Author: Editorial Team

  • THE MARS VOLTA’s CEDRIC BIXLER-ZAVALA Blasts SPOTIFY Over Financial Ties to Military War Applications

    Cedric Bixler-Zavala, vocalist for The Mars Volta and At the Drive-In, went after Spotify on Instagram this week after Backline — a mental health and crisis support service for music industry workers — announced a partnership with the streaming platform for a mental health and songwriter summit in Nashville, Tennessee.

    In a post shared via his Instagram story, Bixler-Zavala addressed Backline directly: “With Spotify? How are we supposed to take you fucking serious? Ain’t nobody at Spotify give a fuck about mental health. Fuck outta hear with this shitty propaganda. This is like forced religious arbitrations with your gremlin abusers. Wake. The. Fuck. Up. While they sit there listening to your humanity, Spotify contributes financially to death of children via military war applications they invest in.”

    The anger is rooted in a controversy that flared in 2025, when it emerged that Spotify co-founder and executive chairman Daniel Ek had led a $693.6 million funding round for Helsing through his venture capital firm Prima Materia. Helsing develops AI-based military applications, and that association prompted a wave of artists to pull their music from the platform in protest. Bixler-Zavala‘s remarks are among the latest to connect Spotify‘s ownership ties to those military investments.

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  • TESLA Shares Cover Of QUEEN’s “Spread Your Wings” From Upcoming Album “Homage”

    Tesla have released their version of Queen’s 1977 track “Spread Your Wings”, giving fans another preview of the upcoming covers album Homage, due out July 17, 2026 through Frontiers Music Srl.

    The new record sees Tesla revisiting the music that influenced the band long before its rise in the hard rock scene. The album collects interpretations of classic songs tied closely to the group’s musical background and early club days in California, where the band originally built its reputation performing covers before shifting toward original material.

    Bassist and keyboardist Brian Wheat explained why “Spread Your Wings” stood out among Queen’s catalog: “‘Spread Your Wings” for me was the song I always wanted to record by QUEEN. I always felt it was the one song they had in their catalog that should’ve been a massive hit, but wasn’t because it was overshadowed by “We Are the Champions” and “We Will Rock You” on the ‘News Of The World‘ album. It was also a song written by John Deacon, who was the band’s secret weapon and whom not many people talk about, the quiet one, shall we say.”

    More than four decades after forming, Tesla continues drawing from the same influences that shaped their sound in the beginning. The band has often pointed to artists such as The Beatles and The Rolling Stones as major inspirations, following a similar path of learning through playing songs from earlier generations of musicians.

    Beyond revisiting classic material, Homage also gives vocalist Jeff Keith room to tackle a wide range of styles. The album includes tributes to performers including Elvis PresleyFreddie MercurySam CookeDavid RuffinEtta James, and James Brown.

    The project also arrives more than 20 years after the band released the Real To Reel series, which later inspired the writing of the original Tesla song “Never Alone”.

    Speaking about the new album, Tesla said: “Our new album, Homage, is a thank-you note written in sound. An offering to the great singers and songs that shaped the music we grew up listening to, and the songs we would eventually write. We hope you all enjoy this as much as we did making it. Thank you for all the years — keep it real and keep on rockin’!”

    Pre-order Homage here.

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  • THE SMASHING PUMPKINS Announces “The Rats In A Cage Tour”

    The Smashing Pumpkins will hit the road this fall for a North American tour marking the 30th anniversary of Mellon Collie And The Infinite Sadness.

    The run, titled The Rats In A Cage Tour, will cover 27 dates across the U.S. and Canada. According to the announcement, the band plans to perform “two unique sets” each night. One set will feature Mellon Collie And The Infinite Sadness performed in full, while the second will pull material “from nearly four decades of unruly hits and dark treasures.”

    Led by Billy CorganThe Smashing Pumpkins are set to launch the tour on September 30 in Columbus, Ohio. The final show is scheduled for November 12 at the Kia Forum in Inglewood, California.

    Fans looking to secure tickets early will have several pre-sale options. Citi cardmember and Verizon Access pre-sales begin Tuesday, May 19 at 10:00 a.m. local time. A Live Nation All Access pre-sale follows on Wednesday, May 20 at 10:00 a.m. local time.

    General ticket sales start Thursday, May 21 at 10:00 a.m. local time here.

