New band features Faust (Djevel, ex-Emperor), The Magus (ex-Necromantia, The Magus), George Emmanuel (Lucifer’s Child, ex-Rotting Christ) & Tas Danazoglou (Friends of Hell, ex-Electric Wizard)
Debut EP “From Hell” to be released in September via The Circle Music and Hell’s Fire Records
HEXBANE, a new band that features veterans of the scene, has unveiled the artwork and first details of its debut EP “From Hell”, which is planned for release in September via The Circle Music and Hell’s Fire Records.
The band was born out of nostalgia and admiration for the primal days of black metal. The band’s ethos is simple: to create pure, unadulterated proto-black metal that honours the nostalgia and aggression of the era that started it all.
The band comprises a monumental lineup of extreme metal veterans:
The Magus on vocals (ex-Necromantia, ex-Rotting Christ, The Magus, Thou Art Lord)
George Emmanuel on guitars (Lucifer’s Child, ex-Rotting Christ)
Tas Danazoglou on bass (Friends of Hell, ex-Electric Wizard, Mirror, Satan’s Wrath)
Faust on drums (Djevel, ex-Emperor, Blood Fire Death)
The band previously said: “HEXBANE is a band born out of nostalgia and admiration of the primal black metal days, where pioneer bands created and established the genre. So expect nothing more and nothing less than pure proto- black metal in music and spirit.”
Pre-orders for the 7″ EP will start on 6.6.2026. Further details regarding the release will be unveiled in the coming months.
Star Wars Day – a day so good it would even make a glum-faced Gamorrean smile. Here’s my top merch picks and gift ideas that celebrate Earth’s finest sci-fi saga
“Wiring Of Violence” is the second album from Swedish thrashers Eradikated, The band formed back in 2014 originally called The Generations Army and released their debut “Still Screaming” in 2017. 2021 saw the renaming of the band to Eradikated and the release of a self titled EP which was followed by a Swedish Grammy nominated album “Descendants” in 2023. The band have since supported bands such as The Haunted and played major festivals all across Europe.
It is safe to say that the state of the world and state of society has deteriorated in the three years since “Descendants” and that is very much reflected in the lyrical content of the album with themes that “revolve around struggle and resistance against the dark forces shaping our time, those driving war, famine, growing social inequality, and accelerating climate change”. Elvin Landaeus Czismadia, the frontman, guitarist and main lyricist of the band states “the album throws you straight into the frontlines of war. It attacks growing inequality, greedy oil companies, and wannabe dictators. It challenges us musically, and it challenges you to act”, The album also has the musical chops to go with the lyrical content with this being full on pedal to the metal thrash which rips and rages with unbridled fury from the razor sharp riffing from Elvin and fellow guitarist Ragnar Östberg to the rhythmic battery unleashed by bassist Erland Östberg and drummer Calle Frogner Moberg.
The nine songs that make up the album (plus album intro and outro) are absolute no nonsense thrash from the furious speed attack of ‘British Petroleum’, ‘Mortality’, ‘Tsar’ and ‘Ashes’ There are a couple of songs which slow down the pace somewhat such as ‘Again I Rise’ and the title track but although slower they are no less effective with a riff attack that destroys. There are plenty of catchy hooks throughout the album as well delivered by Elvin’s snarling vocal attack.
“Wiring Of Violence” is very much rooted in old school thrash with a few contemporary influences here and there. It may not be original sounding and falls very much into the thrash metal formula but for die-hard thrashers like myself you don’t need innovation and deviation in thrash metal. You just need attitude, aggression and killer riffs and Eradikated delivery those in spadefuls. From the cutting riffs to the cutting social commentary, “Wiring Of VIolence” is a solid thrasher which will please old schoolers and younger fans alike.
Summer is officially here. That means pool days, road trips, and yes — a power bill that might make you cry. Whether you want to fund the fun or just survive the heat, we've got $500 with your name on it, thanks to our 'Summer Sizzle' sweepstakes.
