Author: Editorial Team

  • DAVE GROHL Opens Up About The Dimissal Of JOSH FREESE From FOO FIGHTERS, Admits That “Continuing After TAYLOR Was Really Complicated”

    Dave Grohl has finally addressed Foo Fighters‘ decision to cut ties with Josh Freese, the drummer who spent two years filling the seat left vacant by the late Taylor Hawkins before being let go in May 2025.

    When Freese announced his departure, he posted a statement on Instagram saying the band called him earlier that week to say they had decided “to go in a different direction with their drummer,” with “no reason given.” Since then, former Nine Inch Nails drummer Ilan Rubin has stepped in behind the kit.

    In a new interview on The Zane Lowe Show (via NME), Grohl explained that the call happened after Foo Fighters took a touring break in 2024. “In those six or seven months, as a band, we talked about what to do next, a new direction, and thought, ‘Okay, let’s call Josh and let him know that we are going to move on with a different drummer,’” he said, making clear the move “did happen over time, not overnight.”

    He also pushed back on any notion that this was a unilateral decision. “We called, as a band, all of us called, it wasn’t just me,” Grohl said. “Basically, we called Josh and were, like, ‘Hey, man, that was awesome. That was such a blast, thank you so much, but we are going to move on and find another drummer.”

    Grohl then pointed to Freese‘s own words to explain the split: “Since then, there’s been a lot of talk about it, but I think Josh said it best when he said that he didn’t feel our music really resonated with him, and that’s really important.”

    That’s a reference to an interview Freese gave The New York Times in August 2025, where he said of his time in the band: “It wasn’t music that I really resonated with. I’m coming in as Dave Grohl‘s drummer, and the guy that’s supposed to save the day after the beloved Taylor Hawkins died.” He said that pressure left him feeling “like I had to be firing on all cylinders all the time.”

    Grohl also spoke openly about just how heavy the weight of replacing Hawkins has been. “We had Taylor Hawkins as our drummer for 25 years and, beyond being an amazing drummer, he was this incredible spirit,” he said. “He was this incredible human being, and he was our brother. He was our best friend. So, continuing after Taylor was really complicated, not just for us, but for any drummer that was going to come in to like, you know, fill his shoes. … We always talk about him every fucking day. In everything we do, we want to have that energy — we want to have that energy for Taylor.”

    Freese was originally unveiled as part of the Foo Fighters touring lineup on 05/21/2023 during a livestream called “Foo Fighters: Preparing Music For Concerts,” which featured comedic cameos from Chad Smith of Red Hot Chili Peppers, Tommy Lee of Mötley Crüe, and Danny Carey of Tool.

    After news of his firing broke, Freese kept things light with a follow-up post listing ten possible reasons he might have been dismissed, among them that he “once whistled [the Foo Fighters‘ hit] ‘My Hero’ for a week solid on tour” and “never even once tried growing a beard.”

    Taylor Hawkins passed away in March 2022. He was 50.

    @applemusic

    Dave Grohl of @Foo Fighters tells @Zane Lowe about finding the sound of the band’s forthcoming twelfth album. Watch the full interview now on Apple Music.

    ♬ original sound – Apple Music

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  • AT THE GATES Announce New Album “The Ghost Of A Future Dead, Share Music Video For New Single “The Fever Mask”

    Swedish melodic death metal mainstays At The Gates have announced their next studio album, The Ghost Of A Future Dead, due on 04/24/2026 through Century Media Records.

    The record follows 2021’s The Nightmare of Being and arrives under difficult circumstances, serving as a tribute to late frontman Tomas Lindberg, who passed away in September 2025.

    According to the album announcement, The Ghost Of A Future Dead was recorded and mixed by Jens Bogren at Fascination Street Studios in Örebro, Sweden, with artwork by Robert Samsonowitz.

    Alongside the announcement, At The Gates have released the opening track, “The Fever Mask,” as the first single. The song is also accompanied by an in-memory tribute video for Tomas Lindberg, assembled by longtime collaborator Patric Ullaeus.

    Pre-order the album here.

