Author: Editorial Team

Black Flag will hit the road this fall for an extensive U.S. tour, kicking off on September 3, 2026, at Belly Up in Aspen, Colorado, and wrapping up on November 1 at House of Blues in Houston, Texas.

The run includes more than 45 dates across the country, with shows scheduled throughout the Mountain West, Midwest, East Coast, Southeast, Southwest and California.

Founding guitarist Greg Ginn will lead the current Black Flag lineup, which also features Max Zanelly on vocals, David Rodriguez on bass and Bryce Weston behind the drum kit.

After recent touring across the U.S. and Europe, Black Flag returns with its latest lineup to perform material spanning the band’s influential catalog. The tour will bring the group back to club and theater stages, giving both longtime followers and newer fans the opportunity to experience the pioneering punk outfit in smaller venues.

The band’s touring plans will continue into 2027, with additional performances already scheduled for January and April. Those runs will include stops in California, Washington, Oregon, Colorado and several other markets.

Tickets and additional tour information are available through individual venues and Black Flag‘s official channels.

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Following the strong response to previous Mark Tremonti Sings Frank Sinatra performances, Mark Tremonti will return to the stage this December for two holiday shows celebrating the music of Frank Sinatra.

The concerts are scheduled for December 16 at the Arcada Theatre in St. Charles, Illinois, and December 18 at the Walt Disney Theater in Orlando, Florida. Once again, Tremonti will be joined by members of Sinatra‘s original touring band, along with local musicians, to perform selections from the legendary singer’s catalog.

Over the past few years, Mark Tremonti Sings Frank Sinatra has grown into an annual event that allows the Creed, Alter Bridge and Tremonti guitarist to showcase a different side of his musical background. The performances combine classic arrangements with Tremonti‘s own vocal style while honoring the legacy of one of the most influential voices in popular music.

As with previous editions of the project, the concerts will also support a charitable cause. A portion of the proceeds from both performances will be donated to the National Down Syndrome Society (NDSS), continuing Tremonti‘s ongoing support for the organization and its work on behalf of individuals with Down syndrome and their families.

For more information check here.

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Death Angel will return to Europe in December 2026 for a headlining tour that will take the Bay Area thrash veterans across 12 cities in Germany, Switzerland, Denmark, the Czech Republic and the Netherlands. Joining them on the run will be fellow Bay Area thrash pioneers Vio-Lence.

The European leg of the Act III anniversary tour will once again see Death Angel perform the 1990 album in its entirety as the band continues celebrating its 35th anniversary. The itinerary also includes a performance at Eindhoven Metal Meeting.

Formed in 1982 in Daly City, California, Death Angel became one of the defining acts of the Bay Area thrash movement. Guitarist Rob Cavestany, bassist Dennis Pepa, drummer Andy Galeon, vocalist Mark Osegueda, and guitarist Gus Pepa quickly gained attention for their speed, technical ability, and energetic live shows while still in their teens.

The band’s debut, The Ultra-Violence, arrived in 1987 and immediately established Death Angel as one of the scene’s most exciting young bands. Recorded when Andy Galeon was only 14 years old, the album stood out for its ambitious songwriting and musicianship. The group followed it with Frolic Through The Park in 1988, featuring the MTV favorite “Bored,” which helped land the band a hosting appearance on Headbangers Ball.

In 1990, Death Angel expanded its sound with Act III, balancing melody and aggression without losing its thrash roots. Singles including “Seemingly Endless Time” and “A Room With A View” received MTV exposure, while the album further raised the band’s profile.

After reuniting in 2001, Death Angel entered a productive new era with a series of acclaimed releases. Beginning with The Art Of Dying and continuing through Killing Season, Relentless Retribution, The Dream Calls For Blood, The Evil Divide and Humanicide, the band refined its songwriting while maintaining the intensity that defined its early years. Humanicide also earned Death Angel a Grammy nomination in the Best Metal Performance category.

The band returned with new music in 2025, releasing the standalone singles “Wrath (Bring Fire)” and “Cult Of The Used.” The tracks showcased the group’s trademark Bay Area thrash sound while addressing contemporary themes through sharp riffs, powerful rhythms and Mark Osegueda’s unmistakable vocals.

To mark the 35th anniversary of Act III, Death Angel launched a tour centered around performing the album from start to finish, alongside additional material from throughout its catalog. The U.S. run included several Bay Area dates, highlighted by two sold-out performances at the legendary Fillmore. The anniversary tour will continue through 2026 and into 2027, with more dates expected to be announced.