Wha… Continue reading…
Okay, sure, any definable level of ‘quirk’ is obviously subjective, but I’m guessing you know we’re not talking about the guy who loves The Black Album and thinks Suffocation sounds outlandish. So, hone the scopes down to the individuals who’ve been in the game long enough to really plumb the depths into strange realms where quirks attach themselves to any or all facets of a band, rendering a uniqueness that stands out enough to virtually guarantee a reduced cluster of enthusiasts in an already reduced cluster of enthusiasts.
And on the other end of the spectrum, we also don’t need to dive too deep into the peculiar, like the Paul Chains, Varghkoghargasmals or Trichomoniases that swirl in the deepest bits of the underground. Ideally, we’re looking for that true sweet-spot of quirk that: 1) Challenges limits amidst initial spins, 2) Inspires others to say things like “I think I would love this, but…”, and 3) Eventually attaches itself to your DNA as a lovable eccentricity that you’d really rather not live without for the rest of your miserable life.
Release date: January 9, 2026. Label: Self-released.
The easiest way to hit that sweet-spot? Quirky vocals and / or wEiRd production choices. For my part, I’ve always been a fan of eccentric singers, thanks largely to early exposure to artists such as King Diamond, Tim Baker, Udo, David Wayne, Scott Reagers, et al., and unconventional production directions can absolutely end up adding to the charm of a record over time, like Queensrÿche’s The Warning. Taking the concept one step further, based on my very first impressions of bands like Manilla Road and Pagan Altar decades ago, I never would have guessed I’d eventually own everything they’ve done and count them as essential elements to the crux of me as a metal fan. Conversely, I fully understand and respect those who dismiss such bands because of… well, quirks.
ÚLTIMAAAAAAA BATALLAAAAAAAAAAAAAAA, he howled whilst hurling Gungnir directly at the eye of Jörmungandr.
Oh, shit! That was totally Falkor, not Jörmungandr. That’s my bad. That’s my bad and I take full responsibility. Whew, talk about quirky!
Última Batalla!
The first thing you should probably know about this record is that, while it’s new—released in 2026—it’s not actually new new, in that it came out waaaaaay back in early January. Twas new to me, though, when I first caught wind of it about a week ago, and I haven’t seen much traction from the usual interweb outlets, so why not throw a snazzy little spotlight in its direction as a tribute to its overlooked virtue.
The second thing you should know about this record is that it’s, uh, super quirky! Fucking duh, no? Hell, it might even wander a little further into full-on weird, depending on your perspective. Not quite ‘baby born with a beard’ weird, mind you, but what if you grew up in the underground Bogotá, Columbia punk and metal scene, decided to form a band, and then decided this was your formula for success:
Like… what? Sure, why not blend the epic flare of Crystal Logic with the raw punk-metal energy of Dimension Hatröss, add some NWOBHM bursts, a few pinches of classic Dave Chandler acid doom, and then infuse a touch of egg punk into the entire helter-skelter bouquet to boost the quirk an extra two or five tiers. Wash everything down with a few twelvers of Schlitz and you’ve got an afternoon of horseplay that absolutely ends with someone jumping off the roof into an inflatable Smurf pool while everyone else raises their swords in a salute to the absurd.
“Lejos de casa (Far from Home)” is a perfect touchstone for gauging whether or not (or how fast) you need to leave the hall: It slips from the gate with a lost and unreasonably raw NWOBHM riff that sets the stage for the tussle, quickly followed by a klaxon howl that pushes the charge into second gear. The whole of the record sounds like it was recorded live in the tormented ruins of a burned out gladiator’s arena, and this track confirms that assertion by gradually hustling faster and faster to a point where the chariot, horses and champion nearly flip right off the goddamned track. But it never fully crashes because flailing beserker intensity was actually the plan all along, and Ultima Batalla has that particular strategy down.
The vigorous chorus here is more warbled than a 40 year-old cassette copy of Night on Bröcken, with vocalist Filo Martínez-Aparcio playing the role of Master to the Hellroadie / Manilla Road Blaster. Don’t like nasally vocals? Holy fuck did you ever take the wrong turn at Albuquerque. Filo’s unorthodox voice has a curious way of ultimately settling in, though, and it’s offset properly by an equal amount of attention getting thrown toward the sturdy but fibrous bass and all that matted battery behind the drum kit.
