Blog

Modern metal sensation Dominum has unveiled another taste of their upcoming album "Night Is Calling," set for release on 3rd July via Napalm Records. The infectious anthem, entitled "Doctor Doctor," is driven by crushing riffs and irresistible hooks, showcasing the band’s signature blend of theatrical horror themes and massive sing-along choruse… Read More/Discuss on Metal Underground.com

Chart-topping German symphonic metal icons Xandria will release their new studio album, "Eclipse," on August 7, 2026, via Napalm Records. The upcoming full-length features eleven tracks that represent the most diverse body of work in the band’s discography so far: every song has its own identity—a journey full of discoveries—yet they all belong to … Read More/Discuss on Metal Underground.com

Posted on May 7th 2026, 5:46p.m.

 

KOE WETZEL DELIVERS THE NIGHT CHAMPION
WILDLY AWAITED SIXTH STUDIO ALBUM ARRIVES JUNE 12

“Hurts Like You” Available Everywhere This Friday, May 8

The Night Champion World Tour Already Underway…
50+ Dates Spanning U.S., Canada & Australia

 

Koe Wetzel didn’t have a master plan, beyond play loud, play hard – and hopefully have a place to sleep – when he began chasing music in Texas’s roughest bars and roadhouses, then Oklahoma, Arizona, Colorado and beyond. Little more than a decade later, the hard-charging performer/songwriter finds himself as a force for the music industry, even more than the law, to reckon with.

After his Gold-certified 9 Lives delivered a five-week No. 1 and the most played song at Country radio in 2025 with “High Road,” Wetzel returns with The Night Champion. Capturing the aftermath of a wild run, it delivers all the signature force, punch and ragged details people expect, tempered by the clarity that comes with surviving it. Set for release June 12 via Columbia Records, the album is available to pre-order / pre-save HERE.

 

Turning chaos, excess and hard-earned perspective into something built to endure, The Night Champion fuses all that’s happened since Wetzel first hit the road with a van and the drive to see how far he could take it. He didn’t foresee sold-out arenas across the U.S., Europe and Australia, a headlining turn in front of 70,000+ at the Houston Rodeo and award nominations spanning both country and rock; but those things sharpened the contrast between where he started and where he realized he could go.

“It’s a continuation of 9 Lives, from that record to now,” Wetzel offers of the follow-up to his globally connecting release. “Really, it’s everything that’s happened – because you don’t go from kids playing for beer to headlining Red Rocks, arenas all over the country, partying and trying to make sense of it all and not shift. My head space is clearer now. I can look back, see how it fits together. It doesn’t make sense, exactly, but it all happened. That search for what it all means keeps bringing me back.”

That tension sits at the heart of the new record, moving between hard-edged rock and wide-open, desolate ballads, balancing the chaos that defined his early years with a perspective that only comes from living through it. Feeling like both reckoning and release, the album grounds in the reality of all the things Wetzel’s outlasted. “It’s crazy I’m not in jail or dead as hard as I went these last 15 years,” he marvels. “Right now, I’m the best version of myself I’ve ever been. I survived the night side of me. I’m coming out of it a champion. That’s the essence of the record.”

Across The Night Champion, that reality plays out in full. It echoes on the muscular “Time Goes On,” weighing what was, what could’ve been and what’s happened since he was a kid who didn’t know better, shooting out the lights and living a reckless life on the edge. On the jaggedly propulsive “Hurts Like You,” arriving this Friday, May 8, Wetzel offers the raw intensity fans expect, but with a vulnerability and surrender to desires that cut you open.

“It’s kind of where I am now: an edgy roughness to all the songs that doesn’t give a fuck, but there’s a tenderness to it, too,” he explains. “Whatever happens, I’m man enough to deal, but the focus and headspace have shifted; I’ve grown up and become okay with looking back.”

Written beyond the confines of rigid sessions, leaning into his instincts rather than schedule, The Night Champion reflects his continuing creative growth. “You’ve gotta go in and get the music behind the feeling,” Wetzel explains. “When you force it, people feel it. I know what I want to say now, where the songs should go, and I want them to come from a space, not an appointment.”

Whether fans were there from those first nights in Texas, the wake of his indie breakout Noise Complaint or found the music during last year’s radio rush, The Night Champion is built to offer a sense of all the phases as it brings the disparate audiences together. “I’m not torn between the worlds,” Wetzel says of the convergence. “This is where all the fans meet. No matter when they got here, this is that moment.”

Pollstar’s “firebrand live sensation” is bringing the new music to fans across the globe with The Night Champion World Tour, his 50+ headlining shows slated for the U.S., Canda and Australia. Shane Smith & The Saints, Ole 60, Wyatt Flores, Corey Kent, Wade Bowen, Bayker Blankenship, Kolby Cooper and Logan Jahnke join as support in varying combinations.

