Author: Editorial Team

  • LORDS OF ACID Shares Single “Dream Boy” Featuring Ex-BUTCHER BABIES Vocalist CARLA HARVEY

    Lords of Acid has released “Dream Boy,” its second single of 2026, featuring vocalist Carla Harvey, formerly of Butcher Babies. The track is described by the group as “a dark trip through the streets of Necropolis, where addiction feels like salvation and nightmares wear a beautiful disguise.”

    The band elaborated: “‘Dream Boy’ isn’t about judging addiction. It’s about understanding the pain, loneliness and emptiness that drive people toward it in the first place. We wanted the verses to feel raw and claustrophobic, almost like a panic attack, while the reggae-inspired chorus drifts like a hallucination you never want to wake up from. The line ‘Dream boy, keep on floating in the sun’ sounds warm and beautiful at first, until you realize it’s about somebody slowly disappearing in plain sight. It is one of the darkest songs we have ever written, but underneath the shadows there’s still a message of human connection, desire and the search for a real high that doesn’t destroy you.”

    “Dream Boy” follows “Karaoke Superstar,” a tongue-in-cheek collaboration with U.S. vocalist and DJ Princess Superstar that put Lords of Acid in theatrical mode over a hypersexual, neon-drenched industrial acid dance anthem. Both tracks are set to appear on the group’s long-awaited seventh studio album, due in late 2026, which will feature Harvey‘s vocals alongside other guest singers.

    Harvey joined Lords of Acid in early 2025 after her run with metal outfit Butcher Babies. Formed in Antwerp, Belgium in 1988, Lords of Acid debuted with the New Beat single “I Sit On Acid” and followed it with their 1991 debut album Lust — the start of a catalog that made them a fixture on the Billboard dance and alternative charts. The band is currently midway through their “Cheeky Freaky Tour” of the U.S., which runs through the end of May.

    The post LORDS OF ACID Shares Single “Dream Boy” Featuring Ex-BUTCHER BABIES Vocalist CARLA HARVEY appeared first on Sonic Perspectives.

  • MASTODON’s BRANN DAILOR: “Our New Album Is Finished as of Last Week… It Was a Very Emotional Time for Us”

    Mastodon drummer Brann Dailor recently sat down with Blabbermouth to talk about his vocal contribution to King Ultramega, the Soundgarden tribute act fronted by Metal Allegiance‘s Mark Menghi — and the conversation quickly turned to where Mastodon stands now, with a new album finished, a new guitarist in the fold, and the shadow of Brent Hinds‘s August 2025 death still present in everything the band does.

    Dailor told Blabbermouth: “I just see myself as more of a drummer, but I’ve always sung my whole life. I was always in the ‘select’ choir. I could always do it, and I’d open my mouth in the van and sing along to Stevie Wonder and Iron Maiden and all of that stuff. I could do a pretty good King Diamond and Ozzy [Osbourne], so I’d be up there and singing and Brent was listening intently and at a certain point, he was like, ‘You got to start singing, dude, I’m sorry.’ In approaching something like this with Chris Cornell, which is kind of a bluegrass thing, that’s way out of my wheelhouse, and he’s really going for it, full-on Chris Cornell vocal prowess on full display. So it was really intimidating to consider doing it, much like a ‘Stairway to Heaven’ [Led Zeppelin]. But I looked at it as a pretty cool opportunity to sink my teeth into something I wouldn’t normally do.”

    On the personal weight the “Dead Wishes” cover carried, Dailor added: “I brought my mom in because she was a big fan of Chris Cornell and Soundgarden from the beginning. I remember her listening to this song and being like, ‘Oh, that’s different for Chris.’ When I got asked to do it, I listened to the song and I was like, ‘Wow. It’s cool. It’s different from something I would have done.’ I thought of my mom. She passed a few months ago. I was like, ‘She would be over the moon about this. She would love it so much. I’m going to dig in and do my absolute best.’”

    When Blabbermouth asked whether he’d want to front a band of his own, Dailor said it would have to come with a character: “For my synth band, Arcadia, I’ll do that. We put out a video for the song ‘Fuzzy Planet’. I’m this kind of debonair clown in the video. I could do it if I could be a character. I don’t know if I could just walk out there, just me, pick out a cool jacket to wear from H&M. [Laughs] Phil Collins, he took his shirt off, he put on some white overalls, like the ‘everyman’ and got out there and was blue collar. To answer your question, I would do it, but I would have to be another person.”