    The band shared a detailed statement about the album, and it makes clear how closely the project was shaped around Tomas Lindberg’s vision: “We are proud to finally share some news about our eighth studio album, The Ghost Of A Future Dead. The album will be released on April 24, 2026 — more than two years after it was completed in the studio. As you all know, Tomas Lindberg passed away last year due to complications from his cancer treatment. Over the past few years, we worked closely with Tomas, discussing and refining every detail to ensure nothing was left to chance.”

    “In accordance with Tomas’s wishes — including the album title, sound mix, track order, artwork, and overall presentation — The Ghost Of A Future Dead remains true to form. It combines the ferocious energy and hard-hitting, powerful melodies that are the essence of At The Gates. This album is Tomas’s legacy”.

    At The Gates also explained why “The Fever Mask” became the obvious choice to lead the campaign: “‘The Fever Mask’ was one of the final songs written for the album and quickly stood out as the natural choice for both the opening track and the first single for The Ghost Of A Future Dead. It perfectly captures the essence of At The Gates, blending raw energy, strong melody, and beautiful lyrics by Tomas.”

    The Ghost of a Future Dead will be available in the following formats:

    • Ltd. CD Digipak & Poster,
    • Standard CD Jewelcase
    • Digital Album and as LP with LP-Booklet

    In either standard, unlimited black vinyl or in the following limited coloured vinyl editions (with an additional poster):

    • Ltd. transp. orange-red marbled LP (2500x copies, via all retailers)
    • Ltd. deep blood red LP (400x copies, via Swedish retailers)
    • Ltd. red-black haze LP (500x copies, via Nuclear Blast and all UK retailers)
    • Ltd. clear-black marbled LP (500x copies, via EMP)
    • Ltd. creamy white LP (300x copies, via Napalm Records)
    • Ltd. Translucent Sea Blue LP (1000x copies, via US retailers)
    • Ltd. Opaque Grey LP (750x copies, via US Indie retailers)
    • Ltd. Translucent Black Ice LP (500x copies, via Revolver / USA)
    • Ltd. Apple Red LP (500x copies, via CM US Webstore and Indiemerch)
    • Ltd. pearlescent deep blue LP (300x copies, via At The Gates)
    • Ltd. transp. sun yellow LP (300x copies, via At The Gates)

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  • AOR Supergroup TRANSATLANTIC RADIO Shares Official Visualizer For “All For You” From Their Just Released Debut Album “Midnight Transmission”

    Transatlantic Radio, the international AOR supergroup based in Los Angeles, are pleased to announce the release of their debut album Midnight Transmission, out now via Frontiers Music Srl, and to celebrate, the band, has also shared the focus track “All For You”, along with an official visualizer.

    Victor Brodén commented: ““All For You” was written by our keyboard guru Fred Kron and it shows his strong pop leanings with infectious melodies and mesmerizing instrumental synth sections that are reminiscent of the glory days of Toto. Lyrically, it is about a man realizing that no matter what he did, it was never enough for the wrong woman. This story is still baked into a giant arena-ready mega chorus!”

    He continued: “The completion of this album is a love letter to the music that shaped my life, musically and otherwise. The guys in this band took what was a casual idea and turned it into something beyond my wildest dreams. Mattias Osbäck is truly one of the greatest rock voices of this generation with a rough edge that brings our big, sweeping melodies to life and gives them attitude”.

    RJ Ronquillo, on lead guitar, is a legend in his own right and a role model for guitarists around the world as well as one of the world’s most watched six-string heroes with his YouTube channel”, he added. “His work on this album makes me grin ear to ear. Chris Reeve on drums is one of the most sought-after touring drummers in the world right now, and a bass player’s dream come true. Him agreeing to join this project is still mind boggling to me. Fred Kron on keyboards, my partner in production for this project, is nothing short of a wizard. There would be no Transatlantic Radio without his invaluable input, otherworldly mixes, and his ability to sprinkle magic dust on all of these songs. This is the band I could never have imagined being in growing up, and this is the record I always dreamed of making”.

    An inspired celebration of classic AOR with a fresh, modern pulse, Midnight Transmission marks the official album debut of Transatlantic Radio, a truly international band founded by Victor Brodén, a Swedish-born bassist and producer now based in Los Angeles.

    Following a string of well-received singles and video releases, Transatlantic Radio made their live debut at the Malmö Melodic Festival 2024, where their sound and presence confirmed that this is more than just a studio project – it’s a band with heart, muscle, and chemistry.

