Author: Editorial Team

  • BLACK VEIL BRIDES Announces 2026 Tour With FROM ASHES TO NEW, TX2 And AS DECEMBER FALLS

    Black Veil Brides have announced a new headlining tour across the United States and Canada, with From Ashes To New, Tx2, and As December Falls set to join them on the road.

    The 24-date run is scheduled to begin April 25 in Riverside, California, before making its way across North America and closing out on May 30 in Worcester, Massachusetts. Along the route, Black Veil Brides will also appear at major festivals, including Sonic Temple and Welcome To Rockville.

    Tickets for the tour go on sale January 30 at 10 a.m. local time, with a number of pre-sale options available ahead of the general on-sale. Additional ticketing details can be found through the official Black Veil Brides website, where the full list of tour dates is also posted.

    The tour will support a new studio album that has been confirmed but not yet formally announced. Fans have already gotten an early taste of what’s coming through the release of the hard-edged tracks “Bleeders”, “Hallelujah”, and “Certainty”, which point toward the direction of the upcoming record.

    Black Veil Brides 2026 Tour Dates With From Ashes to New, TX2 and As December Falls

    Apr 25: Riverside, CA @ Municipal Auditorium
    Apr 26: Reno, NV @ Grand Sierra Resort
    Apr 28: Seattle, WA @ Showbox SoDo
    Apr 30: Salt Lake City, UT @ The Union
    May 01: Denver, CO @ Fillmore
    May 02: Omaha, NE @ ASTRO
    May 04: Dallas, TX @ House of Blues
    May 05: Houston, TX @ House of Blues
    May 06: San Antonio, TX @ The Aztec
    May 08: Atlanta, GA @ Tabernacle
    May 09: Daytona Beach, FL @ Welcome To Rockville *
    May 11: Greensboro, NC @ Piedmont Hall
    May 12: Norfolk, VA @ The Norva
    May 14: Philadelphia, PA @ Fillmore
    May 15: Pittsburgh, PA @ Stage AE
    May 16: Columbus, OH @ Sonic Temple *
    May 17: Detroit, MI @ The Fillmore
    May 19: Indianapolis, IN @ Egyptian Room
    May 21: Minneapolis, MN @ The Fillmore
    May 22: Chicago, IL @ Ramova Theatre
    May 23: Madison, WI @ The Sylvee
    May 25: Toronto, ON @ History
    May 26: Montreal, QC @ M-Telus
    May 28: New York, NY @ Palladium Times Square
    May 29: Silver Spring, MD @ Fillmore
    May 30: Worcester, MA @ The Palladium

    The post BLACK VEIL BRIDES Announces 2026 Tour With FROM ASHES TO NEW, TX2 And AS DECEMBER FALLS appeared first on Sonic Perspectives.

  • NAPALM DEATH Announces 2026 North American Tour With DEADGUY & PRIMITIVE MAN

    British grindcore mainstays Napalm Death have announced an extensive North American tour scheduled for this coming spring. The run will see the band bringing their long-standing intensity across the continent, with Deadguy and Primitive Man appearing as special guests on select dates.

    The tour is set to launch on May 7 in Daytona Beach, Florida, where Napalm Death will perform as part of the Welcome To Rockville festival. From there, the band will continue moving through cities across North America before wrapping things up on June 14 in Vancouver, British Columbia, with a final stop at The Pearl.

    Tickets for the tour go on sale Friday, January 30 at 10 a.m. local time. Fans looking for the complete routing can find the full list of tour dates below.

