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  • Listening Now : Adam Jensen – Cellophane

    Adam Jensen’s Cellophane is a powerful alternative rock track that channels raw emotion through massive guitars, thunderous drums, and compelling songwriting. Embracing an organic, unpolished approach, the song captures the intensity of classic 90s rock while maintaining a contemporary edge. Jensen’s performance carries a sense of urgency that perfectly complements the track’s themes of confronting the weight of the past and the struggle to move forward. The production feels authentic and immediate, allowing every instrument to hit with maximum impact. Cellophane marks an impressive new chapter for Adam Jensen, showcasing both artistic growth and a fearless commitment to honest, guitar-driven rock music.

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  • Ok Goodnight – Stop/Go (2026)


    Stop/Go, the new album by Ok Goodnight, features ten tracks that effortlessly mix art rock, progressive metal, and alternative indie vibes. It explores themes like cause and effect, taking risks, and questioning free will. The record captures a sense of catharsis, embracing the complexity of human nature through emotions like fear, rage, joy, anxiety, and nostalgia.

    It consists of 10 tracks for 47 minutes of music. A strange and confusing start, before a super tasty combo bass/drums for the opener No Sound, a very peculiar one, amazingly performed by the band, with a few interesting changes. The following track, 22, was released as a single, and I love the mood (again, fantastic rhythm section), the catchy vocals, and the heavy finale. 

    Top of the Bottom is very intricate and technical, which reminded me of The Mars Volta. Fantastic song. More relaxed vibes for the following jazzy The Game, before turning into a prog one, with fantastic guitars.

    Among other songs, I love the moody Spiral, released as a single as well, the acoustic arrangement of Call Me Away, the nervousness-and-Broadway feel of The Show. Among the final tracks, the delicate (but intricate) The People, and the atmospheric finale of Where I’m From.

    Stop/Go is a super interesting album, very personal, eclectic, and with lots of original solutions. The production is perfect for the genre and the band’s performance is absolutely spot on. Give it a go by clicking on the Spotify player below and check out the Artist Website

  • Jethro Tull announce ‘J-Tull Dot Com: Another Cast Of The Net’; expanded reissue of their 1999 studio album

    Jethro Tull announce ‘J-Tull Dot Com: Another Cast Of The Net’; expanded reissue of their 1999 studio album, newly remixed by Bruce Soord


    JethroTull_JTullDotCom_AnotherCast_2LP_Digital_Cover.jpeg

     

    Jethro Tull & InsideOutMusic are pleased to announce the release of ‘J-Tull Dot Com: Another Cast Of The Net’ on the 14th August 2026. This package shines a new light on Jethro Tull’s 1999 album, newly remixed by Bruce Soord (The Pineapple Thief) in stereo and surround sound, including Dolby Atmos. Listen to the newly remixed version of album opener ‘Spiral’ here: https://www.youtube.com/watch?v=ZgwjpRkJkkw

     

    It will be available as a Ltd 3CD+Blu-ray set including the original mixes on CD1, the 2026 remixes on CD2, as well as a third disc of bonus material, including 6 completely unreleased studio tracks & 3 live recordings taken from the bands tour in 2000. The blu-ray features Dolby Atmos, 5.1 Surround Sound & 24bit stereo mixes of the main album, as well as 24bit stereo mixes of the bonus material (excl. live tracks). The package is completed by extensive liner notes by Martin Webb & archival photo material across 36-pages. 

      

    This will also mark the first time the album has been available on vinyl, with a Gatefold 180g 2LP + LP-booklet edition featuring the 2026 remix, plus studio bonus material. Watch a trailer for the release here: https://youtu.be/CTdVR7uHH4c?si=3oIhQJPIro4jTnSl

     

    The full contents is as follows:


