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  • SAXON – Ανακοίνωσαν το 25ο studio άλμπουμ “Gods of Thunder”

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  • Magboots – As If

     

    Swedish heavy hitters Magboots make a massive first impression with their debut single, “Liquid Plasma.” Dripping in stoner rock heritage and fuzz-drenched desert vibes, the track channels the high-octane spirit of icons like Kyuss, Fu Manchu, and Queens of the Stone Age. Lyrically tackling the frustration of feeling trapped and the refusal to back down, it’s a fierce, uncompromising anthem.

    Musically, “Liquid Plasma” is a total powerhouse. The riffs are colossal, backed by a fantastic rhythm section that keeps the groove thunderous throughout. Add in energetic, hook-filled vocals and some wildly inspired guitar work, and you get a quality, high-octane track that commands you to turn the volume all the way up.

    Give it a go by clicking on the Spotify player below and follow Magboots if you like what you hear.

  • Soul Monkey Breed – Buried Truth


    Soul Monkey Breed is made up of five seasoned musicians with years of experience in diverse musical and studio projects. Their live shows blend fresh interpretations of well-known and lesser-known blues and rock tunes from artists like Richie Kotzen, Simon McBride, Kaiser Franz Josef, and Stevie Salas. Rather than sticking to the classic rock formula, they bring a modern, unique twist, led by a one-of-a-kind voice, energetic rhythm guitars, and, above all, groove, with a touch of blues, plenty of rock, and hints of funk and pop.

    “Buried Truth” their new song, hits hard! Recorded live at Palma Music Studios with René Shades (Pretty Maids) co-producing, this track is packed with nasty riffs, super sticky vocal hooks, and huge energy. It’s loud, raw, and catchy as hell. You’ll be tapping your foot and blasting this one on repeat from the second it starts.

    The song is part of the playlist Rock Rotation. Give it a go by clicking on the Spotify player below and follow the band if you like what you hear. 

    https://instagram.com/soulmonkeybreed/
    https://facebook.com/people/Soul-Monkey-Breed/61576870246814/
  • 1919 Announce ‘Last Dance Of The Departed / Satellite Man’ 7″

    1919 have teamed up with Brighton indie label Engineer Records to release “Last Dance of the Departed”: the
  • Interview with Chaosbay

    Chaosbay is a progressive metalcore band from Germany, and we had the pleasure of chatting with them after their show at Wacken Open Air.

    Benedetta

    I’m here with the amazing Chaosbay. How are you doing, guys?

    Chaosbay

    Very good. We just finished our show and it was exciting.

    Benedetta

    So, you just played the 35th anniversary edition of Wacken Open Air. How does it feel?

    Chaosbay

    Very good, very good. It’s funny because our new single is called “How Does It Make You Feel?” And you just asked this question. It was very fun. The audience was nice, security was nice, everybody was nice. Nice show.

    Benedetta

    You have a lot of experience in playing live shows, but also you have experience in making music. Do you think that the life of an artist is a lonely life?

    Chaosbay

    It can be lonely at some point because when everybody else is partying and connecting to each other, we are the ones who are on stage entertaining those people. And when we are ready with the work, when the job is done, everybody else is already gone. But I think it depends on the situation. You are always with people even though you are working with them. And you can also use the time at work to have a good time. You can drink beer, you can talk to people, you can have fun. So, it’s a little bit of both.

    Benedetta

    Do you think that we will ever have some equality between men and women in the metal world?

    Chaosbay

    I think we will. And I hope we will even more. Because there is still a lot to do in this field. It depends very much on the festival booking side, I have to say. And also media and everyone has to promote being a female musician too. So, these two forces have to really get something going. I think we will reach that and I hope we will soon. I also see the potential in reaching equality. When it comes to music festivals and the production of a music festival and the kind of money that has to be made, I think we are still in the age of male dominance when it comes to selling tickets. But with the latest development and also the general zeitgeist, I think we are going to reach this goal. And it’s already happening.

    Benedetta

    Thank you so much for doing this interview with me! Is there anything else you’d like to add to our readers?

    Chaosbay

    No, thank you for having us.

    The post Interview with Chaosbay first appeared on FemMetal – Goddesses of Metal.

  • Metal Hammer’s tracks of the week: September 4 2026

    September is here! Today sees the release of the new records by Chat Pile, Sleep and President, kicking off a real rush for the Autumn release calendar. The next few weeks look pretty stacked for new releases, so we’re here yet again with a round-up for this week’s best new metal songs.

    Speaking of which, the results of last week’s vote! There were some big names in the running last week, but as ever that isn’t always enough to sway your vote on what songs excite you most. Amon Amarth galloped into third place with Eight Legs Of Thunder, but were beat by a hair by black metallers I Helvete. Our overall winners for the week however were In This Moment, the industrial/metalcore mash-up of I Want To Believe taking the crown.