    Napalm Death on Tour with Deadguy and Primitive Man:

    May 07 – Daytona Beach, FL – Welcome To Rockville (no support)
    May 08 – Tampa, FL @ Orpheum
    May 09 – Miami, FL @ Churchill’s ^^
    May 11 – Atlanta, GA- Terminal West ^^
    May 12 – Asheville, NC – Eulogy ^^
    May 13 – Nashville, TN – Eastside Bowl ^^
    May 14 – Columbus, OH – Sonic Temple (no support)
    May 15 – Saginaw, MI – The Vault ^^
    May 16 – [secret.. to be announced soon]
    May 17 – Huntington, WV – The Loud
    May 19 – Richmond, VA – The Broadberry
    May 20 – Baltimore, MD – Maryland Deathfest (no support)
    May 21 – New York, NY – Racket
    May 22 – New York, NY – Rocks Off Cruise
    May 23 – Hamden, CT – Space Ballroom ^^
    May 24 – Portland, ME – Geno’s Rock Club
    May 26 – Moncton, NB – Tide & Boar Ballroom
    May 27 – Halifax, NS – Marquee Ballroom
    May 28 – Fredericton, NB – The Cap
    May 29 – Quebec City, QC – Salle Montaigne (w/ Pig Destroyer)
    May 30 – Boston, MA – Roadrunner (w/ Acid Bath, Pig Destroyer)
    June 01 – Montreal, QC – Fairmount
    June 02 – Toronto, ON – Lee’s Palace
    June 03 – Waterloo, ON – Maxwell’s
    June 04 – London, ON – London Music Hall
    June 05 – Detroit, MI – Crofoot Pike Room
    June 06 – [to be announced]
    June 09 – Winnipeg, MB – Park Theatre
    June 10 – Regina, SK – The Exchange
    June 11 – Saskatoon, SK – Black Cat Tavern
    June 12 – Edmonton, AB – Starlite Room
    June 13 – Calgary, AB – Palace Theatre
    June 14 – Vancouver, BC – The Pearl

    With Primitive Man (May 21 – June 14) | With Deadguy ^^ (May 11 – May 23)

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  • NERVOSA Shares Newest Single & Title Track “Slave Machine”

    Metal stalwarts Nervosa have confirmed the release of a new studio album, Slave Machine, arriving April 3, 2026 via Napalm Records. The upcoming release marks the band’s sixth full-length effort and finds the Brazilian/Greek death-thrash outfit pushing their sound harder and faster than ever. After years of dominating major festivals such as Wacken Open Air and Hellfest, and steadily building their reputation with fans and critics worldwide, Nervosa are focused on reinforcing their place at the front of the genre. With founding guitarist Prika Amaral now firmly established as the band’s vocalist following 2023’s Jailbreak, the group continues to hit with relentless force.

    The album once again sees Nervosa teaming up with producer Martin Furia of German thrash legends Destruction, striking a balance between classic aggression and a sharper modern edge. Slave Machine adds twelve new tracks to the band’s catalog and is currently available for pre-order here.

    Alongside the album announcement, Nervosa have shared the title track, “Slave Machine”, offering an early look at what lies ahead. The song wastes no time ramping up the intensity, pairing breakneck speed with a surprisingly catchy alternative-style bridge. The track signals a fresh chapter for the band while staying rooted in their trademark ferocity.

    Speaking about the “Slave Machine” single, Nervosa explained: “This song is everything that we want to say and play, many different vocal layers and guitar melodies like a scream to say that we are all part of the “Slave Machine””.

    The band also shared their perspective on the album as a whole, stating: “Slave Machine is the most brutal and melodic album of Nervosa, and we are proud to take this step further, keeping our roots”.

    Across its twelve tracks, the five-piece explores their crushing style with added depth and dynamics. Opener “Impending Doom” sets a dark tone, slowly building tension through thunderous riffs and sharp, driving drums. The title track “Slave Machine” follows with an immediate burst of speed, blending an infectious chorus with unexpected twists. “Ghost Notes” delivers tightly wound riffs and relentless percussion, highlighted by the fierce vocals of Prika Amaral and a standout guitar solo. The band leans into pure aggression on “Beast Of Burden”, while “You Are Not A Hero” introduces a massive chorus that anchors the album with a true anthem moment.

    As the record continues, “Hate” hits with raw intensity, “The New Empire” balances destruction with melody, and “30 Seconds” pushes toward new extremes. “Crawl For Your Pride” combines sharp social commentary with punishing songwriting, while “Learn Or Repeat” and “The Call” weave modern groove into old-school thrash foundations. The album closes with “Speak In Fire”, a dark and menacing finale that brings Slave Machine to a fierce conclusion.