    Musically, Midnight Transmission is a love letter to the 80’s giants of the genre – Foreigner, Toto, Danger Danger, Starship – but it’s no nostalgia act. Each track balances polish with punch, fusing massive choruses, slick arrangements, and emotionally charged performances with crisp, contemporary production.

    Packed with arena-ready anthems, the album showcases a band fully aware of their influences, yet unafraid to carve their own path forward. Midnight Transmission is more than a debut – it’s a statement: melodic rock is alive, and Transatlantic Radio is here to carry the signal.

    Order Midnight Transmission here.

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  • ICE NINE KILLS Shares New Single “Twisting The Knife” From Upcoming “Scream 7” Film

    Ice Nine Kills officially enter the canon of one of the most iconic horror franchises with “Twisting The Knife”, featured in the forthcoming film “Scream 7”. Cast member McKenna Grace joins the band on the new single, a rare, high-impact crossover between one of modern metal’s most ambitious bands and one of horror cinema’s most enduring properties. Watch the official music video below. Catch “Scream 7” in theatres on Friday, February 27.

    Ice Nine Kills mastermind Spencer Charnas shares: “‘Twisting The Knife’ is our tribute to Wes Craven and the ‘Scream’ franchise, which means so much to us. ‘Scream’ is baked into the DNA of who I am and of Ice Nine Kills  — my love of horror, comedy, and the collision between the two. I was already obsessed with ‘Halloween’ and ‘Friday the 13th’, but ‘Scream’ was the first I saw in theatres. Hearing the killer talk about horror movies, in that distinctively pop-culture savvy Kevin Williamson way, blew my mind.”

    “In recent years, we’ve gotten to know and work with Matthew LillardSkeet UlrichNeve CampbellRose McGowanJamie KennedyLee Waddell, and others in different capacities. We announced the collaboration with ‘Scream 7’ at Wembley Arena, with Ghostface and Rose McGowan, which was surreal in itself.”

    “When we learned that McKenna Grace is a fan of our band, it made perfect sense to invite her to sing. She recorded her part in my home studio, in the same room where I keep my screen-used ‘Scream’ knife prop, one of the four rubber knives made for the first movie.”

    Marco Beltrami‘s ‘Scream’ scores are just as influential to me as any other component of the films. In our song, there are echoes of the moody atmospheres he’s created, with our own INK twist.”

    Mckenna Grace adds, “Making this song was such a special experience for me. I am such a big INK fan, and it was such an amazing opportunity to be able to play with a different style of music. I am so inspired by Amy Lee‘s vocals, and we all wanted to channel ‘Scream’ and Sydney‘s story as best as we could. Spencer and the guys were so much fun to collaborate with, and I’m so thankful to Kevin Williamson.”

    The accompanying music video continues Ice Nine Kills‘ signature horror-cinema homage, blending performance with a post-video narrative short that continues the ever-expanding INKverse lore. The voice of Ghostface himself, Roger L. Jackson, reprises his iconic role. The story picks up directly from 2025’s “The Laugh Track”, which saw Matthew Lillard playing himself. This instalment escalates the meta-horror further, with David Arquette (as himself), alongside Johnny Brennan, creator of “The Jerky Boys”, as Francis Rizzowitz.

    “Twisting The Knife” was first teased during Ice Nine Kills‘ massive headlining show at London’s OVO Arena Wembley, where the band staged the onstage “death” of “Scream” star Rose McGowan, followed by an onstage video call from Ghostface. The moment marked a theatrical high point in a career-defining run, following 2.5 years supporting Metallica on their global stadium tour and multiple sold-out headline tours worldwide.

    Accompanying today’s release is a “Nightmare On The Knife” limited-edition merch drop. A riff on Ice Nine Kills‘ monthly “Nightmare On The Ninth” drops, specifically tailored to today’s announcement. The exclusive items are available for a limited time.

    Twenty years on from the release of their debut album, Ice Nine Kills are one of the most intentional and commercially successful bands in modern heavy music, driven by immersive cinematic world-building and a deep fusion of melody and bombast. Their two breakthrough albums, The Silver Scream and The Silver Scream 2: Welcome To Horrorwood, generated over 1.5 billion streams alone and positioned the band as a rare crossover force.