I fucking knew guitarist Carlos X opted for a Gibson SG before I ever glimpsed the proof—the oily riffing and the way he fastens melody to his fretplay is built on the foundation of Iommi colliding with Dave Chandler. That frenzied harmony around the 2-minute mark of “Lejos” is the closest thing you’ll get to a solo on the record, and if you can’t at least appreciate the wonderful tone he conjures as a song like “Una y mil veces (A Thousand Times Over)” opens, then what the hell are you even doing in the realms of heavy metal in the first place.
You still here? Well, bucko, you just might be the ideal target for a band like Última Batalla. I’m guessing perhaps you also dug into equally quirky releases from the likes of Steröid and Demon Bitch last year? EMBRACE THE QUIRK, for it is within these peculiar realms where the volatile propellants necessary for upheaval against the tedium of ordinary life are ignited. Gallop! Scrap! Be weird! And be victorious!
The Rockpit is getting ready to go street-level with Trench Dogs at Mayhem Festival, a band that blends punk spirit with rock ‘n’ roll grit in all the right ways. Their no-nonsense approach and high-octane delivery have made them a standout on stages across Europe, and they arrive in Nottingham ready to make their mark. Expect a set that’s loud, fast, and packed with attitude—exactly what a festival like this thrives on. We caught up with drummer Martin ‘Martini’ Andersson to find out more…
What does playing Mayhem Festival mean to Trench Dogs?
– We always love to play in the UK and Nottingham is a city we’ve had the pleasure to play in only once before so we’re very happy to be back!
What first put you on the path to rock and roll?
It’s different from everyone in the band but i was just going through my uncle’s vinyl collection and found a Sabbath album, put it on the record player and off i
went!
How has your sound evolved recently?
I think our sound has become a bit more… mature? That might make it sound like we’re loosing our edge but i think it has more to do with us just evolving as
musicians as time goes on. It’s still very much rock n’ roll and we still enjoy both seriousness and silliness, but maybe musicianship has gotten a bit more
important for us as we’ve gotten older.
What drives your new material?
Trying to up ourselves! And telling the stories that we haven’t told yet.
How do you define your identity as a band?
A little too glam for punk, a little to punk for glam, and a little to old school for the current times!
What inspires your punk-glam fusion?
I think a lot of it is based on the energy and simplicity of punk and of the power of catchy hooks and earworm melodies of glam.
What’s your songwriting process like?
We usually write most of our material together, we don’t have a ”main” songwriter really. Our lead guitar player Mattias is the driving creative force for a lot of
the songs but we all pitch in ideas and concepts. Andy usually writes most of the lyrics but we all have inputs all trough the process.
What’s your most chaotic live experience?
We had a fight with one of the attendees of our show once, he was some stupid drunk guy that was heckling us in between songs, so Andy started making fun of the
guy on stage. The guy then tried to take the microphone from him, so Andy hit him with the microphone stand and then they started fighting, our rhythm guitarist at the time got in on the fight and fell into the drum kit. The guy got thrown out and we kept on playing!
How do you approach festival audiences?
We usually don’t make that much of a difference from audience to audience, but ofc when you play a festival you expect to play for more people that haven’t heard
of you before or at least haven’t seen you live before so i guess that might subconsciously make you give it a bit more energy to your performance.
What song best represents you now?
Out of our own catalog? Maybe ”Forgotten Melodies”, because we haven’t really rehearsed that much lately!
What bands shaped your early sound?
Hanoi Rocks, Dogs d’ Amour, Faster Pussycat i would say are the foundation of our sound.
How do you keep energy high live?
Different for everyone i guess, Mattias usually has like 12 beers before the show, Andy is just naturally high energy (untreated ADHD will do that), Me, Stone
and Daniel usually just need a good night sleep beforehand and we’re solid.
What makes your shows unique?
We don’t really plan anything ”show wise”, we don’t do choreography, we don’t have rehearsed lines of crowd work or live banter. It’s all off the cuff, which
means that some shows can be more chaotic and than others but that’s part of it i guess!
How do you balance grit and melody?
I don’t know if we do haha! I think we probably get some of the grit just naturally from how we play and with Andy’s vocals. But we are suckers for a good melody and i think we all can get into a new idea much easier if it starts with a great melody.