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  • BEHEMOTH Teams With MASSACRE RECORDS For New Release “I, Scvlptor”

    Behemoth have teamed up with Massacre Records for the worldwide physical release of I, Scvlptor. The release will arrive on September 4, 2026, in several formats including CD, LP, cassette, and a limited-edition box set.

    According to the announcement, I, Scvlptor contains eight previously unreleased tracks and stands as a separate body of work in the band’s catalog. Pre-orders will open on June 1, 2026, alongside the unveiling of the cover artwork and complete track listing.

    Massacre Records label manager Thomas Hertler commented on the partnership, saying: “Behemoth are one of the most powerful and iconic forces in extreme metal, and we could not be more honored to bring I, Scvlptor to their fans on CD and vinyl worldwide. This is a landmark moment for our label, and we are fully committed to giving this release the presentation it deserves.”

    Frontman Adam “Nergal” Darski also shared details about the upcoming release: “‘I, Scvlptor‘ is Behemoth‘s latest full-length release — an autonomous work that bridges our past with what is new and fresh. It features brand-new, previously unreleased tracks that embody the full force of our live energy, intensity, and the fire that has driven this band for decades. We also revisited our earliest material, reshaping it with a modern edge while preserving its ancient spirit. ‘I, Scvlptor‘ is equally a tribute to the artists and bands without whom Behemoth would never have existed. Get ready for 40 minutes of a sonic pilgrimage forged at the highest level!”.

    Over the last two decades, Behemoth have continued expanding their reach far beyond the Polish underground scene where they began. The band has consistently pushed extreme metal forward while maintaining the intensity and vision that established them as one of the genre’s defining acts.

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  • L.A. GUNS Announces Live CD/DVD “Live From the Guild Theatre”

    L.A. Guns will release Live From the Guild Theatre, a new live CD and DVD, on July 3 via Cleopatra Records. The set was recorded on July 10, 2025 at The Guild Theatre in Menlo Park, Calif., during the band’s run in support of their 2025 album Leopard Skin.

    The release captures the lineup of singer Phil Lewis, guitarist and band founder Tracii Guns, bassist Johnny Martin, guitarist Ace Von Johnson, and touring drummer Shawn Duncan tearing through fan favorites including “Electric Gypsy,” “One More Reason,” and “The Ballad of Jayne.”

    Live From the Guild Theatre can be found here.

    Leopard Skin, released in April 2025, marked L.A. Guns‘ return to Cleopatra Records and was the band’s fifth studio effort in seven years since Lewis and Guns reunited in 2017. It followed 2023’s Black Diamonds, which was the fourth studio album since that reunion, coming after The Missing Peace, The Devil You Know, and Checkered Past.

    L.A. Guns formed in 1983 and have sold over six million records. Both their 1988 self-titled debut and 1990’s Cocked and Loaded were certified gold. Cocked and Loaded contained “The Ballad of Jayne,” which peaked at No. 33 on the Billboard Hot 100 and No. 25 on the Mainstream Rock charts. Drummer Steve Riley, who had led a parallel version of the band under a separate legal arrangement, died in October 2023 at age 67.

    The post L.A. GUNS Announces Live CD/DVD “Live From the Guild Theatre” appeared first on Sonic Perspectives.

  • Ex-ROB ZOMBIE Bassist PIGGY D. Launches New Band GABI & THE FLY With Five-Song Demo “Initiation of Decay”

    Gabi & the Fly, the new heavy metal project from Calgary, Alberta vocalist Gabriella Lindland and Matt “Piggy D.” Montgomery — former Rob Zombie bassist and current Marilyn Manson guitarist — has released its debut five-song demo, Initiation of Decay, exclusively on Bandcamp. A video for the track “Devil’s Chain” is also out now.

    The duo draws from sludge, grind, industrial metal, and extreme music to build a sound rooted in aggression and atmosphere. Lindland comes out of Calgary’s underground heavy scene, where she developed her vocal style across bands spanning sludge metal, crust punk, and grind. Montgomery brings his two decades of experience in horror-driven rock and metal to the collaboration. Initiation of Decay serves as the first look at the band’s sound ahead of a forthcoming debut full-length. A limited pressing of 100 CDs is available as part of an exclusive merch bundle while supplies last.

