Category: news

  • Korn just played their first UK show since headlining Download last year – see the setlist and watch videos here

    Korn have returned to the British Isles for the first time since headlining Download festival in June 2025.

    The Bakersfield nu metal pioneers put on their first of six shows in England and the Republic Of Ireland on Monday (October 26), where they played an 18-song set including such 90s hits as Blind, Freak On A Leash and Falling Away From Me at First Direct Bank Arena in Leeds.

    They also dusted off 1996 rarity Chi, which before this tour hadn’t played since 2013, and Kill You, unplayed since 2007. See the full setlist and watch videos below.

    Korn are still touring to promote their 2022 album Requiem, though they haven’t played any songs from the record on this run. However, they have been performing Reward The Scars, the single they put out in April in collaboration with role-playing videogame Diablo IV.

    Whether the song will make the tracklisting of the band’s next record, their 15th overall, remains to be seen. Last month, Ray Luzier’s technician revealed that the drummer has recorded his parts for the release.

    Korn’s 15th album will be their first without co-founding bassist Reginald “Fieldy” Arvizu, who parted ways with the band shortly after completing his work on Requiem. Roberto “Ra” Díaz has been filling in live since late 2021. This year, Fieldy explained why and his former bandmates parted ways, revealing that it came down to his refusal to get the COVID-19 vaccine, and his resultant inability to tour internationally.

    “COVID happened,” he told the Shady Characters podcast. “That’s it. I’m like, ‘I’m not going out there.’ That’s what happened, ’cause it was new. Now. I didn’t get vaccinated or anything – but when you reflect on it, that’s what happened. They’re like, ‘We’re going to Florida,’ and I’m like, ‘I’m not going to get vaccinated. I’m not going.’ I go, ‘People, this is weird right now.’”

    Korn’s UK/Ireland tour continues on Thursday (October 28) at Utilita Arena in Birmingham, then will proceed through Manchester and Dublin before concluding at London’s O2 Arena on November 4. They’ll return to mainland Europe on November 8, when they play the Ziggo Dome in Amsterdam. The tour will wrap up at Unipol Forum in Assago, Italy on November 21.

    Korn setlist: First Bank Direct Arena, Leeds – October 26, 2026

    1. It’s On!
    2. Here To Stay
    3. Reward The Scars
    4. Got The Life
    5. Rotting In Vain
    6. Twist
    7. Chi
    8. Kill You
    9. A.D.I.D.A.S.
    10. Shoots And Ladders
    11. Coming Undone
    12. Did My Time
    13. Make Me Bad
    14. Y’All Want A Single
    15. Falling Away From Me
    16. Blind
    17. Twisted Transistor
    18. Freak On A Leash
  • MACHUKHA release ‘Severing’ ahead of November UK shows

    MACHUKHA have released ‘Severing’, accompanied by a self-produced music video exploring inner conflict, survival and the emptiness left behind when a damaged part of oneself is removed. The Ukrainian/German post-black metal group present the song ahead of a UK run beginning in Brighton on 7 November, with their second album scheduled for early 2027 through […]

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  • PARALLEL MINDS UNVEIL “BHOPAL,” A TRIBUTE TO THE VICTIMS AND SURVIVORS OF THE 1984 BHOPAL DISASTER – @thebeast

    FOR IMMEDIATE RELEASE
    PARALLEL MINDS UNVEIL “BHOPAL,” A TRIBUTE TO THE VICTIMS AND SURVIVORS OF THE 1984 BHOPAL DISASTER

    French Modern Metal Band Confronts Corporate Negligence, Human Suffering, and the Legacy of Colonialism in Powerful New Music Video From CAIRN