    The biggest news: the new Mastodon album is done. “Our new album is finished as of last week,” Dailor said. “There would be some new music very soon. We’re very excited about it. It was a hard record to make. It was a very emotional time for us. I lost my mom, we went through all this turmoil with Brent, and then he passed away. It’s been tough. It’s all in the music, it’s all in the songs, and I’m excited to release it and get it out there into the world because we’ve been sitting on it for a while. A lot of this stuff, at least the skeletons of what this album is, we’ve been sitting on for two years now. A lot was going on.”

    On the back-to-back losses that shaped the record, Dailor said: “I really thought that this record was going to be without any loss. I’m like, ‘We can concentrate on mythological creatures again. We don’t have to go down these roads of unpacking a grief cycle.’ No, we got a two-fer. That’s life. As you start getting older, you start losing your loved ones. Tomorrow is not promised. We’re trying to make the best of it and try to figure out what happened to us this past year, so that’s what the new album is going to reveal.”

    On Hinds‘s absence from the sessions and the way things ended between them: “Toward the end, unfortunately, it was hard to get him to come down to the space. He was interested in doing other stuff, which was fine. It was a confusing time. [Laughs] I was the one going, ‘Come on, man. Come down. Let’s riff.’ He was a free spirit. He wanted to ride his motorcycle around and do this and that. He was wherever the wind took him. Unfortunately, it was not down to the practice space to work on riffs.”

    “I’m sad the way things ended. Nobody wanted that. I always thought the future version would be coming back together and be like, ‘Dude, what the fuck? All that shit?’ It’s really sad that it’s not a possibility. I’m still here, and the other guys are still here, and we are still as dedicated as ever to Mastodon, to this musical project that we started 26 years ago.”

    New guitarist Nick Johnston has since completed the album with the remaining trio of Dailor, bassist/vocalist Troy Sanders, and guitarist Bill Kelliher. Dailor on the choice of Johnston: “He’s not trying to be Brent. There’s never going to be another Brent, obviously. He broke the mold, as they say. [Laughs] He was the wild, wild dude. I loved him to death. We had a really close musical relationship.”

    “With the search for a new guitar player, Nick was always sort of in the back of my mind because I liked his style. He has an interesting style. I was always looking for the yin and the yang with Bill. Bill‘s the riff guy and plays all the heavy stuff, and I loved the combination of him and Brent. Brent was the chicken-picking and all that. Nick is very much like that. He’s proggy and in a whole other world of guitar playing, and combined with Bill, makes for something really interesting. And he’s such a sweetheart and a nice, down-to-earth guy. He’s a great person and an incredible player. Holy shit, the stuff he pulls off is really amazing, and you wouldn’t know it by meeting him because he’s such a humble guy. He just wants to do an awesome job, preserve Brent‘s memory more than ever now, and get closer to the solos in how they are supposed to be played. I think some of Brent‘s solos are really iconic like that. They deserve to be played as close to the emotion that Brent put in them as possible. Nick is doing that. The new stuff: Nick brings a whole different flair to his solo sections, but I can also hear the homages to Brent. I loved that he was able to do that, fold it in, and bring some of Brent‘s personality and what he did for us in Mastodon to the band.”

    The post MASTODON’s BRANN DAILOR: “Our New Album Is Finished as of Last Week… It Was a Very Emotional Time for Us” appeared first on Sonic Perspectives.

  • VOIVOD Drop “The End Of Dormancy” Lyric Video From Upcoming Orchestral Live Album “Symphonique”

    Voivod has released the second single from its upcoming live album Symphonique, out June 5, 2026, via Century Media Records. “The End of Dormancy (Symphonique)” is now streaming across DSPs, accompanied by an official visualizer from Cloud Motion Design. The first single, “Forgotten in Space (Symphonique),” is also available.

    Symphonique captures Voivod‘s June 4, 2025, performance at the Grand Théâtre in Québec City alongside the Orchestre Symphonique De Québec — a collaboration that fused the band’s pioneering futuristic metal with a full symphony orchestra across 12 songs and 73 minutes. Century Media describes the record as functioning like “an epic piece of cinema.”