    Montgomery is best known for his 18-year run as bassist for Rob Zombie, joining in 2006 as the replacement for Rob “Blasko” Nicholson, who departed to join Ozzy Osbourne‘s touring band. His debut performance with Zombie came on May 24, 2006 during a Late Show With David Letterman appearance. He played bass on four Rob Zombie studio albums: Hellbilly Deluxe 2 (2010), Venomous Rat Regeneration Vendor (2013), The Electric Warlock Acid Witch Satanic Orgy Celebration Dispenser (2016) and The Lunar Injection Kool Aid Eclipse Conspiracy (2021). Nicholson rejoined Zombie in 2024 following Montgomery‘s departure.

    Montgomery played his first show with Marilyn Manson in August 2024 at the opening of Five Finger Death Punch‘s summer 2024 arena tour. Beyond Zombie and Manson, he has collaborated with Alice Cooper, John 5 and Wednesday 13, and is a member of The Haxans alongside New Years Day singer Ash Costello.

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  • LORDS OF ACID Shares Single “Dream Boy” Featuring Ex-BUTCHER BABIES Vocalist CARLA HARVEY

    Lords of Acid has released “Dream Boy,” its second single of 2026, featuring vocalist Carla Harvey, formerly of Butcher Babies. The track is described by the group as “a dark trip through the streets of Necropolis, where addiction feels like salvation and nightmares wear a beautiful disguise.”

    The band elaborated: “‘Dream Boy’ isn’t about judging addiction. It’s about understanding the pain, loneliness and emptiness that drive people toward it in the first place. We wanted the verses to feel raw and claustrophobic, almost like a panic attack, while the reggae-inspired chorus drifts like a hallucination you never want to wake up from. The line ‘Dream boy, keep on floating in the sun’ sounds warm and beautiful at first, until you realize it’s about somebody slowly disappearing in plain sight. It is one of the darkest songs we have ever written, but underneath the shadows there’s still a message of human connection, desire and the search for a real high that doesn’t destroy you.”

    “Dream Boy” follows “Karaoke Superstar,” a tongue-in-cheek collaboration with U.S. vocalist and DJ Princess Superstar that put Lords of Acid in theatrical mode over a hypersexual, neon-drenched industrial acid dance anthem. Both tracks are set to appear on the group’s long-awaited seventh studio album, due in late 2026, which will feature Harvey‘s vocals alongside other guest singers.

    Harvey joined Lords of Acid in early 2025 after her run with metal outfit Butcher Babies. Formed in Antwerp, Belgium in 1988, Lords of Acid debuted with the New Beat single “I Sit On Acid” and followed it with their 1991 debut album Lust — the start of a catalog that made them a fixture on the Billboard dance and alternative charts. The band is currently midway through their “Cheeky Freaky Tour” of the U.S., which runs through the end of May.

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  • MASTODON’s BRANN DAILOR: “Our New Album Is Finished as of Last Week… It Was a Very Emotional Time for Us”

    Mastodon drummer Brann Dailor recently sat down with Blabbermouth to talk about his vocal contribution to King Ultramega, the Soundgarden tribute act fronted by Metal Allegiance‘s Mark Menghi — and the conversation quickly turned to where Mastodon stands now, with a new album finished, a new guitarist in the fold, and the shadow of Brent Hinds‘s August 2025 death still present in everything the band does.

    Dailor told Blabbermouth: “I just see myself as more of a drummer, but I’ve always sung my whole life. I was always in the ‘select’ choir. I could always do it, and I’d open my mouth in the van and sing along to Stevie Wonder and Iron Maiden and all of that stuff. I could do a pretty good King Diamond and Ozzy [Osbourne], so I’d be up there and singing and Brent was listening intently and at a certain point, he was like, ‘You got to start singing, dude, I’m sorry.’ In approaching something like this with Chris Cornell, which is kind of a bluegrass thing, that’s way out of my wheelhouse, and he’s really going for it, full-on Chris Cornell vocal prowess on full display. So it was really intimidating to consider doing it, much like a ‘Stairway to Heaven’ [Led Zeppelin]. But I looked at it as a pretty cool opportunity to sink my teeth into something I wouldn’t normally do.”

    On the personal weight the “Dead Wishes” cover carried, Dailor added: “I brought my mom in because she was a big fan of Chris Cornell and Soundgarden from the beginning. I remember her listening to this song and being like, ‘Oh, that’s different for Chris.’ When I got asked to do it, I listened to the song and I was like, ‘Wow. It’s cool. It’s different from something I would have done.’ I thought of my mom. She passed a few months ago. I was like, ‘She would be over the moon about this. She would love it so much. I’m going to dig in and do my absolute best.’”