What’s your favourite track to perform?
Personally i think it’s “Colourfull” but i know that we all have different favorites. Which sometimes makes it hard for us to decide on what songs to have and
not to have on a set list.
How has touring changed you?
I think we’ve just gotten more used to it, so the more you do it you kind of learn what works and what doesn’t, so we’ve learned to give each other space when
you’re out on the road for a longer period. We know what to do logistically to make it a bit easier on ourselves.
What’s next after Mayhem Festival?
We’re focusing heavily on writing new material for our third album so for a while now we will just lock ourselves in the rehearsal studio and try to write as much as
we can. We got some shows coming up later in the year. For example, we will be playing together with the UK’s very best ”The Quire boys” on a cruise ship from
Stockholm in November.
How do you define success now?
Being able to travel around and play and having people coming out to see is us all that we want, ofc you’re constantly striving towards doing bigger and better
things but in the state of the industry today and with a lot of bands having a very hard time getting tours to work, every opportunity to just get to play is something
we see as a sign of success. Also if we can actually break even on costs that’s a big win!
What keeps your creativity alive?
I think we’ve always written about our own experiences and drawn a lot of influence from our own lives and our own states of minds so the creativity kind of comes with just living our lives. We’ve never been one of those bands that write about the kind of cliché ”cool things” that you’re supposed to write rock songs about. A lot of our inspiration and creativity just comes from traveling, love, loss and the occasionally binge-drinking session.
What does Trench Dogs stand for today?
We’re just having fun and want to give people a break from all the shit that’s going on. As well as giving ourselves a break from the shit that’s going on. We’re just five guys that love to play and are happy to have people enjoy what we do. It doesn’t have to be more complicated than that i think!
What is the meaning of life?
The meaning of life is to try and figure out the answer to that question.
If you could be a fly on the wall anywhere in rock history, where would it be?
That’s a tough one. Just because i can’t think of a serious one i will choose the Hanoi Rocks show in Israel (i think?) where Andy McCoy got a bucket filled with
piss thrown at him from someone in the crowd. That would have been interesting to see, also i don’t know if that has ever happened to another performer ever!
What’s the biggest misconception about the band?
Hmm. I don’t know. We get mistaken for being women quite a lot, usually when we try to walk in to the men’s room at airports or restaurants, there’s usually someone trying to stop us and point us to the ladies room instead. (on a personal note i think that’s why some of our members have turned to growing facial hair, but I don’t think they would admit to that being the reason)
What should Nottingham expect from your set?
We’re running a 40 minutes set at Mayhem so for those shorter ones we usually go for more of the high energy fast songs. We will probably be playing one or two of
our new unreleased tracks as well! It will be a fun one for sure!
Thanks for a fun interview! Hope to see some of your readers at Mayhem in Nottingham!
Ben Righter dives into sun soaked escapism with INTO THE SUN, a breezy feel good track blending Afrobeat grooves, Caribbean rhythms, and smooth R&B touches into a vibrant summer soundtrack. The song radiates warmth and lightness, built for open windows, long drives, and carefree moments where time stretches effortlessly. With a melodic instinct rooted in his early connection to music, Righter keeps things simple and effective, letting rhythm and atmosphere take the lead.
It is an easygoing, uplifting release that invites listeners to relax, move, and fully embrace the moment.
A warm sunny evening in Toronto brought many people out of hibernation. However, it could have also been for the chance to see a kick ass Metal show. Leather jackets, battle vests and band tees could be seen along the sidewalk of Dundas St. West as Toronto Metal Fans excitedly awaited the doors of The Garrison to open. We were ready to welcome Burning Witches to Toronto for the very first time as the Witchies Over North America tour hit town.
Burning Witches – The Garrison, Toronto – 23 April 2026. Photo: Taylor Cameron/MetalTalk
Burning Witches took the stage with an iron fist. Fans filled the room from front to back, ecstatic to see these badass women rock Toronto for the first time.
Laura Guldemond commands the stage with ease. Her fiery passion and powerful voice make her an incredible frontwoman that you cannot take your eyes off of. They kick off the set with the aggressive Soul Eater from their 2025 release, Inquisition. The crowd immediately locked in.