    Guitarist Daniel “Chewy” Mongrain on “The End of Dormancy (Symphonique)”: “This one is very special to me. I wrote the riffs imagining Roman naval battles with a full orchestra, like the movies from the ’50s and ’60s. It has a very dramatic vibe. Little did I know that what we synthesized for a four-piece band would eventually explode into its primary, original imagined form. It’s one of the most orchestral pieces on the album, and I remember the crowd’s reaction after the grand finale. It was one of these rare life’s perfect moments. I’m very grateful for that incredible experience.”

    Drummer and founding member Michel “Away” Langevin said, “This live album with the Quebec Symphony Orchestra is a longtime dream turned reality. Thankfully, we will experience it again in 2027 with the Orchestre Symphonique du Saguenay-Lac-St-Jean, right in the region where Voivod formed back in 1983. We wish to take this show across the globe with local orchestras one day, but in the meantime, I hope you will enjoy this epic release. It’s the closest we’ve ever come to sounding like a dystopian sci-fi movie soundtrack, another dream of ours!”

    The path that brought the collaboration to life was characteristically unlikely. In a December 2024 interview with The Metal Voice, Langevin recalled the odd chain of events: “It came through a strange chain of circumstances, where I did an interview for the magazine L’Itinéraire, for homeless people selling magazines on the street, and then I did an interview with one of the journalists for the magazine, and it ended up being published online by La Presse. And then the people directing the orchestra, the organization, they were made aware of that by one of the musicians from the orchestra, who is a metal dude and he’s a fan.”

    Langevin continued: “It’s funny because since my cousin Richard Langevin is married to Diane Dufresne, a famous singer from Montreal, and she had done the orchestra before, so they got in touch with him, because I was mentioning him in the article because he showed me how to draw. [Laughs] And anyhow, they phoned Richard, my cousin, and he phoned my mother. [Laughs] And when I came back from touring with Voivod, I had a message on my answering machine saying that the orchestra were looking for us. So, quite amazing.” He added: “We didn’t approach [the orchestra], but we always talked about either doing symphonic shows or doing a soundtrack for a sci-fi movie or something like that. It’s part of the dreams we have.”

    Mongrain, who previously arranged material for a brass quintet that performed with Voivod at the 2019 Montreal International Jazz Festival, worked closely with orchestrator Hugo Bégin on adapting the band’s music: “My help with the project was to provide the music sheets to the arranger, Hugo Bégin. He did an amazing job. He took the music sheet that I wrote for guitar and bass. So he had a template to work on. And so he orchestrated it for the whole orchestra and added his own color to it. And it’s very efficient. It’s like a movie soundtrack, like the movie we used to watch, like ‘Planet Of The Apes’ and ‘Ben-Hur’ and ‘Mad Max’ and all that. Voivod has been influenced since the beginning by those movies, so you can hear it, but with the whole orchestra, it’s very exciting… It’s gonna be grandiose.”

    The post VOIVOD Drop “The End Of Dormancy” Lyric Video From Upcoming Orchestral Live Album “Symphonique” appeared first on Sonic Perspectives.

  • ANTHRAX Releases First New Music In Nearly A Decade With Single/Video “It’s For The Kids” From Upcoming Album “Cursum Perficio”

    Anthrax has released “It’s for the Kids,” the lead single from Cursum Perficio — the Queens, N.Y. thrash metal institution’s 12th studio album and its first since 2016’s For All Kings. The single premiered alongside a music video directed by Don Argott, shot on a cold December day at the notorious Pennhurst Asylum.

    The band’s camp described the visual concept: “Filmed on a cold, rainy December day at the notorious Pennhurst Asylum, the video is a throwback to Anthrax‘s first video, ‘Madhouse’. Many of the details were recreated for this video, including the frigid filming conditions! The fans are the true lifeblood of this video. They got an early taste of the music and brought this filming to life.”

    Cursum Perficio was produced by Jay Ruston, who has previously worked with Stone Sour and Armored Saint. The album’s track listing surfaced online earlier in the week ahead of the single’s release. Pre-orders are available now at this location.

