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  • PRADHE UNLEASHES NEW ALBUM SIX TIMES OUT NOW – @thebeast



    FOR IMMEDIATE RELEASE
    PRADHE UNLEASHES NEW ALBUM SIX TIMES OUT NOW

    Italian One-Man Melodic Death Metal Project Delivers an Uncompromising Journey Through Humanity’s Darkest Truths

    Stream & download https://pradhe.bandcamp.com/album/six-times-hd
    Italian melodic death metal project Pradhe has officially released its latest full-length album, Six Times , available now on Bandcamp and YouTube , with streaming services to follow once distribution quality assurance is complete.
    Founded in 2022 by multi-instrumentalist Matteo Nunziati , Pradhe is a one-man metal project rooted in melodic death metal while embracing elements of progressive metal, gothic doom, and atmospheric songwriting. Every instrument, vocal performance, programmed drum track, mix, and master on Six Times was crafted entirely by Nunziati, resulting in a deeply personal and uncompromising artistic statement.
    While listeners may hear echoes of Insomnium, Opeth, and Dark Tranquillity, Pradhe also draws inspiration from the melancholic atmospheres of Paradise Lost and My Dying Bride. The result is a sound that balances memorable melodies, progressive arrangements, crushing heaviness, and emotional depth.
    Reflecting on the creative process behind the album, Nunziati explains:
    “Surely the most free of constraints I’ve done ever. Everything can be metal with the right attitude and guitar amplifier.”
    Rather than telling one continuous story, Six Times explores the darker realities of modern society through individual snapshots of human behavior. The lyrics confront the erosion of empathy, the pursuit of power, and the everyday decisions that reveal humanity’s capacity for cruelty.
    Musically, the album embraces diversity without abandoning its melodic death metal foundation. Blistering riffs and aggressive passages give way to progressive detours, haunting atmospheres, and doom-infused moments that blur the boundaries between multiple styles of heavy music. Throughout the record, Pradhe remains guided by the belief that metal has no creative limitations when driven by strong songwriting.
    Adding another layer of authenticity, the album’s cover artwork incorporates a wartime manifest from Belgium. Ambient sounds featured in “Over My Cold Ashes” were created by kyles , with original source credits available through the band’s official website. The lyrics for “No Seasons in Hell” are adapted from biblical scripture.
    Raw, introspective, and unafraid to challenge convention, Six Times marks another bold step forward for Pradhe, showcasing the creative freedom of an independent artist driven by passion rather than conformity.
    Out Now

    For Fans Of

    Insomnium • Opeth • Dark Tranquillity • Paradise Lost • My Dying Bride
    Credits

    All music, lyrics, performances, programmed drums, mixing, and mastering by Matteo Nunziati (Pradhe) .
    Cover artwork incorporates a wartime manifest from Belgium.
    Ambient sounds featured in “Over My Cold Ashes” by kyles .
    Lyrics for “No Seasons in Hell” adapted from biblical scripture.
    Independent release.


    Connect:
    https://www.pradhe.band
    https://www.instagram.com/pradheband/
    https://www.youtube.com/channel/UCouapdDOlarUzHdsWbm9Mow
    https://pradhe.bandcamp.com
    https://open.spotify.com/artist/0uZwF70jRl5eiWfCwUdz5z
    https://music.apple.com/us/artist/pradhe/1708972373
    Contact: info@pradhe.band
  • INSANIA.11 Release New Album Il mondo aldilà

    Italian extreme metal act INSANIA.11 have released their new concept album, Il mondo aldilà, now available on all major digital platforms. Physical copies can be purchased via the band’s Bandcamp page. Il mondo aldilà opens the door to a dystopian universe where technological progress has imposed a rigid discipline upon humanity, reducing human beings to […]

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  • Empress Of Announces New Album Dream House: Hear “Wild Storm”

    In the time since her 2024 album For Your Consideration, Empress Of’s family home in California burned down in the Altadena fires. She grappled with the tragedy on last year’s “Blasting Through The Speakers” and March’s “Dream House,” and now the singer-songwriter is announcing her new LP called Dream House.

    The post Empress Of Announces New Album <em>Dream House</em>: Hear “Wild Storm” appeared first on Stereogum.

  • “I just couldn’t relate to him at all. I could see that he was thinking, Who is this weird guy?” When David Bowie and Bruce Springsteen first met in 1974, it did not go well at all

    In 1973, David Bowie discovered Bruce Springsteen via the New Jersey singer/songwriter’s debut album, Greetings from Asbury Park, N.J, and liked what he heard, to the extent that he decided to cover not one, but two, songs from the record.