    CD1: J-Tull Dot Com Original Mixes


    1 – Spiral     

    2 – Dot Com

    3 – AWOL    

    4 – Nothing @ All     

    5 – Wicked Windows           

    6 – Hunt By Numbers           

    7 – Hot Mango Flush            

    8 – El Niño           

    9 – Black Mamba     

    10 – Mango Surprise            

    11 – Bends Like A Willow     

    12 – Far Alaska        

    13 – The Dog-Ear Years        

    14 – A Gift Of Roses


    CD2: J-Tull Dot Com 2026 Remix by Bruce Soord


    CD3: Bonus Material


    1 – Aborted Soliloquy* 

    2 – Dot Com Acoustic* 

    3 – It All Trickles Down 

    4 – Recollection No 5* 

    5 – Pipes (Close To You)* 

    6 – Sad Suit* 

    7 – Stigmata* 

    8 – The Secret Language of Birds (2026 Remix) 

    9 – Hunt By Numbers (Live in Katowice, 2000)* 

    10 – Dot Com (Live in Katowice, 2000)* 

    11 – AWOL (Live in Katowice, 2000)* 


    *Previously unreleased


    Blu-ray:  J-Tull Dot Com – Dolby Atmos, 5.1 Surround Sound, 24bit Stereo Mixes 

    Bonus tracks (excl. live material) in 24bit stereo 

     

    Pre-order now here: https://jethrotullband.lnk.to/J-TullDotComAnotherCastOfTheNet-Album

     

    Released in 1999, ‘J‑Tull Dot Com’ captured Jethro Tull at a moment of reflection and reinvention, as the band engaged with the changing musical and technological landscape at the turn of the millennium. The album blends their unmistakable folk-rock and progressive roots with subtle contemporary production influences. The album featured the line-up of Ian Anderson , Martin Barre, Andrew Giddings, Doane Perry & Jonathan Noyce.

     

    JETHRO TULL ONLINE:

    http://jethrotull.com/

    https://www.facebook.com/officialjethrotull/

    https://twitter.com/jethrotull

    https://www.youtube.com/user/tullmanagement  

    https://www.instagram.com/jethrotull_/

     

     

    INSIDEOUTMUSIC ONLINE:

    www.insideoutmusic.com

    www.youtube.com/InsideOutMusicTV

    www.facebook.com/InsideOutMusic

    www.twitter.com/insideouteu

  • Listening Now : Mind Tides – Oasis in The Horizon

    Mind Tides’ Oasis in The Horizon is a captivating neo-psychedelic journey that blends dreamy indie textures with the laid-back spirit of surf rock. Built around hypnotic grooves, hazy guitars, and washed-out vocals, the track creates an immersive atmosphere that feels tailor-made for sunset drives and reflective moments. The band balances nostalgia and modernity with ease, drawing the listener into a warm, cinematic soundscape rich in melody and mood. Beneath its relaxed exterior lies a subtle sense of longing that gives the song emotional depth and direction. Oasis in The Horizon is an impressive introduction to Mind Tides’ debut album, showcasing both strong songwriting and a distinctive sonic identity.

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  • Listening Now : Thee Rat Catchers – Something in Your Ear

    Thee Rat Catchers’ Something In Your Ear is a blast of raw garage punk energy, fueled by infectious riffs, relentless momentum, and an unapologetically rebellious spirit. Blending garage rock grit with rockabilly swagger, the track delivers the kind of high-voltage performance that feels tailor-made for sweaty club floors and late-night jukebox sessions. The band captures a sense of urgency and excitement without sacrificing melody, resulting in a song that is both rough around the edges and instantly memorable. Packed with attitude and driven by a powerful groove, Something In Your Ear is pure garage-punk dynamite from start to finish.

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  • Slayyyter Had One Last Chance for Pop Stardom, and She Nailed It

    After a few attempts that didn’t fully connect, the St. Louis singer was ready to walk away, but not before making a raw album of thrashed pop, “Worst Girl in America.”
  • Moon Construction Kit – Down The West Coast

    Every once in a while, we all need to slow down the pace, play some relaxing music, and
  • Listening Now : Vincent Jarroux – Zombies (Radio Edit)

    Vincent Jarroux’s Zombies (Radio Edit) is an energetic and cinematic electronic track that successfully blends retro influences with contemporary production. Drawing inspiration from classic horror films and vintage gaming culture, the piece creates a vivid atmosphere through driving rhythms, dark synth textures, and carefully crafted melodic elements. Despite its compact radio format, the track retains a strong sense of progression and character, balancing nostalgia with modern club-oriented energy. The production is polished and immersive, reflecting a clear artistic vision and attention to detail. Zombies (Radio Edit) showcases Jarroux’s talent for transforming genre influences into an engaging electronic experience that feels both familiar and refreshingly current.