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  • Rock & Roll Kickoff: Why NFL Stadiums Use Metal Anthems to Ignite the Crowd

    From the instant fans enter an NFL stadium until the final seconds tick off the clock, music now plays a defining role in shaping the emotional arc of game day. What was once limited to brief jingles and generic crowd prompts has evolved into a fully engineered live-music environment. NFL stadiums operate with intentional sound design that includes pre-game playlists, player entrance anthems, touchdown songs, in-house DJs, and live performances. These elements are not random additions but carefully curated tools used to heighten excitement, reinforce team identity, and transform football games into immersive entertainment experiences that extend far beyond the field.

    Pre-Game Metal as a Psychological Trigger

    The pre-game window has evolved into one of the most important emotional build-ups in the entire NFL game-day experience—and metal music has become one of its most powerful tools. Tracks driven by distorted guitars, pounding drums, and aggressive tempo are frequently used during warmups, tunnel walkouts, and the final countdown to kickoff because they elevate adrenaline and sharpen attention across an entire stadium at once. Stadium operations teams intentionally select high-energy rock and metal anthems and pair them with synchronized lighting, smoke effects, and video-board hype packages to push fans into a shared state of intensity.

    In many venues, these songs act like a mental switch: as soon as the riff drops, the crowd shifts into “game mode.” Heavy music functions as an emotional cue that communicates urgency, strength, and collective readiness, creating a shared rhythm that unites thousands of people into one wave of anticipation. Instead of kickoff feeling like the start of something calm, it feels like the release of pressure that has been building for minutes—sometimes hours.

    Walkout Songs and Touchdown Anthems as Stadium Rituals

    NFL stadium music isn’t just background noise—it’s tied to moments that define the emotional narrative of a game. Player introductions often feature hard rock or metal entrance tracks selected to project dominance, swagger, and aggression. Meanwhile, touchdowns, big stops, and third-down moments trigger instantly recognizable “anthem cues” that the crowd reacts to almost automatically.

    Over time, these tracks become sonic identities. Fans don’t just hear them—they associate them with winning, momentum, and celebration. When the touchdown anthem hits, it acts as a ritual trigger: people jump, scream, clap, and chant without thinking. Repetition across seasons strengthens that connection, transforming rock and metal songs into stadium traditions rather than simple playlist choices.

    Stadium Acoustics: Why Heavy Music Hits Harder in NFL Venues

    Metal doesn’t work the same way in every environment—and NFL stadiums are designed to make it hit harder. Modern venues are engineered to amplify sound using roof structures, enclosed seating bowls, and strategically placed audio systems that trap energy inside the stadium instead of letting it disappear into open air.

    When heavy guitar riffs and crowd noise collide in a packed stadium, they blend into one overwhelming force. The beat drop feels physical. The chant feels heavier. The moment feels bigger. In these environments, sound isn’t just part of the entertainment—the stadium becomes part of the performance.

    Halftime Shows: When the NFL Becomes a Rock Concert

    Metal and rock energy doesn’t stay limited to pre-game intros and hype tracks—sometimes it becomes the centerpiece of the broadcast through halftime performances. Over the years, the NFL has leaned into rock and hard-edged sounds to deliver shows that feel more like stadium tours than sports intermissions.

    Some rock-driven halftime moments that shaped this identity include:

    • Prince (Super Bowl XLI) — often considered one of the most iconic halftime performances ever, blending rock energy with legendary guitar presence.
    • The Rolling Stones (Super Bowl XL) — classic rock dominance, proving the NFL’s ability to turn halftime into a global rock event.
    • U2 (Super Bowl XXXVI) — a performance remembered not just for music, but for the emotional power and stadium-scale storytelling.
    • Bruce Springsteen & The E Street Band (Super Bowl XLIII) — pure rock showmanship built for an arena crowd.
    • Tom Petty and the Heartbreakers (Super Bowl XLII) — a reminder that classic rock can still unify multiple generations in one venue.