    Cursum Perficio tracklist:

    1. Persistence Of Memory
    2. The Long Goodbye
    3. It’s For The Kids
    4. Everybody’s Got A Plan
    5. The Edge Of Perfection
    6. Infectious
    7. NYC 93
    8. Cursum Perficio
    9. T.O.M.B.
    10. Watch It Go
    11. My Victory See less

    The post ANTHRAX Releases First New Music In Nearly A Decade With Single/Video “It’s For The Kids” From Upcoming Album “Cursum Perficio” appeared first on Sonic Perspectives.

  • FIVE FINGER DEATH PUNCH Stream New Song “Eye Of The Storm”

    Multi-platinum hard rock powerhouse Five Finger Death Punch announced today the release of their brand new single “Eye Of The Storm,” the first new song from their forthcoming 10th studio album, currently being recorded in Los Angeles.

    Following last week’s announcement of their 2027 Europe dates —  the third leg of their 2026–2028 World Tour — the band posted various snippets of new music on social media, which detonated amongst fans and industry alike, sparking worldwide speculation and excitement. Twenty years in, the band shows no signs of slowing down — they are entering a new era, simultaneously embracing the best of their past while reinventing themselves. After an astonishing 30 Top 10 hit singles, “Eye Of The Storm” is poised to be the next, with even the pre-release snippets going viral and earning immediate embrace from fans and industry alike. The band’s forthcoming 10th studio album is expected to be released this year.

    Zoltan Bathory states: “The new music has been turning out heavier than anything we’ve done in years, with a cinematic undertone running beneath it. We had three years to write this record and really live with it. We started with nearly 30 songs and carved it down to 14 or 15; we even considered a double album at one point. This is our 10th studio album and our 20th anniversary as a band, so we knew we had to hit it hard. What excites me most is that I’m hearing the early era again, that grit, that bite, that aggression, while simultaneously exploring completely new territories. I wrote the music for the entire first album, and most of the second, so that energy isn’t nostalgia for me, it’s where I come from. Those are my roots. It feels like coming home at full speed, while my brother Ivan is bringing some incredible lyrics and melodies, and his voice sounds absolutely huge on this record. I am really looking forward to the next decade.”

    This summer, Five Finger Death Punch will embark on the first leg of the 20th Anniversary World Tour, which will take them all across North America with special guest Cody Jinks and Eva Under Fire before hitting arenas in the UK/EU with Lamb Of God and Bleed From Within in early 2027.

    The 20th Anniversary World Tour is both a celebration and a statement, honoring the band’s journey from their 2005 formation and release of their debut album, The Way Of The Fist, in 2007 to global arena headliners. The tour will showcase material from the new album, alongside classic anthems and #1 hits that defined the past two decades. 

    Produced by Live Nation, the 48-city North American tour kicks off on Monday, July 20, at Freedom Mortgage Pavilion in Camden, NJ, and wraps up in Bristow, VA, at Jiffy Lube Live on Friday, October 23. The North American tour lineup will be rounded out by Eva Under Fire, whose current single “Villainous”(featuring Maria Brink of In This Moment)from the forthcoming album of the same name, is currently climbing the Rock Charts, sitting at #15 this week.    

    In addition to celebrating two decades of music, the band is once again using its platform to give back. Long recognized as one of the most charitable bands in rock, Five Finger Death Punch has spent decades giving back to various causes, including U.S. military veterans and first responders and their families. In 2026, the band is continuing that tradition by supporting Team USA and aligning with the upcoming Olympic and Paralympic Games being held on American soil in Los Angeles in 2028. As part of the tour’s commitment to championing America’s next generation of athletes, a portion of the ticket sales from the 2026 North American Tour will benefit high-performance programs for U.S. Olympic and Paralympic athletes as they prepare for international competition  

    5FDP‘s 2027 UK/EUROPEAN tour leg with Lamb Of God and Bleed From Within will kick off in the UK in Manchester on Saturday, January 16, 2027, and will see the band perform in 21 cities across the continent, ending in Helsinki on February 22.

    For more information on Five Finger Death Punch, all 2026 North America and 2027 European tour dates, and VIP offerings, visit here.

    The post FIVE FINGER DEATH PUNCH Stream New Song “Eye Of The Storm” appeared first on Sonic Perspectives.