    INK‘s recent string of standalone singles further cemented their position at the cutting edge of the intersection between horror and metal. “A Work Of Art”, selected as the official song for “Terrifier 3”, soundtracked the film’s rise into box office history as the highest-grossing unrated movie of all time, while “The Great Unknown” sharpened the band’s cinematic instincts into a “Matrix”-inspired fever dream. Then came “The Laugh Track”, a homicidally catchy tribute to Jack Nicholson‘s Joker that became the band’s most successful single to date, pushing them deeper into mainstream and pop culture conversation.

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  • ARCH ENEMY Announces New Singer, Drops Music Video For New Single “To The Last Breath”

    Swedish extreme metal powerhouse Arch Enemy are charging into a new chapter as they unveil the first new musical piece after their latest album cycle with Blood Dynasty.

    The new single “To The Last Breath” is a testament to the band’s legacy. A step towards a new exciting era of Arch Enemy: “To The Last Breath” comes not only with powerful music but is also the first Arch Enemy song to feature the latest addition to the lineup – new singer Lauren Hart (ex-Once Human).

    Michael Amott, guitarist and founder of Arch Enemy, comments: “Connecting with Lauren has marked an important step in my journey. Working with her was an exceptional experience — her remarkable voice, coupled with her dedication and professionalism, brings a rare level of excellence. I look forward to continuing the collaboration.”

    While fans and media alike have been speculating rapidly about who might step into the role behind the microphone, the band has remained tight-lipped as anticipation builds to a fevered pitch across the metal community. Now, Arch Enemy are back in full force, presenting their ferocious new anthem “To The Last Breath”.

    Michael Amott adds: “Make no mistake – this song is a reckoning. Musically, it’s unapologetically aligned with my original vision for the band — and I believe longtime fans will recognize that immediately. Lyrically, it’s about seeing through deception and dismantling the illusion of control. It captures that moment when you realize you’ve been fed poison — and you choose to fight back. Once that clarity hits, there’s no retreat. It’s do or die.”

    With unwavering confidence, Amott asserts: “Just when you think it’s over, a new beginning rises. Now it’s time to rage with us – to the very last fucking breath!”

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  • BON SCOTT Estate Announce Massive Event & Merchandising Plan To Celebrate The Icon’s 80th Birthday On July 9th

    Bon Scott (1946-1980), the legendary singer and lyricist for AC/DC, remains one of the great frontmen in rock and roll history. His indelible shriek and poetic turns of phrase, along with his playful grin and attitude, are synonymous with the lifestyle he led until his untimely death in 1980.

    Today, the Bon Scott Estate and its exclusive licensing/merchandising partner Perryscope Productions announce a robust event and merchandising plan to celebrate what would have been the rock and roll icon’s 80th birthday: July 9th, 2026.

    Limited Edition Collectibles

    In tribute to one of the greatest voices of all time, German studio specialist Neumann is partnering with the Bon Scott estate on a limited-edition signature product to be released on Bon’s 80th birthday.

    The Perth Mint, following up on the 2024 sold-out 1oz silver proof coin, will issue limited collector’s edition 1oz silver and 1oz gold bars bearing Bon’s name and likeness.

    Reg Mombassa, the legendary graphic artist (as well as founding member of fellow Australian rock icons Mental As Anything) has designed an exclusive artwork to commemorate the birthday that will be available on posters, t-shirts, and more.

    Knucklebonz, the leaders in collectible rock and roll statues, will issue their third Bon Scott edition in 2026, based on iconic images from the 1978 Powerage tour. This follows the sold-out 1979 “Highway To Hell” edition and the 1976 “It’s A Long Way To The Top (If You Wanna Rock N Roll)” statue (complete with bagpipes!).

    Apparel Collaborations

    Although Bon was often spotted performing sans shirts, various apparel partnerships have been embraced by fans to display their love for the iconic frontman. Dixxon Flannel Co. will launch the second limited-edition Bon Scott shirt in “Heritage” Tartan, following the 2025 “Touring” Tartan shirt. Copa Football Jerseys will launch a collectible “Bon 80” football jersey, also in Heritage Tartan. Both products are based on the officially registered Bon Scott tartans created in partnership with Gordon Nicolson Kiltmakers of Edinburgh, Scotland, who offer official Bon Scott tartan kilts, vests, and accessories.