    Even when the headline isn’t a “metal act,” these rock-centered halftime shows still influence what fans expect: big riffs, big choruses, big stadium energy. The NFL understands that rock music is one of the fastest ways to create collective movement—people singing, jumping, clapping, and reacting together.

    In-Stadium DJs, Hype Operators, and Live Rock Energy

    The addition of in-house DJs and live performance-style game presentation has changed how NFL downtime works. Breaks, timeouts, and stoppages used to be dead space. Now, stadium music teams keep the energy alive by actively reading the crowd and selecting tracks that maintain momentum.

    Hard rock and metal are especially effective because they prevent emotional drop-offs—there’s no “soft reset” when the guitars stay loud. In many stadiums, the music becomes an ongoing live mix, where sound design is used to keep the crowd aggressive, engaged, and reactive even when the game slows down.

    Rock Identity and Local Culture Activations

    Rock and metal aren’t just hype—they’re identity. Teams often select heavier music because it fits the personality of their fanbase: loud, intense, and built for confrontation. That’s why some stadium atmospheres feel more like a rock arena than a family-friendly event.

    This is also why NFL stadium soundtracks vary so much from city to city. Some venues go for party energy. Others lean into intimidation. Heavy music is the shortcut to making a crowd feel fearless—and making opponents feel uncomfortable.

    Music Beyond the Stadium: Playlists, Social Media, and Fan Loyalty

    Game-day music doesn’t end when fans leave. Teams increasingly publish curated playlists, highlight songs in social content, and build digital hype around their signature sound. That lets supporters carry the feeling all week long—on commutes, workouts, or tailgate prep.

    If fans associate a certain metal anthem with a huge touchdown or a defensive stop, hearing it later brings back the moment instantly. The soundtrack becomes emotional replay—portable and personal.

    Game Presentation Teams: The Engineers Behind the Noise

    Behind every perfectly timed riff and stadium-wide chant is a game-presentation crew that treats sound like strategy. These teams coordinate music with lights, video boards, crowd prompts, and sometimes even live performance elements Their job isn’t just playing songs—it’s directing emotion. They use heavy music to build tension, increase pressure, and turn the stadium into one unified wave of noise.

    Marketing and Brand Identity: Why Metal Fits the NFL Image

    NFL teams aren’t just selling football—they’re selling identity. Metal and hard rock communicate power, aggression, confidence, and intensity. For franchises trying to stand out in a crowded entertainment world, choosing a signature rock sound shapes how the team “feels” long before the opening drive.

    For fans, that sound becomes part of loyalty. It’s not just the game—it’s the ritual. A full-scale stadium performance where football is the main act, and heavy music is the engine that keeps it roaring.

    These decisions impact merchandise appeal, social-media engagement, and even how fans discuss weekly NFL picks, as atmosphere shapes perception and confidence. By aligning musical identity with visual branding and messaging, teams create cohesive experiences that resonate both in the stadium and online. Music is no longer a secondary consideration; it is a core component of how teams present themselves to the world.

    Artists and DJs Collaborating with the NFL

    Fan response to the elevated audio environment has been largely enthusiastic. Many supporters describe modern NFL stadiums as having a “concert” feel, where music amplifies emotion beyond what the action alone can generate. Clips of entrance songs and crowd reactions circulate widely on social media, extending the reach of the game-day experience far beyond the stadium. While some traditionalists express concern that constant music risks overshadowing the sport, the broader trend suggests acceptance. As stadium–fan relationships evolve, the soundtrack is increasingly viewed as an essential ritual rather than a distraction, solidifying music’s place at the heart of the modern NFL experience.

    The post Rock & Roll Kickoff: Why NFL Stadiums Use Metal Anthems to Ignite the Crowd appeared first on Sonic Perspectives.

