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Baalzagoth announce “ruthless” new album ‘No God, No Savior’
Polish blackened death metal outfit Baalzagoth are set to return with what is being described as the most uncompromising release of their career. Their new album, No God, No Savior, is scheduled for release on 6th June 2026 via the underground label Putrid Cult, serving as a bleak manifesto of chaos, extremity, and total negation. … Continue reading Baalzagoth announce “ruthless” new album ‘No God, No Savior’ -
Faster Pussycat – Confirm 40th Anniversary European Shows
US veteran rockers Faster Pussycat are pleased to announce that they will be celebrating 40 years of existence with 2026 fall tour over the European lands featuring special guests Blacklist Union and Lorraine Lewis.
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Thætas – Will Put Second Full Length Next Month
New York-based brutal death metal purveyors Thætas will put out a new studio record, The Irredeemable Age, on June 26th via Profound Lore Records. Recorded by the band and Colin Marston. Mixed and mastered by Colin Marston.
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Acid Reign return with new single “Sorrowsworn” and album announcement
British thrash legends Acid Reign have officially kickstarted their 2026 campaign with the release of their brand-new single, “Sorrowsworn”. The track serves as the second taste of their upcoming fourth studio album, Daze Of The Week, which is set to arrive on 15th May via Back On Black. This marks the band’s first full-length offering … Continue reading Acid Reign return with new single “Sorrowsworn” and album announcement -
Motihari Brigade Fortunate Son Review
Motihari Brigade Fortunate Son Review
This song is a cover of the legendary explosive version of the Creedence Clearwater Revival classic “Fortunate Son.” It begins with a countdown, preparing the listener for what’s to come. The sound is rooted in classic rock, echoing the essence of a bygone era. This rendition preserves the energy of the original, evoking the feelings of freedom that only music from that time could provide. The Hammond organ creates an expansive sonic space, enhancing the overall experience. The guitars push forward energetically, while the drums provide powerful rhythms integral to the song’s drive.
Fantastic transitions and remarkable riffs punctuate the song throughout. Each element of production shines brilliantly, showcasing the band’s ability to breathe new life into a classic tune. The instruments, updated yet respectful of their origins, create a fresh take that does not strip the piece of its historical significance. The energy between the musicians is palpable, reflecting a chemistry that elevates the performance.
The song honors the original while maintaining its vibrant spirit from 1969. It’s a track that makes you want to raise your horns to the sky, infused with a sense of exultation. The band’s collective skill is evident, bringing depth and intensity to the sound that resonates well with audiences. This version of “Fortunate Son” has an energy that motivates and excites, successfully connecting the past with the present.
Fortunate Son – Sound and Atmosphere
Listening to this cover results in an energetic thrill that is hard to ignore. The group stands out as they embrace the roots of classic rock while adding their unique touch. It revitalizes the themes of rebellion and individuality inherent in the original song. The production quality is impressive, demonstrating a thoughtful approach to modernizing classic sounds.
The drumming in the song is particularly noteworthy, crafting vigorous beats that anchor the overall rhythm. The guitars are raw and robust, giving an edge that draws in listeners. The instrumentation is rich, inviting the audience to fully engage with the music.
This cover makes it clear that the band is well-versed in their craft. Their ability to blend modern elements with classic rock foundations shows versatility and respect for musical history. The song serves as a reminder of the enduring spirit of rock music. It’s an anthem of sorts that can resonate across generations.
Fortunate Son – Performance and Production
The overall ambiance created by this rendition invites sing-alongs and spirited interactions. It’s a feel-good track that can energize a crowd, perfect for live performances. Their tight harmonies and rhythmic unison demonstrate their shared passion for the genre.
For anyone seeking a vigorous musical experience, this cover of “Fortunate Son” is highly recommended. The band manages to capture the essence of the original while providing their interpretation. It is an act of respect and homage to a song that has stood the test of time. The listener is left wanting more after each play.
Pure Rock
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For fans of:
Creedence Clearwater Revival
The post Motihari Brigade Fortunate Son Review appeared first on Edgar Allan Poets – Noir Rock Band.
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All Things Go DC Announces 2026 Lineup
All Things Go DC returns to Merriweather Post Pavillion this September for its 12th year. Last week it was announced that Hayley Williams (“the Hayley Williams Show”) and Mitski would headline the three-day festival, and today the full lineup has been revealed, with notable inclusions like Ethel Cain, Zara Larsson, and Slayyyter.
The post All Things Go DC Announces 2026 Lineup appeared first on Stereogum.
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TERAMAZE return with cinematic new video “Enemy In The Garden”
Australian progressive metal band TERAMAZE is getting closer to releasing their 13th studio album, The Silent Architect, this Friday, May 8th, 2026, through Wells Music. It continues a prolific period for the band, with 8 releases since 2019, including two in 2024. Following two hard-hitting singles so far with “The Invisible Countdown,” “Mr. Crazy,” and “Arrow,” TERAMAZE now unveil “Enemy In The Garden,” the latest single from their upcoming album The Silent Architect.