    There will also be a wide range of brand-new Bon 80 t-shirt designs and more limited-edition items in the Perryscope official online store and the Australia-based store from Merch Jungle.

    YouTube Channel

    The Estate has struck a deal with the Australian Broadcasting Corporation (ABC) to provide Bon Scott video content to his official YouTube channel. This follows the ABC’s highly rated 2023 episode of Australian Story, introduced by Brian Johnson, and featuring the only interview ever given by Bon’s brother Derek Scott.

    Additionally, the YouTube channel will post exclusive interviews with Bon’s friends, peers, and admirers like Rick Springfield, Bruce Howe (Fraternity), Sammy Hagar, and Scott Ian (Anthrax), who have all recently sat on camera to discuss their memories and why Bon remains a touchstone 46 years after his passing.

    Tribute Events

    Celebrating its 20th Anniversary in 2026, Bonfest The International Bon Scott Rock Festival, will take place in Kirriemuir, Scotland, on May 1-3, 2026. The sold-out festival presented by Kirriemuir youth charity DD8 Music has an amazing lineup of rock and roll bands and AC/DC tribute acts, ensuring a weekend to properly celebrate Bon’s 80th. 2026 guests include UK rock legends Reef and former AC/DC drummer Chris Slade. There will also be a bespoke pop-up Bon Scott merch store at the site of the original Scott family bakery at 19 Bank Street in Kirriemuir.

    Bon’s 80th birthday will be celebrated with the third annual Bon’s Birthday Bash in NYC on Monday, July 6th. Past celebrations have included guest vocal performances by Corey Glover (Living Colour), Jimmy Kunes (Cactus, Humble Pie), Peter Shaw (Trans-Siberian Orchestra), Tony Award-winner Lena Hall (Headwig and the Angry Inch), and many more of NYC’s finest singers.

    The Rock And Roll Hall Of Fame And Museum will host a one-night-only theatrical screening of the classic concert film Let There Be Rock: The Movie. This will accompany a special limited Bon Scott memorabilia display, celebrating his career.

    An Enduring Legacy

    46 years after his passing, the music that Bon helped create with AC/DC remains of the utmost cultural relevance. Recent high-profile sync licensing featuring Bon’s voice include the 2025 Tom Holland-starring Lego short film Never Stop Playing that features “T.N.T.” and the 2025 Mitsubishi Outlander Australian TV spot that playfully recast “It’s A Long Way To The Top (If You Wanna Rock N Roll” as the long-running Aussie in-joke “It’s A Long Way To The Shop (If You Want A Sausage Roll)”.

    AC/DC, meanwhile, continues their massively successful PWR/UP Tour through South and North America in 2026. The band’s current setlist has included eleven songs written by Angus Young/Malcolm Young/Bon Scott (out of twenty-one), performed in stadiums all over the world.

    Bon Scott was the coolest singer ever – the vocal delivery, the tongue-in-cheek double entendres, and the magnetic personality. Those early AC/DC records – Dirty Deeds Done Dirt Cheap, Let There Be Rock, Powerage, Highway To Hell – are just fucking timeless.” – Lars Ulrich/Metallica

    Bon was one of my heroes. His pants didn’t fit, but for me, he remains one of the bad-assed-est – if ‘bad-assed-est’ is a word! – frontmen that there has ever been. – Dave Mustaine/Megadeth

    Bon’s attitude, demeanour, and frontman swagger gave him the Everyman persona that the world loved him for. His voice, look, and on-stage character drew us all in – there’s an unmatched uniqueness that solidifies Bon’s legendary status in rock and roll…..” – Rob Halford/Judas Priest

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  • BILLY IDOL Documentary “Billy Idol Should Be Dead” Hits U.S. Theaters On February 26

    A new feature-length documentary centered on Billy Idol is heading to theaters in the U.S. this February. Titled Billy Idol Should Be Dead, the film was directed by three-time Grammy winner Jonas Åkerlund and produced by Live Nation Studios, with a nationwide theatrical release set for February 26.

