and some forward presence without crossing into "shouty" territory. Overall, the mids on the Aether are very clean and smooth to listen to, making vocal-forward songs shine.
Treble
The treble is generally smooth and refined compared to the harsh, fatiguing highs that many budget planars struggle with. High-frequency extension is good, cymbals decay naturally, and there's a sense of air and sparkle in the top end.
Sibilance was not very noticeable, and these were mostly fatigue-free for me except for certain snare/cymbal hits on higher volumes. The Aether is much less sibilant than a lot of other planar configurations I've heard, and overall I think it captures a high-level of detail without crossing too far into sibilance.
Technical Performance
Let's talk about what makes the Aether special.
Timbre is one of the Aether's strongest arguments for existing. Most budget planar IEMs have what many people call "planar sheen"—a kind of metallic, slightly artificial edge to notes that makes instruments sound just a little off. The Aether largely avoids this. Notes sound grounded and organic, closer to how a dynamic driver represents instruments, while still retaining the speed and low-distortion character that makes planars appealing.
Soundstage is one of the Aether's standout features. It's wide—unusually wide— and it has real depth that creates a sense of front-to-back layering that most IEMs in this class simply don't pull off. You can feel music in 3D around your head when listening in a satisfying way. It's not perfectly holographic—height is less pronounced than width and depth—but the sheer sense of space is rare for $170.
Imaging is precise and accurate. Instruments are cleanly separated and well-placed within the stage. Layered arrangements like orchestras, complex metal mixes, and pop maintain clarity even when things get busy. Some very fine micro-positioning at the stage extremities is slightly less defined, but it's a minor critique in an otherwise strong technical package.
Comfort & Isolation
The Aether's shell is bigger than average. That's just the reality of housing a 15.3mm planar driver, and Kiwi Ears has done about as well as anyone could with the ergonomics. The smooth, rounded shape with no sharp edges means long listening sessions are comfortable for most ears. It never felt like it was weighing down my ears, despite its size, which is impressive.
The short nozzle aids in stability and fit, though the wider-than-average nozzle diameter (~6mm) can make achieving a deep seal a bit fiddly. If you have smaller ears, this is the IEM you really should try to demo before purchasing—it could be a great fit or a slightly awkward one depending on your ear anatomy.
Isolation is about average; the ventilation system that makes the Aether so comfortable to wear also lets outside noise in more than a sealed IEM would. Most listening is suitable, but in louder environments, you may notice the isolation.
Comparisons
Kiwi Ears Aether vs. 7Hz Timeless 2 (~$169)
The Timeless 2 is one of the most respected planar IEMs in this price class and comes with four swappable tuning nozzles for flexibility. In terms of detail retrieval and upper-range micro-detail, the Timeless 2 has a slight edge, and the Timeless 2 is also more neutral-leaning by default.
The Aether wins on soundstage width, bass authority and depth, and timbre naturalness. The Aether is also more comfortable for many people. If you want a more analytical, configurable IEM, the Timeless 2 is worth a serious look. If you want more immersion, warmer bass character, and an easier, more musical listen out of the box, the Aether is compelling.
Kiwi Ears Aether vs. Letshuoer S12 Pro (~$160)
The S12 Pro has been a community staple for a while now — full metal build, competitive detail, and a more V-shaped signature with extra treble sparkle. The Aether is smoother, more refined in the mids, and has a notably wider soundstage. The S12 Pro's harder, brighter character divides opinions; some love the excitement, others find it fatiguing. The Aether's build quality is arguably more premium-feeling in the hand despite the S12 Pro's metal shell.
For metal and high-energy genres where brightness and impact are desirable, the S12 Pro holds its own. For those prioritizing a smooth all-day listen with better soundstage performance, the Aether pulls ahead. The price difference is minimal — this one comes down almost entirely to tuning preference.
Kiwi Ears Aether vs. Hidizs MP145 (~$149–$169)
The MP145 is another big-driver planar contender, famous for its massive 14.5mm driver and wide soundstage. Like the Aether, it targets the open-back headphone experience in an IEM format. The MP145 is tunable via nozzles, which gives it flexibility the Aether doesn't have.
However, the MP145 has been criticized for a more aggressive, harsh V-shape that can be fatiguing. Its imaging and stage are impressive, but the tonality takes more work to tame. The Aether is simply smoother and more versatile out of the box, especially for genres outside of EDM and electronic music where that V-shape tends to work best.
Final Verdict
The Kiwi Ears Aether isn't a perfect IEM—nothing at $170 is. The slightly thinned lower mids and the lacking stock cable are worth noting before purchase.
But here's the thing: the Aether nails the what matters most in a planar IEM. It has exceptional bass for the technology, one of the widest soundstages in its price class, genuinely natural-sounding timbre, and a smooth, refined character that makes extended listening sessions a pleasure. It avoids most of the pitfalls that have held budget planars back for years.
If you've been burned by harsh or thin-sounding planars in the past, the Aether is the IEM that might actually change your mind about the format. And if you're just getting into the audiophile IEM game and want to try out a well executed planar earphone, these are a compelling option.
Three highly respected names from the death and black metal scene touring together—and especially coming to Finland—was something fans had been waiting for for a […]
Whitechapel are happy to announce their return to European shores in January 2027. The trek features them, Sylosis, 200 Stab Wounds and Tribal Gaze. Comments Whitechapel’s guitarist Alex Wade. “We are excited to announce the ‘Burn Forever European Tour 2027’. This will mark a long over due full European headline run featuring some of the sickest names in… Continue Reading →