  • POISON THE WELL Announces Spring 2026 Headline Tour With Support From CONVERGE

    Poison The Well released the definitive album The Opposite of December… A Season of Separation in December 1999 and it went on to become a benchmark of the genre that has inspired a generation of bands. The album was chosen as one of the “15 ’90s Metalcore Albums That Still Resonate Today” by Brooklyn Vegan; as one of the “21 Best U.S. Metalcore Albums of All Time” by Kerrang!; as one of the “25 Best Metalcore Albums of All Time” by Loudwire; and as one of the “Top 60 Best Hard Rock Albums of All Time” by Revolver. Its influence is indisputable.

    But the band is not content to rest on the laurels of its past achievements, as mighty as those achievements are.

    PTW are thrilled to announce their Spring 2026 headline tour. Converge will support with Balmora, SPY, The Armed, and The Barbarians of California appearing on different segments. General onsale began on Friday, January 23 at 10am local time here.

    Peace In Place, their first album in 16 years, will arrive via SharpTone Records on March 20. Pre-order it here.

    Poison The Well Tour Dates:

    4/2 — Cleveland, OH — House of Blues*
    4/3 — Chicago, IL — Concord Music Hall*
    4/4 — Pontiac, MI — The Crofoot*
    4/6 — Pittsburgh, PA — Preserving Underground*
    4/7 — Toronto, ON — HISTORY*
    4/9 — Worcester, MA — The Palladium*
    4/10 — Queens, NY — Knockdown Center*
    4/11 — Philadelphia, PA — Fillmore*
    4/12 — Baltimore, MD — Nevermore Hall*
    4/25 — Las Vegas, NV — Sick New World%
    5/7 — Denver, CO — Summit+
    5/9 — Austin, TX — Stubb’s Outdoors+
    5/10 — Houston, TX — House of Blues+
    5/12 — Phoenix, AZ — Nile Theater+
    5/13 — Los Angeles, CA — The Belasco+
    5/15 — Anaheim, CA — House of Blues+
    5/16 — San Diego, CA — The Observatory North Park+
    5/17 — San Francisco, CA — The Regency Ballroom+

    %Festival Date
    *SPY and Balmora
    +The Armed and The Barbarians of California

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  • BLEED FROM WITHIN Reveals Audiotree Session Live And Unedited

    Scottish metal heavyweights, Bleed From Within, are proud to reveal their live Audiotree Session. The band filmed the one take performance during their 2025 North America tour supporting Bullet For My Valentine and Trivium, featuring songs from their latest album Zenith and more. Audiotree are renowned for showcasing talented musicians from around the world. Their channel has become a cornerstone, capturing intimate studio performances from diverse artists.

    Bleed From Within stated: “We’ve had our eyes on Audiotree for quite some time. We saw this as an opportunity to showcase our material in a new light, without the usual production that we have with us in a live environment. In an age of over produced records & bands editing live footage, it felt refreshing to walk into a room and just play our instruments knowing that this was our one take and only chance to dial it in. There were no run throughs or drop ins. Play it loud, then come see it in the flesh in April/May on our first ever headline tour of North America!”

    After 20 years, Bleed from Within have reached their Zenith. The Glasgow firebrands are one of the hardest working acts in metal: playing shows globally with everyone from Megadeth to Slipknot, all while writing and regularly releasing monstrous, exhilarating songs. The upward journey reaches new heights on their seventh album, which contains the band’s heaviest, catchiest and most intrepid music to date.

    Bleed – vocalist Scott Kennedy, guitarists Craig “Goonzi” Gowans and Steven Jones, drummer Ali Richardson and bassist Davie Provan – have long been Scottish metal’s most valued sons, constantly at the vanguard of muscular-sounding music. First albums Humanity (2009) and Empire (2010) made them cult figureheads in the deathcore scene, before Uprising (2013) broadened their palate with groove metal adrenaline and melodic death metal prowess. It also marked their major-label debut, catapulting them onto tours with heavy royalty.

    The post BLEED FROM WITHIN Reveals Audiotree Session Live And Unedited appeared first on Sonic Perspectives.