    As ever we’ve got a diverse selection for your listening pleasure this week, from sludge to black metal, alternative to death metal. Check out the selection of new songs below, and don’t forget to vote for your favourite – the big end of year lists are just around the corner now!

    A divider for Metal Hammer

    Blue Medusa – Crocodile

    Alissa White-Gluz might’ve teased that she could go proggier with Blue Medusa when speaking to Hammer earlier this year, but Crocodile is pure annihilating force. Slaughter Of The Soul-style melodeath, it gallops in at thrashy pace and hits like a speeding cement mixer. For all the ferocity, Alissa doesn’t do away with melody entirely – there are some great cleans in the chorus and little quirky sonic asides that show this project is looking to do something different. Keep your eyes out for their debut next year, we reckon.

    Fear Factory – Roboticist

    It’s been a funny few years to be a fan of Fear Factory. The departure of Burton C. Bell in 2020 shook the band up immensely, and even with new vocalist Milo Silvestro joining in 2023 and the band heading out on tour, it was hard to imagine what new material would sound like. Turns out, pretty much the same as the old material. Sounding like they’ve got a fire lit under their arses, Roboticist delivers well on FF’s foundational sound with gattle-gun beats and a relentless sense of force. Silverstro sounds more like Robb Flynn than Bell, but the difference is negligible – if you’re a diehard fan of the band, it’s hard to see you not loving this.

    Evanescence – Tell Me When You’ve Had Enough

    Picking up where 2021’s The Bitter Truth left off, Evanescence’s new album Sanctuary is as fired up as we’ve ever heard the band. Don’t believe us? Check out new single Tell Me When You’ve Had Enough, a slick and hard-hitting track that proves not only did Amy Lee and co. survive nu metal, but they don’t need to look back to create something vital and powerful. Vive le Evanaissance.

    Blind Channel – Stars We See

    So your singer quit to make Rasmus-y pop rock with, erm, one of the blokes from The Rasmus. What’s a band to do? If you’re Blind Channel, you knuckle down and lean in on your metalcore elements and kick out a few bangers. That’s where the Finnish band are at with Stars We See, at least, an emotional track that brings to mind the arena-sized singalongs of Architects. It might lack the nu metal bounce of their last album, but it suggests the band are starting fresh on new album Painstream (out October 30).

    Lacey Sturm – Forever & Ever (feat. Lindsay Stirling)

    Lacey Sturm’s been kept busy with Flyleaf in recent years, but clearly not so much that she hasn’t had time to hit the studio and make new songs. Forever & Ever sees Sturm reunite with violinist Lindsay Stirling, the pair having worked together on 2023’s Kenotic Metanoia. With Eastern European-like folk melodies and thumping, hefty guitar lines, it’s a track that has great – and dramatic – sonic range, proving that even with her return to Flyleaf, Sturm isn’t abandoning the work she’s done since.

    Saxon – Gods Of Thunder

    Saxon have been kicking out heavy metal tunes for over half a century and they’re not about to stop now. Unlike many of their contemporaries who are slowing down on releases, the boys from Barnsley are keeping up the pace with Gods Of Thunder coming on January 22. Lead single – and title track – Gods Of Thunder is very much Saxon as we know and love them, an implacable march with some howling guitars laid atop like sonic ballista.

    Boss Keloid – Landslide

    Given how much of stoner rock is dedicated to mind-altering substances, the amount of novel invention remains disappointingly low. That is, until you get to Boss Keloid – the UK’s answer to the cosmic sludge of Mastodon. Landslide is a typically dextrous and trippy track, chucking up delightful, stompy riffs in a 9-and-a-bit-minute epic that feels like a full sonic journey in itself. New album Float & Aperture is due October 23.

    Hansen – Wait And See

    Considering he’s best known for his work with Helloween, you might be surprised at the sound of Kai Hansen’s Wait And See. There’s no power metal nor fantasy themes in sight (though we do detect a little of the iconic Halloween theme in the keys). Instead the track has the slick, almost industrial tone of turn-of-the-millennium metal (though crucially, not nu metal) with a massive riff front and centre and an irresistible beat that’ll make you want to headbang, mosh or just shake your ass. Hansen’s new album Born With A Hammer is out September 18.

    Illan Kaapan – The Rising Tide / Keeps Me Alive

    Sri Lanka isn’t an obvious hotbed for hardcore, or maybe it is and we’re just idiots for overlooking it. That’s the prevailing thought after hearing Illan Kaapan this week, the Aussie/Sri Lankan band putting out easily one of the most refreshing beatdown tracks we’ve heard in a while in The Rising Tide / Keeps Me Alive. Put it down to the frantic, tribe-like drums that skitter beneath the lumbering riffs, or just that this track swings like its got wrecking balls for arms. New EP Undeniable is out now and if it’s half as ferocious as this, we could be looking at new stars of the scene.

