Monty! delivers a refreshing dose of conscious hip-hop on Sail Off, a laid-back anthem that celebrates self-acceptance, gratitude, and finding peace in your own lane. Built around breezy production, smooth flows, and an effortlessly catchy hook, the track radiates warmth without sacrificing lyrical substance. Monty!’s relaxed delivery perfectly complements the sun-soaked instrumental, creating an uplifting atmosphere that feels genuine rather than forced. Balancing thoughtful introspection with feel-good vibes, Sail Off is an engaging reminder that fulfillment comes from embracing your own journey, making it an easy track to keep on repeat.
Mesh Kimono makes a striking statement with Permanent Death, an ambitious art/ synth-pop composition that blends classic songwriting with adventurous arrangements and modern production. Rich harmonies, shimmering synths, glam-tinged melodies, and unexpected twists keep the track constantly evolving, while the expressive vocal performance anchors its philosophical reflections with warmth and conviction. Every section introduces fresh textures without disrupting the song’s natural flow, culminating in a memorable saxophone passage that adds another layer of character. Thoughtfully crafted and melodically rewarding, Permanent Death is a sophisticated debut that showcases Will Berman’s impressive songwriting instincts and fearless creative vision.
In the early 60s in El Paso, Texas, Bobby Fuller was a local hero, a renaissance man – or kid. He had his own club, Bobby Fuller’s Teen Rendezvous, led his own band, The Fanatics, ran a label, Exeter Records, and booked tours for his band and other artists. Fuller was an impresario in the making.
By 1965, burning ambition lured him to Los Angeles, where he got drawn into the Mob-tied music business. The Fanatics fell in with Bob Keane, a smooth operator with links to guys named ‘Handsome Johnny’ and ‘The Chin’, signing with his label Del-Fi Records and rechristening themselves The Bobby Fuller Four. But chasing the brass ring meant compromise, in the form of payola, favours, tie-ins and endless back-scratching.
Their second single, a cover of Sonny Curtis’s I Fought The Law – released at the end of 1965 but not making an impact until the start of 1966 – gave them a US Top 10 hit and made their name. Fuller described his style as “the border sound”. Indeed it had echoes of Texas, Mexico and California – lean rockabilly, Tejano rhythms and twangy surf guitars – but it was also a response to The Beatles. Fuller was proud that he never imitated the Merseybeat style, and even wore a surfer’s cross as a symbolic amulet against the British Invasion.
Bobby Fuller (centre) onstage with The Bobby Fuller Four in 1966 (Image credit: Michael Ochs Archives/Getty Images)
In summer 1966, the Fuller Four had just come off a gruelling three-month tour. They were exhausted and sick of each other. And Bobby was sick of how Keane was adding unwanted flourishes such as syrupy strings to his records without his consent, and grooming him as a solo pop singer. Bobby made it known that he was ready to pull the plug on everything and go back to his El Paso empire.
On July 16, the band and Keane were set for a big meeting to hash out the future. That afternoon, though, Fuller was found dead by his mother in her Oldsmobile, parked outside his apartment. There were smears of dried blood around his chin and mouth. His usually perfect clothes and hair were messed up and soaked with gasoline. His right hand was clutching a rubber siphoning tube. According to a dashed-off autopsy report, 23-year-old Fuller used that tube to commit suicide by swallowing half a gallon of petrol.
That explanation satisfied the local police, who closed the case without even dusting for fingerprints. But questions remained. The car hadn’t been in the parking lot 30 minutes before his mother found it, so why was Fuller’s body in a state of advanced rigor mortis? Why did Keane take out an $800,000 life insurance policy on Fuller a month before his death? How deep were Keane’s ties with the Mob? And how much did they know about Fuller’s plan to split? And wasn’t it worth exploring that Fuller was the third artist under Keane’s charge, after Richie Valens and Sam Cooke, to die in strange, disputed circumstances?
Of all the big ‘what ifs’ in rock history, there is none more tantalising than ‘What if Bobby Fuller had escaped that LA scene and gone back to Texas?’ Like his hero Buddy Holly, who also died criminally young, there was surely more amazing music to come. Maybe Bobby Fuller would have become a kind of Lone Star Sam Phillips and 1966 would now be famous for his American Invasion of Britain?
The story of Forlorn Citadel began in 2017, when Australian musician Solace brought his own medieval world to life as a one-man dungeon synth project. The first demo, Dusk, was characterised by floating keyboard themes and a strong fantasy atmosphere, while the following year’s Songs of Mourning already introduced elements of black metal. The two […]
Bob Dylan is still having guitarist issues. This past Friday, July 10, another new guitarist joined his live setup. Memphis-based rhythm & blues guitarist and vocalist J. Jad Tariq performed with Dylan’s band in Cincinnati, Ohio at PNC Pavilion.
Padded Cell Productions and BMF Productions present Metal in the Mountains 2026. To be held at Beechworth Historic Precinct, 100 Ford Street, Beechworth, Victoria, from November 13 to 15, this dose of alternative, underground culture proudly stands behind the Historic Precinct buildings of Beechworth. Returning for a massive seventh year in the centre of Beechworth […]
Metallica’s catalog stretches from the raw speed of Kill ’Em All to the massive reach of Metallica and the late-career power of 72 Seasons. This complete A-to-Z guide brings together the band’s studio tracks, covers, soundtrack appearances, collaborations, B-sides, and rarities in one place. Metallica’s journey from a fledgling Los Angeles metal band to global rock titans is one of resilience, innovation, and unyielding energy. Formed in late 1981, the band was born from a newspaper advertisement placed by Lars Ulrich, a Danish drummer with a love for the emerging thrash metal genre. James Hetfield, a guitarist and vocalist with
After lighting up the ol’ dusty trail with Conan and Telekinetic Yeti, Weedeater are re-upping with a fresh supply of U.S. tour dates. This fall, the Cape Fear Legends will smoke stages from coast to coast with their buds in Zeke, Royal Thunder and Yes Ma’am.
To pour more Evan Williams onto the fire, along the way, for three special dates, the W… Read More/Discuss on Metal Underground.com
Following frontman Dez Fafara’s recent takeover of SXM’s Liquid Metal, DEVILDRIVER’s campaign of carnage continues with the release of the blood-soaked title track off their explosive new record Strike and Kill, out now via Napalm Records. Easily one of the most vicious tracks on the album, the band gleefully hurls listeners through a pulverising blend […]
MISS MAY I — Levi Benton [vocals], Jerod Boyd [drums], Ryan Neff [bass], and Elisha Mullins [guitar ] — are thrilled to announce their upcoming new album NO PLACE FOR ME, which arrives October 2 via Solid State Records. Pre-order it here. Now, the band has shared the video for the new single Sanctuary.