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  • SAMANTHA FISH Shares Smoldering New Single “Don’t Say It” Featuring THE MCCRARY SISTERS

    Following her eighth triumphant appearance at the New Orleans Jazz & Heritage Festival, acclaimed guitarist and songwriter Samantha Fish has released “Don’t Say It,” the latest single from her forthcoming live album, Paper Doll Live, due Friday June 12th via Rounder Records.

    Fish’s first official live album, Paper Doll Live captures the electrifying stage presence that has made her one of the most compelling performers in modern blues and roots music. Recorded at the historic Bijou Theatre, the album documents a band firing on all cylinders in front of a packed crowd, elevated by the soaring harmonies of Nashville gospel legends The McCrary Sisters.

    “‘Don’t Say It’ is one of those songs that builds gradually — a slow-burn reveal where one person is fighting for the validity of a relationship while the other is emotionally checked out,” says Fish. “It was incredible having the McCrary Sisters on this track. They weave in and out of the harmonies and add so much heart and depth.”

    The two-time GRAMMY nominee has built her reputation the old-school way: onstage, with a live show critics have called “wild, raunchy… an absolute must-see” (Louder Than War) and praised for its “savage guitar work and commanding stage presence” (Blues Rock Review). Paper Doll Live captures that energy in full force — raw, immediate, and impossible to fake.

    From towering performances of “Lose You” and “Sweet Southern Sounds” to a blistering rendition of the MC5’s “Kick Out the Jams,” the album highlights a band fully immersed in the moment — unfiltered, ferocious, and deeply connected to its audience.

    “There’s a fire that comes across in live performance that doesn’t always translate in studio albums,” Fish says. “The stage lays all of that bare.”

    Emerging from Kansas City’s blues lineage and shaped by influences ranging from Prince and Leonard Cohen to the legends of Mississippi Hill Country blues, Fish has spent her career turning live performance into both proving ground and catharsis. From cold-calling bars as a teenager to headlining international festivals, she has forged a live show that balances grit, vulnerability, and explosive musicianship.

    “If Paper Doll was a declaration of artistic power,” Fish says, “Paper Doll Live is the sound of that power unleashed.”

    With Paper Doll Live, Samantha Fish delivers more than a concert recording — she captures the visceral connection that has made her one of the most celebrated live performers in contemporary roots music today.

    Tour Dates and Ticket Information Available Here:

    5.14 Marion, IL Marion – Cultural & Civic Center
    5.16 Welch, MN – Treasure Island Casino**
    5.17 Des Plaines, IL – The Des Plaines Theatre
    5.19 Warrendale, PA – Jergel’s Rhythm Grille
    5.20 State College, PA – The State Theatre
    5.21 Troy, NY – Troy Savings Bank Music Hall
    5.22 Ledyard, CT – Foxwoods Resort Casino **
    5.23 Beverly, MA – The Cabot
    5.24 Nashua, NH – Nashua Center for the Arts
    5.27 Patchogue, NJ – Patchogue Theatre
    5.28 Syracuse, NY – Westcott Theater
    5.29 Lebanon, NH – Levanon Opera House
    5.30 Augusta, NJ – Michael Arnone’s Crawfish Fest
    5.31 Buffalo, NY – Babeville
    6.19 Grolloo, Netherlands – Holland Intl Blues Festival
    6.20 Dortmund, Germany – Musiktheater Piano
    6.21 Chiari, Italy – Istituto Salesiaino “San Bernadino”
    6.23 Loceri, Italy – Parco Urbano
    6.25 Rubigen, Switzerland – Muhle Hunziken
    6.27 Vienne, France – Jazz a Vienne
    6.28 Erlangen, Germany – E-Werk Kino
    6.30 Mannheim, Germany – 7er-Club
    7.01 Aschaffenburg, Germany – Colos-Saal
    7.02 Hamburg, Germany – Fabrik
    7.04 Helsinki – Puisto Blues
    7.07 Warszawa, Poland – Klub Hydrozagadka
    7.08 Gdynia, PL – Podeorko Art
    9.18-19 Telluride, CO – Telluride Blues & Brews Fest
    10.31 West Hollywood, CA – Whisky A Go Go***

    **w/Christone “Kingfish” Ingram

    ***w/Jesse Dayton

    The post SAMANTHA FISH Shares Smoldering New Single “Don’t Say It” Featuring THE MCCRARY SISTERS appeared first on Sonic Perspectives.