The current lineup of Mark Osegueda on vocals, Rob Cavestany on guitar, Ted Aguilar on guitar, Damien Sisson on bass, and Will Carroll on drums, has remained together for nearly 20 years. That stability has helped Death Angel remain one of the most consistent live acts in thrash, with regular tours across North America, Europe, South America, Asia and Australia, along with appearances at major festivals and headline shows around the world.

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Flotsam And Jetsam have released the official music video for “Harvesting The Hate”, the second single from their upcoming album Rats In The Temple, scheduled for release on August 28, 2026, through Napalm Records.

Opening the record, “Harvesting The Hate” wastes no time delivering relentless thrash, driven by pounding double kicks and the twin-guitar attack of Michael Gilbert and Steve Conley.

Frontman Eric “A.K.” Knutson explained the song’s message: “Another heavy, dramatic beast of a song from our arsenal of madness. This one asks you to look in the mirror, to find the true problem in your life. And stop harvesting the hate!”

For nearly four decades, Flotsam And Jetsam have remained one of thrash metal’s most consistent acts. Recent releases such as The End Of Chaos and I Am The Weapon have reinforced the band’s reputation while staying connected to the legacy established by Doomsday For The Deceiver and No Place For Disgrace, two records that helped define the group’s early years.

According to the band, Rats In The Temple features 13 tracks built around themes including death, betrayal, abuse and war, presenting a darker reflection of the world around us.

Speaking about the new album, Knutson said: “This record is a BEAST, truly our best effort to date!! Do yourself a favor. Dim the lights, grab a drink, put the headphones on, and crank this up. You will not be sorry you did!!!”

The current Flotsam And Jetsam lineup features Knutson alongside founding guitarist Michael Gilbert, guitarist Steve Conley, drummer Ken Mary (Alice Cooper, Accept) and bassist Bill Bodily. The band considers this lineup one of its strongest, combining veteran experience with technical precision across every position.

Rats In The Temple also marks the 40th anniversary of the band’s debut album, Doomsday For The Deceiver, the landmark release that famously earned a rare 6K rating from Kerrang!. Although bassist Jason Newsted left shortly after to join Metallica, Flotsam and Jetsam continued building their catalog with No Place For Disgrace before expanding it with later releases including Flotsam And Jetsam, The End Of Chaos, Blood In The Water and I Am The Weapon.

The new album kicks off with “Harvesting The Hate” and “Damnation”, two tracks that combine memorable hooks with razor-sharp musicianship. From there, “Absolution” leans into technical thrash, while “Blame The Knife” and the title track showcase the chemistry between Gilbert and Conley. “The Ghost Behind My Door” and “First On The Spike” continue the record’s aggressive pace, blending classic thrash influences with a modern edge.

Later in the album, “The Edge Of Nowhere” builds tension before giving way to “Last Rites”. Ken Mary and Bill Bodily take the spotlight on the anti-war track “A Taste For War”, while “Her Blood Your Pain” introduces melodic guitar harmonies ahead of the full-speed attack of “Anthem For The Broken”. The closing stretch continues with “Going Down That Way”, wrapping up an album that explores multiple sides of Flotsam And Jetsam‘s sound while staying rooted in the band’s thrash foundation.

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William Shatner is set to bring his new rock-based live production to Riot Fest 2026, joining a lineup packed with heavy hitters including Iggy Pop, Public Image Ltd., Morrissey, Blink-182, Weezer, Sex Pistols featuring Frank Carter, The Pogues, The Damned, Jawbreaker and many more.

Known for constantly taking his career in unexpected directions, Shatner will present a live show that reworks material from across his recording career into a full-scale rock performance.

Backing him on stage will be members of Nuclear Messiah alongside a group of musicians connected to Cleopatra Records. The lineup includes guitarist and musical director Marcus Nand (Mike Tramp, Candice Night), bassist Phil Soussan (Ozzy Osbourne, Billy Idol, and songwriter of Ozzy Osbourne‘s “Shot In The Dark”), guitarist Britt Lightning (Vixen) and drummer Fred Aching (Kings Of Thrash, Dead Groove, Fraxures). Together, they’ll combine Shatner’s spoken-word delivery with a hard rock backing built around cinematic arrangements.

“I’ve always believed that music, like space, is about exploration,” says Shatner. “Riot Fest is exactly the kind of place where anything can happen. We’re bringing volume, intensity, and a few surprises. With this incredible band behind me, I expect nothing less than lift-off. I can’t wait to share this experience with the fans.”