    When Blabbermouth asked whether he’d want to front a band of his own, Dailor said it would have to come with a character: “For my synth band, Arcadia, I’ll do that. We put out a video for the song ‘Fuzzy Planet’. I’m this kind of debonair clown in the video. I could do it if I could be a character. I don’t know if I could just walk out there, just me, pick out a cool jacket to wear from H&M. [Laughs] Phil Collins, he took his shirt off, he put on some white overalls, like the ‘everyman’ and got out there and was blue collar. To answer your question, I would do it, but I would have to be another person.”

    The biggest news: the new Mastodon album is done. “Our new album is finished as of last week,” Dailor said. “There would be some new music very soon. We’re very excited about it. It was a hard record to make. It was a very emotional time for us. I lost my mom, we went through all this turmoil with Brent, and then he passed away. It’s been tough. It’s all in the music, it’s all in the songs, and I’m excited to release it and get it out there into the world because we’ve been sitting on it for a while. A lot of this stuff, at least the skeletons of what this album is, we’ve been sitting on for two years now. A lot was going on.”

    On the back-to-back losses that shaped the record, Dailor said: “I really thought that this record was going to be without any loss. I’m like, ‘We can concentrate on mythological creatures again. We don’t have to go down these roads of unpacking a grief cycle.’ No, we got a two-fer. That’s life. As you start getting older, you start losing your loved ones. Tomorrow is not promised. We’re trying to make the best of it and try to figure out what happened to us this past year, so that’s what the new album is going to reveal.”

    On Hinds‘s absence from the sessions and the way things ended between them: “Toward the end, unfortunately, it was hard to get him to come down to the space. He was interested in doing other stuff, which was fine. It was a confusing time. [Laughs] I was the one going, ‘Come on, man. Come down. Let’s riff.’ He was a free spirit. He wanted to ride his motorcycle around and do this and that. He was wherever the wind took him. Unfortunately, it was not down to the practice space to work on riffs.”

    “I’m sad the way things ended. Nobody wanted that. I always thought the future version would be coming back together and be like, ‘Dude, what the fuck? All that shit?’ It’s really sad that it’s not a possibility. I’m still here, and the other guys are still here, and we are still as dedicated as ever to Mastodon, to this musical project that we started 26 years ago.”

    New guitarist Nick Johnston has since completed the album with the remaining trio of Dailor, bassist/vocalist Troy Sanders, and guitarist Bill Kelliher. Dailor on the choice of Johnston: “He’s not trying to be Brent. There’s never going to be another Brent, obviously. He broke the mold, as they say. [Laughs] He was the wild, wild dude. I loved him to death. We had a really close musical relationship.”

    “With the search for a new guitar player, Nick was always sort of in the back of my mind because I liked his style. He has an interesting style. I was always looking for the yin and the yang with Bill. Bill‘s the riff guy and plays all the heavy stuff, and I loved the combination of him and Brent. Brent was the chicken-picking and all that. Nick is very much like that. He’s proggy and in a whole other world of guitar playing, and combined with Bill, makes for something really interesting. And he’s such a sweetheart and a nice, down-to-earth guy. He’s a great person and an incredible player. Holy shit, the stuff he pulls off is really amazing, and you wouldn’t know it by meeting him because he’s such a humble guy. He just wants to do an awesome job, preserve Brent‘s memory more than ever now, and get closer to the solos in how they are supposed to be played. I think some of Brent‘s solos are really iconic like that. They deserve to be played as close to the emotion that Brent put in them as possible. Nick is doing that. The new stuff: Nick brings a whole different flair to his solo sections, but I can also hear the homages to Brent. I loved that he was able to do that, fold it in, and bring some of Brent‘s personality and what he did for us in Mastodon to the band.”

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  • VOIVOD Drop “The End Of Dormancy” Lyric Video From Upcoming Orchestral Live Album “Symphonique”

    Voivod has released the second single from its upcoming live album Symphonique, out June 5, 2026, via Century Media Records. “The End of Dormancy (Symphonique)” is now streaming across DSPs, accompanied by an official visualizer from Cloud Motion Design. The first single, “Forgotten in Space (Symphonique),” is also available.

    Symphonique captures Voivod‘s June 4, 2025, performance at the Grand Théâtre in Québec City alongside the Orchestre Symphonique De Québec — a collaboration that fused the band’s pioneering futuristic metal with a full symphony orchestra across 12 songs and 73 minutes. Century Media describes the record as functioning like “an epic piece of cinema.”