  • Breaking Benjamin Release New Single “Something Wicked”

    HARD ROCK GIANTS BREAKING BENJAMIN

    RELEASE NEW SINGLE “SOMETHING WICKED” SIGNALING THE NEXT CHAPTER FOR THE BAND

     

    PERFORMED LIVE THIS PAST WEEKEND TO MASSIVE CROWN AT WELCOME TO ROCKVILLE

     

    CATCH BREAKING BENJAMIN ON THE ROAD THIS FALL WITH SUPPORT FROM CHEVELLE, STARSET AND KAMI KEHOE

     

    Hard rock giants Breaking Benjamin are back with a brooding and haunting new single, “Something Wicked”, signaling the latest chapter for the band and the tease of a forthcoming full-length album. Marked by their signature blend of atmospheric tension, thunderous instrumentation, and raw emotional weight, the track finds the band pushing deeper into their darker sonic territory while staying rooted in the sound that has defined them for years. Debuted live for the first time this past weekend at Welcome to Rockville, “Something Wicked” builds from a simmering, introspective opening into a powerful, anthemic crescendo, showcasing frontman Benjamin Burnley’s unmistakable vocals as they shift between vulnerable restraint and explosive intensity.

     

     

    Breaking Benjamin adds “Something Wicked is a quick look into our influences both musically and thematically.  We challenged ourselves especially hard on this record and on this song. We pushed every boundary we’ve previously had as far as it will go, then pushed a little more. Something Wicked was the result.”

     

    Upon releasing their first single in five years back in 2024, “Awaken” quickly shot to #1 on the Rock Digital Songs charts and landed in the Top 20 on multiple additional Billboard charts including Hot Hard Rock SongsDigital Song SalesHot Alternative Songs and Hard Rock Songs. The single has also since surpassed 117M streams globally.

     

    Breaking Benjamin are no strangers to the upper echelons of the rock charts. Since bursting onto the scene with 2002’s Saturate, the band has amassed an impressive string of mainstream rock radio hits, with ten songs hitting #1, numerous platinum and multi-platinum songs and albums8.5 billion combined streams worldwide and a social imprint of over 6.5 million, a true testament to the band’s global influence and loyal fan base.

     

    Breaking Benjamin’s studio album, EMBER debuted at #3 on the Billboard Top 200 and marked the multi-platinum band’s fourth Top 5 debut on the Billboard Top 200, following 2015’s #1 debut for DARK BEFORE DAWN (Gold), 2009’s DEAR AGONY (Platinum) at #4 and 2006’s PHOBIA (Platinum) at #2. EMBER spun off two #1 hits at Active Rock Radio with “Red Cold River” and “Torn in Two.” AURORA and EMBER charted Top 10 across numerous countries worldwide and topped #1 charts across multiple genres, including Top Alternative AlbumsTop Rock AlbumsTop Hard Rock Albums and Top Digital Albums.

     

    The massive US Fall tour is kicking off in Camden, New Jersey on September 2 before wrapping up the shows in Bristow, Virginia in late October featuring support from ChevelleStarset and Kami Kehoe. For ticket details, visit: https://www.breakingbenjamin.com/#tour

     

    Breaking Benjamin is Benjamin Burnley (vocals), Aaron Bruch (bass/backing vocals), Keith Wallen (guitar/backing vocals), and Jasen Rauch (guitar).

    Connect with Breaking Benjamin:

    Website | Instagram | X | Facebook | TikTok | YouTube | Spotify

    The post Breaking Benjamin Release New Single “Something Wicked” appeared first on Mayhem Music Magazine.

  • THIN LIZZY’s Self-Titled Debut Turns Deluxe

    THIN LIZZY’s Self-Titled Debut Turns Deluxe

    Some artists arrange their reissues chronologically; others try to adhere to anniversary schedules; for THIN LIZZY, it’s been all over the place. Not counting the extravaganza, the band began presenting their albums in deluxe editions with in 2023 before jumping … Continue reading

    The post THIN LIZZY’s Self-Titled Debut Turns Deluxe appeared first on DMME.net.

  • HELLRIPPER Premiere Exclusive Zeke Covers EP via the Decibel Flexi Series!