    In November ’73, during the early sessions for Diamond Dogs, Bowie recorded a version of Growin’ Up with The Faces’ (and future Rolling Stone) Ronnie Wood on guitar, and a year later, while recording at Sigma Sound Studios in Philadelphia for what became his Young Americans album, the English star taped a version of the closing track on Greetings…. It’s Hard To Be A Saint In The City. A DJ who’d been supportive of Bowie’s past releases was invited to drop into Sigma Sound to hear the work-in-progress, and when Bowie mentioned that he was recording a Springsteen cover, the DJ asked, “Do you want me to get Bruce down?”

    Calls were duly made, and Springsteen took a Greyhound bus down to Philadelphia to hang out, arriving on the morning of November 25, at around 1am. The 25-year-old American was doubtless bemused to find that Bowie wasn’t actually there when he arrived… and perhaps even more bemused when the English star showed up an hour later “out of my wig”, as Bowie later admitted, with a hint of embarrassment, in a 1987 interview with Musician magazine.

    Joking with writer Scott Isler, Bowie said he “vaguely remembered” Springsteen’s visit, and added, “I remember chickening out of playing [It’s Hard To Be A Saint…] I didn’t want to play it to him ’cause I wasn’t happy with it anyway.”

    “I used to go and see him,” Bowie continued. “I hated him as a solo artist, when he came on and did this Bob Dylan thing. It was awful, so cringe-making. He’d sit there with his guitar and be folky, have these slow philosophical raps in between the songs. As soon as the band came on, it was like a different performer and he was just marvelous.”

    Of the night itself, Bowie admitted, “I just couldn’t relate to him at all. It was a bad time for us to have met. I could see that he was thinking, ‘Who is this weird guy?’ And I was thinking, What do I say to normal people? There was a real impasse.”

    Springsteen departed at around 5am, right around the time, according to an onlooker, that Bowie started banging on about UFOs: the young American didn’t get to hear his song. In fact, Bowie’s version of It’s Hard To Be A Saint In The City remained unreleased until it surfaced on the Sound + Vision box set in 1989. His take on Growin’ Up emerged on the Ryko reissue of Pin Ups and, subsequently, on the 30th anniversary reissue of Diamond Dogs.

  • Sweden’s KONGH Return with New Album “Dissolved in Time” and First Single “Staining the Ether”!

    After nearly a decade of silence, Swedish sludge/doom metal heavyweights KONGH return with “Staining the Ether”, the first single and lyric video taken from their long-awaited fourth full-length album, “Dissolved in Time”, due for release on September 25 via Trust No One Recordings. Between 2007 and 2013, KONGH released three critically acclaimed albums that established the band as one of Sweden’s most distinctive […]

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  • Matt Law Made Up Construct Review

    Matt Law Made Up Construct Review

    The song begins with a driving rhythm that draws listeners in with its refined and alternative vibes. The music envelops you, creating an experience that merges elegance with an easygoing feel, while addressing profound themes. Matt Law’s single “Made Up Construct” delves into the philosophical notion of humans’ constant quest for meaning and connection. The lyrics engage with our tendency to make everything revolve around our personal experiences.

    Matt Law Made Up Construct

    The architect behind this musical project, Matt Law, has collaborated with talented musicians such as drummer Taylor Whyte, bassist Alex Duncan, rhythm guitarist Kian Carrol, and lead guitarist Morgan Flanagan. This group shares a strong chemistry, enhancing their creative output. The synergy among the band members fosters a unique vision that sets their music apart.

    The sound is intriguing and never overwhelming. It reaches listeners as gently as snow falls on a field. Yet, like snow altering the landscape, this track has the capacity to transform your surroundings. For a moment, you might feel as if you have stumbled upon an old, yellowed Polaroid that brings forth distant memories. This ability to evoke nostalgia adds to the overall depth of the song.

    Made Up Construct – Sound and Atmosphere

    Law’s exploration of existential themes is thought-provoking and relatable. The lyrics challenge listeners to reflect on their interactions and relationships with the world. It’s a call to reconsider our positions and the stories we create. The music progresses fluidly, resonating with those who often find themselves questioning the meaning behind their experiences.

    Taylor Whyte’s drumming lays a solid foundation, propelling the song forward with each beat. His rhythmic patterns enhance the dynamic feel of the track. Alex Duncan’s bass work provides a warm, grounding undertone. The bassline supports the melody while ensuring the overall sound remains richly textured.

    Kian Carrol’s rhythm guitar introduces an engaging harmonic layer, integrating with the rest of the instrumentation. Morgan Flanagan’s lead guitar takes listeners on a journey through melodic highs and lows.

    Made Up Construct – Performance and Production

    This collaboration results in a well-crafted piece of art that invites listeners to immerse themselves completely. They have evidently poured their hearts into this project, allowing for an authentic expression of their collective vision.

    The song gently nudges you to contemplate significant questions about identity and connection. Its reflective quality makes it applicable to various life situations.