Built around the timeless narrative of Adam and Eve, the track explores temptation and consequence through a modern progressive lens—balancing restraint with intensity. Featuring keyboardist Matt Guillory (James LaBrie), the song expands the band’s sonic depth while maintaining its core power.
Video directed by Wayne Joyner (Sevendust, Dream Theater, Alter Bridge). This is TERAMAZE at their most focused, cinematic, and deliberate.“The Silent Architect wouldn’t be lyrically and thematically complete without ‘Enemy in the Garden’. It drives the core themes in the album in the most potent way possible, reflecting our shortcomings back at us.” N Peachey | Vocalist
Watch the video for “Enemy in the Garden” here:
Pre-order ‘The Silent Architect’ here:
https://teramaze.com.au/shop/Tracklisting:
1.The Silent Architect 10:13
2.Doors of Yesterday 4:24
3.The Invisible Countdown 8:37
4.Mr Crazy 3:37
5.Arrow 4:50
6.Dust & Bone 4:24
7.Enemy In The Garden 8:30
8.Ghost Hands 5:25
9.Left In The Fire 11:56TERAMAZE is:
Dean Wells – Guitars / Vocals
Nathan Peachey – Vocals
Andrew Cameron – Bass Guitar
Nick Ross – Drums
The post TERAMAZE return with cinematic new video “Enemy In The Garden” appeared first on The Prog Report.
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Tree City USA Open Waters Review
Tree City USA Open Waters Review
An arpeggio opens this song, accompanied by a subtle banjo and bass. The moment the vocals enter, you realize the song will be quite emotional. It is a straightforward ballad that reaches your heart, dedicated to a devoted skateboarder and drummer who passed away.
What I appreciate about this song is its live recording in a room; the emotions are genuine. It is not one of those songs crafted from artificial intelligence and synthetic sounds. This song represents music meant to convey sincere emotions. You can feel that this band has chemistry when they play together. The acoustic version of this track showcases their affinity perfectly.
This minimalist song evokes memories of 1990s bands while delivering a rich emotional experience. The melody is intensely heartfelt, just like the lyrics. Maintaining high attention during a song with so few components is not easy, but these musicians succeed due to the strength and intensity of the melody.
Open Waters – Sound and Atmosphere
The production resonates with authenticity. The listener can sense the passion behind every strum. The banjo adds a unique texture, enriching the overall experience. These elements combine to create a sense of intimacy throughout the track.
The simplicity of the arrangement allows the lyrics to shine. As the song progresses, you are drawn deeper into the narrative it presents. Each note feels like a tribute to the skateboarder, painting a vivid picture of life and loss. The heartfelt delivery of the vocals enhances the emotional weight carried by the lyrics.
Open Waters – Performance and Production
Listeners can appreciate the genuine artistry present here. The decision to record live creates a raw edge that many polished tracks lack. This choice encapsulates the spirit of the band and their ability to convey authentic feelings through their music.
The structure of “Open Waters” stands out in a world filled with formulaic music. It challenges conventional song dynamics while inviting listeners to embrace a journey through sound. The narrative reaches deep inside, making you moveingly ponder loss and remembrance.
When you listen closely, the details come alive. Small nuances in the performance speak volumes, making this not just a song but a heartfelt reflection.
Simplicity does not equate to a lack of depth; rather, it allows the listener to focus on the core emotions. This simple yet powerful arrangement speaks volumes about the band’s understanding of their craft.
“Open Waters” illustrates how music can evoke emotions without needing elaborate production. It defies modern trends that often emphasize perfection over feeling. Instead, this track showcases the richness that can develop from heartfelt performance and honest songwriting.
Deep
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The post Tree City USA Open Waters Review appeared first on Edgar Allan Poets – Noir Rock Band.
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Master Massive – ‘Islands And Bells’ Song Streaming
To promote forthcoming White Shadows album release, due out on July 10th via Fireflash Records, Swedish power metal act Master Massive has shared a brand new single “Islands And Bells”.
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EXPLOSIVE RETRACTION: Eric Morotti Issues Public Apology to Suffocation Following Contentious Exit
LISTEN: Get Today’s Latest Metal News on the Loaded Radio Daily Podcast Report
CENTEREACH, NY — In a stunning reversal of last month’s “toxic” allegations, former Suffocation drummer Eric Morotti has issued a formal public apology to his former bandmates. After a decade as the rhythmic engine for the Long Island death metal pioneers, Morotti’s return from a touring stint with Sanguisugabogg has brought a significant shift in tone, moving from incendiary accusations to a plea for professional reconciliation and a total retraction of his previous statements regarding the band’s internal culture.
TL;DR: The Key Takeaways
- The Retraction: Eric Morotti has officially apologized for using “hurtful and disrespectful” language during his exit from Suffocation.