    Scottish speed/black metal merchant James McBain dropped his latest Hellripper album, Coronach back in March and it’s already one of our favorite releases of 2026. And if you’re anything like us, you can’t get enough of his Bathory-meets-Midnight approach to the genres. Well, you’re in luck because the Decibel Flexi Series is brining you even more Hellripper in the form of a pair of Zeke covers as an exclusive new single!

    So stream Hellripper’s take on “Let’s Get Drugs” and “Mainline” below and then make sure to snag your copy of the June issue of Decibel, which includes this exclusive piece of floppy vinyl.You don’t have much time before this offer is shot, so don’t blow it!

    The post HELLRIPPER Premiere Exclusive Zeke Covers EP via the Decibel Flexi Series! appeared first on Decibel Magazine.

  • AN NCS PREMIERE: VERDUN — “LA LAME ET LA CHAIR”

    (written by Islander) On June 26th of this year Transcending Obscurity Records will release the third album by the French band Verdun, and their first one in a long seven years. Its name is Abyssal Womb. As the label describes, it represents an evolution of the band’s music into “a form of blackened sludge with […]

    The post AN NCS PREMIERE: VERDUN — “LA LAME ET LA CHAIR” appeared first on NO CLEAN SINGING.

  • NUNO BETTENCOURT On EXTREME’s Upcoming Album: “We Cracked The F***ing Code. It Only Took 40 Years”

    Extreme guitarist Nuno Bettencourt spoke with Eddie Trunk at the Monsters Of Rock 2026 festival on April 4 in São Paulo, Brazil, and came with things to say about the band’s forthcoming seventh studio album — the follow-up to 2023’s Six. Spoiler: he’s a fan.

    Bettencourt said (transcribed by Blabbermouth): “We’re still finishing the recording. We just wrapped up some drums. Gary‘s [Cherone, Extreme singer] on deck, Pat‘s [Badger, Extreme bassist] on deck. But as far as the songs, we got a great crop of, like, 20 songs to choose from. And we’re pumped.”

    Bettencourt continued: “Look, every band’s gonna tell you their next album’s [the best one]: ‘Wait till you hear it. It’s unbelievable.’ But no, we’re actually authentically excited. One of the things that we noticed after doing ‘Six’, and in rock and roll in general, it’s a bit of a famine out there when it comes to new albums, especially from bands from our generation. So we wanted to really do a ‘rock rock’ album.

    Extreme has always been very known for being kind of eclectic, and we always take left and right turns. And we kind of sat down and we said, ‘What if we just do an AC/DC record, a Van Halen record?’ Not like them, but they always did… Not that there’s no ballads, but it’s, like, let’s just keep pouncing and pounding. So we’re excited. It’s a true rock and roll album, and it’s nonstop. And we’re super pumped about it, super excited.”

    As for when to expect the thing, Bettencourt told Trunk: “What we’re trying to do is we’re hoping to drop the album — it probably has to be towards the end of the year, but we’re hoping to do a single per run, like maybe for the summer, for the Def Leppard [European] tour, maybe in June drop our first single, maybe for the Mötley [Crüe U.S. tour] drop a second single, just to get things excited.”

    Then Bettencourt went full press conference — the kind that makes you wonder if the album can possibly live up to the buildup: “It’s time for the fucking Super Bowl for us for real, as a band. And this album — I told the [other] guys [in the band], ‘This album is everything for us. It’s everything. This is our career. The whole thing is this next fucking album.’ So we have an opportunity to do something for ourselves — not for anybody else, for ourselves — and raise that fucking bar for ourselves and let everybody know that we are a rock band.”

    He continued: “I’m telling you right now — I never get excited about anything, I don’t brag about anything, I don’t talk about stuff, but I cannot wait to play you [the new songs]. Honestly, I think we did something on this album that is so much better than the last album. And what I mean by that is that we cracked the fucking code. It only took 40 years, but we cracked the code. And what I mean by that is I said to myself, ‘You know what? If I could go back in time to Extreme playing clubs before they had a record deal… and now it’s 2026, what is that version, the back-to-the-future version but the modern bitchslap, heavy, punch-somebody-in-the-fucking-balls funk version of Extreme, the authentic Extreme that you’ve heard nobody else do it this way, that’s what we’re [doing on this new album].’”