  • SAMANTHA FISH Shares Smoldering New Single “Don’t Say It” Featuring THE MCCRARY SISTERS

    Following her eighth triumphant appearance at the New Orleans Jazz & Heritage Festival, acclaimed guitarist and songwriter Samantha Fish has released “Don’t Say It,” the latest single from her forthcoming live album, Paper Doll Live, due Friday June 12th via Rounder Records.

    Fish’s first official live album, Paper Doll Live captures the electrifying stage presence that has made her one of the most compelling performers in modern blues and roots music. Recorded at the historic Bijou Theatre, the album documents a band firing on all cylinders in front of a packed crowd, elevated by the soaring harmonies of Nashville gospel legends The McCrary Sisters.

    “‘Don’t Say It’ is one of those songs that builds gradually — a slow-burn reveal where one person is fighting for the validity of a relationship while the other is emotionally checked out,” says Fish. “It was incredible having the McCrary Sisters on this track. They weave in and out of the harmonies and add so much heart and depth.”

    The two-time GRAMMY nominee has built her reputation the old-school way: onstage, with a live show critics have called “wild, raunchy… an absolute must-see” (Louder Than War) and praised for its “savage guitar work and commanding stage presence” (Blues Rock Review). Paper Doll Live captures that energy in full force — raw, immediate, and impossible to fake.

    From towering performances of “Lose You” and “Sweet Southern Sounds” to a blistering rendition of the MC5’s “Kick Out the Jams,” the album highlights a band fully immersed in the moment — unfiltered, ferocious, and deeply connected to its audience.

    “There’s a fire that comes across in live performance that doesn’t always translate in studio albums,” Fish says. “The stage lays all of that bare.”

    Emerging from Kansas City’s blues lineage and shaped by influences ranging from Prince and Leonard Cohen to the legends of Mississippi Hill Country blues, Fish has spent her career turning live performance into both proving ground and catharsis. From cold-calling bars as a teenager to headlining international festivals, she has forged a live show that balances grit, vulnerability, and explosive musicianship.

    “If Paper Doll was a declaration of artistic power,” Fish says, “Paper Doll Live is the sound of that power unleashed.”

    With Paper Doll Live, Samantha Fish delivers more than a concert recording — she captures the visceral connection that has made her one of the most celebrated live performers in contemporary roots music today.

    Tour Dates and Ticket Information Available Here:

    5.14 Marion, IL Marion – Cultural & Civic Center
    5.16 Welch, MN – Treasure Island Casino**
    5.17 Des Plaines, IL – The Des Plaines Theatre
    5.19 Warrendale, PA – Jergel’s Rhythm Grille
    5.20 State College, PA – The State Theatre
    5.21 Troy, NY – Troy Savings Bank Music Hall
    5.22 Ledyard, CT – Foxwoods Resort Casino **
    5.23 Beverly, MA – The Cabot
    5.24 Nashua, NH – Nashua Center for the Arts
    5.27 Patchogue, NJ – Patchogue Theatre
    5.28 Syracuse, NY – Westcott Theater
    5.29 Lebanon, NH – Levanon Opera House
    5.30 Augusta, NJ – Michael Arnone’s Crawfish Fest
    5.31 Buffalo, NY – Babeville
    6.19 Grolloo, Netherlands – Holland Intl Blues Festival
    6.20 Dortmund, Germany – Musiktheater Piano
    6.21 Chiari, Italy – Istituto Salesiaino “San Bernadino”
    6.23 Loceri, Italy – Parco Urbano
    6.25 Rubigen, Switzerland – Muhle Hunziken
    6.27 Vienne, France – Jazz a Vienne
    6.28 Erlangen, Germany – E-Werk Kino
    6.30 Mannheim, Germany – 7er-Club
    7.01 Aschaffenburg, Germany – Colos-Saal
    7.02 Hamburg, Germany – Fabrik
    7.04 Helsinki – Puisto Blues
    7.07 Warszawa, Poland – Klub Hydrozagadka
    7.08 Gdynia, PL – Podeorko Art
    9.18-19 Telluride, CO – Telluride Blues & Brews Fest
    10.31 West Hollywood, CA – Whisky A Go Go***

    **w/Christone “Kingfish” Ingram

    ***w/Jesse Dayton

    The post SAMANTHA FISH Shares Smoldering New Single “Don’t Say It” Featuring THE MCCRARY SISTERS appeared first on Sonic Perspectives.