Burning Witches – The Garrison, Toronto – 23 April 2026. Photo: Taylor Cameron/MetalTalk
Gunslingers Courtney Cox and Romana Kalkuhl fill the room with their melodic leads and crunchy rhythm parts. Trading solos effortlessly, their dynamic is visibly strong.
The night stays Metal with tracks such as Dance With The Devil, The Dark Tower and Evil Witch. Bassist Jeanine Grob made things heavy, while drummer Lala Frischknecht held things together and in time, the true backbone of that stage.
Burning Witches – The Garrison, Toronto – 23 April 2026. Photo: Taylor Cameron/MetalTalk
The room may have been small, the stage even smaller, but the quintet put on a show that made the venue feel large. Their love of the craft oozed from the stage, playing each note with precision and pure passion.
This was my third time seeing Burning Witches, and they continue to get better each time.
Burning Witches – The Garrison, Toronto – 23 April 2026. Photo: Taylor Cameron/MetalTalk
Slowing things down with the power ballad Release Me, fans lit up the room with their cellphone lights, bringing a smile to Guldemond’s face. Intense emotion can be heard in her voice as she belts out each word to this compelling track.
Picking things back up, they close out the set with The Witch Of The North and Burning Witches, ending things on an extremely high note.
Burning Witches – The Garrison, Toronto – 23 April 2026. Photo: Taylor Cameron/MetalTalk
Toronto Metalheads are always passionate, and they did not fall short in making sure the band knew how much they appreciated them finally touring in our city.
From start to finish, the night was filled with top-notch musicianship and powerful Metal riffs from all three bands, making it a night that will definitely be remembered.
Ammo
Local power Metal band Ammo kicked off the night with powerful riffs and screaming vocals. Despite a few technical difficulties, they did not lose their momentum or professionalism.
Smoothly handling the problems without taking attention away from the music, their vintage sound was an instant hit for those seeing them for the first time.
Ammo – The Garrison, Toronto – 23 April 2026. Photo: Taylor Cameron/MetalTalk
Possessing true elements of the ’80s early Thrash Metal sound that had people holding their horns high in the air in praise, Ammo were the perfect choice to start off the night.
Thunderor
Next up was another local act, Thunderor, a trio made up of JJ Tartalia on drums, lead vocals and keys, Jonny Nesta on guitar, and Brycen Gunn on bass.
Thunderor – The Garrison, Toronto – 23 April 2026. Photo: Taylor Cameron/MetalTalk
A drummer who handles lead vocals is always impressive to me, and Tatalia did not disappoint. Although playing a kit with high-mounted symbols and having an energetic playing style, his vocal power did not suffer. He made it seem easy, even though I know it’s not.
Nesta and Gunn commanded the front of the stage. It was not hard to tell that these guys enjoy being onstage, as their constant movements and headbanging kept things visually entertaining. However, even the band’s sound alone had the audience hooked.
Thunderor – The Garrison, Toronto – 23 April 2026. Photo: Taylor Cameron/MetalTalk
Melodic but heavy, they blend the likes of Heavy Metal, arena rock and even rock opera into something unique but familiar. They utilise their influences without copying, creating a sound of their own.
They played multiple tracks from their newest album, Bleed For It, which was being released that night at midnight, celebrating the release with a room filled with music fans who gave them their full attention.
Thunderor – The Garrison, Toronto – 23 April 2026. Photo: Taylor Cameron/MetalTalk
Towards the end of their set, they brought up a female fiddle player, wearing a kilt and all. Blending Metal with a very East Coast Canadian sound may not have been expected, but it was pulled off magnificently.
The fiddle completely complemented Nesta’s electric guitar without overpowering the song. It was utilised brilliantly, adding the perfect, unique element to their set. Thunderor kept the momentum of the night high, setting the crowd up perfectly for Burning Witches.