    Bettencourt added: “We are so excited, like little giddy children that wrote some music. And not like, ‘Man, you watch what we’re gonna do.’ I don’t give a fuck if nobody likes it. I’m just telling you that it’s the best thing that we can do that might be one of the best things we’ve ever done, I think, because of the passion and because of where we are in our lives going, like, who the fuck gets a chance, a second chance to have a second go-around… just for doing it for the love of it.”

    Six (2023, earMUSIC) was Extreme‘s first studio album since 2008, debuting at No. 10 on Billboard’s Top Album Sales chart. Bettencourt has since cemented his profile further with a widely praised appearance at Ozzy Osbourne‘s “Back To The Beginning” farewell concert and serving as music director and guitarist at the 2025 MTV VMAs, delivering a tribute to Osbourne alongside Steven Tyler, Joe Perry, and Yungblud.

    The post NUNO BETTENCOURT On EXTREME’s Upcoming Album: “We Cracked The F***ing Code. It Only Took 40 Years” appeared first on Sonic Perspectives.

  • Torpor (POL) – Debut Studio Record Detailed

    Speed/black metal trio Torpor (POL) has revealed details and first single in connection with their debut full-length announcement. Entitled Dungeon Descent, it will be set free on the 24th of July, 2026 through Dying Victims Productions.
    Read more…
  • The Velvet Lies Macabre Masquerade Review

    The Velvet Lies Macabre Masquerade Review

    “Macabre Masquerade” instantly resonates with intensity. From the start, it welcomes the listener with a rhythm reminiscent of a Valkyrie ride. This introduction transports one into a dark realm, reminiscent of a horde of skeletal figures and zombies advancing ominously. The atmosphere is thick and unsettling, generating a sense of dread and intrigue.

    The Velvet Lies Macabre Masquerade

    The vocal performance is particularly striking. The raw, gritty growl is distinctive, setting the band’s metal sound apart from others. This voice evokes an otherworldly feel, suggesting it comes from beyond, drawing listeners deeper into an underground abyss. It resonates with a bleak authenticity that enhances the song’s atmosphere.

    The rhythmic structure of the track is engaging. There are moments where the music slows down, providing a chance to breathe before the intensity resumes. This dynamic approach adds depth to the experience. The listener is kept on edge, anticipating the next surge of sound.

    Macabre Masquerade – Sound and Atmosphere

    At around one minute and thirty seconds into the song, an atmospheric ambiance emerges. This poignant shift creates a space for a beautiful guitar solo that follows. The solo is both ancestral and technical, featuring rapid passages that evoke a sense of ritual. This portion characterizes the band’s artistry and technical skill.

    The blend of various elements forms a seamless narrative of darkness and tension. Each section contributes to the overarching theme, culminating in an ending that feels climactic and haunting. The final moments conclude with a chilling scream, compelling the audience to press play once more. It does not merely finish.

    The overall composition of “Macabre Masquerade” reflects a deep understanding of musicality and atmosphere. The band successfully conveys a message through its sound, leaving the listener with a lingering sense of mystique and intrigue. This single stands out as a remarkable addition to their discography, effectively showcasing their unique identity within the metal genre.

    Macabre Masquerade – Performance and Production

    The amalgamation of haunting melodies and aggressive instrumentation creates tension throughout the song. The heavy use of growls juxtaposed with melodic passages has a striking effect, showcasing the band’s versatility. This dynamic interplay keeps the listener engaged from start to finish.

    The clarity of each instrument adds to the sinister feel of the track. This level of craftsmanship allows each element to shine. The mix feels both raw and polished, enhancing the emotional impact of the music.

    “Macabre Masquerade” is a formidable single that encapsulates the essence of The Velvet Lies. It excels in merging emotion with intensity, offering more than mere entertainment. This track deserves recognition as a significant contribution to the metal genre.

    It’s a beautiful, if unsettling, exploration of dark themes that does not shy away from intensity. Each listen reveals new layers, inviting repeated engagement and exploration.

    While it may not be for the faint of heart, those with an appreciation for unique metal forms will find much to love here. The Velvet Lies have solidified their place within the scene with this evocative piece, ensuring listeners will eagerly anticipate their next release.



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    Find The Velvet Lies here:
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    The post The Velvet Lies Macabre Masquerade Review appeared first on Edgar Allan Poets – Noir Rock Band.