  • NUNO BETTENCOURT On EXTREME’s Upcoming Album: “We Cracked The F***ing Code. It Only Took 40 Years”

    Extreme guitarist Nuno Bettencourt spoke with Eddie Trunk at the Monsters Of Rock 2026 festival on April 4 in São Paulo, Brazil, and came with things to say about the band’s forthcoming seventh studio album — the follow-up to 2023’s Six. Spoiler: he’s a fan.

    Bettencourt said (transcribed by Blabbermouth): “We’re still finishing the recording. We just wrapped up some drums. Gary‘s [Cherone, Extreme singer] on deck, Pat‘s [Badger, Extreme bassist] on deck. But as far as the songs, we got a great crop of, like, 20 songs to choose from. And we’re pumped.”

    Bettencourt continued: “Look, every band’s gonna tell you their next album’s [the best one]: ‘Wait till you hear it. It’s unbelievable.’ But no, we’re actually authentically excited. One of the things that we noticed after doing ‘Six’, and in rock and roll in general, it’s a bit of a famine out there when it comes to new albums, especially from bands from our generation. So we wanted to really do a ‘rock rock’ album.

    Extreme has always been very known for being kind of eclectic, and we always take left and right turns. And we kind of sat down and we said, ‘What if we just do an AC/DC record, a Van Halen record?’ Not like them, but they always did… Not that there’s no ballads, but it’s, like, let’s just keep pouncing and pounding. So we’re excited. It’s a true rock and roll album, and it’s nonstop. And we’re super pumped about it, super excited.”

    As for when to expect the thing, Bettencourt told Trunk: “What we’re trying to do is we’re hoping to drop the album — it probably has to be towards the end of the year, but we’re hoping to do a single per run, like maybe for the summer, for the Def Leppard [European] tour, maybe in June drop our first single, maybe for the Mötley [Crüe U.S. tour] drop a second single, just to get things excited.”

    Then Bettencourt went full press conference — the kind that makes you wonder if the album can possibly live up to the buildup: “It’s time for the fucking Super Bowl for us for real, as a band. And this album — I told the [other] guys [in the band], ‘This album is everything for us. It’s everything. This is our career. The whole thing is this next fucking album.’ So we have an opportunity to do something for ourselves — not for anybody else, for ourselves — and raise that fucking bar for ourselves and let everybody know that we are a rock band.”

    He continued: “I’m telling you right now — I never get excited about anything, I don’t brag about anything, I don’t talk about stuff, but I cannot wait to play you [the new songs]. Honestly, I think we did something on this album that is so much better than the last album. And what I mean by that is that we cracked the fucking code. It only took 40 years, but we cracked the code. And what I mean by that is I said to myself, ‘You know what? If I could go back in time to Extreme playing clubs before they had a record deal… and now it’s 2026, what is that version, the back-to-the-future version but the modern bitchslap, heavy, punch-somebody-in-the-fucking-balls funk version of Extreme, the authentic Extreme that you’ve heard nobody else do it this way, that’s what we’re [doing on this new album].’”

    Bettencourt added: “We are so excited, like little giddy children that wrote some music. And not like, ‘Man, you watch what we’re gonna do.’ I don’t give a fuck if nobody likes it. I’m just telling you that it’s the best thing that we can do that might be one of the best things we’ve ever done, I think, because of the passion and because of where we are in our lives going, like, who the fuck gets a chance, a second chance to have a second go-around… just for doing it for the love of it.”

    Six (2023, earMUSIC) was Extreme‘s first studio album since 2008, debuting at No. 10 on Billboard’s Top Album Sales chart. Bettencourt has since cemented his profile further with a widely praised appearance at Ozzy Osbourne‘s “Back To The Beginning” farewell concert and serving as music director and guitarist at the 2025 MTV VMAs, delivering a tribute to Osbourne alongside Steven Tyler, Joe Perry, and Yungblud.

    The post NUNO BETTENCOURT On EXTREME’s Upcoming Album: “We Cracked The F***ing Code. It Only Took 40 Years” appeared first on Sonic Perspectives.

  • EARTHSIDE Returns With New Single “A Dying Star” and Announces European Tour Dates

    Earthside has released a new single, “A Dying Star,” the first taste of new music from the band’s next chapter. An official visualizer for the track is out now.