    Release Date: November 6, 2026
    French modern metal band PARALLEL MINDS unveil “Bhopal,” a powerful new music video inspired by the 1984 Bhopal disaster in India. Serving as a tribute to the victims and survivors of one of the world’s worst industrial catastrophes, the track confronts the devastating human cost of corporate negligence and a system in which the most vulnerable are too often left to suffer the consequences.
    The new video extends the humanist and anti-colonialist themes explored throughout CAIRN, the band’s fourth full-length album, released in March 2026. Through a combination of modern heavy metal aggression, thrash-driven intensity, progressive arrangements, and epic melodies, PARALLEL MINDS deliver a message that reaches beyond music, shining a light on forgotten tragedies and the people behind the headlines.
    The 1984 Bhopal disaster remains a devastating example of the consequences of industrial negligence, with generations of victims and survivors continuing to live with its legacy. Rather than allowing this tragedy to fade into history, PARALLEL MINDS use “Bhopal” to honor those affected while challenging the systems of exploitation and inequality that allow such suffering to occur.
    With CAIRN, the band explores human suffering, injustice, resilience, and the lasting consequences of colonialism through a deeply humanist perspective. The album confronts uncomfortable realities while emphasizing the importance of remembrance, accountability, and solidarity with those whose stories are too often overlooked.
    Following the previously released videos for “Sufero” and “Sekigahara,” “Bhopal” offers another glimpse into the ambitious musical and conceptual scope of CAIRN. The album showcases PARALLEL MINDS’ ability to balance technical musicianship and crushing heaviness with memorable melodies and thoughtful storytelling, creating a sound that is as intellectually engaging as it is sonically powerful.
    Widely praised by the French and international metal press, CAIRN reinforces the band’s commitment to pushing modern metal beyond conventional boundaries. With “Bhopal,” PARALLEL MINDS demonstrate that heavy music can be both uncompromising in its sound and deeply meaningful in its message.
    “Bhopal” arrives November 6, 2026.
    WATCH THE VIDEO

    “Bhopal” Official Music Video:
    [jrEmbed module=”jrYouTube” youtube_id=”elcVRUtfyOg”]
    Previously Released Videos:
    “Sufero”:
    [jrEmbed module=”jrYouTube” youtube_id=”A1ivmFQNvig”]
    “Sekigahara”:
    [jrEmbed module=”jrYouTube” youtube_id=”nL9CIvxYLHo”]
    ABOUT PARALLEL MINDS

    PARALLEL MINDS are a French modern metal band combining heavy metal, thrash, progressive elements, and epic melodies into a sound built on musical intensity and meaningful storytelling. Across their releases, the band explores human experiences, historical events, social injustice, and the complexities of the world around us.
    Their fourth album, CAIRN, released in March 2026, continues that mission through a humanist perspective that challenges exploitation, confronts inequality, and gives a voice to stories that deserve to be remembered.
    With a sound that balances aggression, technical precision, and expansive songwriting, PARALLEL MINDS continue to establish their identity within the modern metal landscape.

    CONNECT WITH PARALLEL MINDS

    Official Linktree:
    https://linktr.ee/ParallelMindsOfficial
    Official Music Video:
    https://youtu.be/elcVRUtfyOg
    PRESS CONTACT

    Email: zach@metaldevastationradio.com
  • PARALLEL MINDS UNVEIL “BHOPAL,” A TRIBUTE TO THE VICTIMS AND SURVIVORS OF THE 1984 BHOPAL DISASTER – @thebeast

    FOR IMMEDIATE RELEASE
    PARALLEL MINDS UNVEIL “BHOPAL,” A TRIBUTE TO THE VICTIMS AND SURVIVORS OF THE 1984 BHOPAL DISASTER

    French Modern Metal Band Confronts Corporate Negligence, Human Suffering, and the Legacy of Colonialism in Powerful New Music Video From CAIRN

    Release Date: November 6, 2026
    French modern metal band PARALLEL MINDS unveil “Bhopal,” a powerful new music video inspired by the 1984 Bhopal disaster in India. Serving as a tribute to the victims and survivors of one of the world’s worst industrial catastrophes, the track confronts the devastating human cost of corporate negligence and a system in which the most vulnerable are too often left to suffer the consequences.
    The new video extends the humanist and anti-colonialist themes explored throughout CAIRN, the band’s fourth full-length album, released in March 2026. Through a combination of modern heavy metal aggression, thrash-driven intensity, progressive arrangements, and epic melodies, PARALLEL MINDS deliver a message that reaches beyond music, shining a light on forgotten tragedies and the people behind the headlines.
    The 1984 Bhopal disaster remains a devastating example of the consequences of industrial negligence, with generations of victims and survivors continuing to live with its legacy. Rather than allowing this tragedy to fade into history, PARALLEL MINDS use “Bhopal” to honor those affected while challenging the systems of exploitation and inequality that allow such suffering to occur.
    With CAIRN, the band explores human suffering, injustice, resilience, and the lasting consequences of colonialism through a deeply humanist perspective. The album confronts uncomfortable realities while emphasizing the importance of remembrance, accountability, and solidarity with those whose stories are too often overlooked.
    Following the previously released videos for “Sufero” and “Sekigahara,” “Bhopal” offers another glimpse into the ambitious musical and conceptual scope of CAIRN. The album showcases PARALLEL MINDS’ ability to balance technical musicianship and crushing heaviness with memorable melodies and thoughtful storytelling, creating a sound that is as intellectually engaging as it is sonically powerful.
    Widely praised by the French and international metal press, CAIRN reinforces the band’s commitment to pushing modern metal beyond conventional boundaries. With “Bhopal,” PARALLEL MINDS demonstrate that heavy music can be both uncompromising in its sound and deeply meaningful in its message.
    “Bhopal” arrives November 6, 2026.
    WATCH THE VIDEO