Thunderor – The Garrison, Toronto – 23 April 2026. Photo: Taylor Cameron/MetalTalkAmmo – The Garrison, Toronto – 23 April 2026. Photo: Taylor Cameron/MetalTalkBurning Witches – The Garrison, Toronto – 23 April 2026. Photo: Taylor Cameron/MetalTalkBurning Witches – The Garrison, Toronto – 23 April 2026. Photo: Taylor Cameron/MetalTalkThe post Burning Witches Cast A Spell Over Toronto On Debut Show first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
Ships Have Sailed return with Exit Wound, a sleek yet introspective cut that glides between shimmering indie pop and thoughtful alt-rock. Built on chimey guitars and crisp, modern synth work, the track feels both nostalgic and forward-facing, mirroring its central tension: truth versus illusion in an age of convenient narratives. Spearheaded by Will Carpenter, the project channels a polished yet emotionally aware sound, where buoyant melodies carry a quietly unsettling message.
Exit Wound lingers, inviting listeners to question the stories we accept and the realities we reshape.
Rush return to the road in June, with the tour opening on 7 June 2026 in Los Angeles. For a band whose fanbase has followed them through five decades of musical evolution, the announcement sparked something profound. MetalTalk’s Paul Hutchings spoke to fans, tribute artists, event organisers and our own writers to capture what this moment means to those who have lived and breathed Rush for a lifetime. This is their story.
In the world of Rush, tribute bands are generally regarded as a cut above the typical cover group. The Rush fanbase is demanding and not easily impressed, and to recreate the music of the Canadian trio, musicians must be at the top of their game. Rushed is one such band.
Formed over a decade ago, they perform gigs sporadically, but when they do, their shows often stretch to a full three hours. Having seen them several times, they quickly became a must-see, and after a few failed attempts, I finally caught up with guitarist Rob Wilton via Zoom for a conversation about all things Rush.
Rushed – The District Club Pontypridd – 2 May 2026. Photo: Paul Hutchings/MetalTalk
Rob discussed Rushed’s evolution. “The way the band is now, as a proper three-piece, it’s been about seven years. Andy and I started out, and we had a couple of other musicians who weren’t really into Rush, just helping us out. It didn’t quite work, as you really need to be invested in the music to deliver an authentic tribute.”
Rob shared how he first got into Rush. “I started guitar lessons at around twelve years old, influenced by my older brother, a big rock fan. He began taking bass lessons, and our guitar teacher, also a Rush fan, taught me Rush songs on acoustic guitar, like Red Barchetta.
“I became obsessed, especially with Alex Lifeson’s tone and style. While I enjoy other rock bands like Pink Floyd and Iron Maiden, Rush is my main focus. Sometimes, I learn other songs to challenge my fingers, but it’s Lifeson’s feeling and tone that captivate me.
“I started with acoustic at twelve, lost interest as a teenager, then returned to guitar in my thirties. With modern resources like YouTube and apps, learning was easier. Initially, I was just a bedroom guitarist, playing along to Rush, until the opportunity arose with Andy to form the band. Even now, I still get nervous before every gig.”
Rob recalled watching Rush live and the nerves associated with performing. “I watched Time Stand Still recently, and Neil’s interview struck me. He said he’s always nervous before a show, which keeps you sharp.”
Rob reminisced about his first Rush concert. “I can’t remember exactly how many times I’ve seen them, but my first was the Hold Your Fire Tour, filmed at Birmingham NEC. I attended that gig, and later saw several of their tours, especially in my late twenties and early thirties. I’ve got tickets for their next Manchester show, and I am not missing it.”
Rob was deeply impressed by Rush’s Juno performance. “Some critics said Finding My Way wasn’t a Neil song, so it left Annika less exposed, but I thought she nailed it. The song choice was fitting, and reading the lyrics, Anika played it with the complexity Neil brought to later performances.
“Geddy’s voice sounded better than at the end of their last tour, likely due to vocal training. Alex played with the energy and style reminiscent of the ’70s. It gave me goosebumps.”
Rob described the band’s reaction to Rush’s return. “It was a shock, a real ‘wow’ moment. We looked at Annika’s drumming style and thought it could work. She’s very technical. Mick [Jackson – Bass, vocals and keys] sent us a link, and as an Alex Lifeson devotee, I’d attend regardless, just to see Alex play live again.
“While there are always armchair critics online, the overall reaction was positive within our Rush network. The Manchester gig is expected to be a party with many Midlands fans attending.”