    Guitarist Daniel “Chewy” Mongrain on “The End of Dormancy (Symphonique)”: “This one is very special to me. I wrote the riffs imagining Roman naval battles with a full orchestra, like the movies from the ’50s and ’60s. It has a very dramatic vibe. Little did I know that what we synthesized for a four-piece band would eventually explode into its primary, original imagined form. It’s one of the most orchestral pieces on the album, and I remember the crowd’s reaction after the grand finale. It was one of these rare life’s perfect moments. I’m very grateful for that incredible experience.”

    Drummer and founding member Michel “Away” Langevin said, “This live album with the Quebec Symphony Orchestra is a longtime dream turned reality. Thankfully, we will experience it again in 2027 with the Orchestre Symphonique du Saguenay-Lac-St-Jean, right in the region where Voivod formed back in 1983. We wish to take this show across the globe with local orchestras one day, but in the meantime, I hope you will enjoy this epic release. It’s the closest we’ve ever come to sounding like a dystopian sci-fi movie soundtrack, another dream of ours!”

    The path that brought the collaboration to life was characteristically unlikely. In a December 2024 interview with The Metal Voice, Langevin recalled the odd chain of events: “It came through a strange chain of circumstances, where I did an interview for the magazine L’Itinéraire, for homeless people selling magazines on the street, and then I did an interview with one of the journalists for the magazine, and it ended up being published online by La Presse. And then the people directing the orchestra, the organization, they were made aware of that by one of the musicians from the orchestra, who is a metal dude and he’s a fan.”

    Langevin continued: “It’s funny because since my cousin Richard Langevin is married to Diane Dufresne, a famous singer from Montreal, and she had done the orchestra before, so they got in touch with him, because I was mentioning him in the article because he showed me how to draw. [Laughs] And anyhow, they phoned Richard, my cousin, and he phoned my mother. [Laughs] And when I came back from touring with Voivod, I had a message on my answering machine saying that the orchestra were looking for us. So, quite amazing.” He added: “We didn’t approach [the orchestra], but we always talked about either doing symphonic shows or doing a soundtrack for a sci-fi movie or something like that. It’s part of the dreams we have.”

    Mongrain, who previously arranged material for a brass quintet that performed with Voivod at the 2019 Montreal International Jazz Festival, worked closely with orchestrator Hugo Bégin on adapting the band’s music: “My help with the project was to provide the music sheets to the arranger, Hugo Bégin. He did an amazing job. He took the music sheet that I wrote for guitar and bass. So he had a template to work on. And so he orchestrated it for the whole orchestra and added his own color to it. And it’s very efficient. It’s like a movie soundtrack, like the movie we used to watch, like ‘Planet Of The Apes’ and ‘Ben-Hur’ and ‘Mad Max’ and all that. Voivod has been influenced since the beginning by those movies, so you can hear it, but with the whole orchestra, it’s very exciting… It’s gonna be grandiose.”

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  • ANTHRAX Releases First New Music In Nearly A Decade With Single/Video “It’s For The Kids” From Upcoming Album “Cursum Perficio”

    Anthrax has released “It’s for the Kids,” the lead single from Cursum Perficio — the Queens, N.Y. thrash metal institution’s 12th studio album and its first since 2016’s For All Kings. The single premiered alongside a music video directed by Don Argott, shot on a cold December day at the notorious Pennhurst Asylum.

    The band’s camp described the visual concept: “Filmed on a cold, rainy December day at the notorious Pennhurst Asylum, the video is a throwback to Anthrax‘s first video, ‘Madhouse’. Many of the details were recreated for this video, including the frigid filming conditions! The fans are the true lifeblood of this video. They got an early taste of the music and brought this filming to life.”

    Cursum Perficio was produced by Jay Ruston, who has previously worked with Stone Sour and Armored Saint. The album’s track listing surfaced online earlier in the week ahead of the single’s release. Pre-orders are available now at this location.

    Cursum Perficio tracklist:

    1. Persistence Of Memory
    2. The Long Goodbye
    3. It’s For The Kids
    4. Everybody’s Got A Plan
    5. The Edge Of Perfection
    6. Infectious
    7. NYC 93
    8. Cursum Perficio
    9. T.O.M.B.
    10. Watch It Go
    11. My Victory See less

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