The Riot Fest appearance follows a string of releases through Cleopatra Records that paired Shatner with well-known names from rock and metal. The festival performance also serves as the launch point for his upcoming heavy metal album, which promises an extensive list of guest musicians from across the genre.

Cleopatra Records founder Brian Perera believes the show will prove that this project stands on its own as a serious rock production.

“William Shatner has spent a lifetime redefining expectations,” says Brian Perera. “This isn’t a novelty performance — it’s a real rock show featuring world-class musicians behind one of entertainment’s greatest icons. Riot Fest is the perfect stage for this next chapter, and we’re going to deliver a performance worthy of the festival’s incredible legacy.”

One of the latest additions to the record is drummer Mikkey Dee, whose work with Motörhead and later Scorpions made him one of hard rock’s most recognizable drummers. Dee recently recorded drums for Shatner’s take on Judas Priest‘s “Living After Midnight.”

“I needed pounding beats to make the music feel the way I feel it,” says William Shatner. “The drums drive the emotion. They create the urgency, the excitement, the danger. Heavy metal should hit you in the chest and move your soul at the same time.”

The album also features an impressive collection of drummers, including Dave Lombardo (Slayer, Misfits), Chris Adler (Megadeth), Vinny Appice (Black Sabbath), Carmine Appice (Vanilla Fudge, Cactus), Kenny Aronoff (Steve Vai), Simon Wright (AC/DC, UFO), Bobby Rondinelli (Blue Öyster Cult, Quiet Riot), Matt Starr (Ace Frehley, Joe Lynn Turner), Steve Zing (Danzig, Samhain, Mourning Noise) and Fred Aching (Kings Of Thrash, Nuclear Messiah, Fraxures).

Production is being handled by Adam Hamilton (L.A. Guns, Brian Jonestown Massacre) and Brian Perera, with Derek Hughes, Marcus Nand and Jürgen Engler of Die Krupps also contributing behind the scenes.

At 95, Shatner is fully embracing heavy music through a project built around powerful performances, experienced musicians, and a large-scale production. The album aims to capture the impact and energy that made metal such a lasting force while pairing Shatner’s unmistakable voice with an all-star cast from the hard rock and metal world.

Additional guest appearances remain under wraps, while the album title, release date and the rest of the featured lineup are expected to be announced in the near future.

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Swedish metal heavyweights Sabaton have officially announced that on September 11th, 2026, their definitive blockbuster album, The Last Stand, will be re-released as a limited 10th Anniversary Edition via Nuclear Blast Records.

To do justice to this incredible milestone, the album will not only be released for the first time with all bonus tracks, but there will also be limited editions available featuring alternative artwork, along with live videos recorded at Sabaton Open Air 2016.

First released in 2016, The Last Stand conquered the world, cracking the Worldwide Top 10 and hitting #1 in multiple countries. The grand-scale concept album delivered Sabaton‘s signature, explosive heavy metal, unleashing fan-favorite tracks and setlist favourites such as ‘The Last Stand’, ‘Winged Hussars’, ‘Shiroyama’ and many more.

Pär Sundström commented: “Who would have believed that 10 years could fly by so fast? We have so many great memories tied to The Last Stand, so we’re really happy to celebrate its 10th anniversary with the special edition vinyl and digibook with all the extras.

If you get your hands on the digibook, you’ll find bonus video footage that captures Thobbe – our guitarist – playing his final show with us at Sabaton Open Air in 2016 before stepping away for an eight-year vacation. In a way, it became his own “Last Stand”! Of course, none of us knew at the time that he’d eventually return to the band in 2024, which makes looking back at those moments even more meaningful. It’s a poignant chapter in our history, and the perfect thing to share as we celebrate the album’s 10th birthday.”

The Last Stand (10th Anniversary Edition) can be pre-order here and it will be available in the following formats:

• CD+DVD Digibook (w/ bonus DVD feat. live clips from Sabaton Open Air 2016)
• 2LP Gatefold Vinyl (Disc One: Natural Red Marbled (Bloodstone marbled) / Disc Two: Trans Orange Black White Splatter)

In over two decades since their launch, Swedish metallers Sabaton have carved out a reputation as one of the hardest-working bands in the business – gaining a legion of loyal fans across the globe, delivering eleven highly-rated studio albums (including two certified platinum-sellers), and scoring multiple industry award wins and nominations.