    “Made Up Construct” is an enriching experience that intertwines a profound message with elegant musicality. This blend creates an inviting atmosphere, making it easy for listeners to lose themselves in the music while simultaneously pondering their own realities.

    Matt Law and his band have crafted a beautiful song that deserves to be heard.



    Philosophic

    🔥 If you love this music: Discover More


    Find Matt Law here:
    Spotify | Instagram

    The post Matt Law Made Up Construct Review appeared first on Edgar Allan Poets – Noir Rock Band.

  • Brandon Flowers – “Plans”

    He’s gone country! Killers frontman Brandon Flowers revealed this week that he went to Nashville and tapped into the country music tradition for his new solo album Thrasher. To my colleague Tom Breihan, the music in the album trailer sounded like a Killers song with more pedal steel, but I was pretty taken aback by how much it resembled a country ballad from the old-time Nashville studio system. Now there’s a single that continues to up the twang quotient.

    The post Brandon Flowers – “Plans” appeared first on Stereogum.

  • Swedish Thrashers DEAD SLEEP Premiere “Leech from Čachtice” Music Video; “Repulsion” EP Out Now

    Swedish thrash metal band Dead Sleep have officially released their new EP, Repulsion, alongside a brand-new music video for “Leech from Čachtice”, the final chapter in the band’s recent string of singles. Watch the video here: https://www.youtube.com/watch?v=oZq8eo4ovQ8 ”Leech from Čachtice is a mix between early hard rock riffs from the likes of Accept and Ozzy Osbourne, mixed with filthy Death […]

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  • JP2 Enter Sandman Review

    JP2 Enter Sandman Review

    Tackling a legendary song like “Enter Sandman” by Metallica is no easy feat, but this artist has shown the courage to create their own version. From the very beginning, the introduction of this rendition feels softer than the original, establishing a different atmosphere. As the track builds up, it captures the essence of the original while incorporating distinct sounds and subtle variations that lend it a more alternative nature.

    JP2 Enter Sandman

    When the vocals enter, the vision of the song becomes truly intriguing. One can envision a vocal line crafted by Alice in Chains fitting into Metallica’s framework. The harmonic variation in the vocals is innovative, enhanced by backing vocals that add depth and interest. This version takes on a rock character that moves away from metal influences, incorporating alternative and grunge vibes. The guitar solo also introduces progressive elements that coexist effortlessly within the arrangement.

    While the song maintains its original structure, it is the unique sonic blend that transforms the experience. The chorus, in this new interpretation, veers closer to the style of bands like Foo Fighters or Weezer. This song reflects an artistic vision, demonstrating that the artist possesses a deep understanding of music and enjoys experimenting with their interpretation of familiar sounds.

    Enter Sandman – Sound and Atmosphere

    The daring nature of this rendition invites comparisons not just to its predecessor, but also to the broader rock and alternative landscape. Each decision in the arrangement reveals a thoughtful approach to reimagining a classic. The softer opening creates anticipation, drawing listeners in with its distinct charm. As tensions rise, the transition to heavier sections maintains the energy essential to “Enter Sandman,” yet the artist’s personal touch offers a refreshing take.

    This version manages to respect the essence of Metallica while clearly carving out its own identity. The harmonic progressions and vocal treatments elevate the song beyond mere imitation. The artist’s willingness to explore different textures leads to a fascinating interpretation that resonates with both nostalgia and modernity.

    In breaking away from the original’s heavy metal aesthetic, the artist effectively blends genres. The influence of grunge, layered with rock elements, creates a multi-faceted listening experience. The instrumentation plays a critical role, infusing the work with a lively spirit that enhances its overall appeal.

    Enter Sandman – Performance and Production

    Listeners familiar with “Enter Sandman” may initially feel a sense of trepidation. However, the reimagining becomes an invitation to explore what lies beneath the surface. Each note feels deliberate, as if the artist is sharing a personal journey through sound. By integrating back vocals into the fray, the song flourishes, adding richness and complexity that make it a standout rendition.

    The artistic journey from beginning to end reveals a commitment to honoring the past and embracing the present. The artist aims to make this rendition a living piece of art, not just an echo of the original.

    The choice to maintain the structure of “Enter Sandman” while altering the instrumentation and vocal delivery paves the way for new interpretations. By navigating familiar territory with fresh ideas, this version stands as a distinct representation of the artist’s bold approach to music.

    The artist’s interpretation of “Enter Sandman” is an exploration of musical boundaries. They have successfully created a version that invites admiration and fresh listening experiences. While it pays homage to Metallica, it blossoms into something much more.



    Visionary

    🔥 If you love this music: Discover More


    Find JP2 here:
    Spotify | Instagram
    For fans of:

    Metallica • Alice in Chains • Foo Fighters • Weezer


    The post JP2 Enter Sandman Review appeared first on Edgar Allan Poets – Noir Rock Band.