  • Guitar Powerhouse JARED JAMES NICHOLS Announces New Album “Louder Than Fate”, Shares Music Video For New Single “Pretend”

    Jared James Nichols‘ fourth studio album, Louder Than Fate will arrive this June 5, 2026, via Frontiers Music SLR. This new album is easily the guitarist, singer, and songwriter’s most powerful and fully realized statement to date.

    Raw, unapologetic, and deeply rooted in the lineage of blues-driven hard rock, the album captures an artist at the peak of his creative confidence, channeling grit, groove, and soul with relentless intensity.

    Nichols had this to say about Louder Than Fate: “I’m beyond excited for this record. I’ve been counting down the days until its release like it’s a personal holiday. If the singles are any hint for you, there are plenty of riffs ripping through the speakers like a buzz saw. But going deeper into the record, there are tons of different emotions and sounds that I have yet to explore as a singer/songwriter. I am personally thrilled to share different shades of myself on this record, giving so much more depth and insight to the listener. Get ready for Louder than Fate. “

    To celebrate the album’s announcement, JJN is sharing the latest single, “Pretend,” alongside a new music video, available to view below. About the track, he comments: ‘Pretend’ hits like a live wire – gritty, pumping drums and guitar chugs that scream on the edge of chaos. Sometimes a relationship is all smoke, no fire; it’s just a borrowed desire.”

    Pre-order the album here.

    Produced and mixed by Jay Ruston (AnthraxStone SourAmon AmarthSkindred, and Steel Panther) with additional production by Roger Alan Nichols (Larkin PoeTyler Bryant & The Shakedown and Hayley Williams of Paramore), Louder Than Fate balances muscle and melody, combining thunderous riffs, searing solos, and emotionally charged vocals with a modern, punchy production. The songs move effortlessly between hard-hitting rock anthems and more reflective, dynamic moments, showcasing Nichols’ ability to fuse classic influences with a contemporary edge. Tracks like “Bending or Breaking” and “Killing Time” expand the sonic palette with subtle keyboards and cinematic string arrangements, adding depth without ever sacrificing power.

    Since his breakout debut, Jared James Nichols has built a reputation as one of the most electrifying guitarists and performers of his generation. Known for his unmistakable tone, fearless playing style, and commanding stage presence, he has toured extensively across the US and Europe, sharing stages with some of the biggest names in rock and earning praise from fans and critics alike.

    Louder Than Fate is not just an album — it’s a declaration. A record that speaks to resilience, conviction, and the unstoppable force of an artist who plays every note as if it truly matters. Loud, honest, and deeply human, this is Jared James Nichols at his absolute best.

    The post Guitar Powerhouse JARED JAMES NICHOLS Announces New Album “Louder Than Fate”, Shares Music Video For New Single “Pretend” appeared first on Sonic Perspectives.

  • MAMMOTH Shares Music Video For Single “One Of A Kind”

    Mammoth (formerly Mammoth WVH), the project fronted by Grammy Award-nominated songwriter, vocalist, multi-instrumentalist, and producer Wolfgang Van Halen, has released an official music video for the song “One Of A Kind”. The track appears on Mammoth’s third full-length album, The End, which arrived last October.

    The 10-song release runs 39 minutes and reflects how Van Halen’s writing has continued to develop since he launched his solo career in 2020. The album was recorded at the famed 5150 Studio and produced by longtime friend and collaborator Michael “Elvis” Baskette, continuing a creative partnership that has shaped the band’s sound from the beginning.

    Looking ahead, Mammoth will launch its first headlining tour of 2026 on March 5 in Buffalo, New York, before wrapping up on April 4 in Prior Lake, Minnesota. The routing includes stops in Toronto, Ontario on March 8, Wallingford, Connecticut on March 15, Knoxville, Tennessee on March 24, and Cincinnati, Ohio on April 1, among other cities. Support on the run will come from 10 Years and James And The Cold Gun. Ticket and VIP package details are available through the band’s official website.