Rushed – The District Club Pontypridd – 2 May 2026. Photo: Paul Hutchings/MetalTalk
The American tour was announced in two parts, initially, seven cities, then expanding to fifty-six dates. Rob reflected on missing the R40 tour, agreeing with my view that if fans had known it was the last, more would have travelled.
He initially tried for US tickets. “I spoke to my wife about making a holiday of it, but the demand was immense. Tickets were around £900 each, with queues of 80,000 people. I couldn’t justify it. The block on previous tours was Neil’s reluctance, but with Geddy and Alex keen, I was hopeful they’d come to Europe. The UK ticket prices were much more reasonable.”
Rob ended up securing tickets. “I’m in the gods. Binoculars needed! They were about £88 each, similar to the price for previous tours in the UK.”
Many fans shared similar experiences, noting that while the seats might be distant, just being part of the event, enjoying the atmosphere, and socialising with Rush friends will be more than enough.
There is anticipation for the Juno performance and the tour’s arrival in the UK.
Rob is quietly confident following the Juno performance. “No concerns,” he said. “The Juno show was a pleasant surprise, especially Geddy’s voice. He’s tackling material from fifty years ago, bravely without down-tuning. Alex’s playing was energetic and spot on. Drummers may analyse more deeply, but I thought it was fantastic. They added layers of keys and backing vocals to Finding My Way, so I think the upcoming tour will be great.”
Rush fans have to accept that the upcoming shows will not be three-hour sets. Instead, it will be two hours with an intermission. Rob shared his preferences. “I love the early stuff, but also the ’80s synth era. Power Windows and Grace Under Pressure are some of Alex’s most creative works. I expect a broad mix condensed into two hours.
“We always play three hours, and at fifty-two, I’m wrecked by the end. So, a shorter set works well. I hope they play classics like Trees and Xanadu, and perhaps some newer material, but I mostly enjoy the ’70s and ’80s era. Our band focuses on that because Mick can belt out those high notes like Geddy.”
We also discussed the promised tribute to Neil Peart. “It’ll be a challenge, and many fans will be emotional when Neil’s image appears on screen. We’ve speculated about which songs might be played, but want to just experience it as it comes.
“Watching the Juno performance repeatedly, seeing Neil’s images and Alex and Geddy’s joy on stage, was a moving moment. Rush fans are deeply invested, following the band for years. The tribute will be meaningful, and we’re ready to be wowed by every song.”
Rushed – A Tribute To Rush – 2026 UK Tour Poster
Rushed is returning to the road, starting in Birmingham at the Bilsley Rock Club. They’re preparing a 2112 celebration for its 50th anniversary, performing the album as closely as possible to the original.
Rob is relearning Alex Lifeson’s solos and tells me how his playing changed over time. His digital setup allows flexibility in emulating Lifeson’s tones, inspired by Alex’s use of digital gear at the Juno performance, which sounded great.
Rushed has more gigs planned, and I would encourage anyone to keep an eye out for upcoming dates, for this band is a real highlight.
Rushed are returning to the road, starting in Birmingham at the Bilsley Rock Club. They’re preparing a 2112 celebration for its 50th anniversary, performing the album as closely as possible
Event Details
Rushed are returning to the road, starting in Birmingham at the Bilsley Rock Club. They’re preparing a 2112 celebration for its 50th anniversary, performing the album as closely as possible to the original.
Rushed are returning to the road, starting in Birmingham at the Bilsley Rock Club. They’re preparing a 2112 celebration for its 50th anniversary, performing the album as closely as possible
Event Details
Rushed are returning to the road, starting in Birmingham at the Bilsley Rock Club. They’re preparing a 2112 celebration for its 50th anniversary, performing the album as closely as possible to the original.
Rushed are returning to the road, starting in Birmingham at the Bilsley Rock Club. They’re preparing a 2112 celebration for its 50th anniversary, performing the album as closely as possible
Event Details
Rushed are returning to the road, starting in Birmingham at the Bilsley Rock Club. They’re preparing a 2112 celebration for its 50th anniversary, performing the album as closely as possible to the original.