    “Bhopal” Official Music Video:
    [jrEmbed module=”jrYouTube” youtube_id=”elcVRUtfyOg”]
    Previously Released Videos:
    “Sufero”:
    [jrEmbed module=”jrYouTube” youtube_id=”A1ivmFQNvig”]
    “Sekigahara”:
    [jrEmbed module=”jrYouTube” youtube_id=”nL9CIvxYLHo”]
    ABOUT PARALLEL MINDS

    PARALLEL MINDS are a French modern metal band combining heavy metal, thrash, progressive elements, and epic melodies into a sound built on musical intensity and meaningful storytelling. Across their releases, the band explores human experiences, historical events, social injustice, and the complexities of the world around us.
    Their fourth album, CAIRN, released in March 2026, continues that mission through a humanist perspective that challenges exploitation, confronts inequality, and gives a voice to stories that deserve to be remembered.
    With a sound that balances aggression, technical precision, and expansive songwriting, PARALLEL MINDS continue to establish their identity within the modern metal landscape.

    CONNECT WITH PARALLEL MINDS

    Official Linktree:
    https://linktr.ee/ParallelMindsOfficial
    Official Music Video:
    https://youtu.be/elcVRUtfyOg
    PRESS CONTACT

    Email: zach@metaldevastationradio.com
  • Reviews: Virology, Nothing Minor, Avicide, Paradox To Stay (Matt Bladen)

    Virology – Sequential Malformations (Self Released)

    A death metal duo now as Virology unleash their debut full length record Sequential Malformations. You may wonder just how heavy a band made up of a bassist and vocalist can be and while the drums are performed by a Mac N’Tosh, both the I assume 8-16 string bass and vocals are real(ish) humans.

    James Easterbrook aka Bunny handles the riffs/rhythms and stomach churning bottom end with a multifaceted virtuoso bass performance where there’s frankly need for a guitar at all, if there is it’s way in the background as Virology drive their tracks with some bludgeoning, technically intense bass, even the solo section of songs such as Blasphemy are bass, while Congnitive could be Primus.

    Cut with horror movie samples, each track just batters you into submission, shows off Bunny’s prowess and features some disgusting barked, growled and screamed vocals from James Birkett who gives a frenzied and intense performance, perfect for tracks such as the more techincal Terminal, Epidemic Naval Spore and the ferocious Consomméted.

    How much you get out this album is very much dependent on how much you like guitars, if you’re looking for buzz saw snarl then that’s not here but if bass-led extremely technical death metal sound alike it’s your thing then definitely check out Virology, a band doing something interesting and original in the death metal scene. 8/10

    Nothing Minor – Devoted To Dysfunction (Self Released)

    Nothing Minor are a band with message behind them. Formed as a way to deal with and highlight metal health, their music merges emo, alternative, goth rock/metal, with soaring, emotive vocals, heavy riffs and anthemic choruses.

    Based in the Welsh Valleys they have a strong following here and across the bridge so I was interested to hear their new EP Devoted To Dysfunction and if bands such as Evanescence, modern Within Temptation, Paramore and even Spiritbox are frequently on your play lists then you’ll find lots to like here.

    Hell begins with a heavy riff as Ellie’s frantic vocals, countered by some shouts in the background, a strong opener at the rocker end while Sinking goes into the more poignant side featuring a piano against some sobering lyrics, this introspection continues on Ruined, but things get back into rocking for Crimson.

    Crimson and Burn My Tongue both have a cracking riff behind them from guitarist Kieran as bassist Keiron and drummer Oliver bring the grooves to these final cuts, you do understand why Nothing Minor have the following they do in South Wales, a throwback to the early 2000’s with a strong message of advocacy. 8/10

    Avicide – Respirate EP (Self Released)

    Bristol based Avicide impressed in this years Metal To The Masses South Wales, the trio play a heavy version of alt metal with hardcore veins running through it so when I was sent this EP I did wonder if their live fire would translate on record.

    I pushed play to find out and I was met with some distorted riffs from Thomas Woods to start, taken from the American metalcore scene but in a quirk to these genes tags some angsty clean vocals from singer/bassist Hattie Cowley, which offers up a bit more aggression towards the end, this angst comes back on the grungy Don’t Do It.