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  • Rivers of Nihil European Performances with Queensrÿche + Headline & Festival Dates Starts Today in Germany!

    – June 12th, 2026 –

    Band posts live performance video for “Hellbirds” – Watch HERE!

    Photo by Mike Trueheart

    Today officially kicks off the start of RIVERS OF NIHIL‘s 2026 European summer dates including shows in support of Queensrÿche along with headline and festival dates – the first being tonight in Köln, Germany with Queensrÿche at Essigfabrik and concluding on July 2 in Lindau, Germany at Club Vaudeville. The run also sees RIVERS OF NIHIL performing on stages at Into The Grave Fest (NL), Hellfest Fest (FR), Graspop Fest (BE), and Tuska Fest (FI). Full list of dates below.

    In honor of this tour, RIVERS OF NIHIL have posted a live video performance of “Hellbirds” shot at a sold-out Tavastia in Helsinki, Finland, March 16, 2025 from the band’s headline run. Watch HERE!

    The band comments; “This live version of ‘Hellbirds’ comes from our 2025 EU headlining tour with Cynic, Beyond Creation, and Daath. We had a blast headlining in Helsinki for the first time and we are looking forward to playing for all of you again in a few weeks at Tuska!

    RIVERS OF NIHIL Europe Summer 2026:
    06-12-26 DE Köln Essigfabrik w/ Queensrÿche
    06-13-26 DE Vechta Gulfhaus Headline Show
    06-14-26 NL Leeuwbergen Into The Grave Fest
    06-16-26 DE Hamburg Markthalle w/ Queensrÿche
    06-17-26 DE Frankfurt Batschkapp w/ Queensrÿche
    06-18-26 FR Clisson Hellfest Fest
    06-20-26 BE Dessel Graspop Fest
    06-22-26 GB Manchester Club Academy w/ Queensrÿche
    06-23-26 GB London Islington Assembly Hall w/ Queensrÿche
    06-25-26 PL Warsaw Hybrydy Headline Show
    06-26-26 LV Riga Melna Piektdiena Headline Show
    06-27-26 FI Helsinki Tuska Fest
    06-29-26 SE Gothenburg Monument Headline Show
    06-30-26 SE Lund Mejeriet w/ Queensrÿche
    07-01-26 DE Hannover Pavillon w/ Queensrÿche
    07-02-26 DE Lindau Club Vaudeville w/ Queensrÿche

    RIVERS OF NIHIL‘s eponymous fifth full-length, released on May 30th, 2025 via Metal Blade Records, reaped 2.8 million Spotify streams globally and toppled Billboard charts upon its first week of release earning the band’s self-titled release charting positions worldwide, along with plenty of accolades from press and influencers, which can be seen below.

    European Chart Entries from release day/week:
    #60 Official Top 100 Albums DE weekly
    #21 Official Top 100 Albums Downloaded DE weekly
    #22 Official Top 100 Albums Midweek DE weekly
    #9 iTunes Top 10 Albums AT daily
    #33 iTunes Top 100 Albums DE daily
    #87 Official Top 100 Albums CH weekly
    #12 Official Top 20 Rock/Metal Albums DE weekly
    #44 Official Top 75 Albums AT weekly

    USA – Billboard:
    #2 Current Hard Music Albums
    #7 Current Rock Albums
    #7 Independent Label Albums
    #9 Current Digital Albums
    #23 Current Album Sales

    Canada – Billboard:
    #1 Hard Music Albums
    #7 Current Digital Albums
    #8 Top Current Albums
    #23 LP Vinyl Sales

    Australian iTunes Entries from release day:
    #1 Metal Chart
    #7 Rock Chart
    #28 ALL Chart

    It’s not just album marketing speak to say that this genuinely feels like a new era for the band,” wrote Decibel Magazine. Blabbermouth concurred crowning the offering, “one of this year’s most unmissable metal (and prog) records… RIVERS OF NIHIL are beginning to sound unstoppable,” while Metal Injection lauded a record that’s, “sonically sound, emotionally poignant, experimental in the right places.”