- The Dispute: While Morotti initially claimed he quit due to a toxic environment, Suffocation countered that he was fired over scheduling conflicts with Sanguisugabogg.
- The Reconciliation: Morotti now refers to his former bandmates as “brothers” and expresses regret for how he handled the public fallout, emphasizing a desire to move forward with professionalism.
The Fallout: Accusations of “Toxic” Environments
The friction began in April 2026 when Morotti took to social media to announce he was leaving Suffocation to “prolong his health” and maintain his “integrity.” His initial statement was a scorched-earth critique of the band’s internal dynamics, where he claimed he could no longer work with “toxic, abusive drug addicts.” The impact was immediate, threatening to tarnish the nearly 40-year legacy of one of death metal’s most respected institutions. The extreme metal community was left reeling, as Morotti had been a stable and highly respected member of the lineup for ten years.
Suffocation was quick to respond, refuting Morotti’s narrative with a statement of their own that painted a very different picture of the split. The band clarified that the drummer had not resigned of his own volition but was instead terminated by the group. They cited insurmountable scheduling conflicts stemming from Morotti’s role as a touring drummer for Sanguisugabogg, suggesting that his original “incendiary” post was an emotional reaction to the news of his firing rather than a proactive moral stand.
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Eric Morotti’s Road to Redemption
After several weeks of silence while on the road, Morotti has returned home with a completely different perspective. In a new statement, he took full responsibility for the “hurtful” nature of his previous communications, acknowledging that his delivery lacked the professionalism expected of a veteran musician. The drummer noted that the time away allowed him to reflect on the impact of his words, not just on the band members themselves, but on the massive fanbase that has supported Suffocation since the late 1980s.
“Now that I’ve returned home from tour, I want to address my post about Suffocation, and sincerely apologize for how I handled things,” Morotti stated. “I used language that was hurtful and disrespectful, and I regret that. I should have communicated it without attacking or speaking negatively about others.”
He emphasized that his goal is to move forward with “more respect, clarity, and professionalism,” signaling a desire to close the chapter on a positive note. For a drummer who spent a full decade contributing to the band’s technical evolution and live intensity, the apology serves as a vital step in preserving his standing within the tight-knit global metal community.
“I take responsibility for my words and understand the impact they can have—not just on the people involved, but on everyone who follows and supports me. That’s not how I want to represent myself,” he continued.
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Mending Fences in the Death Metal Community
The apology further emphasized his desire to move forward with a focus on professionalism, acknowledging the impact his words had on both the band and the fans who have supported him over the last decade. He concluded his statement by reaffirming his love for the members of Suffocation, calling them “brothers” and expressing gratitude for the albums and tours they shared during their ten-year run together.
“I wish them nothing but the best and am very grateful for the tours, albums, experience I had with them. I love them all sincerely like brothers.”
This reconciliatory tone is a far cry from the “abusive” label used just weeks prior. While the professional split remains permanent—and the band moves forward with their current touring plans—this public olive branch likely preserves the legacy of Morotti’s ten-year tenure. Fans of Suffocation can now look back at his contribution to the band’s sound, including his work on their recent critically acclaimed releases, without the cloud of a bitter, unresolved feud hanging over the music.
The Future for Suffocation and Eric Morotti
While the apology mends some of the reputational damage, the professional split remains final. Suffocation continues to move forward as leaders of the New York death metal scene, maintaining a rigorous schedule that demands absolute commitment from their rhythm section. The band’s ability to weather such a public storm and remain focused on their craft is a testament to the iron-clad foundation built by the original members decades ago.
Morotti, meanwhile, remains a high-demand talent in the scene. His work with Sanguisugabogg has been met with critical acclaim, and his ability to tackle the most demanding drum parts in the genre ensures he will not be absent from the stage for long. The death metal community often sees these types of high-pressure departures, but it is rare to see such a candid and humble reversal so shortly after the fact. As of now, Suffocation has not issued a public response to the apology, though the cooling of public tensions suggests that both parties are ready to let the music speak for itself.
FAQ: Eric Morotti & Suffocation Split
- Why did Eric Morotti leave Suffocation? Initially claiming a “toxic” environment, the band revealed he was actually fired due to scheduling conflicts with Sanguisugabogg.
- What was Eric Morotti’s apology? He expressed deep regret for using “hurtful and disrespectful” language and reaffirmed his love for the band as “brothers.”
- Is Eric Morotti still drumming for Sanguisugabogg? Yes, Morotti continues to serve as a touring drummer for the rising death metal act.
Band Bio: Suffocation
Suffocation is a legendary New York death metal band formed in 1988 in Centereach, Long Island. Known for inventing the “slam” subgenre and their extreme technical proficiency, they remain a cornerstone of the global metal scene with a career spanning over three decades and multiple landmark albums such as Effigy of the Forgotten.
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