    Before it opens wide, the documentary will premiere in Los Angeles at the TCL Chinese Theatre on February 23, followed by a New York debut at the Regal Union Square on February 25. Both events will include an acoustic performance from Billy Idol and his longtime guitarist and collaborator Steve Stevens.

    The film follows Idol’s path from punk beginnings into full-scale rock stardom, showing the personal cost behind decades in the spotlight. It also focuses on what it took for him to stay standing through everything that came with that life.

    Idol had to overcome to not just survive, but to remain one of the most beloved figures in rock n roll, almost fifty years into his career and still selling out arenas around the world.

    Billy Idol Should Be Dead traces his story through rare archival footage and new interviews with Idol himself, along with family members, peers, and collaborators. It looks back on his emergence as a defining punk figure, his massive success during the MTV era, and the challenges that followed as his career kept moving forward.

    The documentary first screened last summer at the Tribeca Film Festival, then went on to an award-qualifying run. Evan Saxon Productions is handling theatrical distribution in North America, while Fremantle is responsible for release outside the U.S.

    The film also features a new original song, “Dying To Live,” written with Academy Award-nominated songwriter J. Ralph. The track has already drawn major attention, recently landing on the shortlist for Best Original Song at the 98th Academy Awards.

    The closing sequence of the documentary is built around “Dying To Live,” combining animated and archival visuals from across Idol’s life and career. The song was written by Idol and Ralph alongside Steve Stevens, Tommy English, and Joe Janiak. It has also been nominated for Best Song–Documentary Film at the Hollywood Music In Media Awards, which also recognized Billy Idol Should Be Dead with a nomination for Best Music Documentary–Special Program.

    With its theatrical run beginning February 26, the documentary offers a direct look at how Billy Idol made it through decades of highs, crashes, and reinvention while staying a lasting force in rock.

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  • CARMINE APPICE Brings CACTUS Back With Guest-Filled Blues Rock Sequel “Temple Of Blues II”

    It’s been two years since drum icon Carmine Appice and the revived Cactus first opened the doors to Temple Of Blues — a 15-track blast of heavy blues rock that pulled in a long list of guest players under the subtitle Influences And Friends.

    Now the project returns with Temple Of Blues II, bringing another all-star lineup into the mix. Familiar names from the first volume, like Ted Nugent, Billy Sheehan, Ron “Bumblefoot” Thal, Dee Snider, and Pat Travers, connect with a new wave of guests including Steve Morse, Tracii Guns, Joe Lynn Turner, Rudy Sarzo, Alex Skolnick, and more.

    The first single from Temple Of Blues II is out now, a fierce two-part take on “Back Door Man” featuring Sheehan, Eric Gales, and Artie Dillon.

    Appice spoke about hearing the finished track: “When we finished “Back Door Man” and listened to the whole mix, it blew me away. Billy and Eric are amazing together on top of my drums.”

    Often labeled America’s Led Zeppelin, the original Cactus grew out of Appice’s earlier work with Vanilla Fudge and Beck, Bogert & Appice, making their mark quickly after their 1970 self-titled debut. Temple Of Blues II reaches back toward those roots, even revisiting the band’s presence at the Isle Of Wight Festival. One standout moment comes with “Purple Haze,” which reconnects Cactus with Melanie — another favorite from that historic bill — as well as its headliner, Jimi Hendrix.

    Appice reflected on Melanie’s unique presence: “Melanie‘s voice was so distinctive in that it could shift seamlessly from sweet to raspy. Her talent was versatile too — she was at home in front of the mic whether it be an anthem or a pop tune. That voice could sound childlike in one moment and full of wisdom and maturity the next. No wonder she and her work are still so beloved.”

    The album continues with more guest-driven cuts. Pat Travers returns for “Moanin’ At Midnight.” Joe Lynn Turner teams up with Morse, Tony Franklin, Derek Sherinian, and Appice for “Bad Stuff.” Dee Snider and Tracii Guns take charge on “The Little Red Rooster.” Ted Nugent and Bob Daisley join forces for “Spoonful.”

    Across the record, the goal stays the same: heavy blues rock played with grit, groove, and authority, with Carmine Appice’s drumming driving everything forward.

    Temple Of Blues II will arrive on April 3 via Cleopatra Records.