Rushed are returning to the road, starting in Birmingham at the Bilsley Rock Club. They’re preparing a 2112 celebration for its 50th anniversary, performing the album as closely as possible
Event Details
Rushed are returning to the road, starting in Birmingham at the Bilsley Rock Club. They’re preparing a 2112 celebration for its 50th anniversary, performing the album as closely as possible to the original.
Rush’s tour opens on 7 June in Los Angeles, where Geddy Lee and Alex Lifeson will be joined by Anika Nilles on drums and Loren Gold on keyboards. Further articles in this series, including interviews with Rushfest Scotland, tribute band Rushed, and the Something for Nothing Rush Fancast, will follow in the coming month.
RUSH have confirmed the next chapter of their Fifty Something Tour, adding 2027 dates across South America, the United Kingdom and Europe. The run marks the band’s first European shows
Event Details
RUSH have confirmed the next chapter of their Fifty Something Tour, adding 2027 dates across South America, the United Kingdom and Europe. The run marks the band’s first European shows since 2013, and their first South American dates in 17 years.
The tour sees co-founders Geddy Lee (bass, keys, vocals) and Alex Lifeson (guitar, vocals) celebrating more than 50 years of RUSH music while paying tribute to late drummer and lyricist Neil Peart.
RUSH have confirmed the next chapter of their Fifty Something Tour, adding 2027 dates across South America, the United Kingdom and Europe. The run marks the band’s first European shows
Event Details
RUSH have confirmed the next chapter of their Fifty Something Tour, adding 2027 dates across South America, the United Kingdom and Europe. The run marks the band’s first European shows since 2013, and their first South American dates in 17 years.
The tour sees co-founders Geddy Lee (bass, keys, vocals) and Alex Lifeson (guitar, vocals) celebrating more than 50 years of RUSH music while paying tribute to late drummer and lyricist Neil Peart.
RUSH have confirmed the next chapter of their Fifty Something Tour, adding 2027 dates across South America, the United Kingdom and Europe. The run marks the band’s first European shows
Event Details
RUSH have confirmed the next chapter of their Fifty Something Tour, adding 2027 dates across South America, the United Kingdom and Europe. The run marks the band’s first European shows since 2013, and their first South American dates in 17 years.
The tour sees co-founders Geddy Lee (bass, keys, vocals) and Alex Lifeson (guitar, vocals) celebrating more than 50 years of RUSH music while paying tribute to late drummer and lyricist Neil Peart.
RUSH have confirmed the next chapter of their Fifty Something Tour, adding 2027 dates across South America, the United Kingdom and Europe. The run marks the band’s first European shows
Event Details
RUSH have confirmed the next chapter of their Fifty Something Tour, adding 2027 dates across South America, the United Kingdom and Europe. The run marks the band’s first European shows since 2013, and their first South American dates in 17 years.
The tour sees co-founders Geddy Lee (bass, keys, vocals) and Alex Lifeson (guitar, vocals) celebrating more than 50 years of RUSH music while paying tribute to late drummer and lyricist Neil Peart.
RUSH have confirmed the next chapter of their Fifty Something Tour, adding 2027 dates across South America, the United Kingdom and Europe. The run marks the band’s first European shows
Event Details
RUSH have confirmed the next chapter of their Fifty Something Tour, adding 2027 dates across South America, the United Kingdom and Europe. The run marks the band’s first European shows since 2013, and their first South American dates in 17 years.
The tour sees co-founders Geddy Lee (bass, keys, vocals) and Alex Lifeson (guitar, vocals) celebrating more than 50 years of RUSH music while paying tribute to late drummer and lyricist Neil Peart.
RUSH have confirmed the next chapter of their Fifty Something Tour, adding 2027 dates across South America, the United Kingdom and Europe. The run marks the band’s first European shows
Event Details
RUSH have confirmed the next chapter of their Fifty Something Tour, adding 2027 dates across South America, the United Kingdom and Europe. The run marks the band’s first European shows since 2013, and their first South American dates in 17 years.
The tour sees co-founders Geddy Lee (bass, keys, vocals) and Alex Lifeson (guitar, vocals) celebrating more than 50 years of RUSH music while paying tribute to late drummer and lyricist Neil Peart.