    Please Just Lie kicks in with an even filthier riff than the first track, the vocals go gutteral as those hardocre influences loom large in the steel sounding snare of Danny Woods and the closing breakdown which takes Avicide into the heavier realms they also visit on the dynamic I Eat Dirt which reminds a lot of Code Orange.

    That’s the strongest comparison I can give to Avicide who are band with defined duality in their music, closing this EP with the Deftonesesque Leach, Respirate breathes life into Avicide on record. 7/10

    Paradox To Stay – Death Of Souls (Self Released)

    The new EP by Paradox To Stay features the two previous singles they’ve released since changing their vocalist alongside two new tracks resulting in 16 minutes of new music from this Welsh (Newport) metalcore mob.

    This is a five piece that are inspired by the modern style of metalcore, frantic riffs, grooves and harsh scream vocals with the crushing breakdowns of deathcore lumbering their way into the music as well.

    The one thing I will say about this record is that it’s extremely well produced, it just sounds huge, Glasgow Smile having that thick industrial chug of deathcore to smash you around the chops, but it also introduces the one thing I massively dislike here which are the clean vocals.

    However it does seem to be just this one song as on the NWOAM style Heartless and thrashy Serenity the cleans are much better working well with the harsh screams, in fact the last three tracks on the album sound like a different band to the huge deathcore opener and you know what I prefer it.

    Death Of Souls is a little fractured by what it wants to be genre wise but there’s a lot of talent on show here. 7/10
  • NØ MAN – BETWEEN THE SWORD AND THE NECK

    (Andy Synn stands up to be counted alongside Washington D.C. Hardcore crew NØ MAN) People sometimes (and by “sometimes” I mean “frequently”) get very mad at the assertion that all music is, in some way, political. And I get why, to an extent. After all, for a lot of people the use of the term “political” […]

    The post NØ MAN – BETWEEN THE SWORD AND THE NECK appeared first on NO CLEAN SINGING.

  • Thirsty Quireboys Honour Guy Bailey With 10, 7 And Possibly 6

    Thirsty Quireboys Honour Guy Bailey With 10, 7 And Possibly 6

    Thirsty Quireboys have released 10, 7 And Possibly 6, a tribute to late Quireboys co-founder Guy Bailey featuring Spike on vocals. The second single from God Bless America – Best of Thirsty is out now on digital platforms and limited-edition 7-inch vinyl, coinciding with The Quireboys’ UK tour dates.

    The song also opens the album, but its role in the project goes beyond the tracklisting. Originally planned as a one-off tribute, it prompted further recordings that brought Bailey’s guitar work and Spike’s voice together in a posthumous collaboration.

    “Our opening song both live and on record. A killer guitar riff with a great lead vocal. Mesmerising drum fills and a helter skelter guitar solo,” says bassist and keyboard player Chris Johnstone. “Guy would have absolutely loved it!”

    From A Single Tribute To An Album

    Spike’s first take on 10, 7 And Possibly 6 convinced Johnstone and producer Chris Kimsey, known for his work with The Rolling Stones, to encourage further sessions. The initial recording became the starting point for the wider God Bless America – Best of Thirsty project.

    The song draws on Bailey’s songwriting partnership with poet and lyricist Irina D. Their collaboration began in 2014, combining his melodic writing with her stories inspired by novels, poetry and real histories. Long-time Thirsty collaborator Lynne Jackaman also features on the track.

    Its cryptic title points towards the Ten Commandments, with the release inviting listeners to consider how many might be broken after a single look.

    The accompanying video follows Spike alone on an underground train. The announcement describes a warm, desaturated vintage palette, with close-up shots and passing tunnel lights giving the performance a reflective setting.

    Limited-Edition Vinyl And UK Tour

    The limited-edition 7-inch single is available at gigs and through the Cadiz Merch Store. God Bless America – Best of Thirsty is also out now. Buy the 7-inch single here or buy the album here.