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  • MICHAEL MONROE Releases New Video For Single “Shinola” From Their Upcoming Album “Outerstellar”

    Former Hanoi Rocks frontman Michael Monroe is set to release a new studio album, Outerstellar, on February 20 through Silver Lining Music. The record continues his run of straight-ahead rock with bite, and its third single, “Shinola,” already has an official video directed by Paul M Green.

    “Shinola” goes after the kind of person most people have run into at some point — someone morally hollow who drains everyone around them until there’s nobody left. The track comes across as sharp and direct, built to turn frustration into something loud and cathartic.

    Monroe explained the song’s roots in his usual blunt way: “”Shinola” was obviously originally written about a certain jerk but unfortunately most of us can relate as we know a lot of them. There’s a lot of negative, ignorant idiots in the world and sometimes it’s good to vent frustrations by singing about it. And karma always gets us in the end anyway!”

    To support Outerstellar, Michael Monroe and his band will hit the road for a U.K. co-headline tour with Buckcherry, starting in Southampton on February 24, 2026.

    The touring lineup is stacked with familiar names. Bass comes from Sami Yaffa, known for his time in Hanoi Rocks and New York Dolls, and a longtime collaborator with Monroe since the ’80s. Guitar work is handled by Rich Jones, formerly of the Ginger Wildheart band, alongside Steve Conte, who stepped in after Johnny Thunders in New York Dolls and has also played with artists like Suzi Quatro and Eric Burden. Drums come from Karl Rockfist, whose resume includes work with Danzig.

    With Outerstellar landing in February and the tour following soon after, Michael Monroe keeps proving that his brand of hard rock still has plenty of fuel left.

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  • POISON THE WELL Shares New Single “Everything Hurts” From Their upcoming Album “Peace In Place”

    Metalcore veterans Poison The Well are officially back with a full-length release. The band will drop Peace In Place, their first new album since 2009, on March 20 through SharpTone Records.

    The rollout is already moving fast. The Chris Candy-directed video for the second single, “Everything Hurts,” is out now, giving fans another taste of where the band’s head is at in 2026.

    Vocalist Jeffrey Moreira opened up about what it means to return after such a long gap: “Joining Poison The Well at 18 and chasing music shaped how I approach life. Coming back 16 years later — unsure if I could still do what I once left behind — only reinforced how strong our bond is and how much this band has given me. I’m grateful to do this again with my friends, and to share a record made with honesty, intention and connection at its core.”

    The first single, previously released, “Thoroughbreds,” set the tone with lyrics centered on loyalty, endurance, and the slow collapse of relationships you once trusted. Moreira explained the track’s meaning directly: “Beasts of burden are hard to break — not because they’re strong, but because they’re stubborn. “Thoroughbreds” is about realizing that some lifelong bonds don’t fail early; they fail after you believed they were there to stay.”

    “”Everything Hurts” is about the patience and effort it takes to keep relationships alive,” Moreira said in a statement. “I care deeply about the people in my life, but even the people you love can be frustrating sometimes. And it’s important to remember that we can be just as frustrating to them. We all have our moments — and I have my moments too. The ones that stick around are the ones you have a unique connection with. You can’t put up with everyone’s shit, so the people you keep close are the ones whose shit you actually want to deal with.”

    For longtime listeners, Peace In Place also serves as the follow-up to The Tropic Rot, and Moreira describes it as one of the band’s heaviest emotional statements yet: “Peace In Place is probably the most pissed record we’ve ever made. After stepping away from Poison The Well, it felt like all the emotion from that time — frustration, heartache, disappointment — compressed into something heavy and unavoidable. But anger isn’t what drives us. Connection is. Sometimes that connection starts in darker places, and having an outlet for those emotions is how we find our way forward. This record lives across that entire spectrum. It’s about turning something negative into something honest, putting it into the world, and realizing that even in anger, we’re still capable of moving forward, relating to each other, and finding some form of peace — if not happiness, then at least a place to stand.”

    With Peace In Place arriving March 20, Poison The Well are stepping back into the scene with a record shaped by time, distance, and the kind of intensity that never really fades.

    The post POISON THE WELL Shares New Single “Everything Hurts” From Their upcoming Album “Peace In Place” appeared first on Sonic Perspectives.