    For the tour, Mammoth will hit the road with a lineup that features Wolfgang Van Halen on guitar and lead vocals, Frank Sidoris of Slash Featuring Myles Kennedy And The Conspirators on guitar, Jon Jourdan on guitar and vocals, Garrett Whitlock of Tremonti on drums, and Ronnie Ficarro on bass.

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  • BREAKING BENJAMIN Guitarist KEITH WALLEN Kicks Off 2026 With New Solo Single “A Thin Line”

    Breaking Benjamin‘s guitarist Keith Wallen has kicked off 2026 with the new single “A Thin Line.” The song’s gentle acoustic guitar strumming is accompanied by Wallen’s emotive, room-filling vocals. It will remind you of the alt power ballads of the late ’90s, wherein its heft lies in its simplicity .

    “The duality of outcomes from the choices we make could mean the difference between our personal heaven or hell, war or peace, or even life or death,” Wallen shares about the song’s meaning.

    Wallen has been dropping singles for the past 12 months, starting with “Us Against the World” and “Dead Inside.” Wallen delivered his gorgeous take on Avril Lavigne‘s contemplative classic “I’m With You” and also teamed up with Gore singer Haley Roughton for “Teeth Marks”.

    Keith Wallen is a prolific songwriter responsible for soaring melodies and hypnotic hooks heard across modern rock radio. The West Virginia-born troubadour uses his solo work as a vehicle to explore his multifaceted passions, moving seamlessly from the smart pop of ’80s favorites like The Police and Depeche Mode to the big moody riffs of ’90s grunge heroes like Alice In Chains, Soundgarden, and Stone Temple Pilots.

    His co-writing collaborations include compositions with Saint Asonia, Fuel, We Came As Romans, Red, Dorothy, and Korn guitarist Brian “Head” Welch’s Love And Death. Wallen bares his soul as a solo artist with earnest resolve, powering his honest anthems with commanding vocals.

    Keith’s self-produced acoustic and piano-driven Allies EP arrived in 2014. His debut solo album, 2021’s This World Or The Next, featured “Dream Away,” a song streamed 1.4M times on Spotify alone. His second solo album, Infinity Now, includes production and co-writing contributions from Kevin Thrasher (Rivals, Jelly Roll) and work with Dan Braunstein (Spiritbox, Dayseeker) and Andrew Baylis (Sleeping With Sirens, Jelly Roll, Brantley Gilbert).

    Produced by Kevin Thrasher and mixed by Joel Wanasek (Rain City Drive, Scott Stapp), Keith’s sophomore solo album, Infinity Now, extends a warm invitation into the singer/songwriter’s heart and mind. Hard rock bombast meets intimate pensiveness via engaging songs like “Blackout,” “Strings,” and first single, “Headspace Holiday.”

    As guitarist for Breaking Benjamin, a solo artist or songwriting collaborator, the common threads through Keith Wallen‘s work are honesty, authenticity, and heartfelt spirit.

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  • ROB ZOMBIE Reveals New Single “(I’m A) Rock ‘n’ Roller” From Upcoming Album “The Great Satan”

    Rock metal legend Rob Zombie has released the 3rd single, “(I’m a) Rock ‘N’ Roller”, from his highly-anticipated upcoming album, The Great Satan, due out February 27th via Nuclear Blast Records.

    The hell-raising new single, “(I’m a) Rock ‘N’ Roller”, is classic Rob Zombie with his signature brand of thick, boot-stomping grooves and fist-pumping choruses. It’s a clear declaration from the iconic and otherworldly frontman that “rock & roll is here to stay.”

    The new track follows the recent announcement of Rob Zombie’s Summer 2026 co-headline tour with label mate Marilyn Manson happening during August and September with support from The Hu and Orgy. Tickets and VIP packages are onsale now here.

    Following the success of his Top 10 charting record The Lunar Injection Kool Aid Eclipse Conspiracy (2021), Zombie is back with his 8th album, The Great Satan, revisiting his early Hellbilly roots for a slaughterhouse of anthemic punk infused heavy rock/metal.

    The Great Satan is available now for pre-order in a variety of formats including a limited box set and accompanying apparel here.

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