For more information, visit KoeWetzelMusic.com.

The Night Champion World Tour Dates
Support Details Available via KoeWetzelMusic.com
May 5 | Sydney, N.S.W (Australia) | Enmore Theatre
May 9 | Brisbane, Qld. (Australia) | Fortitude Music Hall
July 8 | Edmonton, Alb. (Canada) | Rogers Place
July 10 | Penticton, B.C. (Canada) | South Okanagan Event Center
July 11 | Abbotsford, B.C. (Canada) | Abbotsford Centre
July 23 | Nampa, Idaho | Ford Idaho Center Amphitheater
July 24 | Stateline, Nev. | Lake Tahoe Amphitheatre at Caesars Republic
July 25 | Las Vegas, Nev. | The Theater at Virgin Hotels Las Vegas
July 30 | Airway Heights, Wash. | Northern Quest Casino
July 31 | Bend, Ore. | Hayden Homes Amphitheater
Aug. 1 | Tacoma, Wash. | Dune Peninsula
Aug. 6 | Bonner Springs, Kan. | Azura Amphitheater
Aug. 7 | Evansville, Ind. | Ford Center
Aug. 8 | Nashville, Tenn. | Bridgestone Arena
Aug. 12 | New York, N.Y. | Pier 17
Aug. 13 | Reading, Pa. | Santander Arena
Aug. 14 | Gilford, N.H. | BankNH Pavilion
Aug. 19 | Boston, Mass. | Leader Bank Pavilion
Aug. 20 | Washington, D.C. | The Anthem
Aug. 21 | Pittsburgh, Pa. | Petersen Events Center
Aug. 26 | Buffalo, N.Y. | Outer Harbor Live at Terminal B
Aug. 27 | Cleveland, Ohio | Wolstein Center
Aug. 28 | Rochester Hills, Mich. | Meadow Brook Amphitheatre
Sept. 3 | Austin, Texas | Moody Center
Sept. 4 | Baton Rouge, La. | Raising Cane’s River Center
Sept. 5 | Bossier City, La. | Brookshire Grocery Arena
Sept. 10 | Knoxville, Tenn. | Thompson-Boling Arena at Food City Center
Sept. 11 | Greensboro, N.C. | First Horizon Coliseum
Sept. 12 | Wilmington, N.C. | Live Oak Bank Pavilion
Sept. 17 | Alpharetta, Ga. | Ameris Bank Amphitheatre
Sept. 18 | Columbia, S.C. | Colonial Life Arena
Sept. 19 | Richmond, Va. | Virginia Credit Union LIVE!
Sept. 24 | Pikeville, Ky. | Appalachian Wireless Arena
Sept. 25 | Huntsville, Ala. | The Orion Amphitheater
Sept. 26 | Brandon, Miss. | Brandon Amphitheater
Sept. 30 | Rogers, Ark. | The Walmart AMP
Oct. 1 | North Little Rock, Ark. | Simmons Bank Arena
Oct. 2 | Tulsa, Okla. | BOK Center
Oct. 3 | Wichita, Kan. | INTRUST Bank Arena
Oct. 8 | Chicago, Ill. | Salt Shed Fairgrounds
Oct. 9 | Fishers, Ind. | Fishers Event Center
Oct. 10 | Milwaukee, Wis. | Fiserv Forum
Oct. 28 | Morrison, Colo. | Red Rocks Amphitheatre
Oct. 30 | Lubbock, Texas | Cook’s Garage

Additional Live Shows
May 15 | Los Ranchos de Albuquerque, N.M. | Boots in the Park
May 30 | Panama City Beach, Fla. | Gulf Coast Jam
June 12 | Del Mar, Calif. | San Diego County Fair
June 14 | Santa Rosa, Calif. | Country Summer Music Festival
June 20 | Lewisburg, W.Va. | Wild Trails Festival
June 27 | Ashland, Neb. | Country Drive Music Festival
July 3 | Winnipeg, Man. (Canada) | Country Thunder Winnipeg
July 16 | Eau Claire, Wis. | Country Jam USA
July 17 | Manchester, Iowa | Delaware County Fair
Aug. 15 | Montreal, Que. (Canada) | Lasso
Aug. 22 | Lima, Ohio | Allen County Fair
Aug. 29 | Lucknow, Ont. (Canada) | Lucknow’s Music in the Fields
Oct. 16 | Salt Lake City, Utah | Red West Music Festival
Oct. 18 | Tucson, Ariz. | Boots in the Park
Nov. 20 | St. Petersburg, Fla. | St. Pete Country Fest

 

 

Follow on TikTok @Koe_Wetzel and on Instagram and Facebook @KoeWetzelMusic.

The post Koe Wetzel’s To Release Sixth Studio Album “THE NIGHT CHAMPION” appeared first on Mayhem Music Magazine.