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Rising from the mystical Sonoran Desert, metal icons Soulfly are set to return to the American moshpits this Fall, tearing down the boundaries of a complacent society. Fueled by the indigenous roots of Chama and the raw power of fire, the tour will showcase brand-new tracks like “Favela Dystopia”, “No Pain = No Power”, “Chama”, and “Storm The Gates” alongside the classic anthems that have long united the Soulfly Tribe.

The 25-date U.S. trek kicks off with a featured festival appearance at Louder Than Life, with performances in Dallas, Salt Lake City, and West Hollywood before wrapping up with a massive hometown headline show in Tempe, Arizona, on October 15th.

Joining this devastating lineup is cult-favorite industrial sludge/crust punk outfit Nailbomb. Formed in 1993 as the legendary side project of Max Cavalera and Alex Newport, Nailbomb is crawling out of the vault to join the sonic demolition. Known for timeless, politically charged lyrics that scream the uncomfortable truths others won’t say, the band’s rotating, modern lineup ensures their anti-society message remains as razor-sharp and relevant as ever.

Rounding out the tour is the brutal reality of Richie Cavalera’s Incite. Since forming in 2004, the band has continually raised the bar, evolving through lineup shifts into a modern thrash powerhouse. Their highly acclaimed new single, “Just a Rat” (from Savage New Times), has already penetrated the metal world with the exact sonic grip fans have been waiting for.

This is a rare, legendary gathering of the Cavalera legacy. Don’t miss the OG SOULFLY teamed with the explosive Incite and a rare appearance by Nailbomb.

General admission tickets for the tour go on sale July 15th at 10 am local time. Purchase your tickets here.

Chama was recorded at the Platinum Underground Studio in Mesa, Arizona, by John Aquilino. John has worked with Max and company multiple times before and is not only a talented engineer but also a family friend. The album was produced by Zyon Cavalera and Arthur Rizk. The latter was also responsible for the mixing and mastering. Rizk has not only worked with the Cavalera family numerous times before, but has also helped to shape the world of heavy metal in the modern day. Soulfly enlisted Carletta Parrish to create the album artwork. For the album, Igor Amadeus Cavalera (Go Ahead & Die, Nailbomb, Healing Magic) played bass, and Mike De Leon played guitar. The album also includes features from Dino Cazares (Fear Factory) and Todd Jones (Nails).

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Queens Of The Stone Age has released a new song, “Easy Street”, marking the band’s first new material since 2023’s In Times New Roman. Fans first heard the track during last year’s The Catacombs Tour, where it quickly became one of the most talked-about additions to the band’s live set.

“Easy Street” takes a stripped-back approach, combining acoustic guitar, psychedelic synth textures, and an organic rhythm section that embraces its natural feel. The track also features guest vocals from Nikki Lane, whose gritty performance contrasts with Josh Homme‘s smoother lead vocal.

Discussing the song, Homme said: “It’s kind of a funny song. It’s like hitting your funny bone, where it’s funny because it hurts and it hurts because it’s funny. You’re serious, but it’s funny.”

He continued: “We made it the way you’d make a demo. No click track, mistakes left in. It speeds up, it slows down, the claps aren’t great, but they’re not bad, and a bad clap adds this human thing you can’t fake.”

Homme added: “It’s not just about silliness. It’s about understanding the imperfection of your life. The song, like your life, is in the mistakes. Its imperfections are unbeatable.”

The single arrives alongside a music video directed by Tony Wolski and Christopher Gruse from a concept created by Homme. The clip begins with the frontman, bruised and beaten, trying to escape a group of pursuers that includes his own bandmates appearing as colorful characters, including a Juggalo, a shopping mall Santa, a leather enthusiast, and a sharply dressed cowboy leading a miniature horse. The story eventually shifts direction with a conclusion that celebrates people who are often overlooked. The track was produced by Homme together with Michael Shuman.

Last year’s The Catacombs Tour grew out of the band’s experience creating Alive In The Catacombs. The performances featured newly arranged versions of Queens Of The Stone Age songs inspired by the atmosphere and approach developed during that cinematic project.

Formed by Josh Homme, Queens Of The Stone Age has built a career around blending hard rock, stoner rock, and alternative influences. The band’s catalog includes well-known songs such as “No One Knows”, “Go With The Flow”, “Little Sister”, and “Make It Wit Chu”, while continuing to explore new directions with releases like “Easy Street”.

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Detroit metalcore legends Walls of Jericho have announced their new studio album, System Error: Humanity, due Nov. 13 via Napalm Records. The announcement is accompanied by lead single “The Ascent.” The album was recorded with legendary producer and Converge guitarist Kurt Ballou, who has previously worked with Nails, The Dillinger Escape Plan, Code Orange and Every Time I Die, capturing the band’s ferocious live energy in a pristine yet powerful presentation.