    The praise didn’t stop here with outlets across the globe chiming in with their take on the band’s self-titled release. “RIVERS OF NIHIL dare to experiment, and it pays off” says Deaf Forever (Germany) who gave the release an 8/10 while Arrow Lords of Metal (Netherlands) gave the album a 9.5/10 stating “This is progressive death metal of the highest level!FUZE (Germany) said “For several years now, RIVERS OF NIHIL have stood for more than just progressive death metal, and with their self-titled album, they are pushing this development even further. Thus, this work perhaps lays the perfect foundation for what may yet come in the band’s hopefully long career.”

    Watch RIVERS OF NIHIL‘s videos for “House Of Light,” “American Death,” and “Water & TimeHERE.

    Find Rivers Of Nihil self-titled album at: metalblade.com/riversofnihil

    Monstrously beautiful, just like the cover of Dan Seagrave.” — 9/10 Rock Tribune (Belgium)

    …the foursome has revamped its concept: the vocals are more of a focus than on its direct predecessor, The Work. Biggs fires his brutal growls into the ether with even more power than Dieffenbach, but it is especially in the use of guitarist Andy Thomas’s clean vocals that Rivers Of Nihil surpasses all previous works… anthemic passages now form the highlights of the songs instead of being whispered timidly into the background… RIVERS OF NIHIL exchanges quiet moments for powerful sing-along elements, something rare in progressive music. The fifth album is therefore less complicated than its previous ones, even if the band by no means abandons technical death metal, but simply rethinks it – and successfully.” — Metal Hammer Germany

    The songs hit the mark relatively straight, with the pleasantly natural production potentially making the quartet’s actually quite new-school sound palatable to more traditional minds for the first time ever.” — Rock Hard Germany

    …this borders on the unbelievable! It is amazing how this album has grown over the last while here, from a puzzle to be solved to a picturesque sound palette where the weather changes every minute. It is as if every song passes by on a cloud, flowing, floating, but elusive. I can only recommend everyone to give this gem the time to discover the true masterful nature of this band, step by step and again and again. This is progressive death metal of the highest level!” — 9.5/10 Arrow Lords of Metal (Netherlands)

    This album isn’t a rebrand. It’s a reaffirmation. Of purpose. Of evolution. Of sheer goddamned power.” — Joedaly.com

    …since the band already stretched the innovative framework on ‘Where Owls Know My Name’ (2018), I am well prepared for what awaits. Then came ‘The Work’ (2021), which is the most solid offering of their career, where progressive courage met genre-defying integrity. What the Americans now present is enormously well-played and sophisticatedly seamless, but as a whole more of a competent effort… even the band’s lowest level is far above their colleagues in the same field.” — Sweden Rock Magazine

    RIVERS OF NIHIL:
    Adam Biggs – bass guitar, vocals
    Andy Thomas – guitar, vocals
    Brody Uttley – guitar, piano, keys, programming
    Jared Klein – drums, vocals

    https://www.facebook.com/riversofnihil
    https://x.com/riversofnihil
    https://www.instagram.com/riversofnihil
    https://www.youtube.com/Riversofnihilpa

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  • Listening Now : loserbirds – Too Bad

    loserbirds’ Too Bad is an honest and energetic alternative rock track that embraces authenticity over perfection. Recorded in a rehearsal space to capture the band’s natural chemistry, the song carries a raw immediacy that enhances its emotional impact. Distorted guitars, driving rhythms, and a straightforward approach to songwriting give the track a relatable and unpretentious character. Rather than relying on elaborate production, Too Bad succeeds through its genuine performance and strong sense of momentum. The result is a compelling rock song that feels personal and sincere, showcasing loserbirds’ ability to translate the energy of a live room into an engaging recorded experience.

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