    The post Thirsty Quireboys Honour Guy Bailey With 10, 7 And Possibly 6 first appeared on MetalTalk – Heavy Metal News, Reviews and Interviews.
  • Cirith Ungol – All the Shadows Review

    The original mega-kvlt and trve metal act, Cirith Ungol are a lot like the evil demigod, Sauron. They both had mysterious beginnings before erupting onto the scene to create a lasting legacy. And both simply refuse to die and stay dead. After 3 iconic albums in the 80s, these mystical heavy metal maestros took a long hiatus, only to reappear 5 years later with fourth album, Paradise Lost. That would spell the end of the original run, with them soon breaking up, seemingly for good. But as Sauron’s eye rose to the sky 3000 years after his “death,” Cirith Ungol exploded from the void 19 years after disbanding with 2020s Forever Black. And what a welcome return it was, with their sound and style largely intact and the material heavy and maurading. 2023’s Dark Parade kept the war party in the field with another high-quality outing that proved Cirith Ungol was still a potent beast on a second career tear. Sadly, in 2024 the band announced they would be performing their final shows and calling it a day. It seemed the standard bearers of trve metal had finally come full circle and all their tales were told. 2 years on, however, Cirith Ungol come back from the grave once again with All the Shadows, albeit without either founding axe Gregory G. Lindstrom or longtime guitarist Jimmy Barraza. Why won’t these grizzled vets stay dead? We have no answers. Will you be glad to have them back? That we can address.

    As a major Ungol head since my teams, I rejoiced muchly when word reached me that we were getting another album. The opening title track gave me even more reason ot celebrate, as it’s 100% pure Ungolcore as heavy and mighty as anything they ever conjured. One-of-a-kind frontman Tim Baker still sounds unbelievably powerful, his odd but awesome vocals still oozing with grit, grease, and pig squeals. This is exactly the kind of classic metal war march I crave from these guys and it hits like a runaway siege engine full of dragonfire. “Shallow Reflection” goes back to Ungol’s doomy roots and borrows more than a little from classic Black Sabbath to craft a brooding slab of trve doom fury. Baker’s insane bellowing here is worth the price of the album, and this is the big dose of classic metal glory that all posers need in their feeble lives. “Empty Tomb” is even more like vintage Ungol. This one could have appeared on their legendary King of the Dead opus and fit in like a dagger through the ribs. It’s a thing of ugly beauty. Also of note is the 7-plus-minute “On Broken Wings,” which is like an old school trve doom ballad that finds Tim Baker singing cleanly and softly in a way he rarely does. Soon it’s back to his signature “pig monster in pain” bellowing, and the transition from soft to oink makes his excessive over-the-topness feel even more impactful.

    Unfortunately, there are some bumpy moments scattered across All the Shadows. While “This Mortal Stain” is solid with cool moments and contains some of Baker’s most insane vocals ever, the song never fully gets on track. “Turning Blind” is heavy but clunky and awkward and feels half-baked. At just under 41 minutes, it feels like the band struggled somewhat to piece together an album as massive as their last few. I’m happy to get the good stuff, but there’s more chaff with the wheat this time.

    The core of the Cirith Ungol sound has always been the oddball vocal attack from Tim Baker. Despite being 70 years of age, the man still sounds like the real monster lurking behind the Minotaur in the maze. His massive, raspy bellows are the stuff of legend, and his kinda-sorta pig squeal is as freaky as it was in the early 80s. He brings life to the best stuff here and keeps the lesser bits from completely face-planting. He’s a special talent. The absence of both Gregory G. Lindstrom and Jimmy Barraza definitely took a toll on the writing and, to an extent, the classic sound palette of Cirith Ungol. While it’s clear the band took pains to get new slinger Armand Anthony (Night Demon, ex-Gygax) to fit his playing into the classic Ungol style, there are moments where things feel more like a copy than the real Magilla.

    I’ll be a die-hard Cirith Trooper until the end of time and I still spin their classic albums regularly. There was never a band quite like them, and that always made them feel extra special. I want to like All the Shadows more than I do, but shortcomings aside, it’s still a solid addition to their mighty catalog with some potent Ungol chunks amid the Cirith slurry. If you’re new to the band, this might not be the best place to start, but fans should find plenty to love here. May Cirith Ungol live forever. The world needs them.


    Rating: 3.0/5.0
    DR: 7 | Format Reviewed: 320 kbps mp3
    Label: No Remorse
    Websites: cirithungolofficial.bandcamp.com | facebook.com/cirithungolofficial | instagram.com/cirithungolband
    Releases Worldwide: October 30th, 2026

    The post Cirith Ungol – All the Shadows Review appeared first on Angry Metal Guy.

  • ‘Scorpion’ arrives on Friday as BULLET-PROOF return

    Richard Hupka wrote and recorded BULLET-PROOF’s new single ‘Scorpion’ at his home studio, joined by bassist Alessandro Gatti and drummer Željko Marinković. Mixing was handled by Alessio Garavello at Rogue Recording Studios in London. The Italian heavy/thrash metal band will release the track on 30 October 2026, with availability on Spotify and other major digital […]

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