Khemmis are unveiling a brand new single/video, “Beneath The Scythe”. The track is taken off their forthcoming self-titled full-length, set to land in stores on June 12th. Footage curated and edited by Dave Small.
Read more…

There’s a common misconception from readers of this fine blog that we writers are well-versed, well-traveled, and have kept abreast of all the happenings and goings-on within the world of our favorite genre of music. I hate to pop your bubble gum, but that’s wildly untrue. We all have lives, careers, and people in our lives that take time away from listening to new music from artists that we have always loved or, in my case here, artists we’ve been wanting to check out, but for some reason haven’t. A Forest of Stars, the British avant-garde septet, are that band for me. Their newest, Stack Overflow in Corpse Pile Interface, their first album in eight years and sixth overall, is here for dissection, and I’m going in almost completely blind, and without a single note heard prior.

I’m already anticipating the hate mail for this, but from what everyone told me of AFoS, it’s a heady mix of British Black Metal,¹, doom metal, and spoken word. All good things, in my book! Plus, Katheryne, Queen of the Ghosts helped bring back the violins for My Dying Bride’s 2009 album, For Lies I Sire, which again is a good thing! And despite it being over 73 minutes, Stack Overflow rarely meandered or sat in place for too long, making for an engaging listen throughout. Opener “Ascension of the Clowns” sets a doomed tone, quietly and somberly setting the scene before Mister Curse begins ranting like the proselytizers across the street from where I work. Maniacal and unrelenting, Curse’s caustic delivery and unhinged performances sometimes seem at odds with the framework of the music, but the two sides need each other as much as they want nothing to do with each other.

And that odd dichotomy propels Stack Overflow, especially in the final half-hour-plus one-two punch of both “Sway, Draped in Vague” and “Not Drinking Water.” The former, also awakening a faux dreamy vibe before sending the listener careening through the backstreets of London, with Curse and Katheryne trading off vocal lines while Mr. T.S. Kettleburner and Mr. William Wight-Barrow unleash some incredible riffs and tremolo melodies blanketing Katheryne’s sweeping violins towards the song’s middle, making the song’s 17 minutes feel like a journey. “Not Drinking Water,” in contrast, feels downtrodden in the beginning, containing some of the album’s slowest moments, before hitting what could accurately be called a humdinger of a jam session right at the song’s midpoint, with solos and hooks galore to wrap up both a fantastic closer, as well as a hell of a way to finish out the album.

Of course, there are some issues with Stack Overflow. While most of the material flows seamlessly, there does seem to be some fat to trim, especially in some of the more atmospheric moments. Also, while there isn’t a single weak moment on the album, it really is best experienced in one sitting with most of the lights off, some candles, your favorite beverage, and (if you partake) your smoking implement of choice, and for some, 73 minutes is a big ask for many of us, especially if you’re busy like I am. However, if you can make the time and get in the right headspace, you will be rewarded handsomely.

I’m due for some weirdness, especially in the departure of Voices.² Not only does Stack Overflow in Corpse Pile Interface scratch that itch until it bleeds, but it also turned me on to a band that I went from “I need to check them out sometime” to “Okay, how much is their stuff on Bandcamp?” in record time. A Forest of Stars, in a just world, should be heralded as purveyors of odd, eclectic metal. Here’s hoping that Stack Overflow in Corpse Pile Interface is as much a jumping-on point for many of you as it was for me. Believe me, you can do a hell of a lot worse.

---

Rating: 4.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Prophecy Productions
Websites: Bandcamp | Facebook
Releases Worldwide: May 8th, 2026

The post A Forest of Stars – Stack Overflow in Corpse Pile Interface Review appeared first on Angry Metal Guy.

"That song," manager and producer Andrew Loog Oldham later admitted, "was going nowhere." Continue reading…

When the buzzy young Atlanta duo hey, nothing released their promising single “Barn Nursery” last year, our own Chris DeVille referred to them as “the tweemo Big Thief.” I’m not going to do any better than that, so I’m not going to try. hey, nothing followed that single with their 33° EP. Today, they share…

The post hey, nothing – “Boat Garage” appeared first on Stereogum.

Their latest U.S. tour kicks off this week.

The post AVTT/PTTN Performed “Disappearing” On ‘Jimmy Kimmel Live!’ Last Night appeared first on Theprp.com.

The late-great Steve Cropper had another ace up his sleeve before his tragic passing in December 2025. To anyone who knows the roots and branches of American music, the loss of The Colonel was seismic. As guitarist, songwriter, producer and engineer – not just for the iconic Stax record label but on a forest of […]

The post Steve Cropper & The Midnight Hour’s Posthumous Album Ft. Eric Clapton, Brian May, Billy Gibbons & Ronnie Wood appeared first on ROCKPOSER DOT COM.