    The band described the song in a statement: “‘A Dying Star” is yours. With chaotic intensity cranked to the max, “A Dying Star” bludgeons the senses with the fury of a meteor shower and the heart-wrench of a broken dream”.

    “A Dying Star” was written during a period of internal strife, with band members geographically separated for the first time in the group’s history. The unusual writing circumstances — only a drummer and piano player available at the initial stage — produced something deliberately chaotic and unconventional. The track was recorded at Luckchild Studio in Val-David, Québec, Canada, with vintage pedals and live-room percussion adding new textural elements to the mix. Keyboardist Frank Sacramone’s piano runs drive the track alongside drummer Benjamin Shanbrom’s force-of-nature playing.

    “A Dying Star” closes out the Let the Truth Speak era and marks the start of a new phase for the band. Earthside will be supported by cellist Raphaël Weinroth-Browne across all dates, plus local supports.

    Shanbrom said of the upcoming run: “It’s been far too long since Earthside has toured one of our favorite places in the world and our true home away from home — Europe. What was initially our plan for ushering in the new Let the Truth Speak era, unfortunately hit repeated roadblocks due to several difficult circumstances well beyond our control. But by hell or high water, we would not close the second chapter of Earthside’s career without a proper European run, and now we are thrilled to finally meet many of you and reunite with our countless friends on the continent. Expect a show-stopping set, brand new music, and some very exciting surprises. Don’t miss it! We’ll see you out there.”

    Earthside live dates:

    • 05/22 — 229 The Venue — London, UK
    • 05/23 — Glazart — Paris, France
    • 05/24 — Boerderij — Zoetermeer, Netherlands
    • 05/27 — MTC — Cologne, Germany
    • 05/29 — Betty — Hamburg, Germany
    • 05/30 — Stengade — Copenhagen, Denmark
    • 06/01 — Kollektivet Livet — Stockholm, Sweden
    • 06/04 — On The Rocks — Helsinki, Finland
    • 06/05 — Ankea Festival — Tampere, Finland

    The post EARTHSIDE Returns With New Single “A Dying Star” and Announces European Tour Dates appeared first on Sonic Perspectives.

  • SEPULTURA’s DERRICK GREEN: “We Were Lucky That We Were Able to Find Somebody to Fill Out the Farewell Tour at the Very Last Minute”

    Sepultura vocalist Derrick Green spoke with The Razor’s Edge about drummer Eloy Casagrande‘s abrupt February 2024 departure — an exit that landed barely a week before the start of Sepultura‘s farewell tour. Casagrande has since joined Slipknot, with Greyson Nekrutman, formerly of Suicidal Tendencies, stepping in to drum the remainder of the tour.

    Green told The Razor’s Edge (transcribed by Blabbermouth): “Yeah, in the moment [when Eloy told us he was leaving Sepultura], it was shocking because we had no idea [he had auditioned for Slipknot and eventually got the gig]. And it was also a week out, maybe a week and a half, before even starting the tour. I was literally packing my things to go to Brazil to start rehearsals that we had all set up and agreed upon. So, yeah, it sucked. It sucks when anyone decides to leave, and the way that it happened.”

    On Casagrande having since landed in Slipknot — a band Eloy had long called the one he always wanted to join — Green said: “I’m happy for him. I understand the opportunity. I think we all did. It was just the fact of how everything really rolled out was not the greatest. These things happen. Now looking back, it’s in the past. It’s, like, everything worked out the way that it was supposed to, honestly. And, of course, it was very difficult to see that at the time. It just seemed like, ‘Oh, man. Here’s another big surprise coming out of nowhere. How are we gonna be able to survive through this?’ We’ve had so many throughout the history of the band.

    So, we were able to really push forward quickly. And we’re very lucky and very fortunate, that Greyson was available to do it, and down to do it. And the fact that we got along is another thing, personality-wise. This is also an incredible factor that many people probably don’t think of when it comes to creating a band or keeping a band together — the communication and the ability to get along with another person. So, all those boxes were checked with Greyson, and we were very lucky that we were able to find somebody to fill out the farewell tour at the very last minute — literally. That day we were already searching [for a new drummer] when we found out [that Eloy was leaving]. So, yeah, I think everything worked out the way that it is. I hope Eloy‘s happy where he’s at. I’m sure he is. And we’re definitely happy with the way the tour has been going.”