    Jasmeno – His Rebirth (ft. Bart Krysiuk)

    What the hell can you classify something like Jasmeno’s His Rebirth as? Doom metal, prog, symphonic… there’s little bits of all of the above and more crammed into the song’s five minutes and 39 seconds. It’s wild and unique, droning vocals suddenly meeting cosmic synths, which give way to gorgeous, glorious guitar solos. The Polish band’s new album Assemblage of Cinematic Idioms is out next week (September 11) and we reckon you need to hear it.

    Nails – Dollar Bin Generation

    Need a palate cleanser after that absolute headfuck? Leave it to Nails, the grindcore brutes dropping a surprise double-single this week and serving up no frills nastiness that’ll put a massive grin on your face. It’s fast, it’s hard, it’s heavy… it’s Nails.

    Love Sex Machine – The Herd

    Oppressive and menacing like a bad neighbourhood given a nervous system, Love Sex Machine’s The Herd is exactly the kind of song you don’t want to listen to when walking home alone at night. Set somewhere between industrial (albeit Godflesh/Ministry’s end of the spectrum – no dancing here!) and sludge it’s a real brute of a track.

  • Miley Returns Without the Cyrus, and 8 Other Songs to Hear Now

    Miley Cyrus wants to dance, underscores revels in hyperpop jump cuts, the producer Dahi enlists Kendrick Lamar and more.
  • 34 Albums and Shows to Look Forward to This Fall: Charli XCX to Riley Green

    Some of pop’s highest-wattage stars (Charli XCX! Sombr!) hit the road, and artists including Riley Green, Miranda Lambert and Victoria Monét prepare anticipated new releases.
  • Showing Teeth – ‘A Fate Worse Than Loneliness’

    It’s a dream, or maybe a nightmare. You’ve just spent your weekend at the dentist, resulting in an unforeseen, and rather painful repair that leaves you feeling under the weather. Then, you receive a call, it’s from your editor. You really must cover the debut EP from an exciting new artist. Their name, Showing Teeth. Will this ironic twist of fate leave you smiling, or will you have to grin and bear it?

    Buzz surrounds Showing Teeth, despite having released just two singles they opened for Bring Me The Horizon on their ‘Count Your Blessings’ Anniversary shows. ‘A Fate Worse Than Loneliness’ has to justify that excitement. Let’s be clear, it does. In effect the seven tracks are a showreel saying this is what we can do.

    It’s not hard to see why everyone is so excited; vocalist Addison is a TikTok sensation. There’s some debate if her name is an alias but her 2023 videos of her singing in the car went viral. The reason, her voice is stunning. Not only can she sing but her screams vary in style and intensity. This incredible style places her in the pantheon of metal vocalists alongside Poppy and Courtney LaPlante. That good.

    On this EP she collaborated with multi-instrumentalist Zach Munowitz, Periphery drummer Matt Halpern and producer Dan Book. The resulting music is both thrilling and absolutely crushing. Each song has its own feel and style but the combination of sounds is impressive as it is intense.

    The opener ‘Bad Exchanges’ is the kind of metal Knocked Loose make, layering breakdown-upon-breakdown-upon-breakdown. It’s a muscular song that uses buzzsaw, wasplike guitar parts to create a sound so violent and aggressive that the actual breakdown feels like a reprieve. Never mind it leaving you grinning, you might need novocaine.

    While the two previously released songs offer a twist on the same style, each has their own distinct features. The thudding guitar tone and pig squeals on ‘Rip’ feel dangerous while ‘Labyrinth’ uses a djent guitar style and high, slightly processed singing to give it a modern metal edge. Both feel urgent, grubby and remarkably on-pulse.

    Excitingly, they explore other styles. With its groove riffs, electronic verses and big chorus ‘Make It Out’ is a great slice of modern alt-metal. However, the highlight proves to be the blistering ‘Shallow Grave’ which blends these ideas into a crushing song about self-reflection. Indeed, the EP’s title and lyrical tone reference the so-called ‘loneliness epidemic’, capturing the cultural moment with its the meme-adjacent EP cover featuring a yawning kitten with sharp teeth. It’s a brilliant image, capturing a wry sense of humour and conveying the band’s modern sensibilities.

    The closing track ‘Paradigm’ offers something different. Piano-based, in a style reminiscent of Flyleaf, it drifts on a melody until its clicking, shifting drum loop, contorts it into a huge arena-filling ballad, proving their scope matches their ambitions.

    The hype is justified. ‘A Fate Worse Than Loneliness’ isn’t just Showing Teeth, it’s baring fangs. It’s audio dentistry: Skilful, painless, and will leave you grinning from ear to ear.

    IAN KENWORTHY