Walls of Jericho frontwoman Candace Buckingham said: “System Error: Humanity is a raw, unapologetic, and most aggressive record to date. We set out to capture the chaos, intensity, and raw energy of our live show rather than chase perfection.

“Lyrically, it’s a rebellion against the modern forces that fracture identity: comparison, conformity, distraction, and the endless pressure to perform instead of live. At its core, this album is about reclaiming your attention, owning your choices, and becoming who you were before the world told you who to be. Kill the noise. Reclaim yourself.”

Buckingham added on lead single “The Ascent”: “‘The Ascent’ is a crushing blend of dissonant riffs, massive breakdowns, and raw intensity. Lyrically, it’s about confronting yourself one hard truth at a time, shedding ego, silencing the noise, and discovering that real strength isn’t found at the summit, but in the discipline and honesty it takes to climb.

“Because growth begins where comfort ends.”

Pre-order the album here.

System Error: Humanity opens with “True Til’ Death” before moving through the discordant fury of “The Ascent” and “Untouchable,” thrash-driven cuts “The Flame” and “Agency,” and empowerment-themed tracks “Borrowed Ground” and “Last Judgement.” The album features guest appearances from Lamb of God frontman Randy Blythe on “Broken Mouths Can’t Speak” and Guy Kozowyk of The Red Chord on “Humanity.” The album closes with “The Reckoning,” bookended by one of the album’s most punishing breakdowns.

Walls of Jericho helped define metalcore with genre landmarks including The Bound Feed The Gagged (1999), All Hail The Dead (2004), With Devils Amongst Us All, The American Dream and No One Can Save You From Your Self. After years of relentless gigging at Louder Than Life, Hellfest, Tied Down and Furnace Fest, among others, System Error: Humanity marks their return to recorded output. The band’s current lineup features Candace Buckingham (vocals), Aaron Ruby (bass), Dustin Robert (drums), Bobby VaLeu, Kyle Gailey and Chris Towning (guitars).

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Gwar will celebrate the 20th anniversary of Beyond Hell with a newly remastered deluxe edition arriving on September 25 through the band’s own Pit Records. The 2006 album will also receive its first-ever vinyl release as part of the anniversary campaign.

The new edition was remastered by Paul Logus (Anthrax, Killswitch Engage) and revisits one of Gwar‘s most theatrical releases. Alongside the updated audio, fans will also get a previously unreleased outro that was recorded during the original Beyond Hell sessions but never made the final album.

To mark the announcement, Gwar has also released the remastered version of “Eighth Lock” together with the long-unavailable music video for the track.

Produced by Devin Townsend, Beyond Hell arrived in 2006 and became one of the standout records in Gwar‘s catalog. Townsend recently reflected on working with the band and how the project came together.

“I had been a Gwar fan since I was a kid. I loved the freedom, the metal, the spectacle, and the passion that went into it all,” recalls Townsend. “I met Brockie on a tour we did together and, after cornering him in an elevator and basically telling him I’d work for free, I found myself co-producing Beyond Hell. Dave and Corey came to Vancouver to stay with me, and we recorded at Profile Studios. The drums and basic tracks were done at Slave Pit in Richmond, Virginia, and the whole process took about three months.”

He continued: “Gwar were, and are, an amazing combination of artistic freedom, absurdity, and hard work bundled up with metal and performance. Loved them then, love them now.”

Built around the band’s descent into Hell to rescue Flattus Maximus, Beyond Hell remains a fan favorite and includes tracks such as “Back in Crack”, “Womb With A View”, “Tormentor”, and “The Ultimate Bohab”.

The anniversary release will be available on 180-gram vinyl packaged in a tri-fold sleeve that opens into an inverted cross. A deluxe CD version will also be available, complete with a fold-out poster.

The standard gold vinyl pressing is limited to 2,000 copies. A more limited “Blood Moon” variant, restricted to 300 copies, will be sold exclusively through Gwar‘s official store, while Metal Injection will carry the “Blood Smear” edition, capped at 200 copies.

On the touring front, Gwar returns to the stage in August for a series of festival appearances, including Endless Fires Fest, Louder Than Life, and Riot Fest. The band will then play a short headlining run with support from Weedeaterand Brat, before launching the “Gor Gor Must Die!” tour. That trek features Midnight as direct support, Mac Sabbathopening every show, and select appearances by X-Cops and Atomic Rule.

Beyond Hell is available here.

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