    The post SEPULTURA’s DERRICK GREEN: “We Were Lucky That We Were Able to Find Somebody to Fill Out the Farewell Tour at the Very Last Minute” appeared first on Sonic Perspectives.

  • For MEGADETH’s DIRK VERBEUREN: “DAVE MUSTAINE Is The Guy Who Invented Thrash Metal”

    Megadeth drummer Dirk Verbeuren marked his 10th anniversary in the band this month with a new interview with Brazil’s TV Braba, touching on everything from his stunned reaction to first being asked to fill in, to why he considers frontman Dave Mustaine the architect of thrash metal.

    “[Laughs] I didn’t believe it. My first reaction, of course, was disbelief,” Verbeuren said (transcribed by Blabbermouth). “But initially I was just filling in — the plan was that I was gonna do about a month of shows. And then, in typical Dave Mustaine fashion, after a week or so of shows, Dave comes to me on the tour bus, and he goes, ‘So when are you telling the guys in Soilwork that you’re my drummer now?’ That was his way of saying, ‘I want you to play in the band.’”

    “So, of course, it was a very exciting time, and kind of bittersweet at the same time, because I’d been with Soilwork for 12 years and they were good friends of mine, but everybody was, of course, like, ‘Of course you have to do this.’ And, yeah, so it was a very special experience. And to this day, it’s been now — actually, this month it’s gonna be 10 years since I played my first show in Megadeth, and it’s still surreal to this day.”

    “You have to know that I went to see Megadeth live in 1990, so I was, like, 15 years old at the time. It was one of the first shows I ever saw — it was ‘Clash Of The Titans’ with Megadeth, Slayer, Testament, and Suicidal Tendencies in Europe, where I lived in France at the time. And now to be in the band for 10 years and to kind of continue the legacy with great music — everything Dave has done is iconic, but also the amazing drum work of [former Megadeth drummers] Nick Menza, Gar Samuelson, Chuck Behler, all the guys that have been in the band since then, it’s truly an honor. In metal music, you can’t really go much higher than that legacy. And to me, Dave is the guy who invented thrash metal. He wrote a lot of the iconic early stuff that kind of defined what that genre sounded like, and you can recognize his riffs among a million riffs. He has such a unique style of playing to this day on the guitar that, to me, Dave is the ultimate rock god. Absolutely.”

    Asked which Megadeth songs are hardest to play, Verbeuren pointed to the debut era. “I would say that all the songs on Killing Is My Business… And Business Is Good! are quite difficult because not only are they played at breakneck speed, but Gar Samuelson, who was the band’s drummer at that time, had a very improvisational style, and so if you wanna replicate that, it’s quite difficult,” he said. Though he added: “People sometimes have the impression, like, ‘Oh, it must be so easy to play ‘Symphony Of Destruction’…’ No, they all have their own difficulties. When you play an hour-and-a-half set like we usually do, it’s truly a test of endurance and stamina.”

    The full-circle Paris story is one Verbeuren keeps coming back to. “I saw Megadeth on the ‘Clash Of The Titans’ tour at Le Zénith in Paris,” he recalled. “And I have since now three times played with the band at that very venue. Every time I go there, it blows my mind because I’m, like, ‘I can’t believe I was here as a teenager seeing the band I’m now a part of.’”

    On actually contributing music: in a September 2022 interview, Verbeuren revealed he brought riff ideas into the writing sessions for The Sick, The Dying… And The Dead! that Mustaine actively encouraged — resulting in the song “Life In Hell” being built from one of his demos, with a riff of his also landing in “Night Stalkers.” “I didn’t anticipate that any of my stuff would go anywhere, because, I mean, c’mon, this is Dave Mustaine we’re talking about,” Dirk said. “Who am I on guitar compared to Dave Mustaine?”

    Megadeth‘s self-titled album — Verbeuren‘s second full-length with the band — was released in January via Mustaine‘s Tradecraft imprint on Frontiers Label Group‘s BLKIIBLK label. Prior to Verbeuren joining, former Lamb of God drummer Chris Adler had recorded the drums on 2016’s Dystopia.

    The post For MEGADETH’s DIRK VERBEUREN: “DAVE MUSTAINE Is The Guy Who Invented Thrash Metal” appeared first on Sonic Perspectives.